Greek Ethnicity and the Greek Language

Glotta ◽  
2009 ◽  
Vol 85 (1-4) ◽  
pp. 5-30 ◽  
Author(s):  
Edward M. Anson
2021 ◽  
pp. 221-246
Author(s):  
Mario C. D. Paganini

This chapter focuses on questions of identity more clearly and provides an analysis of its different implications, to show how the communities of the gymnasia of Hellenistic Egypt, while following traditions of Greek character, were thoroughly embedded in the socio-cultural world of the country in which they lived. It is argued that the members of the gymnasium displayed complex identities, which could encompass features deriving from various traditions; this goes beyond a simplistic interpretation and understanding of ethnicity. Beyond strict ethnic designations, Ptolemaic society also functioned in a less exclusive fashion, according to cultural definitions: the Ptolemaic category of Hellenes ‘Greeks’ was applied to people who displayed a certain degree of knowledge of Greek language and culture, not only to those who were of strict Greek ethnicity. As the prime institution of Greek cultural traditions, the gymnasium operated as the quintessential ‘association of the Hellenes’: the place where those who were willing to go Greek could express themselves as a well-defined group of people, while upholding specific aspects of Greek life. However, it is shown how the gymnasium’s members stretched over different layers of (normally) the middle and upper strata of local society and shared many features, which were foreign to Greek traditions and thought, including specific onomastic choices, religious practices, or marriage patterns. ‘Those of the gymnasium’ were fully embedded in and deeply intertwined with the local population—to the point that they essentially formed a part of it: they were the ‘Greeks’ of Egypt.


2011 ◽  
Author(s):  
Thalis N. Papadakis ◽  
Evdokia Lagakou ◽  
Christina Terlidou ◽  
Dimitra Vekiari ◽  
Ioannis K. Tsegos

Author(s):  
Katerina Chatzopoulou

This study is an investigation of the expression of negation in the history of Greek, through quantitative data from representative texts from three major stages of vernacular Greek (Attic Greek, Koine, Late Medieval Greek), and qualitative data from Homeric Greek until Standard Modern. The contrast between two complementary negators, NEG1 and NEG2, is explained in terms of sensitivity of NEG2 μη‎ to nonveridicality: NEG2 is a polarity item in all stages of the Greek language, an item licensed by nonveridicality. The asymmetry in the diachronic development of the Greek negator system (the replacement of NEG1 and the preservation of NEG2) is explained with reference to the particulars of the uses of NEG2, specifically the inertial forces drawn by the nonnegative uses of NEG2, which being nonnegative did not experience the renewal pressures predicted by the Jespersen’s Cycle. These are its complementizer uses: (i) as a question particle, and (ii) in introducing verbs of fear complements. A viewpoint for Jespersen’s Cycle is proposed that abstracts away from the morphosyntactic and phonological particulars of the phenomenon and explicitly places its regularities in the semantics, accommodating not only for Greek, but for numerous other languages that deviate in different ways from the traditional description of Jespersen’s Cycle. The developments observed in the history of the Greek negator system agree with current generative theories of syntactic change, regarding the notions of up-the-tree movement.


Author(s):  
Robert L. Fowler
Keyword(s):  

The theme of this chapter is early Greek ethnicity. It illuminates the processes of ethnogenesis and demonstrates the implications of the relation, or rather the impressive dovetailing, between nostoi traditions and myths of Greek origins.


Author(s):  
Madadh Richey

The alphabet employed by the Phoenicians was the inheritor of a long tradition of alphabetic writing and was itself adapted for use throughout the Mediterranean basin by numerous populations speaking many languages. The present contribution traces the origins of the alphabet in Sinai and the Levant before discussing different alphabetic standardizations in Ugarit and Phoenician Tyre. The complex adaptation of the latter for representation of the Greek language is described in detail, then some brief attention is given to likely—Etruscan and other Italic alphabets—and possible (Iberian and Berber) descendants of the Phoenician alphabet. Finally, it is stressed that current research does not view the Phoenician and other alphabets as inherently simpler, more easily learned, or more democratic than other writing systems. The Phoenician alphabet remains, nevertheless, an impressive technological development worthy, especially by virtue of its generative power, of detailed study ranging from paleographic and orthographic specifications to social and political contextualization.


2021 ◽  
pp. 003329412110268
Author(s):  
Vaitsa Giannouli ◽  
Juliana Yordanova ◽  
Vasil Kolev

Research on aesthetic descriptors of art in different languages is scarce. The aim of the present study was to elucidate the conceptual structure of aesthetic experiences of three forms of art (music, visual arts and literature) in the Greek language, which has not been explored so far. It was further aimed to study if biological and cognitive factors such as age and gender might produce differences in art appreciation. A total of 467 younger and older individuals from Greece were asked to generate verbal descriptors (adjectives) in free word-listing conditions in order to collect terms reflecting the aesthetics-related semantic field of art. The capacity of verbal memory was controlled by using a battery of neuropsychological tests. Analysis of generated adjectives’ frequency and salience revealed that ‘beautiful’ was the most prominent descriptor that was selected with a distinctive primacy for all three forms of arts. The primacy of ‘beautiful’ was significantly more pronounced for visual arts relative to music and literature. Although the aging-related decline of verbal capacity was similar for males and females, the primacy of ‘beautiful’ depended on age and gender by being more emphasized for young females than males, and for old males than females. Analysis of secondary descriptors and pairs of adjectives revealed that affective and hedonic experiences are essentially fixed in the semantic field of art reflection. It is concluded that although the concept of the aesthetics seems to be diversified and rich, a clear primacy of beauty is found for the Greek cultural environment and across different forms of art. The results also highlight the presence of complex influences of biological and cognitive factors on aesthetic art experiences.


Rhizomata ◽  
2020 ◽  
Vol 8 (1) ◽  
pp. 1-36
Author(s):  
Magali Année

AbstractDo the early Greek poets and thinkers really “play” with their language? What sort of “play” should we expect from part of the professional craftsmen they were of a basically sound language? What did imply their awareness of the phono-syllabic nature of Greek language? And what about Heraclitus in particular, who is most concerned among them with the intrinsic virtues of Greek discourse (λόγος)? An analysis of fr. 22 B 52 DK within the melodic and sonic state of archaic Greek language reveals, instead of “play of words”, a rather spontaneous phenomenon of phono-syllabic generation, that is as necessary for the political message of Heraclitus’ fragment as the meaning of each of its words and their superficial syntactic organization.


2017 ◽  
Vol 56 (7) ◽  
pp. 1030-1055 ◽  
Author(s):  
Chrystalla Neofytou ◽  
Thanasis Hadzilacos

Viewing its use in language teaching mainly as a text corpus, this article examines the problem of the assessment of suitability of this material for use in the Greek language course in Cyprus schooling. The suitability of texts for use in language teaching is defined by four parameters, which are described in detail in this article: text readability, content, genre, and grammatical information. The literature review shows the research gap as to the ways of finding on the Web a suitable text for use in language teaching according to specific characteristics. The tool diaKeimenou, which is presented in this article, aims to fill this gap and help the teacher choose the most suitable texts for teaching with reasonable effort and time. The results of the usability evaluation of diaKeimenou are also presented in this article.


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