Stitching Tattered Cloth: Reflections on Social Justice and Qualitative Inquiry in Troubled Times

2018 ◽  
Vol 26 (6) ◽  
pp. 559-566
Author(s):  
Karen M. Staller
Keyword(s):  
New York ◽  
Social Justice ◽  
Intervention Strategy ◽  
Building Blocks ◽  
Science And Religion ◽  
Qualitative Inquiry ◽  
Visionary Leadership ◽  
Late Nineteenth Century ◽  
Social Reformer ◽  
Mass Migration

This article is a transcript of a keynote performance delivered at the opening of the 14th Annual International Congress of Qualitative Inquiry (ICQI). I compare the troubled times we face during the first year of President Donald J. Trump’s administration in 2017 with conditions existing during the mid-to-late nineteenth century. Similarities include mass migration, religious intolerance, nativist and anti-immigrant movements, racial injustice, political division, acute income inequality, and debates over the role of science and religion. Finding inspiration in the work of social reformer Charles Loring Brace (1826-1890), I examine his efforts in founding the Children’s Aid Society (CAS) of New York in 1853. Guided by a moral compass and radical new view of social justice work, Brace used qualitative methodological approaches and melded disciplinary knowledge to devise a comprehensive intervention strategy to alleviate child suffering. His goals were nothing short of eradicating poverty and homelessness, decreasing crime and delinquency, reducing illiteracy, reducing unemployment, and improving child and maternal health outcomes. For nearly four decades Brace worked to establish a multi-service child welfare agency that continues to exist 165 years later. He contributed to creating a new profession of applied philanthropy or social work. I compare these efforts with the building of ICQI. Norman K. Denzin, ICQI’s founder, possesses the same kind of visionary leadership, commitment to social justice, and ‘dangerous’ ideas as demonstrated by Brace. I suggest ICQI grew from a similar set of building blocks and possesses the same transformative power as CAS demonstrated in troubled times.

The Modernities of H. Lawrence Freeman

2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Reception History ◽  
Black Press ◽  
Late Nineteenth Century ◽  
Starting Point ◽  
History Of ◽  
Late Nineteenth ◽  
White Press ◽  
Grand Opera

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.

Theodore H. Friedgut, Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891, together with Israel Mandelkern, Recollections of a Communist (ed. and annotated Theodore H. Friedgut). Boston: Academic Studies Press, 2014. 199 pp.

2018 ◽  
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Life Experience ◽  
Late Nineteenth Century ◽  
Foster Mother ◽  
History Of ◽  
Late Nineteenth ◽  
Identity Transitions ◽  
Israeli Kibbutz

This chapter reviews the book Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891 (2014), by Theodore H. Friedgut, together with Israel Mandelkern, Recollections of a Communist (edited and annotated by Theodore H. Friedgut). Stepmother Russia, Foster Mother America is a two-in-one volume that explores an obscure episode in the history of the Jews in the late nineteenth century while at the same time connecting much of its content to the author’s own life experience as a son of western Canada’s Jewish farming colonies and, later, as an ideologically driven halutz on an Israeli kibbutz. Stepmother Russia, Foster Mother America retells one branch of the mostly forgotten history of the Am Olam agricultural movement and brings a new layer into the discussion of global Jewish agrarianism, while Recollections of a Communist offers an edited and annotated version of a memoir written by Mandelkern.

A Politics of Witnessing: Definitional Ceremony as Social Justice Work in Academia

2020 ◽  
pp. 194084472096820
Author(s):  
Sarah Strauven
Keyword(s):  
Social Justice ◽  
Public Engagement ◽  
Final Section ◽  
Qualitative Inquiry ◽  
Australian Case ◽  
Narrative Practice ◽  
Work First

The work outlined in this article has in part evolved as a response to Mr. Behrouz Boochani’s call to academics to engage with his work. First, I propose academics consider a form of public engagement drawn from narrative practice as social justice work in academia. In the next section, I illustrate my argument with an Australian case by discussing (a) a peaceful resistance undertaken by the refugees on Manus Island through the lens of definitional ceremony, (b) a public witnessing response by Dr. Surma to the written account of Mr. Boochani of the resistance, and (c) his reply to this act of witnessing. I complement this with my own response to both scholars on account of witnessing their exchanges. In the final section of this article, I articulate in more detail how this proposition of conceiving social justice work in academia is based on a politics of witnessing and acknowledgment. I argue that its epistemological and ontological dimensions hold promise for post-qualitative inquiry and that narrative practices more generally, can assist us in performing relationally situated research.

Abraham Heschel

2021 ◽  
pp. 198-216
Author(s):  
Susannah Heschel
Keyword(s):  
New York ◽  
New York City ◽  
Social Justice ◽  
Public Sphere ◽  
Public Intellectual ◽  
West Side ◽  
Reinhold Niebuhr ◽  
The Public ◽  
Prophetic Voice ◽  
The Public Sphere

The friendship between Abraham Joshua Heschel and Reinhold Niebuhr was both personal and intellectual. Neighbours on the Upper West Side of New York City, they walked together in Riverside park and shared personal concerns in private letters; Niebuhr asked Heschel to deliver the eulogy at his funeral. They were bound by shared religious sensibilities as well, including their love of the Hebrew Bible, the irony they saw in American history and in the writings of the Hebrew prophets, and in their commitment to social justice as a duty to God. Heschel arrived in the public sphere later, as a public intellectual with a prophetic voice, much as Niebuhr had been for many decades prior. Niebuhr’s affirmation of the affinities between his and Heschel’s theological scholarship pays tribute to an extraordinary friendship of Protestant and Jew.

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