A theology of gratitude for rising generations

2021 ◽  
Vol 103 (3) ◽  
pp. 347-359
Author(s):  
Stephanie Townes

Rising generations (Millennials and Gen Z) already have a solid understanding of gratitude from gratitude’s pervasiveness in popular culture, and because of this, gratitude is an opportunity for the Church to reach rising generations where they already are. To do this, the Church should underscore a theological why of gratitude and a practical theological how of gratitude. The theological why of gratitude is based on Kathryn Tanner’s gift-giving nature of God, from her book Jesus, Humanity, and the Trinity. The practical theological how of gratitude will rise up from our holy habits of gratitude, both personal and collective, reinforced by the Eucharist, and taught through discipleship and practices of stewardship.

2020 ◽  
Vol 29 (1) ◽  
pp. 99-101
Author(s):  
Jack Barentsen

ZUSAMMENFASSUNGPete Ward präsentiert seine Vision für praktische Theologie als flüssige Ekklesiologie, die in der flüssigen Art verwurzelt ist, in der die Trinität in der Kirche und der Welt lebt und sich bewegt. Ihre Bewegungen lassen sich nur durch die Kombination von textueller und empirischer Forschung erkennen. In der Introduction bespricht Ward Hauptbereiche der praktischen Theologie in leicht verständlicher Sprache. Seine Liquid Ecclesiology präsentiert eine detaillierte theologische Darstellung sowie eine faszinierende Fallstudie der evangelischen Bewegung.SUMMARYPete Ward offers his vision for practical theology as liquid ecclesiology, rooted in the liquid ways in which the Trinity lives and moves within the Church and the world. Its movements can be discerned only by combing textual and empirical research. Ward’s Introduction reviews major areas of practical theological debate in accessible language; his Liquid Ecclesiology offers an in-depth theological account along with a fascinating case study of the evangelical movement.RÉSUMÉPete Ward présente sa vision de la théologie pratique comme une « ecclésiologie liquide », enracinée dans la manière liquide dont la Trinité vit et se meut au sein de l’Église et du monde. Ses mouvements ne peuvent être discernés qu’en combinant des recherches textuelles et empiriques. L’Introduction considère les principaux débats de théologie pratique dans un langage accessible. Son ouvrage intitulé Liquid Ecclesiology offre un récit théologique approfondi ainsi qu’une étude de cas fascinante du mouvement évangélique.


Author(s):  
Valentyn Syniy

It is emphasized that the involvement of missionary theology in the discussion of ways to develop spiritual education allowed post-soviet Protestantism to successfully overcome differences in the vision of the formal construction of education, and then move on to discussions about its content. There was a gradual overcoming of modern individualism, the growing role of communities, the replacement of monologue models of mission with dialogical ones. The idea of the seminary as a community that is not self-sufficient, but serves the church as a community, has gained general recognition. The church also came to be understood as serving an eschatological ideal community similar to the Trinity community. The formation of community and dialogical models of missionary and educational activity allows Ukrainian Protestantism to effectively adapt to the realities of the beginning of the 21st century and to be proactive in today's society.


Humanities ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 30
Author(s):  
Phillip Goodwin

The 14th century mystic Julian of Norwich’s theology, dissolving gender binaries and incorporating medieval constructs of the female into the Trinity, captivates scholars across rhetorical, literary, and religious studies. A “pioneering feminist”, as Cheryll Glenn dubs her, scholarship attempts to account for the ways in which Julian’s theology circumvented the religious authority of male clerics. Some speculate that Julian’s authority arises from a sophisticated construction of audience (Wright). Others situate Julian in established traditions and structures of the Church, suggesting that she revised a mode of Augustinian mysticism (Chandler), or positing that her intelligence and Biblical knowledge indicate that she received religious training (Colledge and Walsh). Drawing from theories on space and gender performativity, this essay argues that Julian’s gendered body is the generative site of her authority. Bodies are articulated by spatial logics of power (Shome). Material environments discipline bodies and, in a kind of feedback loop, gendered performance (re)produces power in time and space. Spaces, though, are always becoming and never fixed (Chavez). An examination of how Julian reorients hierarchies and relations among power, space, and her body provides a hermeneutic for recognizing how gender is structured by our own material cultures and provides possibilities for developing practices that revise relations and create new agencies.


2005 ◽  
Vol 61 (4) ◽  
Author(s):  
G. Bothma

A practical-theological investigation into the role of the church year in the liturgy and preaching of the Dutch Reformed ChurchThe aim of this article is to discuss the valuable role the church year can play in liturgy and preaching and the service and activities of the church. The article demonstrates that the rediscovery of the church year is one of the most remarkable aspects of the twentiethcentury reform and renewal of Christian worship. Within a context of poverty and continuing change, the church year – if valued positively and if accentuated in the preaching – could lead to the celebration of God.


1975 ◽  
Vol 32 (3) ◽  
pp. 234-242
Author(s):  
Jay G. Williams

“Might it not be possible, just at this moment when the fortunes of the church seem to be at low ebb, that we may be entering a new age, an age in which the Holy Spirit will become far more central to the faith, an age when the third person of the Trinity will reveal to us more fully who she is?”


2021 ◽  
Vol 77 (4) ◽  
Author(s):  
Lodewyk Sutton

Situated in the larger collection of Psalms 51–72, also known as the second Davidic Psalter, the smaller group of Psalms 65–68 is found. This smaller collection of psalms can be classified mostly as psalms of praise and thanksgiving. The relation and compositional work in this cluster of psalms become apparent on many points in the pious expressions between groups and persons at prayer, especially in the universal praise of God, and in the imagery referring to the exodus, the Jerusalem cult and blessing. Such piety becomes most discernible in the imagery and expressions in Psalm 66. The psalm’s two main sections may be described as praise, with verses 1–12 being praise by the group or the ‘we’, and verses 13–20 being praise by the individual or the ‘I’. Personal or individual piety and private piety are expressed by the desire of the ‘we’ and the ‘I’, and the experienced immediacy to God by transposing the past into the present through the memory of the exodus narrative, the Jerusalem cultic imagery and the use of body imagery. In this research article, an understanding of piety in Psalm 66 in terms of the memory of past events and body imagery is discussed from a perspective of space and appropriated for a time of (post-) pandemic where normal or traditional ecclesiological formal practices cannot take place.Contribution: This article makes an interdisciplinary contribution based on knowledge from the Psalms in the Old Testament, social anthropology, literary spatial theories and practical theological perspectives on the church in order to contribute to the relevance and practice of theology today, during a time of turmoil and a global pandemic.


Author(s):  
Anita L. Cloete

The reflection on film will be situated within the framework of popular culture and livedreligion as recognised themes within the discipline of practical theology. It is argued that theperspective of viewers is of importance within the process of meaning-making. By focusing onthe experience and meaning-making through the act of film-watching the emphasis is not somuch on the message that the producer wishes to convey but rather on the experience that iscreated within the viewer. Experience is not viewed as only emotional, but rather that, at least,both the cognitive and emotional are key in the act of watching a film. It is therefore arguedthat this experience that is seldom reflected on by viewers could serve as a fruitful platform formeaning-making by the viewer. In a context where there seems to be a decline in institutionalisedforms of religion, it is important to investigate emerging forms of religion. Furthermore, theturn to the self also makes people’s experiences and practices in everyday life valuableresources for theological reflection. This reflection could provide a theoretical framework forespecially empirical research on how film as specific form of media serves as a religiousresource and plays a role in the construction of meaning and religious identity.


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