Anthology of Russian natural legal thought. vol. 3. The Russian natural legal thought in the first half of the twentieth century

In the third volume of the anthology contains the proposed evaluation of philosophical and legal views, but also presented entirely or in fragments of works by outstanding Russian scholars I. A. Pokrovsky, I. V. Michael, P. G. Vinogradov, F. V. Taran, A. S. Yashchenko, written or published in the first quarter of the twentieth century. Their authors belong to a generation of proponents of natural law in Russia who had to experience all the hardships of the revolution, the civil war and long years of exile. Many of them did not have a chance to once again see their Homeland, but they were not broken in spirit, remained patriots showed exceptional creativity, their works has greatly enriched the Russian natural legal thought and made a worthy contribution to the Golden Fund of Russian legal science. Their names for many years was unjustly put to almost complete oblivion, and works properly is still not understood and not appreciated. The present publication is intended to promote the "return" to their names. The edition is addressed to students, graduate students, University professors and anyone interested in the history of Russian legal thought.

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Actual problems of the history of political and legal doctrines

10.12737/1233668 ◽

2021 ◽

Author(s):

Tat'yana Zheldybina

Keyword(s):

Higher Education ◽

Graduate Students ◽

Natural Law ◽

Federal State ◽

Legal Thought ◽

Educational Standard ◽

Municipal Employees ◽

History Of ◽

State Educational ◽

Doctoral Dissertations

The textbook is devoted to the main schools of law — natural law, positivist, historical and" revived " natural law. It is written taking into account the development and achievements of modern political and legal thought. There are control questions, tests, a list of literature necessary for preparing for seminars and the exam. It corresponds to the Federal State Educational Standard of higher education of the last generation in the direction of training 40.04.01 "Jurisprudence". It is recommended for undergraduates, state and municipal employees. It will be useful for graduate students when passing the candidate's minimum exams, when preparing doctoral dissertations, and for teachers of legal and philosophical profiles, as well as anyone interested in this problem.

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ABCs of the Revolution

Observatory of Culture ◽

10.25281/2072-3156-2020-17-3-278-291 ◽

2020 ◽

Vol 17 (3) ◽

pp. 278-291

Author(s):

Egor A. Yesyunin

Keyword(s):

Civil War ◽

Second World War ◽

World War ◽

Special Significance ◽

Development History ◽

The People ◽

Red Army ◽

History Of ◽

Second World ◽

The Revolution

The article is devoted to the satirical agitation ABCs that appeared during the Civil War, which have never previously been identified by researchers as a separate type of agitation art. The ABCs, which used to have the narrow purpose of teaching children to read and write before, became a form of agitation art in the hands of artists and writers. This was facilitated by the fact that ABCs, in contrast to primers, are less loaded with educational material and, accordingly, they have more space for illustrations. The article presents the development history of the agitation ABCs, focusing in detail on four of them: V.V. Mayakovsky’s “Soviet ABC”, D.S. Moor’s “Red Army Soldier’s ABC”, A.I. Strakhov’s “ABC of the Revolution”, and M.M. Cheremnykh’s “Anti-Religious ABC”. There is also briefly considered “Our ABC”: the “TASS Posters” created by various artists during the Second World War. The article highlights the special significance of V.V. Mayakovsky’s first agitation ABC, which later became a reference point for many artists. The authors of the first satirical ABCs of the Civil War period consciously used the traditional form of popular prints, as well as ditties and sayings, in order to create images close to the people. The article focuses on the iconographic connections between the ABCs and posters in the works of D.S. Moor and M.M. Cheremnykh, who transferred their solutions from the posters to the ABCs.

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Riccardo Saccenti, Debating Medieval Natural Law: A Survey. Notre Dame, IN: University of Notre Dame Press, 2016, XIII, pp. 155.

Mediaevistik ◽

10.3726/med012018_318 ◽

2018 ◽

Vol 31 (1) ◽

pp. 318-320

Author(s):

Scott L. Taylor

Keyword(s):

Twentieth Century ◽

Natural Law ◽

Natural Rights ◽

Legal Positivism ◽

Great Chain Of Being ◽

History Of ◽

History Of Concepts ◽

Hans Kelsen ◽

University Of Notre Dame ◽

Conceptual Shift

Saccenti’s volume belongs to the category of Begriffsgeschichte, the history of concepts, and more particularly to the debate over the existence or nonexistence of a conceptual shift in ius naturale to encompass a subjective notion of natural rights. The author argues that this issue became particularly relevant in mid-twentieth century, first, because of the desire to delimit the totalitarian implications of legal positivism chez Hans Kelsen; second, in response to Lovejoy’s The Great Chain of Being and its progeny; and third, as a result of a revival of neo-Thomistic and neo-scholastic perspectives sometimes labelled “une nouvelle chrétienté.”

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Music in the British Workplace: From Voice to a Technique of Control?

The Oxford Handbook of Economic Ethnomusicology ◽

10.1093/oxfordhb/9780190859633.013.6 ◽

2020 ◽

Author(s):

Marek Korczynski

Keyword(s):

Twentieth Century ◽

Social Control ◽

Social History ◽

Singing Voice ◽

Industrial Noise ◽

The Third ◽

The Social ◽

History Of

This chapter examines music in the British workplace. It considers whether it is appropriate to see the history of music in the workplace as involving a journey from the organic singing voice (both literal and metaphorical) of workers to broadcast music appropriated by the powerful to become a technique of social control. The chapter charts four key stages in the social history of music in British workplaces. First, it highlights the existence of widespread cultures of singing at work prior to industrialization, and outlines the important meanings these cultures had for workers. Next, it outlines the silencing of the singing voice within the workplace further to industrialization—either from direct employer bans on singing, or from the roar of the industrial noise. The third key stage involves the carefully controlled employer- and state-led reintroduction of music in the workplace in the mid-twentieth century—through the centralized relaying of specific forms of music via broadcast systems in workplaces. The chapter ends with an examination of contemporary musicking in relation to (often worker-led) radio music played in workplaces.

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The Civil Service

The British Constitution in the Twentieth Century ◽

10.5871/bacad/9780197263198.003.0007 ◽

2004 ◽

Cited By ~ 3

Author(s):

Vernon Bogdanor

Keyword(s):

Twentieth Century ◽

Great Britain ◽

Civil Service ◽

Public Utilities ◽

The Public ◽

History Of ◽

Post War ◽

The Revolution

This chapter examines the history of the civil service in Great Britain. It suggests that the revolution in Whitehall during the last two decades of the twentieth century transformed the civil service, and that many of the public utilities nationalised by the post-war Attlee government were privatised. Other major changes include the reduction in the size of the civil service and the application of market disciplines to it.

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Studia dziejów i kultury Żydów w Polsce po 1945 roku

Polin: Studies in Polish Jewry Volume 16 ◽

10.3828/liverpool/9781874774730.003.0043 ◽

2003 ◽

pp. 548-549

Keyword(s):

Professional Development ◽

Graduate Students ◽

Religious Life ◽

The Other ◽

Keen Interest ◽

The Third ◽

Early Stages ◽

History Of ◽

Jewish Emigration

This chapter discusses the book Studia z dziejów i kultury Żydów w Polsce po 1945 roku (Studies on the History and Culture of Jews in Poland after 1945), which was edited by Jerzy Tomaszewski. This volume consists of three short monographs by Polish graduate students in the early stages of their professional development. Two were originally written as MA theses: one by Maciej Pisarski on Jewish emigration from Poland from 1945 to 1951, and the other by Albert Stankowski on Jewish emigration from western Pomerania from 1945 to 1960. The third, by August Grabski, on the organization of Jewish religious life in Poland during the communist and (primarily) post-communist eras, originated as a seminar paper. On the whole, postgraduate writing of this type, if it is published at all, appears in limited-circulation journals for an audience of academics. The fact that these studies were published in book form, especially in paperback with the aid of a subsidy from the Polish Ministry of Culture, offers further testimony of the keen interest in the history of Jews in Poland evident among the Polish public in recent years.

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