Peculiarities of the national Ukrainian culture in the artistic design of the publications of Kharkov cooperative publishing house «Rukh»

Author(s):  
Надія Подоляка

The purpose of the article is to investigate the peculiarities of the national Ukrainian culture in the artistic design of the editions of the Kharkov cooperative publishing house «Rukh». Research methods: Empirical-theoretical methods of analysis, synthesis, deduction are used. From the theoretical methods, a description and interpretation is applied. The use of these methods made it possible to prove that the publications of the Kharkov cooperative publishing house «Rukh» are a highly cultured artistic product, shrouded in the aura of the traditions of Ukrainian culture. It is proved that in the 20-ies. XX century. around the «Rukh» united a circle of like-minded writers, critics, editors, illustrators. Book covers were made by M. Samokish, S. Borovoy, V. Krichevsky. It is established that in the graphic design of the editions the editors used font ensembles, decorative elements and other visual materials created by the most prominent representatives of the artistic circles, in which the Ukrainian tradition is traced. In the design of covers used a variety of frames, ornaments of vegetable origin, stylized with letters. At the same time, minimalism of forms, compositions in a black and white version was quite common. Attention is focused on the works of the famous graphs of the era of the Ukrainian revival, created by the order of the Kharkiv cooperative publishing house «Rukh». The features of the national Ukrainian culture in the artistic design of publications are analyzed. Illustrations, graphic elements, style of execution and technique of the Ukrainian artists cooperating with the publishing house are characterized. The study significantly expands the view on publishing at the stage of the formation of Soviet power. The results can be used to write textbooks and teaching aids on cultural studies, the history of publishing and the history of Ukraine.

Author(s):  
Olga A. Valkova

General academic series “Scientific-biographical literature” exists under the Presidium of the Russian Academy of Sciences on the basis of the S.I. Vavilov Institute for the History of Science and Technology of RAS. Founded in 1959, it celebrated 60th anniversary in 2019. During this time, the series published about 700 original biographies of scientists, engineers and inventors, both Russian and foreign. In the period of 2015-2019, the series published four monographs representing the biographies of botanist A.N. Petunnikov (1842—1919) by G.I. Lubina, biologist N.N. Novikov (1876—1964) by T.I. Ulyankina, biochemist V.S. Gulevich (1867—1933) by T.V. Bogatova, and physicist Pierre-Gilles de Gennes (1932—2007) by A.A. Sonin. All these publications contain a large number of unique visual materials; this has already become a tradition for books in the series “Scientific-biographical literature”. They also have standard annex for the series, including list of the main dates of life and creative activity, reference lists of scientific works of book characters, and lists of literature about them. During the reviewed period, several manuscripts were approved for publication by the editorial Board of the series and included in the publishing plan of the Publishing house “Nauka”, but due to financial difficulties, they were not published in the series format. However, the prepared manuscripts have already been published in other publishing houses or are at the stage of editorial and publishing preparation. Among them there are biographies of French physicist, Nobel Prize winner Louis de Broglie (1892—1987) by A.F. Smyk; palaeontologist V.P. Amalitskiy (1860—1917) by V.I. Onoprienko; Honorary member of the USSR Academy of Science, palaeontologist M.V. Pavlova (1854—1938) by G.I. Lyubina and Z.A. Bessudnova; astronomer N.M. Subbotina (1877—1961) by O.A. Valkova. Currently, in 2020, no new publications are planned within the framework of the general academic series “Scientific-biographical literature”.


2003 ◽  
Vol 30 (2) ◽  
pp. 299-316 ◽  
Author(s):  
Hans-JüRgen Lechtreck

Two early nineteenth century texts treating the production and use of wax models of fruit reveal the history of these objects in the context of courtly decoration. Both sources emphasise the models' decorative qualities and their suitability for display, properties which were not simply by-products of the realism that the use of wax allowed. Thus, such models were not regarded merely as visual aids for educational purposes. The artists who created them sought to entice collectors of art and natural history objects, as well as teachers and scientists. Wax models of fruits are known to have been collected and displayed as early as the seventeenth century, although only one such collection is extant. Before the early nineteenth century models of fruits made from wax or other materials (glass, marble, faience) were considered worthy of display because contemporaries attached great importance to mastery of the cultivation and grafting of fruit trees. This skill could only be demonstrated by actually showing the fruits themselves. Therefore, wax models made before the early nineteenth century may also be regarded as attempts to preserve natural products beyond the point of decay.


2016 ◽  
Vol 1 (3) ◽  
Author(s):  
Noorriati Din ◽  
Lennora Putit ◽  
Muhammad Naqib Mohd Noor

Having an attractive and innovative web design could serve as a basis for both offline and online retailers to provide detailed information towards satisfying potential buying intention amongst online shoppers, and subsequently contribute traffic flow to the intended website. This study revealed that both graphic design and social cues attributes were found to have a positive and significant relationship with customer loyalty. Given the valuable experience to the site, the aim of this study is to investigate the extent to which website design attributes affects customer loyalty towards a particular brand or product.© 2016. The Authors. Published for AMER ABRA by e-International Publishing House, Ltd., UK. Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies, Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, MalaysiaKeywords: Website design; social cue design; grahic design; customer loyalty


2021 ◽  
Vol 147 (2) ◽  
pp. AB98
Author(s):  
Jialing Jiang ◽  
Jamie Fierstein ◽  
Lucy Bilaver ◽  
Alexandria Bozen ◽  
Isabel Galic ◽  
...  
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