scholarly journals Cranks, Clerks, and Suffragettes: The Vegetarian Restaurant in British Culture and Fiction 1880–1914

2021 ◽  
Vol 39 (1) ◽  
pp. 133-153
Author(s):  
Elsa Richardson
Keyword(s):  
British Culture

:Child Murder and British Culture, 1720–1900

2006 ◽  
Vol 11 (1) ◽  
pp. 189-193
Author(s):  
Ian Haywood
Keyword(s):  
Child Murder ◽  
British Culture

Is Druidry Indigenous? The Politics of Pagan Indigeneity Discourse

2019 ◽  
Vol 9 (2) ◽  
pp. 235-247
Author(s):  
Suzanne Owen
Keyword(s):  
Ancient Greece ◽  
British Isles ◽  
Christian Religion ◽  
Per Se ◽  
British Culture

This article asks if “indigenous,” associated as it is with “colonized peoples,” is being employed strategically by Druids in Britain to support cultural or political aims. Prominent Druids make various claims to indigeneity, presenting Druidry as the pre-Christian religion of the British Isles and emphasizing that it originated there. By “religion” it also assumes Druidry was a culture equal to if not superior to Christianity—similar to views of antiquarians in earlier centuries who idealized a pre-Christian British culture as equal to that of ancient Greece. Although British Druids refute the nationalist tag, and make efforts to root out those tendencies, it can be argued that it is a love of the land rather than the country per se that drives indigeneity discourses in British Druidry.

Across Culture Communication Style Choices in Western and British Culture in The Leap Year movie.

2018 ◽  
Vol 7 (2) ◽  
Author(s):  
Nargis - ◽  
Imtihan - Hanim
Keyword(s):  
Intercultural Communication ◽  
Research Method ◽  
Power Distance ◽  
Cross Cultural ◽  
Communication Style ◽  
Cultural Communication ◽  
High Culture ◽  
Cross Cultural Communication ◽  
Different Cultures ◽  
British Culture

The different cultures, power distance could be the obstacle in intercultural communication. The aim of this research to identify the types of Cross-Cultural Communication Style Choice between British and American in the Leap Year movie. The researchers attempt to reveal kinds of Cross-Cultural Communication Style Choice between Declan as British and Anna as American for three days. This Qualitative research method analyses data of utterances and are classified into four types of Cross-Cultural Communication Style Choice. The result shows that there are 356 utterances of Anna and Declan. for three days. Anna has 204 utterances with 44,3 % direct style and indirect 5,8 %.. Declan uses 155 utterance with 37 % and 12 % indirect style. British tend to use more indirect styles in expressing their intention to save the interlocutor’s face.Meanwhile, American use direct styles to reveal their intentions as they belong to the high culture communication.Key words: across culture communication,direct style, indirectstyle

Inventing the English Massacre

2020 ◽  
Author(s):  
Alison Games
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
British Empire ◽  
English Language ◽  
East India Company ◽  
Dutch East India Company ◽  
Violent Event ◽  
The Indian Ocean ◽  
English East India Company ◽  
British Culture

This book explains how a conspiracy trial featuring English, Japanese, and Indo-Portuguese co-conspirators who allegedly plotted against the Dutch East India Company in the Indian Ocean in 1623 produced a diplomatic crisis in Europe and became known for four centuries in British culture as the Amboyna Massacre. The story of the transformation of this conspiracy into a massacre is a story of Anglo-Dutch relations in the seventeenth century and of a new word in the English language, massacre. The English East India Company drew on this new word to craft an enduring story of cruelty, violence, and ingratitude. Printed works—both pamphlets and images—were central to the East India Company’s creation of the massacre and to the story’s tenacity over four centuries as the texts and images were reproduced during conflicts with the Dutch and internal political disputes in England. By the eighteenth century, the story emerged as a familiar and shared cultural touchstone. By the nineteenth century, the Amboyna Massacre became the linchpin of the British Empire, an event that historians argued well into the twentieth century had changed the course of history and explained why the British had a stronghold in India. The broad familiarity with the incident and the Amboyna Massacre’s position as an early and formative violent event turned the episode into the first English massacre. It shaped the meaning of subsequent acts of violence, and placed intimacy, treachery, and cruelty at the center of massacres in ways that endure to the present day.

Dystopian Science Fiction and the Return of the Gothic

2018 ◽  
Author(s):  
Sherryl Vint
Keyword(s):  
Science Fiction ◽  
Vantage Point ◽  
Victorian Culture ◽  
Gothic Fiction ◽  
Post War ◽  
British Culture

This chapter explores the connections between dystopian science fiction and gothic fiction. It links science fiction to a tradition of European utopian and surrealist writing, situating the genre equally within discourses of science and the gothic. This perspective, the chapter argues, was perhaps more possible from the vantage point of 1973 than it would have been for earlier critics: the scientific romance tradition was rooted in a Victorian culture that believed in empire, technology, and progress, even if it was not always convinced by their contemporary instantiations. The dramatic shifts in British culture during the Blitz and in the immediate post-war period looked back on such optimism with a rather jaundiced eye: British global hegemony was distinctly at an end. It is little wonder, then, that the speculative fictions of this period turned toward darker tones of dystopia and the gothic.

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