Understanding the industry/state interface in creative industries studies

2021 ◽  
pp. 1329878X2110439
Author(s):  
Patricia Aufderheide

It is time to transcend the cultural studies vs. media industries debate in media industries studies. To take advantage of the exemplary focus on real-world behavior of media industries that Stuart Cunningham brought to the field, scholars need to articulate the normative values informing their media industries research. This is necessary in order to preserve academics’ intellectual autonomy, and to maintain scholarly rigor.

2021 ◽  
pp. 1329878X2110441
Author(s):  
Terry Flew ◽  
Amanda D Lotz

This essay introduces the special issue of Media International Australia dedicated to the work of Stuart Cunningham. We note the scholarly contributions made by Stuart Cunningham to communications, media and cultural studies, including screen studies, creative industries and cultural policy studies. We also note his extensive contributions to institution building and academic leadership in engaging with industry and policy agencies from an applied humanities perspective.


2020 ◽  
Vol 11 (6) ◽  
pp. 1562-1569
Author(s):  
Francesco Landi ◽  
Riccardo Calvani ◽  
Anna Maria Martone ◽  
Sara Salini ◽  
Maria Beatrice Zazzara ◽  
...  

2020 ◽  
Vol 23 (6) ◽  
pp. 970-988
Author(s):  
Toby Miller

Why has cultural studies had little impact on right-wing populism’s assault on immigration and climate science? I suggest that this failure lies in three tendencies: first, a continued if increasingly cliché sunny optimism about the popular; second, the priority accorded to getting grants, which depoliticizes so much work; and third, an embrace of creative-industries discourse. The first tendency supposedly gives a link to our origins; the second, to legitimacy; and the third, to relevance. All render us ill-equipped to deal with contemporary and future crises.


2016 ◽  
Vol 1 (1) ◽  
pp. 39-48 ◽  
Author(s):  
Aleida Assmann

AbstractWhat keeps cultural studies in motion and, more difficult still, what hold them together? They are continuously animated through so-called ‚turns‘ that in regular intervals open up new perspectives and transform the leading issues and concepts. Such regular innovations are not only due to internal readjustments in terms of methodological changes but are also connected to cultural and social changes. In this way, cultural studies have become an integral part of the transformation of the world as we see and construct it. They are not only a lense through which we observe the transformation of the world, but also a tool with which it is produced. In this active engagement and entanglement with the real world, cultural studies have lost a sense of their professional boundaries. They are constantly extending their realm of research, incorporating avidly new territory. To the extent that cultural studies have embraced the project of cultural self-thematization and self-transformation, they have become as fluid and volatile as culture itself.


2018 ◽  
Vol 2 (XXII) ◽  
pp. 79-88
Author(s):  
Joanna Olechno-Wasiluk

The paper constitutes an attempt to delineate the main assumptions, aims and research subject of applied linguo-cultural studies. This discipline works on the border of theoretical linguocultural studies and methodology of teaching a foreign language. The paper presents Multimedia Linguo-cultural Dictionary available on the webpage of Pushkin State Russian Language Institute. The author analyses the macro- and microstructure of the dictionary, focusing on its innovativeness. Entries in the dictionary are described in their entirety, considering references to the real world, which are essential in the socio-cultural functioning of every language, its description and teaching. This helps realise the main assumptions and aims of applied linguo-cultural studies.


2012 ◽  
Vol 2 (1) ◽  
pp. 53-73 ◽  
Author(s):  
Christine Yunn-Yu Sun

This paper explores the construction of identity in online communities and websites for social purposes, and its consequences in terms of how one’s online identity may be utilized to such an extent that one’s real-world identity is either enforced or eroded. It does so by investigating the very nature of Identify, coming predominantly from a cultural studies research and philosophical view, although it also cites some parallel findings in Information Systems (IS) research. In the Section Something Old, the author investigates the concept of identity in the real world, then investigates it in the online world in the Section Something New. Section Something Borrowed examines how an individual positions oneself including who one associates with and why one flags it so to others. And finally this paper looks at some consequences unfolding in our time (in Section: Something Blue), citing several pointed examples for illustration purposes, where values that have been migrated from the real world are amplified via the Internet, causing all sorts of actions and consequences both online and offline. These issues and actions revolve around control and disclosure of ones identity that has consequences upon reputation and trust, and how responsibility needs to be brought forward into how one: positions oneself, manages ones own identity, and acts appropriately in and beyond the Internet. Above all of these, the author concludes, is the responsibility of understanding the nature of identity itself.


2017 ◽  
Vol 20 (6) ◽  
pp. 595-605 ◽  
Author(s):  
Joke Hermes ◽  
Jaap Kooijman ◽  
Jo Littler ◽  
Helen Wood

Twenty years of the European Journal of Cultural Studies is a cause for celebration. We do so with a festive issue that comes together with our first free open access top articles in three areas that readers have sought us out for: postfeminism, television beyond textual analysis and cultural labour in the creative industries. The issue opens with freshly commissioned introductory essays to these three thematic areas by key authors in those fields. In addition, the issue offers new articles showcasing the range of the broad field of cultural studies today, including pieces on the politics of co-working, punk in China, Black British women on YouTube, trans-pedagogy and fantasy sports gameplay, featuring work by emerging as well as established scholars. Our editorial introduction to this celebratory issue offers reflections on how both the journal and the field of cultural studies have developed, and on our thoughts and ambitions for the future within the current conjuncture as we ‘move on’ as a new editorial team.


2020 ◽  
Author(s):  
H.D. Dharma Satrya ◽  
Faruk Faruk ◽  
Pujiharto Pujiharto

This article aims to create dialog of “kidnapping the bride” reality in several studies and to construct the practice in reality. Discussion of “kidnapping the bride” practices in literature and cultural studies of Lombok intends to find contemporary Indonesian literary models of ethnic Lombok. To achieve this goal, this article applies Stuart Hall’s representation theory. In literary studies, “kidnapping the bride” is constructed as a critique of nobility. Sesak Cinta di Tanah Sasak novel construct “kidnapping the bride” as a criminal act. The meaning is constructed by Islamic discourse and tradition (nobility). Resistance to the discourse is what presents a romantic discourse. Romantic discourse, in the novel When Love Takes to Go, is constructed to fight against feudalism and capitalism. Romantic discourse in Opto Ergo Sum is a tradition discourse. The discourse is gathered from different voices, men’s and women’s voices. Women’s voice tends to be strong to the lid of the real world (in Ketika Cinta Tak Mau Pergi). Man’s voice rejects integration (in Opto Ergo Sum). Finally, the study of Sesak Cinta di Tanah Sasak and two other novels signifies a model for contemporary Indonesian literary studies. The model can be found by blurring the boundaries between Lombok cultural study and Indonesian literature.


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