scholarly journals Od znikania do odpominania

Politeja ◽  
2021 ◽  
Vol 18 (1(70)) ◽  
pp. 179-196
Author(s):  
Barbara Wieżgowiec

From Disappearance to Re-Remembrance. Post-Memory Narration about Miedzianka Miedzianka – a lower Silesian village, earlier: mining town and a leisure-tourist resort, ger. Kupferberg. It is said that it is a ghost-town, which has (almost) diaappeared. Some traces, however, remained – a church, photography or human memories – both from before World War II, of German citizens and after the world war of polish inhabitants. All of them are connected by the traumatic experience that combines post-war resettlement and the destruction of the town. The memory of Miedzianka was not destroyed, though, being passed to next generations. One of the voices of this post-memory can be found in the report by Filip Springer, Miedzianka: Story of Disappearing in 2011. This book quickly became recognised ensuing an increasing interest in the town, its history and fate, making new post-memory narrations to appear, which I describe as „post-memory practice”. One of them is Miasto, którego nie było (The City, which didn’t exist). What and how do these books tell us about Miedzianka? In what sense do these alternative but interpenetrating narrations influence the perception of this place, as well as the memory of it? These questions are the basis of the reflections leading to a display of relations between man and his oblivion/memory and the place. The literature, however, or widely art, having the power to preserve memory and therefore to save, allows the showcasing of the transformation of the town: its history, disappearance, and finally transubstantiation into a place of memory, which is created mainly by the second and third generations – heritage depositories.

Author(s):  
A. Cardaci ◽  
P. Azzola ◽  
A. Versaci

Abstract. The Monumental Fountain of Dalmine was built to celebrate the 20th anniversary of Benito Mussolini’s historical address held on March 20, 1919, to which the square was dedicated. In the basin stood a large marble block on which some sentences of the Duce’s speech were carved. The work was partially destroyed at the end of the World War II and the block was removed. Today, what remains of the Dalmine Fountain constitutes the privileged meeting place of the city. However, it has great sealing problems as well as high management and maintenance costs, which prevent its normal functioning. Consequently, it is kept empty for many months of the year and filled with water only in the summer. This essay intends to propose a study based on the analysis of historical sources and 3D survey and modelling techniques aimed to understand the historical and urban value of the monument, to support its conservation and to enhance its role as a central meeting point for the town.


Author(s):  
Tetiana Yelova

The new geopolitical realities after the World War II saw the revival of the Polish state in a new form. The Republic of Poland appeared on the map of Central Europe, with about half of its territory being the so-called Recovered Territories, while the state borders moved west. The new eastern border of the post-war Poland ran along the Curzon line. The new post-war eastern border of Poland was being negotiated and agreed upon by the Soviet and the Polish authorities starting from 1944 on an annual basis, up to 1948. The last exchange of territories took place in 1951. The debates about the political map of Europe and the new eastern border of Poland, which became a new reality after the World War II, were held both at politicians’ offices and in various media outlets. The most prominent debate about the new Polish eastern border could be found on the pages of the Kultura immigrant periodical. The Polish immigrant public intellectuals Jerzy Giedroyc, Juliusz Mieroszewski, Josef Czapski and other members of the Kultura periodical editorial board were adamant about the need to recognize the Polish borders drawn after the World War II. Such a stance was unacceptable for the Polish Governmentin-Exile based in London and some immigrant circles in the USA. Starting from 1952, the Kultura editorial staff is consistent in its efforts to defend the principle of inviolability of borders drawn after the World War II, urging the Poles to give up on the so-called Polish Kresy (Kresy Wschodnie) and to reconcile with the neighbours on the other side of the new eastern border.


Slovo ◽  
2017 ◽  
Vol The autobiographical... (Beyond the steppes of Central...) ◽  
Author(s):  
Isabelle Ohayon

International audience Two men, deported in Kazakhstan during the World War II, recount their respective experiences. Despite the great difficulties they encountered – detentionin gulag, house arrest, administrative stigmatization, precarious material conditions of life- they report the story of their successful integration in the city of Karaganda. These two itineraries are providing a grassroots understanding of the articulation between diverse ethnic groups and banned people, which make up a specific soviet society in this mining town of Central Asia. Deux hommes, déportés au Kazakhstan durant la Seconde Guerre mondiale, rapportent leur expérience respective. En dépit des grandes difficultés qu’ils rencontrent – détention au Goulag, assignation à résidence, stigmatisation administrative, conditions matérielles précaires – ils racontent l’histoire de leur intégration réussie dans la ville de Karaganda. Ces deux itinéraires donnent à voir comment s’agence, dans une ville minière d’Asie centrale, une société soviétique particulière, composée de proscrits et de groupes ethniques différents. Двое мужчин, депортированные в Казахстан во время второй мировой войны, рассказывают о своем жизненном опыте. Несмотря на тяжелые моменты, которые они пережили - заключение в лагере, административная ссылка, политическая стигматизация, небезопасные условия жизни- они оба поведают о том, как они успешно устроились в городе Караганда, найдя свое место в обществе. Эти две траектории свидетельствуют о том, как в таком шахтовом городе как Караганда, сформировался некий советский социум, составленный из разнообразных изгнанников сталинского времени и приезжавших этнических групп.


Urban History ◽  
2012 ◽  
Vol 39 (2) ◽  
pp. 285-309 ◽  
Author(s):  
PETER J. LARKHAM ◽  
JOE L. NASR

ABSTRACT:The process of making decisions about cities during the bombing of World War II, in its immediate aftermath and in the early post-war years remains a phenomenon that is only partly understood. The bombing left many church buildings damaged or destroyed across the UK. The Church of England's churches within the City of London, subject to a complex progression of deliberations, debates and decisions involving several committees and commissions set up by the bishop of London and others, are used to review the process and product of decision-making in the crisis of war. Church authorities are shown to have responded to the immediate problem of what to do with these sites in order most effectively to provide for the needs of the church as an organization, while simultaneously considering other factors including morale, culture and heritage. The beginnings of processes of consulting multiple experts, if not stakeholders, can be seen in this example of an institution making decisions under the pressures of a major crisis.


1990 ◽  
Vol 25 (0) ◽  
pp. 499-504
Author(s):  
Yoichi Miura ◽  
Shinichi Kitamura ◽  
Toshiyuki Hanaoka ◽  
Koshiro Shimizu ◽  
Kazuhiro Kimura

Author(s):  
Silvija Ozola

The port city Liepaja had gained recognition in Europe and the world by World War I. On the coast of the Baltic Sea a resort developed, to which around 1880 a wide promenade – Kurhaus Avenue provided a functional link between the finance and trade centre in Old Liepaja. On November 8, 1890 the building conditions for Liepaja, developed according to the sample of Riga building regulations, were partly confirmed: the construction territory was divided into districts of wooden and stone buildings. In 1888 after the reconstruction of the trade canal Liepaja became the third most significant port in the Russian Empire. The railway (engineer Gavriil Semikolenov; 1879) and metal bridges (engineers Huten and Ruktesel; 1881) across the trade canal provided the link between Old Liepaja and the industrial territory in New Liepaja, where industrial companies and building of houses developed in the neighbourhood of the railway hub, but in spring 1899 the construction of a ten-kilometre long street electric railway line and power station was commenced. Since September 25 the tram movement provided a regular traffic between Naval Port (Latvian: Karosta), the residential and industrial districts in New Liepaja and the city centre in Old Liepaja. In 1907 the construction of the ambitious “Emperor Alexander’s III Military Port” and maritime fortress was completed, but already in the following year the fortress was closed. In the new military port there were based not only the navy squadrons of the Baltic Sea, but also the Pacific Ocean before sending them off in the war against Japan. The development of Liepaja continued: promenades, surrounded by Dutch linden trees, joined squares and parks in one united plantation system. On September 20, 1910 Liepaja City Council made a decision to close the New Market and start modernization of the city centre. In 1911 Liepaja obtained its symbol – the Rose Square. In the independent Republic of Latvia the implementation of the agrarian reform was started and the task to provide inhabitants with flats was set. Around 1927 in the Technical Department of Liepaja City the development of the master-plan was started: the territory of the city was divided into the industrial, commercial, residential and resort zone, which was greened. It was planned to lengthen Lord’s (Latvian: Kungu) Street with a dam, partly filling up Lake Liepaja in order to build the water-main and provide traffic with the eastern bank. The passed “Law of City Lands” and “Regulations for City Construction and Development of Construction Plans and Development Procedure” in Latvia Republic in 1928 promoted a gradual development of cities. In 1932 Liepaja received the radio transmitter. On the northern outskirts a sugar factory was built (architect Kārlis Bikše; 1933). The construction of the city centre was supplemented with the Latvian Society House (architect Kārlis Blauss and Valdis Zebauers; 1934-1935) and Army Economical Shop (architect Aleksandrs Racenis), as well as the building of a pawnshop and saving bank (architect Valdis Zebauers; 1936-1937). The hotel “Pēterpils”, which became the property of the municipality in 1936, was renamed as the “City Hotel” and it was rebuilt in 1938. In New Liepaja the Friendly Appeal Elementary school was built (architect Karlis Bikše), but in the Naval Officers Meeting House was restored and it was adapted for the needs of the Red Cross Bone Tuberculosis Sanatorium (architect Aleksandrs Klinklāvs; 1930-1939). The Soviet military power was restored in Latvia and it was included in the Union of Soviet Socialist Republics. During the World War II buildings in the city centre around the Rose Square and Great (Latvian: Lielā) Street were razed. When the war finished, the “Building Complex Scheme for 1946-1950” was developed for Liepaja. In August 1950 the city was announced as closed: the trade port was adapted to military needs. Neglecting the historical planning of the city, in 1952 the restoration of the city centre building was started, applying standard projects. The restoration of Liepaja City centre building carried out during the post-war period has not been studied. Research goal: analyse restoration proposals for Liepaja City centre building, destroyed during World War II, and the conception appropriate to the socialism ideology and further development of construction.


2013 ◽  
Vol 21 (1) ◽  
pp. 34-43 ◽  
Author(s):  
Dusanka Dobanovacki ◽  
Milan Breberina ◽  
Bozica Vujosevic ◽  
Marija Pecanac ◽  
Nenad Zakula ◽  
...  

Following the shift in therapy of tuberculosis in the mid-19th century, by the beginning of the 20th century numerous tuberculosis sanatoria were established in Western Europe. Being an institutional novelty in the medical practice, sanatoria spread within the first 20 years of the 20th century to Central and Eastern Europe, including the southern region of the Panonian plain, the present-day Province of Vojvodina in Serbia north of the rivers Sava and Danube. The health policy and regulations of the newly built state - the Kingdom of Serbs, Croats and Slovenians/Yugoslavia, provided a rather liberal framework for introducing the concept of sanatorium. Soon after the World War I there were 14 sanatoria in this region, and the period of their expansion was between 1920 and 1939 when at least 27 sanatoria were founded, more than half of the total number of 46 sanatoria in the whole state in that period. However, only two of these were for pulmonary diseases. One of them was privately owned the open public sanatorium the English-Yugoslav Hospital for Paediatric Osteo-Articular Tuberculosis in Sremska Kamenica, and the other was state-run (at Iriski venac, on the Fruska Gora mountain, as a unit of the Department for Lung Disease of the Main Regional Hospital). All the others were actually small private specialized hospitals in 6 towns (Novi Sad, Subotica, Sombor, Vrbas, Vrsac, Pancevo,) providing medical treatment of well-off, mostly gynaecological and surgical patients. The majority of sanatoria founded in the period 1920-1939 were in or close to the city of Novi Sad, the administrative headquarters of the province (the Danube Banovina at that time) with a growing population. A total of 10 sanatoria were open in the city of Novi Sad, with cumulative bed capacity varying from 60 to 130. None of these worked in newly built buildings, but in private houses adapted for medical purpose in accordance with legal requirements. The decline of sanatoria in Vojvodina began with the very outbreak of the World War II and they never regained their social role. Soon after the Hungarian fascist occupation the majority of owners/ founders were terrorized and forced to close their sanatoria, some of them to leave country and some were even killed or deported to concentration camps.


2021 ◽  
Vol 6 (3(16)) ◽  
pp. 71-80
Author(s):  
Tina L ◽  
Kristian Pandža

Croatian National Theatre in Mostar is a relatively new cultural institution when compared to other theatrical institutions. Turbulent incidents of newer Bosnian and Herzegovinian history, as well as historical, political and social changes, left their marks on all levels of the city of Mostar. Therefore, the repertoire of this Theatre, since it has been founded in 1994 (and was primarily named as „War Scene“), needs to be critically analyzed not only in relation to the reality of political and national occurrences of that period but also in comparison with theatrological specificities after the World War II. This paper questions the Theatre’s repertoire under those terms from 1993 to 2005.


Author(s):  
Oskar Stanisław Czarnik

The subject of this article is an overview of Polish publishing in the exile during the World War II and first post-war years. The literary activity was mostly linked to the cultural tradition of the Second Polish Republic. The author describes this phenomenon quantitatively and presents the number of books published in the respective years. He also tries to explain which external factors, not only political and military, but also financial and organizational, affected publications of Polish books around the world. The subject of the debate is also geography of the Polish publishing. It is connected with a long term migration of different groups of people living in exile. The author not only points out the areas where Polish editorial activity was just temporary, but also the areas where it was long-lasting. The book output was a great assistance to Polish people living in diasporas, as well as to readers living in Poland. The following text is an excerpt of the book which is currently being prepared by the author. The book is devoted to the history of Polish publishing in exile.


Sign in / Sign up

Export Citation Format

Share Document