Fluctuating emotions and motivation: Five stages of the rehearsal and performance process

2020 ◽  
pp. 025576142096398
Author(s):  
Andrew Thomas Sutherland ◽  
Jane Southcott
Keyword(s):  
Secondary School ◽  
Large Scale ◽  
Emotional State ◽  
Emotional Reactions ◽  
Structured Interviews ◽  
School Music ◽  
And Performance ◽  
Performance Projects ◽  
Five Phases

Participating in large-scale musical performances as part of a secondary school ensemble can be exhilarating. Although students experience such events differently, emotional state is not uniform throughout the process. Developing musicians may put themselves under pressure to perform well and once the event is over, the feelings of anxiety and anticipation are replaced by relief, euphoria or in some cases, melancholy. These emotional reactions can impact the desire to attend subsequent rehearsals and performance projects. Three student members of a school choir reflected on their emotional state from the early part of the rehearsal process to the post-event period. Semi-structured interviews were conducted, transcribed and thematically analysed. Findings address the five phases of the performance process: early rehearsals, later rehearsals, the performance, immediately after the event, and the aftermath. Recommendations for secondary school music ensemble conductors encourage lifelong learning of adolescent ensemble musicians through understanding fluctuating emotions connected with performance.

scholarly journals Bringing Policy and Practice To the Table: Young Women’s Nutritional Experiences In An Ontario Secondary School

2015 ◽  
Vol 24 (2) ◽  
Author(s):  
Sarah Gray
Keyword(s):  
Secondary School ◽  
Children And Adolescents ◽  
Young Women ◽  
School Environment ◽  
Large Scale ◽  
Eating Behaviours ◽  
Structured Interviews ◽  
Policy And Practice ◽  
Nutrition Messages ◽  
The Government

In recent years, media, health organizations and researchers have raised concern over the health of Canadian children and adolescents. Stakeholders have called on the government to confront the problem. Schools are seen as an ideal site for developing and implementing large-scale interventions because of the ease of access to large groups of children and adolescents. Within Ontario, new nutrition policies, such as the School Food and Beverage Policy (2011) have been implemented in an attempt to change the current health status of children and adolescents. The purpose of this study was to examine the eating behaviours and nutrition knowledge of young women in an Ontario secondary school.  Semi-structured interviews were used to examine the reproduction, negotiation and resistance to the nutrition messages received by young women within the school environment. The interviews revealed the influence of parents, the inability of apply learned knowledge and the ineffectiveness of the school environment. 

Composing and performing in the key stage 3 classroom: a study using multi-trait, multi-method analysis

2013 ◽  
Vol 31 (1) ◽  
pp. 5-18 ◽  
Author(s):  
Andrew Fowler
Keyword(s):  
Secondary School ◽  
Convergent Validity ◽  
Music Teachers ◽  
Teacher Rating ◽  
Self Report ◽  
Musical Activity ◽  
School Music ◽  
Assessment Guidelines ◽  
And Performance ◽  
Musical Understanding

‘Music is both a creative and a performing art’ (Hallam, 2006, p. 70). Many musicians and music educators maintain that composing and performing, although related, are essentially different aspects of musical activity. In the professional musical sphere, composition and performance are almost invariably separated; academic studies have treated them discretely; GCSE and ‘A’ level specifications assess them distinctly, and many music teachers assess them in the classroom as if they were separate disciplines. It is common practice for students in the lower secondary school in England to work in a more integrated way, however (Philpott, 2001; Major, 2008), composing, performing to the class, and appraising each others’ work. Recently produced assessment guidelines for secondary school music teachers in England (NAME, 2011) encourage this more integrated view, accepting the assumption made by Swanwick and Franca (1999, p. 12) that ‘musical understanding is a broad conceptual dimension’ by considering composing and performing as inter-linked ways of demonstrating and communicating musicality. This study sets out to investigate the links between composing and performing in the secondary school classroom, through peer-rating, teacher rating and students’ self-report attitudinal questionnaires, analysing these using a multi-trait, multi-method technique.Evidence for convergent validity was found between performing and composing in the classroom, suggesting that they are closely linked and may indeed be related parts of the same trait. This may have implications for the ways in which composing and performing are taught and assessed. A larger-scale study could be undertaken to investigate this further.

scholarly journals Exploring emotional responses to orchestral gestures

2017 ◽  
Vol 23 (1) ◽  
pp. 25-49 ◽  
Author(s):  
Meghan Goodchild ◽  
Jonathan Wild ◽  
Stephen McAdams
Keyword(s):  
Time Series ◽  
Regression Analysis ◽  
Large Scale ◽  
Emotional Responses ◽  
Emotional Reactions ◽  
Emotional Intensity ◽  
Time Series Regression ◽  
And Performance ◽  
Textural Changes ◽  
Instrumental Texture

Research on emotional responses to music indicates that prominent changes in instrumentation and timbre elicit strong responses in listeners. However, there are few theories related to orchestration that would assist in interpreting these empirical findings. This article investigates listeners’ emotional responses to four types of orchestral gestures – large-scale timbral and textural changes that occur in a coordinated, goal-directed manner – through an exploratory experiment that collected continuous responses of emotional intensity for musician and nonmusician listeners. A time series regression analysis was used to predict changes in emotional responses by modeling changes in several musical features, including instrumental texture, spectral centroid, loudness, and tempo. We demonstrate the application of a new visualization tool that compiles the emotional intensity ratings with score-based and performance-based musical features for qualitative and quantitative analysis. The results suggest that the response profiles differ for the four gestural types. Following the increasing growth of instrumental texture and loudness, the emotional intensity ratings climbed steadily for the gradual addition types. The ratings for the sudden addition gestures sharply increased in response to the rapid textural change, peaking toward the end of the excerpt. There was a slight tendency for musicians, but not nonmusicians, to anticipate the moment of sudden addition with heightened emotional responses. The responses to the reductive excerpts, both gradual and sudden, feature a plateau of lingering high emotional intensity, despite the decrease of other musical features. The visualization provided a method to observe the evolution of listeners’ emotional reactions in response to the orchestral gestures and assisted in interpreting the results of the time series regression analysis.

Teacher as Guide: The Teacher's Role in the Secondary School Music Lesson

1985 ◽  
Vol 2 (1) ◽  
pp. 5-18 ◽  
Author(s):  
Tim Cain
Keyword(s):  
Secondary School ◽  
Music Teachers ◽  
Music Curriculum ◽  
Music Lesson ◽  
Teacher’S Role ◽  
Music Lessons ◽  
School Music ◽  
Teacher's Role ◽  
Teaching Composition ◽  
And Performance

This article is an attempt to explore what we Secondary School Music Teachers should do in our music lessons. To illuminate this problem the author postulates two rôles which he believes many music teachers adopt more or less whole-heartedly: the ‘Instructor’, who passes on a body of received skills, information and perhaps values; and the ‘Enabler’, who sets up conditions in which his or her pupils may discover music.Although both rôles can be fruitful in some areas of the music curriculum, the author considers them inadequate, and attempts to describe a new role which teachers might find more helpful. He outlines ways in which the teacher who adopts this role might operate when teaching Composition, Literature Studies, Audition, Skills and Performance (C(L)A(S)P).

The Influence of Cognitive and Affective Reactions to Feedback on Subsequent Goals

2010 ◽  
Vol 15 (2) ◽  
pp. 121-131 ◽  
Author(s):  
Remus Ilies ◽  
Timothy A. Judge ◽  
David T. Wagner
Keyword(s):  
Performance Feedback ◽  
Business School ◽  
Structural Equation ◽  
Emotional Reactions ◽  
Equation Model ◽  
Proposed Model ◽  
And Performance ◽  
Dispositional Measure ◽  
The Relationship ◽  
Reactions To Feedback

This paper focuses on explaining how individuals set goals on multiple performance episodes, in the context of performance feedback comparing their performance on each episode with their respective goal. The proposed model was tested through a longitudinal study of 493 university students’ actual goals and performance on business school exams. Results of a structural equation model supported the proposed conceptual model in which self-efficacy and emotional reactions to feedback mediate the relationship between feedback and subsequent goals. In addition, as expected, participants’ standing on a dispositional measure of behavioral inhibition influenced the strength of their emotional reactions to negative feedback.

Theoretizing A New Sustainable Business Event: Extension of Mair and Jago Model

2015 ◽  
Vol 3 (2) ◽  
pp. 55
Author(s):  
Norol Hamiza Zamzuri ◽  
Khairil Wahidin Awang ◽  
Yuhanis Abdul Aziz ◽  
Zaiton Samdin
Keyword(s):  
Social Impact ◽  
Geographical Area ◽  
Infrastructure Development ◽  
Structured Interviews ◽  
Sustainable Business ◽  
Knowledge Resources ◽  
Business Events ◽  
And Performance ◽  
Event Based

The growth of the event sector is underpinned by the demand of organizing a business event.  Thus, it leads to an increase in economic and social impact. However, the problems from the growth of this sector potentially results from the use of several event materials, transportation and infrastructure development.  Organizing a green event is seen as one of the strategies to reduce the environmental impact.  Therefore, the aim of this paper is to explore the issues involved throughout the process of greening an event by applying Mair and Jago Model.  Semi-structured interviews were conducted with event managers from six Malaysia business event companies that encourage green practices during their event.  Findings suggest that impact, initiative, support and performance motivates event organizers in organizing a green event.  It has also been found that knowledge, resources and behaviour are the barriers faced by event organizers throughout the process of organizing a green event.  Based on the findings it appears that two important factors have emerged from the data collection and analysis that showed a deviation from the Mair and Jago Model, namely “impact” for the motivation element and “support” for the barrier element.  The main limitation of this study was the scope of the study; as it only focuses on business events.  However, as the main purpose of this study is to explore the issues of organizing a green event, it has been found that there are other issues need to be explored in other contexts and geographical area.  Apart from this, as this is a case study, it can only replicate according to the circumstances of this case study. However, this study can be generalized in terms of the theory that has emerged from it.  It is suggested that further research should explore more issues in other contexts and geographical areas. 

scholarly journals “My Life during the Lockdown”: Emotional Experiences of European Adolescents during the COVID-19 Crisis

2021 ◽  
Vol 18 (14) ◽  
pp. 7638
Author(s):  
Alberto Forte ◽  
Massimiliano Orri ◽  
Martina Brandizzi ◽  
Cecilia Iannaco ◽  
Paola Venturini ◽  
...  
Keyword(s):  
Secondary School ◽  
Secondary School Students ◽  
Emotional Reactions ◽  
Self Report ◽  
Emotional Experiences ◽  
Point Scale ◽  
School Students ◽  
Online Questionnaire ◽  
Public Health Strategies ◽  
Web Platform

This study investigates, using an online self-report questionnaire, adolescents’ emotional reactions during the lockdown in a sample of 2105 secondary school students (aged 14–19) in Italy, Romania, and Croatia. We used a self-reported online questionnaire (answers on a 5-point scale or binary), composed of 73 questions investigating the opinions, feelings, and emotions of teenagers, along with sociodemographic information and measures of the exposure to lockdown. The survey was conducted online through a web platform in Italy (between 27 April and 15 June 2020), Romania, and Croatia (3 June and 2 July 2020). Students aged >14 years, living in a small flat, and not spending time outside were more likely to report anger, sadness, boredom/emptiness, and anxiety. Boys were significantly less likely than girls to report all measured emotional reactions. Those who lost someone from COVID-19 were more than twice as likely to experience anger compared to those who did not. Our findings may help identifying adolescents more likely to report negative emotional reactions during the COVID-19 pandemic and inform public health strategies for improving mental health among adolescents during/after the COVID-19 crisis.

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