scholarly journals If Words Could Speak: A Musical History of Hip-Hop's Golden Age

2013 ◽  
Author(s):  
Edward Mitchell Bularzik
2021 ◽  
Vol 66 (05) ◽  
pp. 149-153
Author(s):  
Nigar Səfxan qızı Məhərrəmova ◽  

The article provides information about the historical review of Azerbaijani carpets and examines its stages. The 16th century is characterized as the Golden Age of Azerbaijani history and culture. The carpet weaving of that time combined the subtlety and wonder of miniature painting, the decorative-plan solution of traditional motifs, a magnificent color palette reflecting all the colors and diversity of nature. Key words: carpet, pattern, color, Islam, miniature painting, sufism, seljuk, component


2020 ◽  
Vol 1 (3) ◽  
pp. 104-114
Author(s):  
O. A. Krasnogorova ◽  

The main objective of the article is to investigate the problems of performing compositions by English composers of the XVIth – XVIIth centuries and the history of their sound incarnation. The author analyzes the appeal to the musical art of the "Golden Age" by A. G. Rubinstein, who included in the piano "Historical Concerts" and lectures works by W. Byrd, O. Gibbons, H. Purcell. Considering the specifics of the clavier texture, different types of variations and their influence on the development of instrumental techniques are distinguished. Based on the comparison of the pavane, the article draws conclusions about the stylistic features of various composers. As one of the key problems in creating an interpretation, the author notes the solution to the question of choosing a musical instrument (both between harpsichord and piano and between historical instruments), which has a decisive influence on sound quality. The article examines the experience of A. B. Lyubimov in performing works by English virginalists. Interpreted by G. Gould, the pianist emphasizes the new contemporary hearing of compositions by W. Byrd and O. Gibbons, performed in the same program with the works of A. Schoenberg, A. Webern, A. Berg, which reveals the dialogue of eras.


Author(s):  
Marcos Nadal ◽  
Esther Ureña

This article reviews the history of empirical aesthetics since its foundation by Fechner in 1876 to Berlyne’s new empirical aesthetics in the 1970s. The authors explain why and how Fechner founded the field, and how Wundt and Müller’s students continued his work in the early 20th century. In the United States, empirical aesthetics flourished as part of American functional psychology at first, and later as part of behaviorists’ interest in reward value. The heyday of behaviorism was also a golden age for the development of all sorts of tests for artistic and aesthetic aptitudes. The authors end the article by covering the contributions of Gestalt psychology and Berlyne’s motivational theory to empirical aesthetics.


1975 ◽  
Vol 7 ◽  
pp. 31-42 ◽  
Author(s):  
Erik Af Edholm

The myth of the recurrence of the golden age after a period of accelerating miseries ("messianic woes") in the near future is of course not peculiar to the chiliasm of the European later middle ages. On the contrary, it belongs to the basic eschatological themes of millenarism in general. These themes are found also in Hindu tradition. To determine those general characteristics of traditional Hindu society which can contribute to an explanation of the relative unimportance of peasant rebellions and the lack of chiliastic mass movements, is not a problem to be solved within the field of the history of religions.  For example, the egalitarian message of the bhakti saints, disputing the hierarchy, did not preclude that the salvationist sects did adapt to the caste system. The religious movements contributed to and gave ideological form to adjustments within the existing social structure. Obviously there was little need for millenarism in this process.  


2017 ◽  
Vol 16 (16) ◽  
pp. 87
Author(s):  
Patricia Fernández Martín

El objetivo del presente trabajo es profundizar en la historia del funcionamiento de las construcciones castellanas {tener/llevar} + participio, tomando como centro de estudio la lengua de los siglos xvi y xvii y estableciendo ciertas comparaciones, a lo largo del texto, con otras lenguas romances, en especial el asturiano. El punto de partida se encuentra en la idea de que los problemas que crean estas construccionesse deben esencialmente a la doble naturaleza del participio (adjetival y verbal), solo comprensible inserta en un continuum entre el puro adjetivo y el puro verbo. Para ello, comenzaremos estableciendo, en el marco teórico, nuestro concepto de perífrasis verbal de participio y su aplicación a las construcciones que nos ocupan en el español de los Siglos de Oro. En una segunda parte, analizaremos el funcionamiento de dichas estructuras en el español clásico, empleando un corpus formado por tres génerosdiscursivos, escritos entre 1519 y 1656, que componen sendos subapartados (novelas picarescas, epístolas y crónicas de Indias). La principal conclusión es que los géneros discursivos no afectan a las construcciones de participio en la misma medida en que puede afectar a otros fenómenos gramaticales, como los pronombres personales.The aim of this work is to deepen in the history of the Spanish structures{tener/llevar} + participle, taking into account the language of the 16th and 17th centuries and offering certain comparisons with other Romance languages, specially Asturian. The starting point lies in the idea that the problems that create these constructions are essentially due to the dual nature of the participle (between a verb and an adjective), which can be only understood into a continuum, whose ends are the pure adjective and the pure verb. For that, we will start setting our concept of participial periphrases in the theoretical framework, as well as its applicationto the Spanish language spoken in the Golden Age. Then, we analyze how these structures work in that Spanish, using a corpus formed by three discourse genres (picaresque novels, letters and chronicles of the Indies), whose texts were written between 1519 and 1656. Finally, all of which allows to conclude that the discourse genres do not affect the appearance of the constructions of participle in the same extent that it may affect other grammatical phenomena, such as personal pronouns.


2020 ◽  
pp. 260-269
Author(s):  
Grigorii N. Kondratjuk ◽  
◽  

The review examines new publications on the history of Karaites – the monographs “Karaites in the Russian Empire in the late 18th – early 20th centuries” and the “Karaite communities: biographies, facts and documents (late 18th – early 20th centuries”. They studied a significant chronological period – from the time of the Karaites appearing in the Crimea and up to the beginning of the 20th century. A reasoned conclusion is made that the so-called “ The Golden Age” is the most tense in the history of the Karaite people – the time from the annexation of the Crimean Peninsula to the Russian Empire in 1783 and until 1917. It was during these 100 years when the significant transformations took place in the old-timers communities of the peninsula, when the ideas of Russian culture and education spread among the Crimean Karaites, and they themselves were actively integrated into Russian social structures. The monographs are equipped with a detailed historical excursion, which reveals many relevant and little-known facts from the past of the Karaites.


1978 ◽  
Vol 35 (2) ◽  
pp. 219-237
Author(s):  
J. Manuel Espinosa

The centuries-old Spanish folk heritage of our Southwest, and its many faceted and enduring influence on the cultural life of the region, has been written about from various rims of observation. This article describes the pioneer studies of Aurelio M. Espinosa on Spanish folklore in the Southwest, with special emphasis on northern New Mexico. Although he made important contributions to the study of Spanish folklore of southern Colorado, Arizona, and California, and to that of Spain, Mexico, and other parts of Spanish America as well, he devoted most of his research and field work to the upper half of New Mexico which is the richest field of Spanish folklore in the Southwest.In viewing the cultural history of New Mexico, Espinosa reminded his readers that its first century as a Spanish colony, the 17th, was the second great century of Spain's Golden Age of arts and letters. With the vigor of Spain's sense of mission in those centuries, her Golden Age radiated to all parts of Spanish America via Mexico City, Lima, and the other principal colonial capitals. At the same time, from the bookshelf and the store of knowledge of the humble missionary, and the folklore of the Spanish settlers, passed down from generation to generation, the spirit of the Golden Age was reflected on the most remote settled frontiers.


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