The past, the present and The Mandalorian

2020 ◽  
Vol 9 (2) ◽  
pp. 215-229 ◽  
Author(s):  
John Quinn

Drawing on the notion that nostalgia enables a continuity of identity, this article explores how the aesthetics of the Disney+ lynchpin property, The Mandalorian (2019–present), facilitate a return to, and continuity of, masculine heteronormativity in the face of rapid and widespread change within the Star Wars cinematic franchise. Focusing on the excess of style, the reduction in scope and scale of the narrative aesthetics, the role of the star as an agent of the past, the conceptualization of hypermasculine fatherhood and the role of the feminine in the articulation of narrative, this article reveals how The Mandalorian constructs a narrative concerned with fatherhood. Moreover, this article demonstrates how, by appropriating nostalgia in the restorative mode to allow a continuity of idealized masculine identity, The Mandalorian is positioned as the would-be masculine heir to the legacy of the original trilogy.

2017 ◽  
Vol 9 (2) ◽  
pp. 114-122
Author(s):  
Nina A Tsyrkun

The article explores the balance of the two basic cultural constructs - individualism and collectivism - and the way it is represented in the American cinema of 2015-2016 as exemplified by a number of films set in the past, present and future. The author comes to the conclusion that in the face of a global peril the idea of individual moral responsibility inevitably leads to the role of collectivism as the essential survival condition.


This book explores the history of health care in postcolonial state-making and the fragmentation of the health system in Syria during the conflict. It analyzes the role of international humanitarian law (IHL) in enabling attacks on health facilities and distinguishes the differences between humanitarian solutions and refugee populations’ expectations. It also describes the way in which humanitarian actors have fed the war economy. The book highlights the lived experience of siege in all its layers. It examines how humanitarian actors have become part of the information wars that have raged throughout the past ten years and how they have chosen to position themselves in the face of grave violations of IHL.


Humanities ◽  
2020 ◽  
Vol 9 (3) ◽  
pp. 97
Author(s):  
Jan Alexander van Nahl

Many Humanities scholars seem to have become increasingly pessimistic due to a lack of success in their efforts to be recognized as a serious player next to their science, technology, engineering, and maths (STEM) colleagues. This appears to be the result of a profound uncertainty in the self-perception of individual disciplines within the Humanities regarding their role both in academia and society. This ambiguity, not least, has its roots in their own history, which often appears as an interwoven texture of conflicting opinions. Taking a stance on the current and future role of the Humanities in general, and individual disciplines in particular thus asks for increased engagement with their own past, i.e., histories of scholarship, which are contingent on societal and political contexts. This article’s focus is on a case study from the field of Old Norse Studies. In the face of the rise of populism and nationalism in our days, Old Norse Studies, with their focus on a ‘Germanic’ past, have a special obligation to address societal challenges. The article argues for the public engagement with the histories of individual disciplines to strengthen scholarly credibility in the face of public opinion and to overcome trenches which hamper attempts at uniting Humanities experts and regaining distinct social relevance.


2020 ◽  
Vol 4 ◽  
Author(s):  
Michele F. Fontefrancesco ◽  
Dauro M. Zocchi

The article investigates the link between food festivals and traditional food knowledge and explores the role played by tourist events in disseminating local agricultural and gastronomic knowledge. This article presents the ethnographic case of the Pink Asparagus Festival in Mezzago in Italy, analyzing how the festival supported the continuation of crop production and its associated traditional knowledge in the village. In the face of a decline of asparagus production, the article highlights the role of the festival in fostering a revival of local food knowledge, which is also able to embrace modernization, at the same time maintaining a strong sense of the past and Mezzago's legacy. Thus, the article suggests that festivals are not just events aimed at commodifying local knowledge, but can be important tools to refresh and maintain local expertise, which is vital and pressing in the context of modern society, and strengthen and expand the relationship between members of the community, thus converting the festival into an endeavor to foster sociocultural sustainability.


1997 ◽  
Vol 36 (1) ◽  
pp. 70-98 ◽  
Author(s):  
Martha Vicinus

How and when did society first recognize women's homoerotic bonds? Were these romantic friendships fully accepted, or were they seen as problematic? Did the women involved see themselves as lesbians? These and other questions have been raised over the past twenty years by historians of lesbian sexuality. When Lillian Faderman in her pioneering survey of European and American lesbians declared the nineteenth century as the golden age of unproblematic romantic friendships, historians quickly responded with evidence to the contrary. Much of this debate has been focused on whether or not women could be considered “lesbian” before they claimed (or had forced on them) a publicly acknowledged identity. But the modern lesbian did not appear one day fully formed in the case studies of the fin-de-siècle sexologists; rather she was already a recognizable, if shadowy, subject for gossip among the sophisticated by at least the 1840s and 1850s. By examining closely a single divorce trial, I hope to show that literary and legal elites acknowledged lesbian sexuality in a variety of complex ways. Their uneasy disapproval encompassed both a self-conscious silence in the face of evidence and a desire to control information, lest it corrupt the innocent. Yet who can define the line between the ignorant and the informed? The very public discussion of the Codrington divorce, and most especially the role of the feminist, Emily Faithfull, in alienating Helen Codrington's affections from her husband, demonstrate the recognition of female homosexual behavior.


2020 ◽  
Vol 13 (1) ◽  
pp. 79
Author(s):  
Antônia Rosa Almeida ◽  
João Bartolomeu Rodrigues ◽  
Levi Leonido Fernandes da Silva ◽  
Elsa Maria Gabriel Morgado

Since man is a man, history has been responsible for showing the progress of life in society and, analyzing the foundations of education, one can understand the advances and setbacks in the segments that support it. One must remember the importance and meaning of education to realize it”s contribution to people in particular and to humanity in general. For women, education is a great example of building for citizenship. Female empowerment and its entire universe overlap with the history of education, with the infinite property through the consolidation of social struggles and female resistance to what was imposed by society. The march of women made the role of education multiply in the face of more varied realities, whether in the rural environment or in the urban environment, in the most different spaces. It is known that the motivation for the search for knowledge in the circumstances in which women lived in the past was decisive for being the provocateur of women's empowerment, because it is a right for all, in the journey of the whole social force, family, religion, politics, culture, and work. In what was proposed by the advent of the role in the life of women, it is perceived that the force linked to power, wanting to learn have become more accessible to women and this development throughout life marks the vicissitudes that education manifested in the life of each individual.


Race & Class ◽  
2019 ◽  
Vol 61 (2) ◽  
pp. 96-104 ◽  
Author(s):  
Sophia Siddiqui

Two landmark books, originally published during the same era of struggle in the UK, have been republished in 2018: Finding a Voice: Asian women in Britain and Heart of the Race: Black women’s lives in Britain. These books make the history of anti-racism in the UK – and the role of black and Asian women within this that is so often overlooked – accessible to a broad audience and give context to the gendered racism and racialised patriarchies that persist today. Reviewing these reissued texts, the author argues that the UK’s radical history is a powerful tool that can reactivate anti-racist feminism both locally and internationally, pointing to the continued fight to retain BAME domestic violence refuges in the face of austerity cuts in the UK and the unique global solidarity that is coming to the fore as an emboldened far Right attacks women’s rights internationally.


2020 ◽  
Vol 117 (16) ◽  
pp. 8683-8691 ◽  
Author(s):  
Philippe D. Tortell

April 22, 2020, marks the 50th anniversary of Earth Day and the birth of the modern environmental movement. As we look back over the past half century, we can gain significant insights into the evolving human imprint on Earth’s biophysical systems, and the role of science and scientists in driving societal transitions toward greater sustainability. Science is a foundation for such transitions, but it is not enough. Rather, it is through wide collaborations across fields, including law, economics, and politics, and through direct engagement with civil society, that science can illuminate a better path forward. This is illustrated through a number of case studies highlighting the role of scientists in leading positive societal change, often in the face of strong oppositional forces. The past five decades reveal significant triumphs of environmental protection, but also notable failures, which have led to the continuing deterioration of Earth’s natural systems. Today, more than ever, these historical lessons loom large as we face increasingly complex and pernicious environmental problems.


Author(s):  
Dan Golding

This article is concerned with the intersection of digitally augmented performance and nostalgia in contemporary Hollywood franchise cinema. The practice of ‘de-ageing’ or even resurrecting actors following their real-life deaths in films like Tron: Legacy (Joseph Kosinski, 2010), Terminator Genysis (Alan Taylor, 2015), Rogue One (Gareth Edwards, 2016), Blade Runner 2049 (Denis Villeneuve, 2017), Star Wars: The Rise of Skywalker (J.J. Abrams, 2019), and a large number of Marvel Cinematic Universe films, is now commonplace. Though such digital faces are primarily still found in franchise cinema, some exceptions ( The Irishman, Martin Scorsese, 2019; Gemini Man, Ang Lee, 2019) are telling in their franchise-like appeals to cinematic nostalgia. In particular, the digital face is most commonly aligned with the ‘legacy film’ (Golding, 2019), resurrected franchises interested in transferring franchise protagonists, themes and fandom across generations. The digital face therefore is an expression of the convergence of the digital with film, with the franchise, with the past and with memory. For these films, memory and nostalgia are meticulous exercises involving thousands of work hours of highly skilled CGI workers and cutting-edge technology. These highly technical, virtuosic digital faces are quite literally the face of this kind of nostalgia, and as Ndalianis observes, position the face ‘as façade that opens up a time-travel passageway between past and present’, inviting a seam-spotting game between audience and filmmaker (2014). Even if the digital face is perfect in its recreation, the audience’s knowledge of the impossibility of the performance leaves a trace of artistry. Accordingly, digital faces are creative, technical and financial decisions above all. This article outlines the uses of the digital face for memory, nostalgia and seriality in contemporary Hollywood franchise cinema, with a focus on representation and death.


2019 ◽  
Vol 10 (1) ◽  
pp. 8
Author(s):  
Luca Ulrich ◽  
Jean-Luc Dugelay ◽  
Enrico Vezzetti ◽  
Sandro Moos ◽  
Federica Marcolin

Common sense usually considers the assessment of female human attractiveness to be subjective. Nevertheless, in the past decades, several studies and experiments showed that an objective component in beauty assessment exists and can be strictly related, even if it does not match, with proportions of features. Proportions can be studied through analysis of the face, which relies on landmarks, i.e., specific points on the facial surface, which are shared by everyone, and measurements between them. In this work, several measures have been gathered from studies in the literature considering datasets of beautiful women to build a set of measures that can be defined as suggestive of female attractiveness. The resulting set consists of 29 measures applied to a public dataset, the Bosphorus database, whose faces have been both analyzed by the developed methodology based on the expanded set of measures and judged by human observers. Results show that the set of chosen measures is significant in terms of attractiveness evaluation, confirming the key role of proportions in beauty assessment; furthermore, the sorting of identified measures has been performed to identify the most significant canons involved in the evaluation.


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