Research on the integrated development of intangible cultural heritage and industry in Huzhou

2021 ◽  
pp. 002072092110041
Author(s):  
Zhang Xiaoxing
Keyword(s):  
Cultural Heritage ◽  
Traditional Culture ◽  
Economic Globalization ◽  
Intangible Cultural Heritage ◽  
Integrated Development ◽  
The Creation ◽  
Cultural Support ◽  
Ultimate Purpose

In the context of the current economic globalization, the protection of intangible cultural heritage is of great significance to the protection of traditional culture and cultural independence. We suggest that development should be carried out on the basis of the protection of intangible cultural heritage, but the ultimate purpose of the protection of intangible cultural heritage is to promote the protection of intangible cultural heritage through the development of intangible cultural heritage. Intangible cultural heritage needs to be inherited and carried forward, and the development of local tourism needs cultural support. How to integrate the two is worth studying. Taking Huzhou Intangible cultural heritage as an example, this paper studies the complementary and mutually promoting relationship between the creation of intangible cultural heritage brands and the inheritance of intangible cultural heritage, and proposes to rely on the promotion of intangible cultural heritage brands, so as to promote the inheritance and development of intangible cultural heritage.

scholarly journals Application of Chinese Traditional Musical Instruments

2021 ◽  
Vol 3 (1) ◽  
Author(s):  
Qiuping Jia
Keyword(s):  
Cultural Heritage ◽  
Traditional Culture ◽  
Technical Condition ◽  
Musical Instruments ◽  
Intangible Cultural Heritage ◽  
Specific Time ◽  
Chinese Traditional Culture ◽  
Digital Formats ◽  
Audio Files ◽  
Audio Video

Traditional Musical Instruments are a part of Chinese traditional culture, forming a series of intangible cultural heritage of related music. This project focuses on various traditional Musical Instruments in the traditional Chinese concert scene, providing background knowledge and audio files of relevant Musical Instruments. The project will involve digital formats such as audio, video, 3D, other images and virtual reality. The project integrates the information of intangible cultural heritage in various forms of media, and with the help of communication and social platforms, breaks the limitation of specific time and place, and makes it the technical condition of modern communication and quality should be in a new platform, which can better protect and develop traditional Musical Instruments.

scholarly journals Nodos: Encyclopedia of the Performing Arts

2017 ◽  
Vol 18 (2) ◽  
pp. 33-46
Author(s):  
Diego Torres ◽  
Alicia Díaz ◽  
Virginia Cepeda ◽  
Facundo Correa ◽  
Alejandro Fernández
Keyword(s):  
Cultural Heritage ◽  
Citizen Science ◽  
Performing Arts ◽  
Semantic Knowledge ◽  
Intangible Cultural Heritage ◽  
Science Project ◽  
Semantic Wiki ◽  
The Creation ◽  
Collective Creation ◽  
Citizen Science Project

The main goal of Nodos is to promote the collective creation of semantic knowledge regarding performing arts. Recording and curating information about these expressions contributes to the preservation of the Intangible Cultural Heritage, as defined by UNESCO. One of the challenges related to the preservation of information is the large amount of people involved in the creation and development of scenic arts and the dynamism in these theater pieces. The large number of plays presented every year makes it difficult to keep records up to date, resulting in the loss of knowledge about many cultural pieces. This article introduces a way to record such cultural heritage in the context of a citizen science project. Nodos defines an ontology regarding performing arts and also uses a semantic wiki that helps in the implementation of the ontology. An evaluation of usability shows Nodos as an effective initiative to preserve and study performing arts. Keywords: Semantic Wiki; Intangible Cultural Heritage; Performing arts ontology.

scholarly journals UNESCO, Intangible Cultural Heritage and the market: Controversies and stumbling blocks

Pravovedenie ◽  
2020 ◽  
Vol 64 (1) ◽  
pp. 80-92
Author(s):  
Chiara Bortolotto ◽  
Keyword(s):  
Sustainable Development ◽  
Intellectual Property ◽  
Cultural Heritage ◽  
Traditional Culture ◽  
The Other ◽  
Intangible Cultural Heritage ◽  
Commercial Practice ◽  
Moral Economies ◽  
Legal Frameworks ◽  
The Relationship

This article considers the relationship between Intangible Cultural Heritage (ICH) and the market in the backdrop of the reorientation of UNESCO’s priorities regarding sustainable development. Based on ethnographic observations of the meetings of the governing bodies of the Convention for the safeguarding of intangible cultural heritage, this work analyses the controversies generated by “risks of over-commercialization” of ICH among actors with normative agency for designing “good” heritage governance. While the need to reconcile market and heritage is officially acknowledged, the inclusion of a particular commercial practice on the UNESCO ICH lists is qualified by many actors as “traumatic”. The debate spurred within the governing bodies of the Convention by the drafting of these documents sheds light on the controversial perception of the relationship between the market and ICH. In considering the idea of “commercialization without over-commercialization” suggested by actors to resolve the tension between heritage and market, this work highlights a constitutive ambiguity of the Convention. Based on the ideas of “misappropriation” and “decontextualization”, this concept is part of the logic of intellectual property. The Convention, however, was explicitly designed within an alternative paradigm emphasizing cultural dynamisms and shared belonging. While heritage entrepreneurs on the ground shift from one regime to the other making a pragmatic and strategic use of legal frameworks based on fundamentally different logics, this inconsistency generates normative conundrums among the actors involved with the official bodies of the Convention, torn between a proprietary and a heritage regime and their different moral economies. In the framework of the Convention, the principle of “commercialization without over-commercialization” embodies therefore a fragile compromise reflecting the tension between different regimes regulating traditional culture.

scholarly journals Masquerade Games in the Pernik Region of Bulgaria: Preserving and Promoting Intangible Cultural Heritage

2021 ◽  
Vol 4 ◽  
pp. 223-244
Author(s):  
Milena Lyubenova ◽  
Keyword(s):  
Cultural Heritage ◽  
Traditional Culture ◽  
Cultural Practice ◽  
Future Generations ◽  
Intangible Cultural Heritage ◽  
Cultural Institutions ◽  
Joint Work ◽  
The Past ◽  
New Phenomena

The focus of this text is the masquerade tradition in central-west Bulgaria and activities related to its safeguarding and promotion. The essence of the survakar games in the Pernik Region is described, as well as its significance in traditional culture and its contemporary manifestations. The games with masks in the region are performed on the Surva feast day (14 January; also St. Basil’s Day according to the Julian calendar). The text notes the importance of the custom in the local community’s traditional culture. The main characters in the survakar groups, which are typical of both the past and the present, are presented, as are some new phenomena related to the feast. The tendencies in the context of the dynamics and events of the twentieth century are outlined, thanks to which the masquerade tradition has maintained its vitality until the present day. Some processes that have threatened the vitality of these masquerade games in the past are considered. Various local activities related to the safeguarding of the tradition are presented. The role of the community is important for the transmission of cultural practice to future generations, as is the role of local cultural institutions and organizations in preserving the tradition. Some ways of popularizing the local heritage and the joint work of the main actors engaged in safeguarding the region’s intangible cultural heritage today are emphasized.

An adaptive framework for the creation of exergames for intangible cultural heritage (ICH) education

2018 ◽  
Vol 6 (3) ◽  
pp. 417-450 ◽  
Author(s):  
A. Grammatikopoulou ◽  
S. Laraba ◽  
O. Sahbenderoglu ◽  
K. Dimitropoulos ◽  
S. Douka ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Intangible Cultural Heritage ◽  
Adaptive Framework ◽  
The Creation

scholarly journals On the English Translation of Intangible Cultural Heritage —— Taking Jiangxi Nuo culture as an example

2021 ◽  
Vol 9 (4) ◽  
Author(s):  
Liu Wei
Keyword(s):  
Cultural Heritage ◽  
English Translation ◽  
Traditional Culture ◽  
Target Language ◽  
Intangible Cultural Heritage ◽  
Reading Habits ◽  
Cultural Elements ◽  
Translation Strategy ◽  
Chinese Traditional Culture ◽  
Cultural Traits

The English translation of intangible cultural heritage is one of the important ways to spread Chinese traditional culture to the world. To better convey the cultural elements, translation should strive to accommodate to the target language readers’ expectation horizon and reading habits in transforming discourse structure, while for the distinctive cultural traits and elements, the translator should strive to preserve their uniqueness by the use of alienation translation strategy.

scholarly journals Acquisition System Based on Multisensors for Preserving Traditional Korean Painting

Sensors ◽  
2019 ◽  
Vol 19 (19) ◽  
pp. 4292
Author(s):  
Taewon Choi ◽  
Soonchul Jung ◽  
Yoon-Seok Choi ◽  
Hyeong-Ju Jeon ◽  
Jin Seo Kim
Keyword(s):  
Statistical Analysis ◽  
Cultural Heritage ◽  
Traditional Culture ◽  
Acquisition System ◽  
Intangible Cultural Heritage ◽  
Human History ◽  
Time Data ◽  
Essential Components ◽  
Real Time Data ◽  
Rapid Industrialization

Rapid industrialization has significantly influenced people’s lifestyles in the recent decades, and the influence of traditional culture is diminishing. Recently, several studies attempted to simultaneously utilize various sensors to record delicate and sophisticated performances of intangible cultural heritage (ICH). Although painting is one of the most common ICH of human history, few research studies have recorded traditional painting work. In this paper, we aim to lay the groundwork for reviving Korean painting, even if there would be no painters to produce these traditional Korean paintings in the future. We propose a novel multisensor-based acquisition system that records traditional Korean painting work while minimizing interference in the work. The proposed system captures real-time data originating from the painter, brushes, pigments, and canvas, which are the essential components of the painting work. We utilized the proposed system to capture the painting work by two experts, and we visualize the captured data. We showed the various results of statistical analysis, and also discussed the usability.

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