The Galilee and Jesus in Recent Research

2004 ◽  
Vol 2 (2) ◽  
pp. 197-222
Author(s):  
Mark Rapinchuk
Keyword(s):  
Historical Context ◽  
Economic Models ◽  
Accurate Information ◽  
Focus Attention ◽  
Archaeological Evidence ◽  
The Past

In the continuing study of the life and historical context of Jesus, many contemporary scholars have begun to focus attention on the region known as the Galilee. Since the Galilee was the location of much of Jesus' life and ministry, accurate information about this region is essential for an informed understanding of Jesus. The use of recent archaeological evidence along with the application of various sociological and economic models has pro duced differing reconstructions of the Galilee and, as a result, a variety of viewpoints regarding the teaching and intentions of Jesus. This essay, which is confined to the past two decades of research, presents an overview of the work of some of the leading scholars in this contemporary effort.

Moving Figures

2018 ◽  
Author(s):  
Corey Kai Nelson Schultz
Keyword(s):  
Social Change ◽  
Historical Context ◽  
Emotional Responses ◽  
Economic Reforms ◽  
The Past ◽  
Sixth Generation ◽  
Economic Transformations ◽  
Structures Of Feeling ◽  
Raymond Williams

This book examines how the films of the Chinese Sixth Generation filmmaker Jia Zhangke evoke the affective “felt” experience of China’s contemporary social and economic transformations, by examining the class figures of worker, peasant, soldier, intellectual, and entrepreneur that are found in the films. Each chapter analyzes a figure’s socio-historical context, its filmic representation, and its recurring cinematic tropes in order to understand how they create what Raymond Williams calls “structures of feeling” – feelings that concretize around particular times, places, generations, and classes that are captured and evoked in art – and charts how this felt experience has changed over the past forty years of China’s economic reforms. The book argues that that Jia’s cinema should be understood not just as narratives that represent Chinese social change, but also as an effort to engage the audience’s emotional responses during this period of China’s massive and fast-paced transformation.

Introduction

2018 ◽  
Author(s):  
W. B. Patterson
Keyword(s):  
Accurate Information ◽  
John Bale ◽  
The Past ◽  
Reliable Evidence ◽  
The Reformation ◽  
John Leland ◽  
Monastic Libraries

Reformers in England saw losses as well as gains in the Reformation. John Leland and John Bale recorded the contents of monastic libraries. Matthew Parker recovered manuscripts from the past. The Elizabethan Society of Antiquaries, comprised of lawyers, scholars, and country gentlemen, developed methods of ascertaining accurate information about the past. William Camden, the author of Annals of Elizabeth (1615, Latin) and Britannia (1586, Latin), wrote a new kind of history: dispassionate, based on reliable evidence, and concerned with changes in society. Fifty years after Camden’s lifetime, Thomas Fuller followed methods and approaches that the antiquaries and their successors employed, while developing ideas very much his own.

Reply to Skousen and Aiuvalasit: On the Primacy of Archaeological Data

2020 ◽  
Vol 86 (1) ◽  
pp. 203-205
Author(s):  
A.J. White ◽  
Samuel E. Munoz ◽  
Sissel Schroeder ◽  
Lora R. Stevens
Keyword(s):  
Archaeological Evidence ◽  
Archaeological Data ◽  
The Past ◽  
Horseshoe Lake ◽  
Alternative Hypotheses

Skousen and Aiuvalasit critique our article on the post-Mississippian occupation of the Horseshoe Lake watershed (White et al. 2020) along two lines: (1) that our findings are not supported due to a lack of archaeological evidence, and (2) that we do not consider alternative hypotheses in explaining the lake's fecal stanol record. We first respond to the matter of fecal stanol deposition in Horseshoe Lake and then address the larger issue, the primacy of archaeological data in interpreting the past.

Material Culture and Making Visible: On the Portrayal of Philistine Gath in the Book of Samuel

2018 ◽  
Vol 43 (1) ◽  
pp. 3-27
Author(s):  
Daniel Pioske
Keyword(s):  
Material Culture ◽  
Iron Age ◽  
Hebrew Bible ◽  
Literary Work ◽  
Early Iron Age ◽  
Archaeological Evidence ◽  
The Past ◽  
Book Of Samuel

Over the past twenty years our understanding of Philistine Gath's history (Tell es-Safl) has been transformed by what has been revealed through the site's early Iron Age remains. But what has received much less attention is the effect these ruins have on how we read references to the location within the Hebrew Bible. The intent of this study is to draw on the archaeological evidence produced from Tell es-Safl as an interpretive lens by which to consider the biblical portrayal of the site rendered in the book of Samuel, where the material traces of more amicable associations between Gath and highland populations invite us to reconsider the city's depiction in this ancient literary work.

scholarly journals The heterogeneity of mental representation: Ending the imagery debate

2015 ◽  
Vol 112 (33) ◽  
pp. 10089-10092 ◽  
Author(s):  
Joel Pearson ◽  
Stephen M. Kosslyn
Keyword(s):  
20Th Century ◽  
Mental Representation ◽  
Historical Context ◽  
Internal Representations ◽  
The Past ◽  
Different Types ◽  
Imagery Debate ◽  
Propositional Language

The possible ways that information can be represented mentally have been discussed often over the past thousand years. However, this issue could not be addressed rigorously until late in the 20th century. Initial empirical findings spurred a debate about the heterogeneity of mental representation: Is all information stored in propositional, language-like, symbolic internal representations, or can humans use at least two different types of representations (and possibly many more)? Here, in historical context, we describe recent evidence that humans do not always rely on propositional internal representations but, instead, can also rely on at least one other format: depictive representation. We propose that the debate should now move on to characterizing all of the different forms of human mental representation.

The Africa Bureau, London

1964 ◽  
Vol 2 (2) ◽  
pp. 292-294
Author(s):  
Peter Calvocoressi
Keyword(s):  
South Africa ◽  
West Africa ◽  
United Nations ◽  
Accurate Information ◽  
Physical Size ◽  
Informal Group ◽  
The Past ◽  
African People ◽  
South West ◽  
South West Africa

It is not easy to describe the objects, still less the activities, of the Africa Bureau in a few words. It is one of those organisations whose ambitions and influence are much greater than its physical size.If you look at the dominating purpose behind the activities of the past 12 years, you will find it in the Bureau's sympathy with and determination to promote African independence. It was established in 1952 to provide accurate information particularly on the aims and hopes of African nationalism, to oppose unfair discrimination, and to encourage development in Africa. The need for such an organisation in Britain had been recognised primarily by Rev. Michael Scott, who on returning from South Africa sought help from people in Britain for the African people of South West Africa. An informal group advising on the intricate political and constitutional issues involved in bringing South West Africa's plight before the United Nations provided the nucleus from which the Africa Bureau grew, and since 1948, Michael Scott, honorary director of the Bureau, has attended the U.N. and given evidence as personal representative of Chief Hosea Kutako of the Hereros.

scholarly journals "We Never Knew":  The Differences between Museum History and  Academic History Explored through an  Exhibition of the New Zealand Wars

2021 ◽  
Author(s):  
◽  
Elspeth Hocking
Keyword(s):  
Public History ◽  
Historical Context ◽  
Theoretical Models ◽  
Structured Interviews ◽  
The Past ◽  
Presentation Modes ◽  
Academic History ◽  
History Of ◽  
Museum History ◽  
Conducting Research

<p>Public history and academic history have been viewed both as opposites, two practices related only by their concern with sharing the past, as well as conceptualised as similar fields with close connections to each other. Museum history exhibitions are an obvious example of public history in action. However, is the history that exhibitions present all that different from what is produced in the academy, or is this history academia in another form? Initially this dissertation aimed to explore the relationships between academic and public histories as discipline and practice, assuming a relationship rather than divide between the two fields as suggested in some of the literature. However, the eventual results of the research were different than expected, and suggested that in fact public histories manifest very differently to academic histories within a museum context. Using an adapted ethnographic research methodology, this dissertation traces the development of a single history exhibition, "Te Ahi Kā Roa, Te Ahi Kātoro Taranaki War 1860–2010: Our Legacy – Our Challenge", from its concept development to opening day and onwards to public programmes. This exhibition opened at Puke Ariki in New Plymouth in March 2010, and was a provocative display not only of the history of the wars themselves, but of the legacy of warfare in the Taranaki community. Other methods include partially structured interviews which were conducted with ten people involved in creating this exhibition, who outlined their roles in its production and provided their views on its development, and also a brief analysis of the broader social and historical context in which the exhibition was staged. Through tracing the creation of this history, the findings suggested that the history produced at Puke Ariki is a history in its own right, with noticeable differences from academic histories. The strongest correlation between public and academic history in this instance was the shared aspiration to be rigorous in conducting research and, as far as possible, to create an accurate portrayal of the past. Otherwise the history created by Puke Ariki through the exhibition proved to be different in that it was deliberately designed to be very accessible, and it utilised a number of presentation modes, including objects, text, audiovisual and sound. It was interactive, and had a clear aim of enabling the audience to participate in a discussion about the history being presented. Finally, it was a highly politicised history, in that decision making had to be negotiated with source communities in a collaborative fashion, and issues of censorship worked through with the council, a major funding source. The dissertation concludes that producing history in a museum context is a dynamic and flexible process, and one that can be successful despite not necessarily following theoretical models of exhibition development.</p>

scholarly journals AKOMODASI PESANTREN PADA KESENIAN RAKYAT DI CANGKRINGAN, SLEMAN, YOGYAKARTA

2018 ◽  
Vol 15 (2) ◽  
pp. 284-296
Author(s):  
Kholid Mawardi
Keyword(s):  
Historical Context ◽  
Boarding School ◽  
Folk Art ◽  
Religious Community ◽  
The Other ◽  
The Past ◽  
Diverse Society ◽  
Art Community ◽  
The One ◽  
The Relationship

This study investigated the construction of thoughts by KH. Ahmad Masrur and al-Qodir Islamic Boarding School to accomodate folk art; to reveal the relationship among KH. Ahmad Masrur, al-Qodir Islamic Boarding School, and folk art communities in Wukirsari village; and to find out the approaches of accommodation implemented in the folk art Village. The findings of this study led to some conclusions. First, on the one hand, Mr. Masrur (an Islamic expert) wanted to send the goodness and the beauty of Islam not only to be achieved by Moslems but also by other religious community. On the other hand, the folk art community wanted to maintain their existence in the diverse society. Therefore, those two intentions are linked to each other in order to accomplish those goals. Second, the relationship among Mr. Masrur, al-Qodir Islamic Boarding School, and Wukirsari village folk art community; in terms of historical context, it was the repetition of the relationship pattern in the past time that occured during the Islamisation process in Java. It was carried out by placing the locality as the basis of Islam. Mr. Masrur, al-Qodir Islamic Boarding School put themselves as the exponents of folk art; Mr. Masrur had the role as the patron and the community folk art had the role as the clients, and the overall relationship was accomplished based on mutually beneficial relationship. Third, the forms of accommodation  roposed by Mr. Masrur towards folk art in Wukirsari village were through compromise and tolerance. The form of the compromise was visible through the willingness of both parties to feel and understand the circumstances of one to each other party. As for the form of tolerance, it was implemented by Mr. Masrur and al-Qodir Islamic Boarding School deliberately to avoid various disputes and conflicts.

scholarly journals A Religious and Economic Stopover in the Middle of Khorasan-e Razavi

2021 ◽  
Vol 2 (1-2) ◽  
pp. 184-199
Author(s):  
Rocco Rante ◽  
Meysam Labbaf-Khaniki
Keyword(s):  
Economic Aspects ◽  
Archaeological Evidence ◽  
The Past ◽  
Early Islamic ◽  
Geographical Point

Abstract Robat-e Sefid/Bazeh Hur is the name of two modern villages giving the name to a valley located in a strategic geographical point traversed by a main north-south caravan road. Archaeological evidence brought to light the meaning of this valley, in which religious and economic aspects show and testify to development of this region during the Sasanian and early Islamic epochs. They highlight its role as a stopover for caravans in the past as today.

Zoning the Past: Brokers, Babbitts, and the Memory Work of Commercial Real Estate

2010 ◽  
Vol 44 (2) ◽  
pp. 287-311
Author(s):  
JAMES S. MILLER
Keyword(s):  
Historical Context ◽  
White Collar ◽  
Commercial Real Estate ◽  
American Business ◽  
Literary Realism ◽  
Commercial Development ◽  
The Past ◽  
Modern Development ◽  
Starting Point ◽  
Modern Business

From the moment of its publication in 1922, Sinclair Lewis's novel Babbitt was widely hailed as a text that harnessed the tactics of literary realism to the ambitions of social science. Over the years, in fact, critics have consistently linked Lewis's dissection of a crass, puerile, and materialistic white-collar culture to a conception of the novel as barely fictionalized ethnography – a conceit that has scripted the author as the twentieth century's foremost “cartographer” of American business life. Taking this fact as its starting point, this essay shows how Lewis's efforts to create an ethnographic record of modern business life ultimately encoded an even deeper commentary on the peculiar role that industrial–commercial development played in shaping the ways white-collar Americans thought about, valued, and pursued traces of their putative “heritage.” Rather than simply depict industrial–commercial society's destruction of the past, I argue, Babbitt instead labored to create a necessary genealogy for this regime: one that provided the nation's new, forward-lurching order with the kind of temporal coherence and historical context that its own ascendance seemed most directly to expunge. In making such an argument, this essay seeks to query a long-standing presumption within public memory studies that for years has construed the idea(l)s of historical recovery and the operations of commercial capitalism as fundamentally, if not inherently, incompatible. Balefully derided for mass-producing and mass-marketing a commodified pastness, dismissed as tools for replacing authentic history with ersatz heritage, modern development practices have stood for the vast majority of critics as proof of Americans' fundamental disconnection from their common and authentic history. Seeking to complicate this view, this essay shows instead how Babbitt can be read as a powerful counterexample to such logic – one that casts modernization less as an adversary than as an adjunct to prevailing modes of public recollection.

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