scholarly journals La enfermedad y la escritura

2017 ◽  
Vol 22 ◽  
pp. 73-84
Author(s):  
Asunción Rangel

The topic of the illness reveals at various points in Peruvian-Japanese poetry José Watanabe. Born in 1945 in Laredo, Peru, he died at the age of 62, suffering from throat cancer. It is not strange to find allusions to the degenerative process of the body – derived from the disease – and to the cure in, for example, “Krankenhaus” (hospital, in German), a section of the book El huso de la palabra (1989). In his poetry about disease, Watanabe involves, on the one hand, knowledge derived from medicine and, in addition, knowledge that is outside the frame of writing: advice, family or community stories, what lives and arises –to put it with one of his verses– “en la honda boca de los mayors”. The notion of disease that is poetically devised, links medical knowledge and those that come from the family. The idea of the disease must be incorporated into the way of living it. The sick body to which Watanabe refers is one who feels, perceives and experiences the ailment as a way of living, but also as a way of dying: the agony. His poetry is a way of living dying and dying in living, within the framework of disease that is nothing other than agony. This comparison is significant if we take into account that the process of writing and reading are seen as the life of poetry (in its writing, in its reading) that goes, as it progresses verse by verse, irremediably to death. At the end of reading the poem, it dies; while reading, agonizes. This allows you to venture a path of reading that splices writing, body, disease, life and death.

2017 ◽  
Vol 31 (1) ◽  
pp. 65-78
Author(s):  
Justin Nickel

Stanley Hauerwas and others argue that Luther’s understanding of justification denies the theological and ethical significance of the body. Indeed, the inner, spiritual person is the one who experiences God’s grace in the gospel, while the outer, physical (read: bodily) person continues to live under law and therefore coercion and condemnation. While not denying that Luther can be so read, I argue that there is another side of Luther, one that recognizes the body’s importance for Christian life. I make this argument through a close reading of Luther’s reflections on Adam and Eve’s Fall in his Lectures on Genesis (1545) and the sacramental theology in ‘Against the Heavenly Prophets’. For this Luther, disconnection from our bodies is not a sign of justification but rather the sin from which justification saves us. Accordingly, justification results in a return to embodied creatureliness as the way we receive and live our justification.


Author(s):  
Harold D. Roth

The classical Daoist textual corpus, while often treated as abstract philosophy, emerged from a tradition of teachers and students that was primarily based on a common set of meditative techniques, and goals. These techniques emphasized proper posture (aligning the body and keeping it still), breath cultivation (concentrating, patterning, guiding, relaxing and expanding the breath), the use of attention (focusing on the one or on the center), as well as a variety of apophatic training regimes designed to restrict or eliminate desires, emotions, thoughts, knowledge and sense perceptions and reveal a deeper reality known as the Way, believed to underlie these faculties. With time, a tradition emerged for viewing these self-cultivation practices as particularly beneficial for rulership, connecting the ruler to a correlative web of cosmic energies.


Author(s):  
Lorna Ann Moore

This chapter discusses the one-to-one interactions between participants in the video performance In[bodi]mental. It presents personal accounts of users' body swapping experiences through real-time Head Mounted Display systems. These inter-corporeal encounters are articulated through the lens of psychoanalyst Jacques Lacan and his work on the “Mirror Stage” (1977), phenomenologist Maurice Merleau-Ponty (1968) and his writings on the Chiasm, and anthropologist Rane Willerslev's (2007) research on mimesis. The study of these positions provides new insights into the blurred relationship between the corporeal Self and the digital Other. The way the material body is stretched across these divisions highlights the way digital media is the catalyst in this in[bodied] experience of be[ing] in the world. The purpose of this chapter is to challenge the relationship between the body and video performance to appreciate the impact digital media has on one's perception of a single bounded self and how two selves become an inter-corporeal experience shared through the technology.


2016 ◽  
Vol 1 (1) ◽  
pp. 107 ◽  
Author(s):  
Francesca Gargallo

Resumen: Se rastrea la historia contemporánea de la literaturalatinoamericana escrita por mujeres, mostrando temáticas queprofundizan en la diferencia sexual y sus consecuencias parala escritura. Se exploran las consecuencias para la narrativa yla poética de las autoras, de temas como la eroticidad femeninay la especificidad del cuerpo de la mujer, y el lugar que ésteocupa en las historias familiar, nacional y continental. Seindaga asimismo sobre las formas en las cuales sus narracionescontribuyeron al meta-relato del patriarcado latinoamericano.A la vez, en este trabajo se registran las huellas dejadas en lanarrativa y la poética de estas autoras por las resistenciasfemeninas frente al orden patriarcal.Palabras clave: Escritura de mujeres, Diferencia sexual, Feminismo,Literatura latinoamericana, Narrativa, PoéticaAbstract: The contemporary history of Latin American literaturewritten by women is traced, showing the themes that delve intosexual difference and its consequences for writing. Theconsequences of feminine eroticism and the specificity ofwomen’s bodies for the writers’ narratives and poetry areexplored, as well as the place the body occupies in the family,national and continental histories. The way in which theirnarratives contributed to the meta-story of Latin Americanpatriarchy is taken into account. At the same time, this paperrecords the imprints feminine resistance to the patriarchal orderleaves in these authors’ narrative and poetic work.Key words: Women’s writing, sexual difference, feminism,Latina American literatura, narrative, poetry


Author(s):  
Blanca Mirthala Tamez Valdez

The document develops an analysis of the family situation faced during the last decades in Mexico, particularly in the social transformation and their connection with the heterogeneity of the family groups, based on a series of analytical categories focused on family strategies that point out their daily life, taking up the proposal of Mallardi (2018) around: a) strategies aimed at obtaining subsistence resources, b) strategies linked to the specialized care, c) room strategies linked to the conditions life, d) strategies associated with health-disease processes and e) strategies for socialization, learning and use of free time. These strategies are approached as categories of analysis, for which their operationalization is carried out based on the review and reflection regarding some of the main changes observed during the last decades in Mexico; as well as the way in which these transformations are traversed by a series of social determinants, particularly those of gender and class, as well as their relationship with social policies directed at family groups. The analysis presented, without being exhaustive, shows the way in which the indicated elements and their linkage come to impact the daily life of families during the last decades. In this way, the daily life of family groups shows a series of tensions, ambivalences and contradictions derived to a large extent from the present relationship between the pressures exerted, on the one hand, from the social policy itself implemented and with it the demands and mandates generated from their socio-historical, economic and political context. On the other hand, the growing material and subjective needs of its members, which demand immediate responses that provide the minimum possibilities for the survival of the family group. El documento desarrolla un análisis de la situación familiar enfrentada durante las últimas décadas en México, en particular de las transformaciones sociales y su vínculo con la heterogeneidad de los grupos familiares, a partir de una serie de categorías analíticas centradas en las estrategias familiares que dan cuenta de la vida cotidiana, retomando para ello la propuesta de Mallardi (2018) en torno a: a) estrategias destinadas a la obtención de los recursos de subsistencia, b) estrategias vinculadas a la organización del cuidado, c) estrategias habitacionales vinculadas a las condiciones de vida, d) estrategias asociadas a los procesos de salud-enfermedad y e) estrategias de socialización, aprendizaje y uso del tiempo libre. Dichas estrategias son abordadas como categorías de análisis, por lo cual su operacionalización es realizada partiendo de la revisión y reflexión respecto a algunos de los principales cambios observados durante las últimas décadas en México; asimismo, se analiza la manera en que esas transformaciones se encuentran atravesadas por una serie de determinantes sociales, particularmente las de género y clase. Otro aspecto que se analiza es la relación de las transformaciones familiares observadas con las políticas sociales dirigidas a los grupos familiares. El análisis presentado, sin ser exhaustivo, muestra la manera en que los elementos señalados y su vinculación llegan a impactar la vida cotidiana de las familias durante las últimas décadas. De esa manera, la vida cotidiana de los grupos familiares muestra una serie de tensiones, ambivalencias y contradicciones derivadas en gran parte de la relación presente entre las presiones ejercidas, por un lado, desde la propia política social implementada y con ello las demandas y mandatos generados desde su contexto sociohistórico, económico y político. Así como, por otro lado, las crecientes necesidades materiales y subjetivas de sus miembros, las cuales exigen respuestas inmediatas que brinden las posibilidades mínimas para la sobrevivencia del grupo familiar.


Author(s):  
Harry Brighouse ◽  
Adam Swift

This chapter sets out the various kinds of conflict between the value of equality and the value of those parent–child relationships that constitute the family. It offers two reasons not to pursue fair equality of opportunity all the way. On the one hand, we must be prepared for children of similar talent and ability raised by different parents to enjoy somewhat unfairly unequal prospects of achieving the rewards attached to different jobs, since the alternative would cost too much in terms of familial relationship goods. On the other hand, some unfairness in the distribution of those prospects could be beneficial for those who have unfairly less. In both cases, then, there are conflicts between fair equality of opportunity and other values.


Derrida Today ◽  
2012 ◽  
Vol 5 (1) ◽  
pp. 69-91 ◽  
Author(s):  
Robert Trumbull

This essay explores Derrida's work on repetition in psychoanalysis and what Freud, in Beyond the Pleasure Principle, called the ‘compulsion to repeat’. Revising the model of the psyche that had to that point dominated his theory, Freud began in 1920 to ascribe greater significance to experiences of trauma and unpleasure, and to their recurrence in the analytic treatment. This type of repeated repetition ultimately suggested to Freud the existence of a ‘death drive’ antithetical to life. I examine here how Derrida re-reads Beyond in The Post Card, analysing the way uncontrollable effects of repetition repeatedly undo Freud's efforts to make any progress on what lies beyond the pleasure principle. Another ‘logic’ of repetition, other than the one Freud invokes, inhabits Freud's text, threatening the fundamental opposition between the life drives and the death drive. But in reading Freud in this way, Derrida himself cannot quite ‘do justice to’ Freud, to the ambivalence at work in Freud's text. At certain key moments in his reading of Beyond the Pleasure Principle, I show, Derrida seems to restrict an ambiguity in Freud's thinking around the relation between life and death. What Derrida's reading makes legible in part, then, is Derrida's resistance to psychoanalysis, the tension inhabiting Derrida's dealings with Freud in The Post Card and beyond.


2002 ◽  
Vol 67 (2) ◽  
pp. 148-172 ◽  
Author(s):  
Gerrit Glas

This article is devoted to the conceptual analysis of two texts of leading scholars in cognitive neuroscience and its philosophy, Patricia Churchland and Eric Kandel. After a short introduction about the notion of reduction, I give a detailed account of the way both scientists view the relationship between theories about brain functioning on the one hand and consciousness and psychopathology, respectively, on the other hand. The analysis not only reveals underlying philosophical mind/brain conceptions and their inner tensions, but also the conceptual relevance of distinctions that are fundamental in the work of Dooyeweerd, such as the distinction between modes and entities, between law and subject and between subject function and object function. After a brief clarification of the way these distinctions function in Dooyeweerd’s theory of the body as an ‘enkaptic structural whole’, I try to explain how the conceptual framework, developed here, could be applied to brain functioning and leads to greater clarity in neuroscientific theorizing.


Author(s):  
V. A. Moskvina

The article deals with the spells of one functional-thematic group recorded in the Middle Irtysh region. The features of existence of these spells in the regional tradition of the Middle Irtysh region and versification of their plots are re- vealed. The prevalence of spells in cause of a wrench in the two Northern districts of Omsk region is caused by the settle- ment of Belarusians in these places in the late XIX – early XX centuries. This suggests that the place of the exodus tra- dition of the spells from a wrench is in Belarus. The analysis of the plots of these spells confirms this assumption. The method of examining the Siberian plots is based on the systematization of structural elements of plots proposed by T. A. Agapkina and A. L. Toporkov which researchers call episodes. The article compares the episodes of the second Mersebourg spell in Belarusian spells with Siberian texts. The comparison shows that the language of this spells being subjected to Russification. On the one hand, this leads to the loss of some motives and formulas, i.e. the violation of the integrity of the plot, on the other hand, the rhythm of the text is enhanced, the rhyme appears. These processes open the way to the penetration of verbal components from other functional groups into the considered spells. As the result, one can observe the extension of ideas that this disease is not necessarily associated with the violation of integrity of the body.


2019 ◽  
pp. 466-474
Author(s):  
Olha Kovalenko

In this article was considered genre specifics and motives of the novel “Bieguni” (“Flights”) by polish writer Olga Tokarczuk. On the example of the novel was determined the main genre specifics of postmodern novel-travelogue, where was raised the main issues of present days – life and death, physical and spiritual, workaday and philosophical. “Bieguni” is the novel about modern people, which looking for their goal, situated in a constantly movement just not to come to the Antichrist`s hands. The airports and hotels aren`t only a shelter, it`s a real home, what underline motive of travel in the novel. Representing home in a different ways, the writer consider the human body as a shelter for two components – spiritual and material. The body that was created by God is physical “home” for self-awareness. Herewith the writer doesn`t reject physiological theory of body beginning and consider it as a product of completing, finishing and the signification of human`s death. Address to Biblical, religious, mythological, bibliographic and oniric motives again and again underline anti-utopy world with his own canons and decrees, what doesn`t submit to logical, grounded explanation, but have philosophical elucidation. “Bieguni” it`s a binding of stories, feelings and laws. The main characters of the composition are different aged, nationality and different time period people, but united by just one important thing – searching of sense of life, that is different for everyone of them. Variety of characters, story of everyone`s life, text`s fragmentation give to the reader experience of personal meeting with every literature character. The hidden drama, that attendanted in everyone of them create the aureole of mystique, mysteriousness and feeling of temporarily proximity, that`s the main feeling of traveler. The leitmotif of the novel unite fragments into the one full picture, where we can see the main thesis of the novel: “Movement is a life, life is a travel”, because at the travel we can see a human`s wish to find the salvation out of routine problems, social duties and conditionalities. Characteristic for the novel using of philosophical and Biblical motives and also application to the history and author`s experience are non-textual survey of art of Olga Tokarczuk and her own morally-pscychological skills.


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