scholarly journals UGAMO MALIM DALAM DISKURSUS KEAGAMAAN DI HUTATINGGI KABUPATEN TOBA SAMOSIR

2020 ◽  
Vol 14 (1) ◽  
pp. 103
Author(s):  
Arafat Iskandar Lamahu

Although not an official status, adherents of the Malim teachings or Parmalim remained faithful in carrying out teachings originating from Debata Mulajadi Nabolon. Ugamo Malim is a growing religion in Batak land. In the development of Uugamo Malim, he passed various historical events which also influenced the formation of ugamo Malim's institution. This study aims to understand the side of the ugamo Malim religious dimension, and look at the discourse of ugamo Malim's development, and then look at the institutionalized process of Ugamo Malim. Ugamo Malim as a religion has its own way of expressing their religious practices that appear in Ugamo Malim's religious dimensions. The history of ugamo Malim's development shows the other side of the movement of the Paderi (Islam) forces and the Gospel preaching movement by the Rheinische Mission-Gesellschaft (RMG) (Christian) in the land of Batak. The application of the theory of involvement by the RMG and the Dutch East Indies Government in Batak land also had a major impact on the institutionalization of Ugamo Malim. Seeing developments in the Batak lands at that time, Raja Sisingamangaraja XII instructed Raja Mulia Naipospos to build Bale Pasogit in Hutatinggi, to replace the Batak religious building in extinct Bakkara which was burned down by the Dutch.

2015 ◽  
Vol 7 (3) ◽  
pp. 543
Author(s):  
Iim Imadudin

AbstrakPenulisan artikel ini didasari perdebatan bagaimana sesungguhnya peranan para pangreh praja didikan Barat dalam perjuangan kemerdekaan. Oleh karena berada dalam pemerintahan Hindia Belanda, mereka dianggap tidak berkontribusi dalam perjuangan kemerdekaan. Bahkan, mereka dianggap merintangi gerak langkah kaum pergerakan sehingga sering dianggap sebagai lawan politik. Penelitian ini bertujuan mengungkap sejarah pemikiran dan mentalitas dari salah seorang bupati  terkemuka pribumi asal Banten, Ahmad Djajadiningrat, melalui memoarnya yang berjudul Memoar Pangeran Aria Djajadiningrat. Pangeran Aria Ahmad Djajadiningrat mengikuti pendidikan mulai dari HIS, ELS, hingga HBS di Batavia. Berbagai jabatan di pemerintahan diembannya, mulai dari bupati, anggota Volksraad, mindere welvaart comissie, hingga anggota Raad van Indie. Penelitian ini mempergunakan metode sejarah yang terdiri atas heuristik, kritik, interpretasi, dan historiografi. Hasil penelitian menunjukkan Ahmad Djajadiningrat di satu sisi menjadi pemimpin tradisional yang kharismatis dan aparat pemerintah yang loyal, namun di sisi lain bersikap kritis terhadap kebijakan pemerintah Hindia Belanda dan mendorong berkembangnya pergerakan nasional di tanah Banten. AbstractThe writing of this article is based on the actual debate on what the role of Western-based education of pangreh pradja is in the struggle for independence. Because it is in the Dutch East Indies, they are considered not to be contributing to the struggle for independence. In fact, they were considered to hinder the movement of the steps that are often regarded as political opponents. This study aims to reveal the history of thought and mentality of anative and famousleader from Banten, Ahmad Djajadiningrat, through his memoirs entitled Memoirs of Prince Aria Djajadiningrat. The Prince Aria Ahmad Djajadiningrat started his education in HIS, ELS, to HBS in Batavia.  The various positions in government was held, ranging from the regents, members of the Volksraad, mindere Welvaart comissie, until become a member of the Raad van Indie. This study uses historical method which consists of heuristics, criticism, interpretation, and historiography. The results shows that Ahmad Djajadiningrat isa traditional charismatic leader and a loyal government official. On the other hand, he is critical to the Dutch East Indies government policies and encouraging the development of a national movement in Banten.


2009 ◽  
Vol 3 (2) ◽  
pp. 129-154
Author(s):  
HENRY SPILLER

AbstractThe powerful concept of orientalism has undergone considerable refinement since Edward Said popularized the term with his eponymous book in 1978. Orientalism typically is presented as a totalizing process that creates polar oppositions between a dominating West and a subordinate East. U.S. orientalisms, however, reflect uniquely North American approaches to identity formation that include assimilating characteristics usually associated with the Other. This article explores the complex relationship among three individuals—U.S. composer Charles T. Griffes, Canadian singer Eva Gauthier, and German-trained Dutch East Indies composer Paul J. Seelig—and how they exploited the same Javanese songs to lend legitimacy to their individual artistic projects. A comparison of Griffes's and Seelig's settings of a West Javanese tune (“Kinanti”) provides an especially clear example of how contrasting approaches manifest different orientalisms. Whereas Griffes accompanied the melody with stock orientalist gestures to express his own fascination with the exotic, Seelig used chromatic harmonies and a chorale-like texture to ground the melody in the familiar, translating rather than representing its Otherness. The tunes that bind Griffes, Gauthier, and Seelig are only the raw materials from which they created their own unique orientalisms, each with its own sense of self and its own Javanese others.


2020 ◽  
Vol 4 (3) ◽  
pp. 382-422
Author(s):  
Judith Bosnak ◽  
Rick Honings

Abstract ‘Save our poor people from the vulcano poets’. The literary reception of the Krakatoa disaster of 1883 in the Netherlands and Indonesi On August 27, 1883, the volcano Krakatau in the Dutch East Indies erupted and collapsed, causing the deaths of tens of thousands, mainly as a result of devastating tsunamis. The Krakatau eruption was one of the first disasters to take place beyond the Dutch boundaries that received so much attention in the Netherlands. Because the Indies were a Dutch colony, a response of the motherland was rather logical. In many places, charity activities were organized to raise money for the victims. This article focuses on the Dutch and Indonesian literary reactions on the Krakatau disaster. For this purpose, two scholars work together: one specialized in Dutch Literary Studies and the other one in Indonesian Languages and Cultures. In the first part of the article several Dutch charity publications are analysed; the second part focuses on Indonesian sources (in Javanese and Malay). How and to what extend did the reactions in the Netherlands and Indonesia differ?


Author(s):  
Zarema H. Ibragimova

On the history of the Memorial Book of the Chechen Republic as compared with preparation and publication of similar books in the other country’s regions. Working out of historical and documentary sources and present them a wide public in the long term reconstruction of historical events of the Great Patriotic War is actual.


2019 ◽  
Vol 1 ◽  
pp. 1-1
Author(s):  
Agnieszka Bień

<p><strong>Abstract.</strong> A cartographic map of Gdańsk in the years of 1918&amp;ndash;1939 was very different from the other maps of Polish cities. The reasons for some differences were, among others, the proximity of the sea, the multicultural mindset of the inhabitants of Gdańsk from that period, and some historical events in the interwar period (the founding of the Free City of Gdańsk and the events preceding World War II). Its uniqueness came from the fact that the city of Gdańsk combined the styles of Prussian and Polish housing, as well as form the fact that its inhabitants felt the need for autonomy from the Second Polish Republic. The city aspired to be politically, socially and economically independent.</p><p>The aim of my presentation is to analyze the cartographic maps of Gdańsk, including the changes that had been made in the years of 1918&amp;ndash;1939. I will also comment on the reasons of those changes, on their socio-historical effects on the city, the whole country and Europe.</p>


2001 ◽  
Vol 33 (4) ◽  
pp. 615-618
Author(s):  
David C. Champagne

One could assume from the misleading title of this work that it is a new analytical history of the fall of the Safavid empire and the nine-year Afghan usurpation of the Safavid throne. More than forty years after Laurence Lockhart published his monumental work, The Fall of the Safavi Dynasty and the Afghan Occupation of Persia, a new study based on subsequent research would be a major contribution to the field. But Willem Floor has made a different, yet extremely significant, contribution. He has performed a yeoman's service by annotating, translating, and compiling primary source materials from the archives of the Vereenigde Oostindische Compagnie (VOC), or the Dutch East Indies Company, that someday will assist such an effort.


2020 ◽  
Vol 53 (3) ◽  
pp. 613-635
Author(s):  
Michael B. Miller

AbstractHistorians divide over the question of how far “classic” European colonial experience in overseas empires provided the model for the Nazi empire in eastern Europe. Missing from arguments on either side of the debate have been the colonialists themselves. The Ukraine Project to enlist Dutch plantation companies for occupied Ukraine shows what happened when efforts were made to transfer traditional colonial expertise into the Nazi East. From the perspective of the project's proponents, there was indeed continuity between the two imperialisms. However, the company at the center of the project, the Deli Maatschappij, the ruling and tone-setting firm on Sumatra, saw no connection with its East Indies history and spurned all efforts to take it into Ukraine. Thus the Ukraine Project, despite its short-lived and failed history, complicates arguments from both perspectives and offers a trans-imperial history of a different sort than we are accustomed to encountering.


2021 ◽  
Vol 14 (2) ◽  
pp. 136-157
Author(s):  
Dong-Yu Lin ◽  
Ping Lin

Abstract During the early twentieth century, strong nationalistic ideas sprang up in Indonesia. Some Chinese elites in professional positions under the Dutch colonial government tended to side with the Dutch with the pro-Dutch attitude; some working for Chinese newspapers or agencies developed the pro-China stance; some supported and cooperated with the indigenous people with the pro-independence tendency; and others had their inclinations transformed over the course of time. After examining the life history of a few prominent Chinese figures, this article shows that three levels of factors—international politics in East Asia, local politics in the Dutch East Indies, and their life histories under Dutch rule (together with travel experience to China)—were critical for each Chinese person in establishing or transforming their often hybrid political orientations. The Chinese preference was neither monolithic nor settled, so the general assumption that “Chinese people are loyal to China” in Indonesian politics of the colonial era should be revised.


2019 ◽  
Vol 2 (1) ◽  
pp. 0
Author(s):  
Maartje Janse ◽  
Anne-Lot Hoek

This publication emerges from a process of co-creation in which historian Maartje Janse and research journalist Anne-Lot Hoek challenge the dominant national narrative about the colonial experience in the Dutch East Indies (present-day Indonesia). In combining journalistic and academic writing with musical performance by musician Ernst Jansz they amplify the critical voices that have spoken out against colonial injustice and that have long been ignored in public and academic debate. Even though it is often suggested that the mindset of people in the past prevented them from seeing what was wrong with things we now find highly problematic, they argue that there was indeed a tradition of colonial criticism in the Netherlands, one that included the voices of many ‘forgotten critics’ whose lives and criticism are the subject of this publication. The voices however were for a long time overlooked by Dutch historians. The publication is organized around the biographies of several critics (whose lives Janse and Hoek have published on before), the historical debate afterwards and includes reflective videos and texts on the process of co-creation.Maartje Janse started the process by tracing the life history of an outspoken nineteenth-century critic of the colonial system in the Dutch East Indies, Willem Bosch. The authors argue that it was not self-evident how criticism of colonial injustices should be voiced and that Bosch experimented with different methods, including organizing one of the first Dutch pressure groups.The story of Willem Bosch inspired Ernst Jansz, a Dutch musician with Indo roots, to compose a song (‘De ballade van Sarina en Kromo’). It is an interpretation of an old Malaysian ‘krontjong’ song, that Jansz transformed into a protest song that reminds its listeners of protest songs of the 1960s and 1970s. Jansz, in his lyrics, adds an indigenous perspective to this project. He performed the song during the Voice4Thought festival in 2016, a gathering that aimed to reflect upon migration and mobility in current times. Filmmaker Sjoerd Sijsma made a video ‘pamplet’ in which the performance of Ernst Jansz, an interview with Maartje Janse, and historical images from the colonial period have been combined.Anne-Lot Hoek connected Willem Bosch to a series of twentieth-century anti-colonial critics such as Dutch Indies civil servant Siebe Lijftogt, Indonesian nationalists Sutan Sjahrir, Rachmad Koesoemobroto, Dutch writer Rudy Kousbroek and Indonesian activist Jeffry Pondaag. She argues that dissenting voices have been underrepresented in the post-war debates on colonialism and its legacy for decades, and that one of the main reasons is that the notion of the objective historian was not effectively problematized for a long time.http://dissentingvoices.bridginghumanities.com/


2020 ◽  
Vol 2 (2) ◽  
pp. 15-23
Author(s):  
Rahmia Nurwulandari ◽  
Kemas Ridwan Kurniawan

Bandung experienced a rapid urban development after 1918, when the city was prepared to be the new Dutch East Indies’ capital city, replacing Batavia. In the era of economic liberalization, Bandung also became one of the tourist destinations that has promoted by the businessmen. This paper is a study on how mass tourism as the new urban culture in the beginning of 20th century had a contribution to urban planning in Bandung. The timeline was after the establishment of train as a modern transportation in Bandung (1884) until the end of the Dutch Colonialism in Dutch East Indies (1942). Through the Georg Simmel's theory of sociology and the city, I tried to analyze the the tourism activity and its relations to the 20th century urban architecture in Bandung, West Java. I use the method that was introduced by Iain Borden and friends in The Unknown City to understand tourism and urban history of Bandung through the spatial practice, city representation and experiences. 


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