Poor Lo

Jockomo ◽  
2019 ◽  
pp. 53-74
Author(s):  
Shane Lief ◽  
John McCusker

While based on local families expressing their blended Native and African legacies, the development of the Mardi Gras Indian cultural system was also shaped by the stereotyped notion of the “American Indian.” Throughout the nineteenth century, as the United States expanded westward across the continent, theatrical and musical productions increasingly incorporated stereotypes of Native Americans, sometimes appearing in Wild West shows. This fell within a larger pattern of minstrelsy, a form of entertainment based on ethnic caricatures especially popular at that time. This chapter examines how minstrelsy, including the Wild West shows, influenced local enactments of “Indianness” in New Orleans. Conventional historiography has often seen the Wild West shows as the point of origin for Mardi Gras Indian traditions. This historical axiom is dispelled, however, and the nineteenth century entertainment industry is instead revealed as a phenomenon which reinforced previously existing cultural practices.

1969 ◽  
Vol 38 (1) ◽  
pp. 88-105
Author(s):  
John P. Marschall

In spite of the nativism that agitated the United States during the second quarter of the nineteenth century, the Catholic Church experienced a noticeable drift of native American converts from other denominations. Between 1841 and 1857 the increased number of converts included a significant sprinkling of Protestant ministers. The history of this movement, which had its paradigm in the Oxford Movement, will be treated more in detail elsewhere. The purpose of this essay is simply to recount the attempt by several converts to establish a religious congregation of men dedicated to the Catholic apostolate among native Americans.


Author(s):  
Mark Zeller ◽  
Karthik Gangavarapu ◽  
Catelyn Anderson ◽  
Allison R. Smither ◽  
John A. Vanchiere ◽  
...  

AbstractThe emergence of the early COVID-19 epidemic in the United States (U.S.) went largely undetected, due to a lack of adequate testing and mitigation efforts. The city of New Orleans, Louisiana experienced one of the earliest and fastest accelerating outbreaks, coinciding with the annual Mardi Gras festival, which went ahead without precautions. To gain insight into the emergence of SARS-CoV-2 in the U.S. and how large, crowded events may have accelerated early transmission, we sequenced SARS-CoV-2 genomes during the first wave of the COVID-19 epidemic in Louisiana. We show that SARS-CoV-2 in Louisiana initially had limited sequence diversity compared to other U.S. states, and that one successful introduction of SARS-CoV-2 led to almost all of the early SARS-CoV-2 transmission in Louisiana. By analyzing mobility and genomic data, we show that SARS-CoV-2 was already present in New Orleans before Mardi Gras and that the festival dramatically accelerated transmission, eventually leading to secondary localized COVID-19 epidemics throughout the Southern U.S.. Our study provides an understanding of how superspreading during large-scale events played a key role during the early outbreak in the U.S. and can greatly accelerate COVID-19 epidemics on a local and regional scale.


2021 ◽  
Vol 70 (4) ◽  
pp. 25-40
Author(s):  
Rosemarie K. Bank

In asking the question embedded in the title, this article explores the tension between inertia and change in cultural historical studies. Inertia in this context does not mean inactive or inert (i.e., without active properties), but the structural constraints that are revealed when codes, forms, practices, roles, etc., contest. What kinds and forms of socio-cultural knowledge, values, or structures are maintained, developed, or abandoned across geographies and throughout a system’s history? Rather than thinking in terms of core and margin and related binaries of difference and “othering,” inertia and change as historiographical strategies focus on the dynamics that affect social systems and structures, preserving some systems to conserve energy while introducing or forsaking others. In the process of exploring these spaces in historiographical time, this article draws historical examples from attempts among scholars and performers in the United States in the latter nineteenth century to stage “American” histories that stored, rejected, and created past and contemporaneous historical spaces at such sites as Lewis Henry Morgan’s view of Ancient Society (1877), the Columbian Exposition of 1893, and Buffalo Bill’s Wild West.


2017 ◽  
Vol 86 (1) ◽  
pp. 4-17
Author(s):  
Andrew C. Isenberg ◽  
Thomas Richards

The mid-nineteenth century territorial growth of the United States was complex and contradictory. Not only did Mexico, Britain, and Native Americans contest U.S. territorial objectives; so, too, did many within the United States and in some cases American western settlers themselves. The notion of manifest destiny reflects few of these complexities. The authors argue that manifest destiny was a partisan idea that emerged in a context of division and uncertainty intended to overawe opponents of expansion. Only in the early twentieth century, as the United States had consolidated its hold on the North American West and was extending its power into the Caribbean and Pacific, did historians begin to describe manifest destiny as something that it never was in the nineteenth century: a consensus. To a significant extent, historians continue to rely on the idea to explain U.S. expansion. The authors argue for returning a sense of context and contingency to the understanding of mid-nineteenth-century U.S. expansion.


Author(s):  
Angela Calcaterra

“Indian Removal” refers to the forced migration of Indigenous communities from their homelands in what is currently the United States. It is often connected to a particular era (the 1820s and 1830s), federal policy (the Indian Removal Act), or event (the singular Trail of Tears). Yet dispossession from ancestral lands has been persistent and pervasive and is an ongoing, lived reality for many Indigenous people. From the first moments of their arrival in what they would call the Americas, Europeans expelled Native Americans and confiscated their lands for themselves. Natives lost not only land but also familial bonds, historical information, sites of religious significance, and ecological knowledge. Beginning with the Louisiana Purchase of 1803, in which the United States acquired a vast territory west of the Mississippi, federal efforts to compel Indians to exchange land holdings in the east for lands west of the Mississippi intensified. This practice developed into a political program of ethnic cleansing during the 1820s and 1830s, particularly under the presidency of Andrew Jackson. The Indian Removal Act of 1830 targeted the large southeastern nations (Cherokees, Chickasaws, Choctaws, Creeks, and Seminoles), but since those nations were forced into western territories its effects spread immediately across the Mississippi to tribes such as the Osages. Removal of western tribes onto reservations continued into the 20th century. Many lesser-known communities in the north, such as the Delawares, experienced multiple removals over centuries. The Delaware Tribe currently resides within the Cherokee Nation in Oklahoma, a forced positioning that has made it difficult for the Delawares to gain federal recognition. Today, the erasure of Indigenous presences and histories from the United States’ national consciousness contributes to public sentiment supporting ongoing forms of removal. Racist sports mascots, stereotypes in film and television, and societal ignorance of specific Native histories and cultures perpetuate the political and cultural marginalization of Indigenous people. It is thus important to recognize the “removal period” as one of immense suffering for the more well-known tribal nations, while also acknowledging removal’s deeper history and ongoing effects. Equally important, Indigenous communities and individuals have always protested and countered the many forms of removal with their own writings, media, cultural practices, and legal and political actions. As it documents scholarship and creative work on Indian Removal, this bibliography also attends to what Anishinaabe author Gerald Vizenor has termed “Native survivance . . . an active sense of presence over absence, deracination, oblivion.” It highlights the voices and presences of Indigenous authors, scholars, and activists who work to reclaim the past and reimagine the future.


Jockomo ◽  
2019 ◽  
pp. 27-52
Author(s):  
Shane Lief ◽  
John McCusker

This chapter begins with a sketch of the pre-colonial history of the lower Mississippi River Valley, leading to a discussion of various Native populations and patterns of social life which have been neglected in the historiography of the region. Throughout the colonial period, the depth of social interaction among Native Americans, European colonists, and African Americans is revealed by their participation in musical events and spiritual practices. The complex history of peace pipe ceremonies is explored, including an analysis of how these have impacted regional musical styles, ultimately shaping the music of Mardi Gras Indians. The blended legacies of local populations are illustrated by the persistent multilingualism of New Orleans and its environs. The Native origins of Mardi Gras Indians are also evident in the etymology of “Jockomo” itself, showing how ancient regional traditions have been sustained and nurtured within the cultural practices of Mardi Gras Indians.


Author(s):  
Paul Schor

This chapter discusses the integration of Native Americans into the US census. Since its creation, the census separated the inhabitants of the territory controlled by the United States into three broad categories: free (presumed white, citizens, and taxpayers); slaves (property, reduced by the calculation of apportionment); and Indians, pushed back to the margin of the territory and excluded from the census because they did not participate in any of the mechanisms on which it was based: not citizens, not taxpayers, and not property. With growing numbers of Indian living among the general population appearing in the census returns from 1850, the Census Office had to adapt, and to decide how to classify mixed people. The question was even more complex in the first and second American censuses of Alaska, in 1880 and 1890.


Author(s):  
Koldo San Sebastian

Basques have found their way to many corners of the world, and one of those is the distinctive city of New Orleans in the United States. The relationship of Basques with Louisiana antedates the independence of the United States, and, of course, incorporation of that territory into the American Union. The Basque presence was most evident throughout the nineteenth century and the first half of the twentieth, when a significant community of Basque mariners resided in New Orleans. This article provides a historical overview of the Basque connection to Louisiana, from the expulsion of the Acadians that sent Basques south, the arrival of Basque mariners, and those relocated Basques from Mexico. General immigrants found their way there as merchants, storekeepers, accountants and blacksmiths and in time a Basque District emerged. There was also a Basque religious presence. The article brings to light the Basque presence.


1996 ◽  
Vol 1 (1) ◽  
pp. 3-24 ◽  
Author(s):  
Alan Rodger

This article is the revised text of the first W A Wilson Memorial Lecture, given in the Playfair Library, Old College, in the University of Edinburgh, on 17 May 1995. It considers various visions of Scots law as a whole, arguing that it is now a system based as much upon case law and precedent as upon principle, and that its departure from the Civilian tradition in the nineteenth century was part of a general European trend. An additional factor shaping the attitudes of Scots lawyers from the later nineteenth century on was a tendency to see themselves as part of a larger Englishspeaking family of lawyers within the British Empire and the United States of America.


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