Malacostraca Podophthalmata Britanniæ 1815–1875 by William Elford Leach and the history of its fragmented publication (Crustacea: Decapoda)

Zootaxa ◽  
2021 ◽  
Vol 5075 (1) ◽  
pp. 1-88
Author(s):  
PAUL F. CLARK ◽  
KEITH HARRISON

The present study documents the fragmented publication history of Malacostraca Podophthalmata Britanniæ by William Elford Leach, illustrated with coloured figures of all the species by James Sowerby. This work was originally proposed to consist of 12 or 14 numbers. One number was to be published every two months between the years 1815 and 1818. Although this was increased to 19 numbers its publication by James Sowerby halted at number 17 in 1820. In that year Leach had a complete nervous breakdown and, although he eventually recovered, he was retired from his post at the British Museum in 1822. Although Leach was optimistic and set out plans to complete Malacostraca, he died from cholera in 1836 near Genoa, Italy, with the work unfinished. During the early 1870s fortuitous events occurred that would lead to the publication of numbers 18 and 19 and the completion of the work. At that time William Sowerby began negotiating with Bernard Quaritch, a London publisher, for disposal of old stock from the Sowerby publishing house including Malacostraca. George Brettingham Sowerby the younger, an established naturalist and highly skilled illustrator, proposed that the Malacostraca should be updated and he prepared Nos. 18 and 19 for publication. These last two volumes of Malacostraca were finally made available by Quaritch in November 1875. The authorship of Nos. 1–17 has never been in doubt and this is the work of Leach with illustrations by James Sowerby. Among the taxa illustrated in Nos. 18 & 19 however, are species which were not known to occur in British waters when Leach was working and as such the choice of Malacostraca illustrated in 1875 differed significantly from the original proposals. Consequently the 1875 supplement should therefore correctly be credited entirely to G.B. Sowerby II and cited as Sowerby, G.B. II in Leach, W.E. (1875). Finally, because copies of the Malacostraca are not generally available, all the magnificent plates illustrated by James Sowerby and George Sowerby II are reproduced here in full colour.  

2020 ◽  
Vol 22 (3) ◽  
pp. 330-343
Author(s):  
Fabio Camilletti

It is generally assumed that The Vampyre was published against John Polidori's will. This article brings evidence to support that he played, in fact, an active role in the publication of his tale, perhaps as a response to Frankenstein. In particular, by making use of the tools of textual criticism, it demonstrates how the ‘Extract of a Letter from Geneva’ accompanying The Vampyre in The New Monthly Magazine and in volume editions could not be written without having access to Polidori's Diary. Furthermore, it hypothesizes that the composition of The Vampyre, traditionally located in Geneva in the course of summer 1816, can be postdated to 1818, opening up new possibilities for reading the tale in the context of the relationship between Polidori, Byron, and the Shelleys.


Author(s):  
Надія Подоляка

The purpose of the article is to investigate the peculiarities of the national Ukrainian culture in the artistic design of the editions of the Kharkov cooperative publishing house «Rukh». Research methods: Empirical-theoretical methods of analysis, synthesis, deduction are used. From the theoretical methods, a description and interpretation is applied. The use of these methods made it possible to prove that the publications of the Kharkov cooperative publishing house «Rukh» are a highly cultured artistic product, shrouded in the aura of the traditions of Ukrainian culture. It is proved that in the 20-ies. XX century. around the «Rukh» united a circle of like-minded writers, critics, editors, illustrators. Book covers were made by M. Samokish, S. Borovoy, V. Krichevsky. It is established that in the graphic design of the editions the editors used font ensembles, decorative elements and other visual materials created by the most prominent representatives of the artistic circles, in which the Ukrainian tradition is traced. In the design of covers used a variety of frames, ornaments of vegetable origin, stylized with letters. At the same time, minimalism of forms, compositions in a black and white version was quite common. Attention is focused on the works of the famous graphs of the era of the Ukrainian revival, created by the order of the Kharkiv cooperative publishing house «Rukh». The features of the national Ukrainian culture in the artistic design of publications are analyzed. Illustrations, graphic elements, style of execution and technique of the Ukrainian artists cooperating with the publishing house are characterized. The study significantly expands the view on publishing at the stage of the formation of Soviet power. The results can be used to write textbooks and teaching aids on cultural studies, the history of publishing and the history of Ukraine.


Author(s):  
Brian Fagan

Ever since Roman tourists scratched graffiti on the pyramids and temples of Egypt over two thousand years ago, people have traveled far and wide seeking the great wonders of antiquity. In From Stonehenge to Samarkand, noted archaeologist and popular writer Brian Fagan offers an engaging historical account of our enduring love of ancient architecture--the irresistible impulse to visit strange lands in search of lost cities and forgotten monuments. Here is a marvelous history of archaeological tourism, with generous excerpts from the writings of the tourists themselves. Readers will find Herodotus describing the construction of Babylon; Edward Gibbon receiving inspiration for his seminal work while wandering through the ruins of the Forum in Rome; Gustave Flaubert watching the sunrise from atop the Pyramid of Cheops. We visit Easter Island with Pierre Loti, Machu Picchu with Hiram Bingham, Central Africa with David Livingstone. Fagan describes the early antiquarians, consumed with a passionate and omnivorous curiosity, pondering the mysteries of Stonehenge, but he also considers some of the less reputable figures, such as the Earl of Elgin, who sold large parts of the Parthenon to the British Museum. Finally, he discusses the changing nature of archaeological tourism, from the early romantic wanderings of the solitary figure, communing with the departed spirits of Druids or Mayans, to the cruise-ship excursions of modern times, where masses of tourists are hustled through ruins, barely aware of their surroundings. From the Holy Land to the Silk Road, the Yucatán to Angkor Wat, Fagan follows in the footsteps of the great archaeological travelers to retrieve their first written impressions in a book that will delight anyone fascinated with the landmarks of ancient civilization.


1974 ◽  
Vol 8 (2) ◽  
pp. 20-34 ◽  
Author(s):  
Virginia H. Gibbons

Dates in parentheses at the end of each statement represent the combined holdings of the Stanford University-Hoover Institution libraries and are meant to serve as a guide to the publication history of the documents.The bibliography is arranged by country and then by issuing agency. The Arabic form of the agency has been used when available.This bibliography is not a comprehensive listing, but rather serves as an introduction to the wealth of material buried in the confusing array of publications of statistical agencies in the Middle East.


2016 ◽  
Vol 37 (4) ◽  
pp. 205-212 ◽  
Author(s):  
Matthew C. Makel ◽  
Jonathan A. Plucker ◽  
Jennifer Freeman ◽  
Allison Lombardi ◽  
Brandi Simonsen ◽  
...  

Increased calls for rigor in special education have often revolved around the use of experimental research design. However, the replicability of research results is also a central tenet to the scientific research process. To assess the prevalence, success rate, and authorship history of replications in special education, we investigated the complete publication history of every replication published in the 36 journals categorized by ISI Web of Knowledge Journal Citation Report as special education. We found that 0.5% of all articles reported seeking to replicate a previously published finding. More than 80% of these replications reported successfully replicating previous findings. However, replications where there was at least one author overlapping with the original article (which happens about two thirds of the time) were statistically significantly more likely to find successful results.


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