Fear: Introduction to special issue

2021 ◽  
Vol 24 (4) ◽  
pp. 793-800
Author(s):  
Annette Hill ◽  
Mette Mortensen ◽  
Joke Hermes
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Subjective Experience ◽  
Cultural Practices ◽  
User Generated Content ◽  
Documentary Photography ◽  
Human Beings ◽  
Political Satire ◽  
Special Issue ◽  
Shock Action

Fear needs dealing with. Fear demands to be abated, countered or turned into something else, contributing and curtailing how we ‘do’ being human beings. This special issue of the European Journal of Cultural Studies addresses fear within media and popular culture, adopting a cultural studies approach to fear in a variety of socio-cultural and political contexts. A cultural studies approach allows us to enhance the horizon of understanding cultural practices, mediation and the subjective experience of fear as something we need to work through, in a process of recognition and shock, action and reaction, understanding and reflection. This focus on ‘working through fear’ offers new insights into the intensely subjective aspects of fear as it is creatively explored in representations within drama and documentary, photography and art, and in user-generated content, memes and political satire, and as it is embodied and experienced by people in the context of their realities. In addition, it shows how fear generates energy, anxiety and even desire. Rather than offering a generalizing account, this issue seeks to address fear in specific contexts, localities and from specific roles and perspectives.

Reflections on the Development of Cultural Studies in Japan

2006 ◽  
Vol 23 (7-8) ◽  
pp. 293-304 ◽  
Author(s):  
Tomoko Tamari
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Public Sphere ◽  
Cultural Practices ◽  
Social Activities ◽  
Cultural Intervention ◽  
Current State ◽  
Excellent Research ◽  
New Development ◽  
History Of

Although Japan had its own distinctive ‘pre-history’ of cultural studies, which produced some excellent research on popular culture, which can be traced back to the 1920s, the current state of cultural studies has been criticized by conventional mainstream academics; whereas the younger generation has been attracted by cultural studies as a new academic trend. An important new development in cultural studies in Japan is Cultural Typhoon. This new movement seeks to avoid institutionalization and create an alternative academic public sphere alongside broadened cultural practices, social activities and political interventions. Cultural studies in Japan can be seen as a part of a new diversity in cultural studies, which has some potentialities to move beyond the academy and open new dialogical spaces for communication and cultural intervention.

scholarly journals Editor's welcome, PORTAL, Vol. 5, No. 2, July 2008

2008 ◽  
Vol 5 (2) ◽  
Author(s):  
Paul Allatson
Keyword(s):  
Cultural Studies ◽  
English Language ◽  
Cultural Practices ◽  
International Studies ◽  
Special Issue ◽  
Editorial Committee ◽  
University Of Technology ◽  
Visual Artist ◽  
Definition Of ◽  
The Mind

This special issue of PORTAL Journal of Multidisciplinary International Studies is entitled ‘Italian Cultures: Writing Italian Cultural Studies in the World,’ guest edited by Ilaria Vanni (University of Technology Sydney). The issue aims at updating existing scholarship and scoping the proliferation of interests in the growing field of Italian cultural studies, whether conducted in Italy or outside that country. The issue proceeds from the premise that cultural studies practitioners write multiple Italies within Italy itself and from provincialized Italies, with a perspective that is both global and informed by specific local knowledge. As Vanni says in her introduction to the special issue, a number of questions arise when critics attempt both to imagine and work within the relatively recent field of Italian cultural studies: ‘Is there a specific genealogy to the study of cultures in Italy that intersects with the Anglophone definition of cultural studies? Is Italian cultural studies confined to cultural practices in Italy, or does it expand to include the cultural practices of the Italian diaspora? If there is an Italian cultural studies tradition, where is it? What do Italian cultural studies academics write about?' The contributions included here respond to such questions by drawing on a range of disciplinary and critical traditions to problematise received ideas about what Italy signifies and for whom. This issue of PORTAL also contains an essay and two cultural works in its cultural works section. ‘In the Age of Schizophrenia, Icebergs, and Things that Grip the Mind,’ from the Vietnam-based visual artist, curator, and writer, Sue Hajdú, is an evocative meditation on Saigon as represented in the work of five Vietnamese photographers— Ngo Dinh Truc, Lam Hieu Thuan, Nguyen Tuong Linh, Bui The Trung Nam, and Bui Huu Phuoc— who were born in the 1970s and whose work is reproduced by permission here. In her response to these young artists’ representations of contemporary Saigon, Hajdú notes how each photographer is inevitably grappling with the historically and nationally specific notion of contemporary Vietnamese time, ‘the monumental demarcation line’ signified by 1975. We also include in the cultural works section a suite of Spanish and English-language poems, ‘From/De Infernal : romantic,’ by Sydney based Vek Lewis, and a poem entitled ‘Mutiple Strokes’ by the Nigerian writer and critic, Obododimma Oha. Paul Allatson, Chair, PORTAL Editorial Committee

scholarly journals A Word From the Editors: Humanism in the Economy. Introduction to the Special Issue “Humanistic Economy”

Studia Humana ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 1-2
Author(s):  
Krzysztof Opolski ◽  
Agata Gemzik-Salwach
Keyword(s):  
Cultural Studies ◽  
Human Beings ◽  
Special Issue

Abstract The special issue “Humanistic Economy” is a collection of articles which are a response to the increasingly frequent voices, for contemporary economics to be treated not only as a set of economic notions, but as a science, where human beings and their happiness are the main focus. The authors suggest the use of solutions from the area of psychology, sociology or cultural studies in economics, which allow considering economics as a humanities science. This special issue consists of this introduction and 13 submissions which are published in issues 10:2 and 10:3.

scholarly journals Looking into the “Anime Global Popular” and the “Manga Media”: Reflections on the Scholarship of a Transnational and Transmedia Industry

Arts ◽  
2019 ◽  
Vol 8 (2) ◽  
pp. 57 ◽  
Author(s):  
Manuel Hernández-Pérez
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Visual Culture ◽  
Cross Cultural ◽  
Creative Industries ◽  
Cultural Consumption ◽  
Special Issue

This article introduces the special issue dedicated to global industries around anime, its theoretical commentary and its cross-cultural consumption. The concepts “anime” and “anime studies” are evaluated critically, involving current debates such as those presented in this volume. This discussion will employ the concepts of “manga media” as well as the “popular global”, giving an account of the transmedia and transcultural character of these creative industries. The conclusion critiques the irregular presence of Cultural Studies in the study of Japanese visual culture and advocates for constructing an updated dialogue with this tradition in order to readdress the study of these media as a form of global popular culture.

Jumbos and Jumping Devils

2020 ◽  
Author(s):  
Nisha P R
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
South Asia ◽  
Social History ◽  
Post Colonial ◽  
The Social ◽  
Wide Range ◽  
History Of

Jumbos and Jumping Devils is an original and pioneering exploration of not only the social history of the subcontinent but also of performance and popular culture. The domain of analysis is entirely novel and opens up a bolder approach of laying a new field of historical enquiry of South Asia. Trawling through an extraordinary set of sources such as colonial and post-colonial records, newspaper reports, unpublished autobiographies, private papers, photographs, and oral interviews, the author brings out a fascinating account of the transnational landscape of physical cultures, human and animal performers, and the circus industry. This book should be of interest to a wide range of readers from history, sociology, anthropology, and cultural studies to analysts of history of performance and sports in the subcontinent.

Publishing in Bible and American Popular Culture

2020 ◽  
pp. 536-552
Author(s):  
Robert Paul Seesengood
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Academic Publishing ◽  
American Popular Culture ◽  
The Bible ◽  
Biblical Scholarship ◽  
Future Work

This essay is an examination of scholarship on the Bible and (American) popular culture. It reviews the history and assumptions of cultural studies and maps how this body of work influenced biblical scholarship after 1990. It surveys an array of examples of scholarship on the Bible and popular culture and concludes with some suggestions for future work. Specifically, this essay asks the following: How has interest in Bible and popular culture affected academic publishing? How did these trends emerge, and what assumptions prompt them? What new journals or series or reference works have appeared that are specifically devoted to this broad topic, and what are some ways that the Bible and popular culture have been treated therein?

scholarly journals The politics of a ‘Poncy Pillowcase’: Migration and borders in Coronation Street’

Politics ◽  
2016 ◽  
Vol 37 (3) ◽  
pp. 273-287 ◽  
Author(s):  
Alexandria J Innes ◽  
Robert J Topinka
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Everyday Life ◽  
Soap Opera ◽  
Race Ethnicity ◽  
And Gender

This article examines the ways in which popular culture stages and supplies resources for agency in everyday life, with particular attention to migration and borders. Drawing upon cultural studies, and specific insights originating from the Birmingham Centre for Contemporary Cultural Studies, we explore how intersectional identities such as race, ethnicity, class, and gender are experienced in relation to the globalisation of culture and identity in a 2007 Coronation Street storyline. The soap opera genre offers particular insights into how agency emerges in everyday life as migrants and locals navigate the forces of globalisation. We argue that a focus on popular culture can mitigate the problem of isolating migrant experiences from local experiences in migrant-receiving areas.

Introduction to the Special Issue on the Emergence and Impact of User-Generated Content

2012 ◽  
Vol 31 (3) ◽  
pp. 369-371 ◽  
Author(s):  
Peter S. Fader ◽  
Russell S. Winer
Keyword(s):  
User Generated Content ◽  
Special Issue

scholarly journals Literary Anthropology

2016 ◽  
Vol 25 (1) ◽  
pp. 1-8 ◽  
Author(s):  
Máiréad Nic Craith ◽  
Laurent Sebastian Fournier
Keyword(s):  
Social Sciences ◽  
Popular Culture ◽  
Literary Studies ◽  
Special Issue ◽  
The Social ◽  
Cultural Performances ◽  
Textual Strategies

This special issue on anthropology and literature invited proposals for original contributions focusing on relationships between anthropology and literature. We were especially interested in the following questions: what role does literature play in anthropology? Can literature be considered as ethnography? What are the relationships between anthropology and literature, past and present? Are anthropology and anthropological motives used in literature? We also looked for critical readings of writers as anthropologists and critical readings of anthropologists as writers. Moreover, we wanted to assess the influence of literature on the invention of traditions, rituals and cultural performances. All these different questions and topics are clearly connected with the study of literacy, illiteracy and popular culture. They also lead to questions regarding potential textual strategies for ethnography and the possibilities of bringing together the field of anthropology (more associated with the social sciences) and literary studies (traditionally part of the humanities).

Culture and the popular: Introduction to essays in memory of Brian Rigby

2018 ◽  
Vol 29 (4) ◽  
pp. 293-299
Author(s):  
Michael Kelly
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Cultural History ◽  
Rapid Expansion ◽  
Daily Lives ◽  
The Us ◽  
The 1960S ◽  
The Uk ◽  
French Cultural Studies

This article introduces the special number of French Cultural Studies commemorating the role of Brian Rigby as the journal’s first Managing Editor. It situates his contribution in the emergence of cultural history and French cultural studies during the rapid expansion of higher education from the 1960s in France, the UK, the US and other countries. It suggests that these new areas of study saw cultural activities in a broader social context and opened the way to a wider understanding of culture, in which popular culture played an increasingly important part. It argues that the study of popular culture can illuminate some of the most mundane experiences of everyday life, and some of the most challenging. It can also help to understand the rapidly changing cultural environment in which our daily lives are now conducted.

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