scholarly journals Escenas musicales transfronterizas y transculturales: El Napar-Mex o los corridos y rancheras navarros

AusArt ◽  
2021 ◽  
Vol 9 (1) ◽  
pp. 45-54
Author(s):  
Maite Aperribay Bermejo
Keyword(s):  
Punk Rock

El presente artículo tiene como objetivo aportar una reflexión en relación con la escena musical del Napar-Mex, en la que corridos y rancheras mexicanas se fusionan con influencias, tradiciones y folklore navarro. Las rancheras y corridos mexicanos forman parte del repertorio musical de cualquier celebración popular en la Comunidad Foral de Navarra. La afición de los navarros por lo mexicano es tal, que hace más de dos décadas dio lugar a la creación de una escena musical propia, conocida como Napar-Mex, estilo musical no comercial y estéticamente heterogéneo que surge de la mezcla entre las rancheras, los corridos y el punk-rock vasco. Tras revisar brevemente la relación histórica entre el pueblo vasconavarro y el mexicano, se muestra el viaje de ida y vuelta que efectúa el corrido, cuyo origen reside en el romance español, y que en las últimas décadas ha efectuado un camino inverso, encontrando su lugar en la escena musical vasconavarra.

“It’s the End of the World as We Know It”

2020 ◽  
Vol 26 (4) ◽  
pp. 553-576
Author(s):  
Matthias Hofferberth ◽  
Daniel Lambach
Keyword(s):  
Global Governance ◽  
World Politics ◽  
Point Of View ◽  
Punk Rock ◽  
New Approaches ◽  
The World ◽  
New Energy ◽  
End Of The World

Abstract This article contends that practices of, and reflections on, global governance are diversifying without any particular teleology. Therefore, it proposes a “postgovernance” perspective to capture and make sense of the multiplicity of concurrent developments. Just like post-punk followed punk rock and provided new energy, postgovernance provides opportunities to revitalize debates on world politics. Postgovernance allows both scholars and practitioners to consider the persistence of “traditional” forms of global governance as well as the simultaneous emergence of new approaches. This article thus proposes postgovernance as a mode of world politics in a postparadigmatic world that is dynamic yet inconsistent. We advance this argument by outlining what postgovernance entails, by taking stock of current debates from a postgovernance perspective, and by discussing how these can be advanced from a postgovernance point of view.

Patti Smith: America’s Punk Rock Rhapsodist

2015 ◽  
Vol 3 (3) ◽  
pp. 321-323
Author(s):  
Ron Briley
Keyword(s):  
Punk Rock

scholarly journals O ÁLBUM SANDINISTA!: AGENCIAMENTOS E FRONTEIRAS MUSICAIS DO GRUPO THE CLASH // THE SANDINISTA! ALBUM: AGENCEMENTS AND MUSICAL BOUNDARIES OF THE BAND THE CLASH

2017 ◽  
Vol 15 (2) ◽  
pp. 511
Author(s):  
Herom Vargas ◽  
Nilton Carvalho
Keyword(s):  
Hip Hop ◽  
Punk Rock

O movimento punk inglês produziu rompimentos com o rock mainstream da indústria fonográfica, mas após algum tempo, sua estética se estabeleceu como fórmula cristalizada. No álbum Sandinista! (1980), a banda inglesa The Clash se afasta dessa rigidez musical ao movimentar-se para as fronteiras, em contato com outras culturas e seus agenciamentos textuais. Essa mudança é um aspecto fundamental na construção da linguagem híbrida do disco que difere dos moldes identitários do punk rock. Com base nos Estudos Culturais e na Semiótica da Cultura, este artigo visa demonstrar como o grupo propôs uma arte de fronteira musical e política com o chamado Terceiro Mundo, usando textos (dub, jazz, soul, hip hop, calypso) geradores de uma semiótica que difere do regime significante (DELEUZE; GUATTARI, 1995) do punk britânico.

scholarly journals Punk, DIY, and Anarchy in Archaeological Thought and Practice

2017 ◽  
Vol 5 ◽  
pp. 123 ◽  
Author(s):  
Colleen Morgan
Keyword(s):  
Community Involvement ◽  
Structural Violence ◽  
Punk Rock ◽  
Contemporary Archaeology ◽  
The Past ◽  
Labor Practices ◽  
Recent Developments ◽  
Selection Of ◽  
Anarchist Theory

Recent developments in archaeological thought and practice involve a seemingly disparate selection of ideas that can be collected and organized as contributing to an anti-authoritarian, “punk” archaeology. This includes the contemporary archaeology of punk rock, the DIY and punk ethos of archaeological labor practices and community involvement, and a growing interest in anarchist theory as a productive way to understand communities in the past. In this article, I provide a greater context to contemporary punk, DIY, and anarchist thought in academia, unpack these elements in regard to punk archaeology, and propose a practice of punk archaeology as a provocative and productive counter to fast capitalism and structural violence.

scholarly journals Nara, Tokyo Pop Art's Dissident: Punk Rock and Artist's Fan

2014 ◽  
Vol null (43) ◽  
pp. 247-273
Author(s):  
Dong-Yeon Koh
Keyword(s):  
Punk Rock

Sighting the Sound

2021 ◽  
Vol 7 (4) ◽  
pp. 27-54
Author(s):  
Paloma Martínez-Cruz
Keyword(s):  
Latin American ◽  
Punk Rock ◽  
Musical Experience ◽  
Spanish American ◽  
Performance Practices ◽  
Male Domination ◽  
Creative Agency ◽  
Alternative Music ◽  
American Artists ◽  
Western European

Characterized by ambiguous sexual energy and resistance to male domination and objectification, the visual idiom of punk rock communicated feminist prospects through the performance of fashion. This essay interprets the creative agency of Alice Bag, Marina “Del Rey” Muhlfriedel, Trudie “Plunger” Arguelles-Barret, and Helen “Hellin Killer” Roessler as Latina and Hispanic sono-spatial artists in the early days of L.A.’s punk subculture. Situating the performance practices of Hispana (Iberian) women alongside the Latina (hemispheric Latin American) artists, L.A. punk is situated within a Spanish-American borderlands matrix of meaning, where non–Western European roots of women in punk gain coherence as a specifically bordered set of historical circumstances. By embodying musical performativity as creators of a relational theatre of musical experience, the study asserts that women punk fans redefined how alternative music was generated, circulated, and consumed.

“Liberation’s Crusade Has Begun”

For the Wild ◽  
2017 ◽  
Author(s):  
Sarah M. Pike
Keyword(s):  
Animal Rights ◽  
Religious Beliefs ◽  
Punk Rock ◽  
Animal Testing ◽  
Factory Farming ◽  
Music Scenes

Chapter Five explores the interweaving of music, Hindu religious beliefs, and activism motivated by rage in the context of hardcore punk rock. In this chapter, I describe the unlikely convergence of hardcore punk rock, Krishna Consciousness, and animal rights in youth subcultural spaces in order to understand how the aural and spiritual worlds created by some bands shaped the emergence of radical animal rights. At times these music scenes nurtured the idea of other species as sacred beings and sparked outrage at their use and abuse by humans. Bands made fans into activists who brought the intensity of hardcore to direct actions in forests, at animal testing labs and mink farms, and against hunting and factory farming.

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