The Soviet Myth and the Making of Communist Lives in Italy, 1943–56

2021 ◽  
pp. 002200942110683
Author(s):  
Rosario Forlenza
Keyword(s):  
Communist Party ◽  
Cultural Anthropology ◽  
Second World War ◽  
The Political ◽  
Ordinary People ◽  
Political Struggle ◽  
World War ◽  
Top Down ◽  
The Social ◽  
Second World

This article explores the emergence and consolidation of the Soviet myth, and the related myth of Stalin, within Italy's Communist culture, in the period between the upheavals of the Second World War and 1956. Countering the traditional top-down approaches, which have seen political myths as weapons in the political struggle and devices for deceiving ordinary people, it examines the Soviet myth as a narrative that encapsulated the meaning of the experiences of the Italian Communist Party rank and file, as well as its elite, in extraordinary times. Drawing on the social and cultural anthropology of Victor Turner, it examines the establishment and strength of the Soviet myth and argues that it emerged as a new marker of certainty for groups and individuals in response to the liminal conditions of political and existential uncertainty experienced during the Second World War.

T. T.

2021 ◽  
pp. 93-98
Author(s):  
William Klinger ◽  
Denis Kuljiš
Keyword(s):  
Soviet Union ◽  
Baltic Sea ◽  
Communist Party ◽  
Second World War ◽  
The Political ◽  
World War ◽  
The Baltic Sea ◽  
The Soviet Union ◽  
The Baltic ◽  
Second World

This chapter reviews the successful coup in Mitrovica prison, where “differentiation” was carried out and the “Petkovites” had been temporarily subdued. It discusses the outbreak of the Second World War, which finds Marshal Tito on the Baltic Sea and on his way to the Soviet Union. It also analyzes Tito's new assignment on establishing a strictly subversive organization intended to prepare the Communist Party of Yugoslavia (CPY) for armed engagements behind enemy lines. The chapter talks about the elimination of differences between the political and intelligence network and the subversive military network as the they had been integrated on the same operational axis. It recounts the signing of the Molotov–Ribbentrop Pact after Tito left Moscow.

scholarly journals Is Hatred a Major Factor Determining the Contemporary Social Imaginary? / Ist der Hass ein bestimmender Faktor des gegenwärtigen sozialen Imaginären?

2017 ◽  
Vol 39 (2-3) ◽  
pp. 303-312
Author(s):  
Andrzej Leder
Keyword(s):  
Social Order ◽  
Second World War ◽  
The Political ◽  
Social Imaginary ◽  
World War ◽  
The Public ◽  
The Social ◽  
Points Of View ◽  
The Public Sphere ◽  
Second World

Summary In my paper, I analyze hate as one of the important factors that influence and structuralize the symbolic sphere. In the first step, I define the notion of “symbolic sphere”. Then, I analyze hate from the phenomenological and psychoanalytical points of view. My next step is a historical digression, concerning the place of hate in the social order. Next, I describe some important phenomena of the contemporary societies conditioned by the influence of hatred. Finally, I investigate which notions of the social theory are adequate to describe this kind of phenomena. Hate has been most frequently apprehended as a sudden eruption of bare violence. It was supposed to transform the symbolic sphere through sharp, directly aggressive, and often unexpected actions. Nevertheless, in societies wherein the symbolic legitimization of the political and social order was established as the consequence of the Second World War, a deep change in the attitude toward the bare and direct expression of violence took place. Acts of hate in the public sphere became morally delegitimized and symbolically repressed. We should ask then: if the bare violence and the hate determining this violence disappeared from the sphere of social praxis, although they still shape the social imaginary, how are they really founded? Thus, to answer these questions, I will have to ask not about the direct impact of hatred, but about its hidden influence.

scholarly journals Social Renovation Department and National Propaganda Department through the Eyes of the Caricaturist Rayko Aleksiev (1934-1943)

2019 ◽  
Vol 5 (1) ◽  
pp. 73-85
Author(s):  
Mila Krasteva ◽  
Keyword(s):  
Everyday Life ◽  
Political Attitudes ◽  
Second World War ◽  
The Political ◽  
World War ◽  
Political Events ◽  
The Social ◽  
The Everyday ◽  
Second World

After the coup on the 19th of May 1934, the time of episodic propaganda actions gives way to the decade in which propaganda becomes a key element of the Bulgarian political elite’s activity. During the 1930s and 1940s the Social Renovation Department and the National Propaganda Department are the institutions that to the greatest extentform the political attitudes of the Bulgarian society. During this period, Shturets (Cricket) Newspaper becomes part of the everyday life of every Bulgarian and turns to be an opportunity for giving it a comic meaning. Until the beginning of the Second World War, the caricatures of RaykoAleksiev objectively reflect the national and foreign political events, but after 1939 they are used for achieving suggestions in favour of the Bulgarian rulers. Keywords: cartoon, newspaper „Cricket”, propaganda, Social Renovation Department, National Propaganda Department

Paradoxes of the self: the autobiographical construction of the subject in the Italian Communist Party and in Italian neo-feminism

Modern Italy ◽  
2018 ◽  
Vol 23 (1) ◽  
pp. 69-84
Author(s):  
Walter Stefano Baroni
Keyword(s):  
Twentieth Century ◽  
Communist Party ◽  
Second World War ◽  
The Self ◽  
The Political ◽  
First Person ◽  
World War ◽  
The Subject ◽  
The 1960S ◽  
Second World

This article compares the autobiographical practices used by the Partito Comunista Italiano (PCI) in the aftermath of the Second World War with those developed by Italian neo-feminism from the late 1960s onwards. The former involved a repeated injunction for activists to write about and express themselves upon joining the party, in what amounted to self-criticism. The latter, meanwhile, took shape as a result of self-consciousness exercises practised by feminist groups in various cities across Italy. The terms of comparison of this article aim to describe what changed and what remained the same in the technologies used to produce the political self within the Italian Left in the twentieth century, beginning from its split in the 1960s. In this context, the paper reveals that the communist and feminist experiences were supported by the same discursive mechanism, which hinged on a paradoxical enunciation of the self. Communist activists and feminists thus faced the same difficulty in political self-expression, which was resolved in two different ways, both equally unsatisfactory. In conclusion, examining the communist autobiographical injunction allows a radical critical reappraisal of the idea that the use of the first person and the political affirmation of subjectivity are determining features exclusively bound to the feminist experience.

The Political and Aesthetic Power of the Everyday in Beckett's Happy Days

2019 ◽  
Vol 28 (1) ◽  
pp. 52-66
Author(s):  
Julie Bates
Keyword(s):  
Second World War ◽  
First Century ◽  
Environmental Crisis ◽  
The Political ◽  
Algerian War ◽  
Material Resources ◽  
The Social ◽  
The Everyday ◽  
The Last Man ◽  
Second World

Happy Days is contemporaneous with a number of seminal contributions to the concept of the everyday in postwar France. This essay suggests that the increasingly constrained verbal and physical routines performed by its protagonist Winnie constitute a portrait of the everyday, and goes on to trace the affinities between Beckett's portrait and several formulations of the concept, with particular emphasis on the pronounced gendering of the everyday in many of these theories. The essay suggests the aerial bombings of the Second World War and methods of torture during the Algerian War as potential influences for Beckett's play, and draws a comparison with Marlen Haushofer's 1963 novel The Wall, which reimagines the Romantic myth of The Last Man as The Last Woman. It is significant, however, that the cataclysmic event that precedes the events of Happy Days remains unnamed. This lack of specificity, I suggest, is constitutive of the menace of the play, and has ensured that the political as well as aesthetic power of Happy Days has not dated. Indeed, the everyday of its sentinel figure posted in a blighted landscape continues to articulate the fears of audiences, for whom the play may resonate today as a staging of twenty-first century anxiety about environmental crisis. The essay concludes that in Happy Days we encounter an isolated female protagonist who contrives from scant material resources and habitual bodily rhythms a shelter within a hostile environment, who generates, in other words, an everyday despite the shattering of the social and temporal framework that conventionally underpin its formation. Beckett's play in this way demonstrates the political as well as aesthetic power of the everyday in a time of crisis.

Western Ethnic Borderlands in the Influence of Russian-Soviet Propagangda Before and in the Years of the Second World War

2017 ◽  
Vol 2 (46) ◽  
pp. 32-39
Author(s):  
Igor Lyubchyk
Keyword(s):  
First World War ◽  
Second World War ◽  
World War ◽  
Russian Orthodoxy ◽  
The Social ◽  
The First World War ◽  
Post War ◽  
Second World ◽  
First World ◽  
Russian Identity

The research issue peculiarities of wide Russian propaganda among the most Western ethnographic group – Lemkies is revealed in the article. The character and orientation of Russian and Soviet agitation through the social, religious and social movements aimed at supporting Russian identity in the region are traced. Tragic pages during the First World War were Thalrogian prisons for Lemkas, which actually swept Lemkivshchyna through Muscovophilian influences. Agitation for Russian Orthodoxy has provoked frequent cases of sharp conflicts between Lemkas. In general, attempts by moskvophile agitators to impose russian identity on the Orthodox rite were failed. Taking advantage of the complex socio-economic situation of Lemkos, Russian campaigners began to promote moving to the USSR. Another stage of Russian propaganda among Lemkos began with the onset of the Second World War. Throughout the territory of the Galician Lemkivshchyna, Soviet propaganda for resettlement to the USSR began rather quickly. During the dramatic events of the Second World War and the post-war period, despite the outbreaks of the liberation movement, among the Lemkoswere manifestations of political sympathies oriented toward the USSR. Keywords: borderlands, Lemkivshchyna, Lemky, Lemkivsky schism, Moskvophile, Orthodoxy, agitation, ethnopolitics

scholarly journals Will the World’s Glass after the Coronavirus Pandemic Be Half-Empty or Half-Full?

Südosteuropa ◽  
2020 ◽  
Vol 68 (2) ◽  
pp. 274-281
Author(s):  
Dubravka Stojanović
Keyword(s):  
First World War ◽  
Second World War ◽  
The Political ◽  
World War ◽  
The First World War ◽  
Great Crash ◽  
Second World ◽  
First World

AbstractThe author comments on the political and economic options in the wake of the coronavirus pandemic that started at the beginning of 2020. She revisits responses to the crises of the First World War, the Great Crash of 1929, and the Second World War, sorting them into ‘pessimistic’ and ‘optimistic’ responses, and outlining their respective consequences.

scholarly journals SPIRITS, POWER AND THE POLITICAL IMAGINATION IN LATE-COLONIAL GABON

Africa ◽  
2012 ◽  
Vol 82 (2) ◽  
pp. 187-211 ◽  
Author(s):  
John M. Cinnamon
Keyword(s):  
Second World War ◽  
The Political ◽  
Colonial Administration ◽  
Political Imagination ◽  
World War ◽  
National Politics ◽  
Political Events ◽  
Wide Range ◽  
North Eastern ◽  
Second World

ABSTRACTThrough narratives of an anti-‘fetish’ movement that swept through north-eastern Gabon in the mid-1950s, the present article traces the contours of converging political and religious imaginations in that country in the years preceding independence. Fang speakers in the region make explicit connections between the arrival of post-Second World War electoral politics, the anti-fetish movements, and perceptions of political weakening and marginalization of their region on the eve of independence. Rival politicians and the colonial administration played key roles in the movement, which brought in a Congolese ritual expert, Emane Boncoeur, and his two powerful spirits, Mademoiselle and Mimbare. These spirits, later recuperated in a wide range of healing practices, continue to operate today throughout northern Gabon and Rio Muni. In local imaginaries, these spirits played central roles in the birth of both regional and national politics, paradoxically strengthening the colonial administration and Gabonese auxiliaries in an era of pre-independence liberalization. Thus, regional political events in the 1950s rehearsed later configurations of power, including presidential politics, on the national stage.

Post-Heroic Warfare Revisited: Meaning and Legitimation of Military Losses

Sociology ◽  
2017 ◽  
Vol 52 (5) ◽  
pp. 898-914 ◽  
Author(s):  
Kristian Frisk
Keyword(s):  
Social Order ◽  
Modern Society ◽  
Moral Worth ◽  
Second World War ◽  
World War ◽  
The Social ◽  
Military Engagement ◽  
Military Campaign ◽  
The Military ◽  
Second World

The article challenges the thesis that western societies have moved towards a post-heroic mood in which military casualties are interpreted as nothing but a waste of life. Using content analysis and qualitative textual analysis of obituaries produced by the Royal Danish Army in memory of soldiers killed during the Second World War (1940–1945) and the military campaign in Afghanistan (2002–2014), the article shows that a ‘good’ military death is no longer conceived of as a patriotic sacrifice, but is instead legitimised by an appeal to the unique moral worth, humanitarian goals and high professionalism of the fallen. The article concludes that fatalities in international military engagement have invoked a sense of post-patriotic heroism instead of a post-heroic crisis, and argues that the social order of modern society has underpinned, rather than undermined, ideals of military self-sacrifice and heroism, contrary to the predominant assumption of the literature on post-heroic warfare.

Democracy and Dictatorship in the Cold War: the Two Germanies, 1949–1961

2012 ◽  
Author(s):  
Andrew I. Port
Keyword(s):  
Cold War ◽  
Social Life ◽  
Second World War ◽  
World War ◽  
Political Upheaval ◽  
German States ◽  
The Social ◽  
Political Conditions ◽  
The Cold War ◽  
Second World

The ‘long 1950s’ was a decade of conspicuous contrasts: a time of dismantling and reconstruction, economic and political, as well as cultural and moral; a time of Americanization and Sovietization; a time of upheaval amid a desperate search for stability. But above all, it was a time for both forgetting and coming to terms with the recent past. This article focuses on the two forms of government that controlled Germany, democracy, and dictatorship. The Cold War was without doubt the main reason for the rapid rehabilitation and integration of the two German states, which more or less took place within a decade following the end of the Second World War. This article further elaborates upon the political conditions under dictatorship and its effect on the social life. East Germany, under the Soviet control underwent as much political upheaval. It was not until the second half of the twentieth century that Germany became a democracy.

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