Non-violent Resistance among the Toungsa Pahari of the Chittagong Hill Tracts in Bangladesh

2012 ◽  
Vol 19 (1) ◽  
pp. 133-147
Author(s):  
Muhammad Ala Uddin

This article attempts an insight into the power of the powerless people which they employ for their survival where their lifeways have been threatened by the dominant cultures. Based on several ethnographic studies, it shows that the powerless people who do not take arms against the dominant cultures employ cultural resistance. In light of this view, the article focuses on the ethnographic work of the author, where the Toungsa Pahari, powerless indigenous people, employ several strategies for their survival. Juxtaposed with reluctant disposition, they employ cultural resistance in order to survive in the hard environment of the Chittagong Hill Tracts in Bangladesh, endangered by the outsiders (Bangali settlers).

2018 ◽  
Vol 36 (3) ◽  
pp. 267-285
Author(s):  
Aleksandra Bartoszko

This article offers a counter narrative to the current ethnographic studies on treatment with buprenorphine, in which notions of promised and experienced normality dominate. In some countries, introduction of buprenorphine led to a perceived “normalisation” of opioid substitution treatment, and this new modality was well received. However, in Norway the response has been almost the opposite: patients have reacted with feelings of disenfranchisement, failure, and mistrust. Based on ethnographic fieldwork in Norway, this article offers comparative insight into local experiences and subjectivities in the context of the globalisation of buprenorphine. By outlining the ethnographic description of the pharmaceutical atmosphere of forced transfers to buprenorphine-naloxone, I show that the social history of the medication is as significant as its pharmacological qualities for various treatment effects. An analysis of the reactions to this treatment modality highlights the reciprocal shaping of lived experiences and institutional forces surrounding pharmaceutical use in general and opioids in particular.


Genealogy ◽  
2021 ◽  
Vol 5 (2) ◽  
pp. 52
Author(s):  
Bronwyn Carlson ◽  
Tristan Kennedy

Social media is a highly valuable site for Indigenous people to express their identities and to engage with other Indigenous people, events, conversations, and debates. While the role of social media for Indigenous peoples is highly valued for public articulations of identity, it is not without peril. Drawing on the authors’ recent mixed-methods research in Australian Indigenous communities, this paper presents an insight into Indigenous peoples’ experiences of cultivating individual and collective identities on social media platforms. The findings suggest that Indigenous peoples are well aware of the intricacies of navigating a digital environment that exhibits persistent colonial attempts at the subjugation of Indigenous identities. We conclude that, while social media remains perilous, Indigenous people are harnessing online platforms for their own ends, for the reinforcement of selfhood, for identifying and being identified and, as a vehicle for humour and subversion.


2019 ◽  
pp. 44-79
Author(s):  
Marina Shcherbakova

The article explores the development of the Jewish museums and Ethnographic Studies of Jewish culture in the Soviet Ukraine within the framework of the state ethnic policies and local scholarly and cultural initiatives. After 1917, the state’s gradually increased attention – as ambivalent as it was – to Jewish exhibitions can be seen in a number of projects conceived and in part realized in Kyev.The Mendele Moicher Sforim Museum of Jewish culture, opened in Odessa in 1927, was meant to become the central representation of the Soviet Jewish culture. However, despite the initial support of the Soviet administration,the change of the political situation in the early 1930s jeopardized the existence of the museum collections. Numerous displays of Judaica objects in local museums of Ukrainian towns provide insight into the role of the korenization (“giving roots”, indigenization) campaign and the legacy of the pre-revolutionary national movements. The article investigates the process of the museumization of Jewish culture in the interwar period as a confluence of factors of national identity, social construction, and relations between the center and the periphery.


Author(s):  
Norman Herz ◽  
Ervan G. Garrison

Archaeological ceramics refers to products made primarily of clay and containing variable amounts of lithic and other materials as well. The term ceramic is derived from the Greek keramos, which has been translated as "earthenware" or "burned stuff." Ceramics include products that have been fired, primarily pottery but also brick, tile, glass, plaster, and cement as well. Since pottery is by far the most important archaeologically, and the methods of sampling and study are largely applicable to the others, this chapter is devoted primarily to pottery. Pottery then is the general term used here for artifacts made entirely or largely of clay and hardened by heat. Today, a distinction is sometimes made between pottery, applied to lower-quality ceramic wares, and the higher-grade product porcelain. No such distinction will be made here, so the term pottery alone will be used. Raw material that goes into the making of a pot includes primarily clay, but also varying amounts of temper, which is added to make the material more manageable and to help preserve the worked shape of the pot during firing. Of primary interest in ceramic studies are 1. the nature and the source of the raw materials—clays, temper, and slip (applied surface pigment)—and a reconstruction of the working methods of ancient potters; 2. the physical properties of the raw materials, from their preparation as a clay-temper body through their transformations during manufacture into a final ceramic product; 3. the nature of the chemical and mineral reactions that take place during firing as a clue to the technology available to the potter; and 4. the uses, provenance, and trade of the wares produced. Much of the information needed to answer these questions is available through standard geochemical and petrographic analysis of ceramic artifacts. Insight into the working methods of ancient potters also has been obtained through ethnographic studies of cultures where, because of isolation or conservative traditions or both, ancient methods have been preserved.


2017 ◽  
Vol 18 (4) ◽  
pp. 1-7
Author(s):  
Parveen Begum ◽  
Md Noman ◽  
Mohiminul Adib ◽  
Monira Ahsan ◽  
Sheikh Islam

Author(s):  
Anne Rubenstein ◽  
Kevin Chrisman

Mexican nationalist thought, as articulated by Mexico’s most powerful politicians, scholars, and writers, was never intended to describe the nation as it was or as it is. Instead, it has always expressed aspirations: it has contained multiple and often-conflicting visions of the nation as it could be, should be, or might have been. Such nationalist thinking has followed two broad tracks. One is historical. It argues that the Mexican national character—lo mexicano, mexicanidad, the essence of what it is to be Mexican—was formed through the experience of a national history that was a series of painful and unfair losses overcome by heroism and persistence. This historical narrative begins with the conquest, culminates in the loss of almost half the national territory to the United States in 1848, and is brought to a happy conclusion by the Mexican Revolution. The other track that Mexican nationalist thought has followed has to do with race. Intellectuals and politicians have changed their conceptions of the relationship between Mexico’s indigenous people and other Mexicans over the years, with the most radical shift taking place in the transition from the Porfiriato to the Revolutionary government. But across the modern era in Mexico, the presence of indigenous people, the influence of indigenous cultures, and the memory of indigenous civilizations have shaped how Mexicans understand themselves and their nation. Both of these narratives have changed over time, being rewritten and reconstructed to serve the needs of a national state that was almost constantly in the process of remaking itself from independence through the first half of the 20th century. Both of these nationalist narratives, moreover, have been subject to intense scrutiny from revisionist historians, feminists, indigenous people, and other critics since at least the mid-1960s. Neither of these nationalist narratives has ever been fully accepted by the majority of Mexicans: alternative narratives emerged from—among others—peasant and indigenous communities, urban underclasses, and Catholic groups, and these narratives gave strength and shape to multiple forms of political and cultural resistance. Nonetheless, these twin discourses of Mexican nationalism persist in Mexico because they are embedded in so many aspects of daily life: textbooks, public policies, classic films, monuments, maps, and cookbooks.


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