NATIONAL ADVERTISING CAMPAIGN

1997 ◽  
Vol 128 (6) ◽  
pp. 688-689
Author(s):  
Tom Howley
Author(s):  
Peter Scott

New furniture was the first consumer durable to be successfully diffused to a mass (middle- and working-class) market in Britain. This chapter charts how a small number of furniture retailers pioneered many of the techniques used to create British mass markets for consumer durables. The key innovator was Benjamin Drage, who devised a successful formula to sell suites of new furniture, and the consumer credit used to purchase them, to ‘Mr Everyman’, using a revolutionary national advertising campaign. Drage’s spectacular early success is shown to have inspired emulation and adaption not just by furniture retailers, but by suppliers of other consumer durables. This chapter shows how furniture retailers managed to convince millions of working-and lower-middle-class families that buying their furniture new and furnishing out of income was not only practicable but constituted the cornerstone of modern aspirational lifestyles.


2016 ◽  
Vol 8 (3) ◽  
pp. 343-357
Author(s):  
Emily J.H. Contois

Purpose Through a case study of J. Walter Thompson and Kraft’s efforts to market Vegemite in the USA in the late 1960s, this paper aims to explore transnational systems of cultural production and consumption, the US’s changing perception of Australia and the influence of culture on whether advertising fails or succeeds. Design/methodology/approach This paper draws from archival primary sources, including advertisements and newspapers, as well as secondary literatures from the fields of advertising history, food studies and transnational studies of popular culture. Findings Although J. Walter Thompson’s advertising contributed to Vegemite’s icon status in Australia, it failed to capture the American market in the late 1960s. In the 1980s, however, Vegemite did capture American interest when it was central to a wave of Australian popular culture that included films, sport and music, particularly Men at Work’s hit song, “Down Under”, whose lyrics mentioned Vegemite. As such, Vegemite’s moment of success stateside occurred without a national advertising campaign. Even when popular, however, Americans failed to like Vegemite’s taste, confirming it as a uniquely culturally specific product. Originality/value This paper analyzes a little-studied advertising campaign. The case study’s interdisciplinary findings will be of interest to scholars of advertising history, twentieth century USA and Australian history and food studies.


2021 ◽  
pp. 106-132
Author(s):  
Katina Manko

Throughout the 1930s, the California Perfume Company expanded in both numbers of representatives and sales. It introduced the Avon brand of cosmetics and toiletries in 1929 and created new sales strategies, such as two-for-one campaigns, and efficiency measures, such as reducing the sales cycle from four weeks to three. David McConnell’s son and a new management team led by John Ewald, who remained as CEO well into the 1960s, created the company’s first national advertising campaign and a plan to develop city markets. They also spearheaded the efforts by the National Association of Direct Sales Companies to write independent contractor legislation to protect them against new minimum wage and unemployment regulations. The company officially changed its name to Avon in 1939, cementing its place as a leader in direct selling committed to developing women’s entrepreneurial opportunities.


2021 ◽  
pp. 002224372110281
Author(s):  
Joonhyuk Yang ◽  
Jung Youn Lee ◽  
Pradeep K. Chintagunta

The US pay television service market had been dominated by cable operators until the nationwide entry of satellite operators in the early 1990s. The latter have been consistently growing their footprints since. This study documents the role of television advertising to explain the success. Using data on US households’ subscription choices and operators’ advertising decisions, the authors document both demand- and supply-side conditions conducive to the growth of the satellite operators. First, the authors find consumers in this market were sensitive to advertising, and especially so to that of the satellite operators (ad-elasticities of about .05-.06 for satellite operators vs. .02 for cable operators). The authors employ a border strategy to demonstrate advertising-elastic demand and discuss its robustness to potential threats to identification. Second, the authors provide suggestive evidence that a form of asymmetric cost efficiencies in television advertising benefited the entrants more than the incumbents. Specifically, the unit costs of local advertising tend to be higher than of national advertising, which likely allowed the satellite operators to better leverage their national presence with (cheaper) national advertising. Overall, this study highlights the interaction between advertising efficiencies and the scale of entry in explaining the competition between market incumbents and entrants.


PEDIATRICS ◽  
1968 ◽  
Vol 41 (6) ◽  
pp. 1144-1145
Author(s):  
Richard I. Feinbloom ◽  
Peter Wolff

In a current advertising campaign, a wellknown toy manufacturer (Creative Playthings, Inc.) seeks to enlist the cooperation of the pediatric profession in promoting its product by asking that its catalogues be exhibited in the doctor's office. The alleged superiority of these toys, implied if not actually stated by the advertisement, is based on a deliberate effort to exploit the inherent potential of each infant and young child during certain critical periods of development. The advertisement further implies that the loss resulting from a failure to stimulate children maximally during these critical periods (presumably by such toys) cannot be fully redeemed by subsequent experience; in other words, what is lost (or never attained) is lost forever.


2021 ◽  
Author(s):  
Jūra Liaukonytė ◽  
Alminas Žaldokas

Using minute-by-minute TV advertising data covering some 300 firms, 327,000 ads, and $20 billion in ad spending, we study the real-time effects of TV advertising on investors’ searches for online financial information and subsequent trading activity. Our identification strategy exploits the fact that viewers in different U.S. time zones are exposed to the same programming and national advertising at different times, allowing us to control for contemporaneous confounding events. We find that an average TV ad leads to a 3% increase in EDGAR (Electronic Data Gathering, Analysis, and Retrieval) system queries and an 8% increase in Google searches for financial information within 15 minutes of the airing of that ad. These searches translate into larger trading volume on the advertiser’s stock, driven primarily by retail investors. The findings on retail investor ad-induced trading are corroborated with hourly data from Robinhood, a popular retail trading platform. We also show that ads induce searches and trading of companies other than the advertiser, including of close rivals. Altogether, our findings suggest that advertising originally intended for consumers has a nonnegligible effect on financial markets. This paper was accepted by Karl Diether, finance.


PMLA ◽  
2010 ◽  
Vol 125 (1) ◽  
pp. 29-47
Author(s):  
Mike Chasar

This essay uses the example of the long‐lived and popular Burma‐Shave advertising campaign to argue that literary critics should extend their attention to the vast amounts of poetry written for advertising purposes in the nineteenth and twentieth centuries. The Burma‐Shave campaign—which featured sequences of rhyming billboards erected along highways in the United States from 1926 to 1963—not only cultivated characteristics of literary and even avantgarde writing but effectively pressured that literariness into serving the commercial marketplace. At the same time, as the campaign's reception history shows, the spirit of linguistic play and innovation at the core of Burma‐Shave's poetry unintentionally distracted consumers' attention away from the commercial message and toward the creative forces of reading and writing poetry. A striking example of popular reading practices at work, this history shows how poetry created even in the most commercial contexts might resist the commodification that many twentieth‐century poets and critics feared. (MC)


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