Proximity prominent news value for online publication

2017 ◽  
Vol 38 (2) ◽  
pp. 259-270 ◽  
Author(s):  
Guolan Yang ◽  
Douglas F. Cannon

This case study examines how editors select stories for a Chinese-language publication’s WeChat public account. Results of a content analysis between May and August 2014 indicate that editors do not strictly rely on established news values to select WeChat stories. News categories better predict story decisions. Furthermore, news-category priorities identified in interviews with editors closely match what readers want to see.

First Monday ◽  
2015 ◽  
Author(s):  
Nico Meissner

In 1965, Galtung and Ruge published an influential list of news values. Fifty years later, my article takes this list to demonstrate how mass media principles still apply when building audiences for an independent film in the Internet age. The article builds on the constructivist approach that news values can be actively formulated and stressed. It uses the case study of independent film project 15Malaysia, illustrating how this project, though unknowingly, actively created news value to convince opinion leaders of its worth and, ultimately, build an audience of over two million viewers.


2020 ◽  
pp. 175063522097498
Author(s):  
Michael Dokyum Kim

This study explores the photographic representations of two terrorist incidents, the 2015 Paris attacks and the Beirut bombings, produced by the leading global news agencies. The study conducts a content analysis of the photographs produced by AP, Reuters and AFP to identify the recurring patterns of the images under the discourse of ‘othering’ and ‘grievability’. It is observed that the agencies represented the two incidents differently as they show distinctive patterns in their manners of portrayal. It is argued that the apparent ‘hierarchy of news values’ is accompanied by the ‘hierarchy of human lives’ within the photographic representations, whereby the photographs of the Paris attacks, recognized as an extraordinary event, speak of humanization in which lives of the sufferers are valued while the photographs of the Beirut bombings, seen as an ordinary event, speak of dehumanization, where lives are devalued. Implications for global journalism and news value are discussed.


Author(s):  
Rana Khaled Arafat

Declining consumption rates of traditional news have led media outlets to search for innovative ways for engaging their audiences. News gamification emerged as a way to offer a more personalized news experience and a playful content by employing tools like badges, points, and leaderboards. As we are beginning to understand the benefits and pitfalls of gamifying news, the influence of the gamification on the news reporting techniques and news delivery structures is still not fully explored. The current study analyzes two games: Pirate Fishing: An Interactive Investigation and #Hacked Syria’s Electronic Armies, for the main generic news frames employed within interactive gamified contexts. Drawing on the integrative framing analysis approach, the study employs an innovative qualitative content analysis to investigate the multimodal – structural, textual, and visual – generic frames each game involves. By revisiting a contemporary list of news values, the study provides a further discussion about changing news values in the gamified setting.


2020 ◽  
pp. 155541202092004
Author(s):  
Rania Magdi Fawzy

Gamification redefines news reading activity by turning it into a playful experience. The shift from a reading mode to a playing mode marks a shift in news semogenesis strategies that need to be investigated to provide a better understanding of the emerging genres of news gamification and to build some reflections on the ongoing changes in journalistic practices and news values. This article takes a case study of the Al Jazeera gamified news, #Hacked-Syria’s Electronic Armies. The article aims to account for the semogenic resources employed by #Hacked and the resulting aesthetic and immersive experience of interactivity. It is found that #Hacked makes sense through the medium of aesthetics of interactivity. Studied through the lens of systemic functional linguistics, aesthetics in the context of the current study is not reduced to a mere attention to style; rather it describes a different and unique digital process of meaning making based on the participant’s immersive interactivity and choices. It is the semogenic power of choice and the immersive aesthetics of interactivity that mainly create #Hacked news value. The analysis yields that #Hacked reconfigures traditional notions of readers, news, and news values.


Journalism ◽  
2017 ◽  
Vol 20 (3) ◽  
pp. 392-409 ◽  
Author(s):  
Stephen Cushion ◽  
Richard Thomas

Drawing on interviews with key stakeholders – regulators, editors, party spin-doctors and politicians – supported by a systematic content analysis of television news during the 2015 UK General Election, this study makes an intervention into debates about how impartiality is understood and interpreted. Contrary to recent scholarly interpretations about ‘due impartiality’ being applied with some degree of quantitative precision – a stop-watch approach to balance – according to key stakeholders we interviewed the regulation of UK election news should be viewed as a qualitative judgement about the editorial merit of particular issues, parties or leaders throughout the campaign. Overall, we argue that the United Kingdom has moved from a political system shaping impartiality in recent years towards more of a news value–driven system reliant on editorial judgements. This raises, in our view, serious questions about the accountability of editorial decisions and how impartiality is safeguarded. News values, after all, are not politically neutral and – as our content analysis demonstrates – can lead to parties with a minor status gaining more coverage than some major parties. In order to remain relevant to regulatory and industry debates in journalism, we conclude by suggesting scholars should pay closer attention to how key stakeholders interpret and apply media policy.


2020 ◽  
Vol 10 (4) ◽  
pp. 44-52
Author(s):  
LARISA ZAITSEVA ◽  

The territorial image is formed both purposefully by the subjects of image-making, and spontaneously-based on the influence of information content published in various media. The purpose of the research is to analyze the image of the Republic of Mordovia in the information space of the Volga Federal district. The image of the territory formed by external target audiences by means of news materials is studied using the method of case study and content analysis of publications: “Volga news”, “Federal Press” news of the PFD, “Pravda PFD”. The authors conclude that modern reality is perceived through the prism of the information field created by mass media. The media creates images filled with certain data, facts, colored by emotions, on the basis of which representations, opinions, judgments, and assessments are subsequently formed. The media play a significant role in shaping the territorial image, especially for external target audiences who are not familiar with the region and do not have their own assessment knowledge and experience. Most of the information content about the Republic in the studied media is related to the main thematic blocks: politics, economy, social sphere, culture (art, sports). Moreover, if in the publications “Volga news” and “Pravda PFD” mention of the region prevails in the economic block, then in the publications “Federal Press” and “Nezavisimaya Gazeta” - in the political one. The Volga news publication significantly dominates the rest in terms of the number of publications about Mordovia. The content of publications is mostly positive and neutral related to the issues of economic development of the territory and the preparation and holding of the world football championship. Pravda PFD mentions the Republic in the context of news from neighboring territories, most of the publications date back to 2018, but here the context is related to the Republic's positions among the regions of the PFD in various ratings. The publication “Federal-Press” forms a generally reflective image of the territory, focusing on the negative aspects of regional life. “Nezavisimaya Gazeta”, giving priority to political news, maintains a neutral and reflective context of publications, paying attention to the key problems of the territory. Thus, the desired image of the region is counter-dictated to the image broadcast by the media through various information channels, so it is necessary to constantly monitor the information space and timely correction of the broadcast materials.


Revista Foco ◽  
2018 ◽  
Vol 11 (3) ◽  
pp. 110
Author(s):  
Rafaella Cristina Campos ◽  
Natália Fernandes Fonseca ◽  
Odemir Vieira Baeta

O objetivo é averiguar a correlação dos fatores motivacionais e produtivos no contexto institucional da Polícia Civil. O estudo de caso foi conduzido por entrevistas em profundidade com um Delegado de Polícia, um Investigador de Polícia, e um Escrivão de Polícia. A análise de conteúdo foi utilizada. Conclui-se que há evidente correlação entre o desenvolvimento de artefatos motivacionais, sejam eles de ordem ambiental ou individual, com a produtividade na instituição da Polícia Civil. Destaca-se também, que apesar do controle e avaliação dos índices de produtividade serem predominantemente burocráticos, institucionalizados e legitimados, a ligação que se estabelece com a manifestação dos artefatos motivacionais é subjetiva, relacional e intangível nas normas institucionais. Destaca-se este evento neste artigo, porque como foi visto anteriormente, tanto a natureza do trabalho, quanto o ambiente da Polícia Civil, estão em total desencontro ao desenvolvimento de produtividade e motivação no sentido clássico destas vertentes. The aims is to determine the correlation of the motivational and productive factors in the institutional context of the Civil Police. The case study was conducted by in-depth interviews with a Chief of Police, Police Investigator, and Actuary Police. The content analysis was used for fixed grid. It is concluded that there is clear correlation between the development of motivational artifacts, whether environmental or individual order, with productivity in the civil police institution. Also noteworthy is that despite the control and evaluation of productivity indexes were predominantly bureaucratic, institutionalized and legitimized, the connection that is established with the manifestation of motivational artifacts is subjective, relational and intangible assets in the institutional rules. It highlights this event in this article, because as discussed above, both the nature of the work, as the environment of the Civil Police, are in complete disagreement with the development of productivity and motivation in the classical sense of the aforementioned areas.


2021 ◽  
pp. 1329878X2199289
Author(s):  
Jay Daniel Thompson ◽  
Denis Muller

This article examines how freedom of speech is framed in the media controversy surrounding the Australian rugby player Israel Folau’s April 2019 Instagram post. A content analysis and framing analysis of newspaper reportage reveals that the controversy has been largely discussed in terms of whether or not Folau’s speech was being curtailed and whether this curtailing indicates a broader, ideologically motivated censoriousness. This discussion is problematic in that it says little about the actual substance of Folau’s post. This article argues that debates surrounding freedom of speech such as the one involving Folau could and should be enriched by an engagement with ethical principles. This engagement is premised on a commitment to the free exchange of views, while acknowledging that ‘speech’ is not always inherently beneficial for democracy, nor worth defending.


2021 ◽  
Vol 22 (2) ◽  
pp. 147-165
Author(s):  
Tina Askanius

This article is based on a case study of the online media practices of the militant neo-Nazi organization the Nordic Resistance Movement, currently the biggest and most active extreme-right actor in Scandinavia. I trace a recent turn to humor, irony, and ambiguity in their online communication and the increasing adaptation of stylistic strategies and visual aesthetics of the Alt-Right inspired by online communities such as 4chan, 8chan, Reddit, and Imgur. Drawing on a visual content analysis of memes ( N = 634) created and circulated by the organization, the analysis explores the place of humor, irony, and ambiguity across these cultural expressions of neo-Nazism and how ideas, symbols, and layers of meaning travel back and forth between neo-Nazi and Alt-right groups within Sweden today.


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