scholarly journals PENDIDIKAN KOLONIAL DAN POLITIK ASOSIASI: KAJIAN ATAS MEMOAR PANGERAN ARIA ACHMAD DJAJADININGRAT (1877-1943)

2015 ◽  
Vol 7 (3) ◽  
pp. 543
Author(s):  
Iim Imadudin
Keyword(s):  
The Other ◽  
Government Policies ◽  
Government Official ◽  
Charismatic Leader ◽  
History Of Thought ◽  
East Indies ◽  
Historical Method ◽  
History Of ◽  
Dutch East Indies

AbstrakPenulisan artikel ini didasari perdebatan bagaimana sesungguhnya peranan para pangreh praja didikan Barat dalam perjuangan kemerdekaan. Oleh karena berada dalam pemerintahan Hindia Belanda, mereka dianggap tidak berkontribusi dalam perjuangan kemerdekaan. Bahkan, mereka dianggap merintangi gerak langkah kaum pergerakan sehingga sering dianggap sebagai lawan politik. Penelitian ini bertujuan mengungkap sejarah pemikiran dan mentalitas dari salah seorang bupati  terkemuka pribumi asal Banten, Ahmad Djajadiningrat, melalui memoarnya yang berjudul Memoar Pangeran Aria Djajadiningrat. Pangeran Aria Ahmad Djajadiningrat mengikuti pendidikan mulai dari HIS, ELS, hingga HBS di Batavia. Berbagai jabatan di pemerintahan diembannya, mulai dari bupati, anggota Volksraad, mindere welvaart comissie, hingga anggota Raad van Indie. Penelitian ini mempergunakan metode sejarah yang terdiri atas heuristik, kritik, interpretasi, dan historiografi. Hasil penelitian menunjukkan Ahmad Djajadiningrat di satu sisi menjadi pemimpin tradisional yang kharismatis dan aparat pemerintah yang loyal, namun di sisi lain bersikap kritis terhadap kebijakan pemerintah Hindia Belanda dan mendorong berkembangnya pergerakan nasional di tanah Banten. AbstractThe writing of this article is based on the actual debate on what the role of Western-based education of pangreh pradja is in the struggle for independence. Because it is in the Dutch East Indies, they are considered not to be contributing to the struggle for independence. In fact, they were considered to hinder the movement of the steps that are often regarded as political opponents. This study aims to reveal the history of thought and mentality of anative and famousleader from Banten, Ahmad Djajadiningrat, through his memoirs entitled Memoirs of Prince Aria Djajadiningrat. The Prince Aria Ahmad Djajadiningrat started his education in HIS, ELS, to HBS in Batavia.  The various positions in government was held, ranging from the regents, members of the Volksraad, mindere Welvaart comissie, until become a member of the Raad van Indie. This study uses historical method which consists of heuristics, criticism, interpretation, and historiography. The results shows that Ahmad Djajadiningrat isa traditional charismatic leader and a loyal government official. On the other hand, he is critical to the Dutch East Indies government policies and encouraging the development of a national movement in Banten.

scholarly journals Evolution of Lyrical Image in Ballets of Azerbaijani Composers

2021 ◽  
Vol 4 (2) ◽  
pp. 179-187
Author(s):  
Lala Huseynli
Keyword(s):  
Cultural Context ◽  
The Other ◽  
Musical Culture ◽  
Specific Content ◽  
Historical Approach ◽  
Historical Method ◽  
Other Hand ◽  
History Of ◽  
First Time

This article is devoted to the study of the evolution of the lyrical image in the ballets of Azerbaijani composers. The presented article emphasizes that the Azerbaijani ballet on the extension of the history of the Azerbaijani school of composition functioned indefinitely as an important component of the Azerbaijani musical culture. The theme of this article is actualized in the aspect of the historical approach, as each ballet of Azerbaijani composers, on the other hand, reflected the significant features of the artistic, historical and cultural context. On the other hand, the study of the evolution of the lyrical image in the Azerbaijani ballets reflects the dynamics of the development of the Azerbaijani school of composition. Moreover, the figurative system in Azerbaijani ballets represents the slender line of artistic connections of Azerbaijani culture. The purpose of the research is to study the role of the lyrical image in the evolution of the Azerbaijani ballet. The research methodology is based is based on the use of a historical approach to determine the basic definitions of the study. The expediency of the historical method is due to the fact that the development in the space of historical time should be based on certain basic categories that would reflect the school of composition, its national specifics. The scientific novelty of the research is that for the first time the peculiarities of the evolution of the lyrical image in Azerbaijani ballets – from its origin to modern functioning – are analyzed; the nuances of style creation in the Azerbaijani school of composers in the specified aspect are considered, and also certain art processes are systematized. Conclusions. It is proved that the combination of deep lyricism with dramatic emotions is characteristic of the transfer of lyricism in the drama of ballets at all historical stages of development, in different stylistic contexts. Lyrical images in the ballets of Azerbaijani composers have similar features and are due to the specific content of the national worldview.

scholarly journals “It Is Really a Big Achievement for a Small Community Like the One of Curaçao.” Jan Greshoff (1888–1971) and De Stoep (1940–1951): An Exploration

Werkwinkel ◽  
2016 ◽  
Vol 11 (2) ◽  
pp. 49-69
Author(s):  
Willem Bant
Keyword(s):  
New York ◽  
Small Community ◽  
East Indies ◽  
Literary Journal ◽  
History Of ◽  
Dutch East Indies ◽  
Dutch Literature ◽  
The One ◽  
Second World

Abstract During the Second World War, both in the Dutch East Indies and in Curaçao, journals were published in which Dutch authors could publish their works unhampered by German censorship. In addition, literary works in Dutch were published in the Dutch East Indies, South Africa and New York. A man involved in all these initiatives was Jan Greshoff, an author who had played an important role in Dutch literature during the time between the two world wars. In this article, the role of Greshoff in relation to the literary journal De Stoep, which originated in Curaçao after the German occupation of Holland in 1940, will be explored. Although he never went to Curaçao and never met the journal’s founder, Luc. Tournier, in person, Greshoff played an important role in the history of De Stoep during the years of the war, and thus indirectly in the development of Dutch literature in Curaçao.

scholarly journals BIBLIOGRAFI SEJARAH PAKAIAN DI INDONESIA PADA MASA PEMERINTAHAN HINDIA BELANDA

2022 ◽  
Vol 9 (1) ◽  
pp. 20-27
Author(s):  
Ayu Septiani
Keyword(s):  
Historical Context ◽  
East Indies ◽  
Historical Method ◽  
The Past ◽  
Global Pandemic ◽  
History Of ◽  
Dutch East Indies ◽  
Clothing History ◽  
Number Of Publications

Clothing history is currently starting to be in demand. This is due to the emergency of a new trend in the use of masks and changes in the time of wearing clothes due to the global pandemic that is still ongoing today, namely Covid-19. To trace the development of clothes in Indonesia in the past, of course, it is necessary to study the literature or bibliography. Of course, in the past there have been publications related to clothes developments such as books, journals, magazines, newspapers that can be accessed for use in reconstructing the history of clothes. Beginning by describing the historical context during Dutch East Indies government, the purpose of this research is to take an inventory and identify a number of publications related to the history of clothes. The method used is the historical method. The results of this study indicate that the publications related to the history of clothes are numerous and varied. Therefore, it must be used properly and effectively so that the dynamics that occur in the clothes sector look more complete and comprehensive. In addition, it is hoped that research on the bibliography of clothes history can help historical researchers who are interested in studying the history of clothes in Indonesia.

scholarly journals RESPONS MUHAMMADIYAH DI INDONESIA TERHADAP ORDONANSI GURU AWAL ABAD XX

2020 ◽  
Vol 1 (1) ◽  
pp. 26
Author(s):  
Zaini Dahlan
Keyword(s):  
The Netherlands ◽  
The Other ◽  
East Indies ◽  
Historical Method ◽  
Dutch East Indies ◽  
The One ◽  
Colonial Government

<strong>Abstrak:</strong> <strong> </strong>Studi ini tentang respons Muhammadiyah di Indonesia terhadap ordonansi guru tahun 1905 dan 1925. Melalui metode sosiologis-historis, peneliti menemukan konsistensi sikap Muhammadiyah terhadahap penghapusan aturan tersebut. Muhammadiyah cenderung lebih lunak dalam merespons ordonansi guru 1905, karena hanya mengeluarkan “Motie Persarikatan”. Sementara terhadap ordonansi guru 1925, Muhammadiyah menunjukkan respons yang lebih radikal melalui upaya-upaya penyadaran dan kritik secara terus menerus terhadap pemerintah kolonial Hindia Belanda. Temuan studi ini memperlihatkan keanekaragaman respons Muhammadiyah terhadap ordonansi guru 1905 dan 1925, adakalanya kooperatif namun terkadang bertentangan dengan Belanda.<br /> <br /><strong>Kata Kunci</strong>: Muhammadiyah, Indonesia, Ordonansi Guru<strong></strong><br /><strong> </strong><br /><strong>Abstract: Muhammadiyah Response Towards Teacher Ordinance at the Turn of the 20</strong><strong>th Century Indonesia</strong><strong>.</strong> This paper studies the Muhammadiyah's response in Indonesia to the teachers' ordinances in 1905 and 1925. Through the sociological-historical method, the researcher found consistency in the Muhammadiyah's attitude regarding the abolition of these rules. Muhammadiyah tends to be more flexible in responding to the 1905 teacher ordinance, because it only issued a "Motie Persarikatan". As for the 1925 teacher ordinance, however, Muhammadiyah showed a more radical response through continuous awareness and criticism of the Dutch East Indies colonial government. The findings of this study show the diversity of Muhammadiyah's responses to the Teacher Ordinances of 1905 and 1925, on the one hand cooperative but sometimes in conflict with the Netherlands on the other.<br /> <br /><strong>Keywords: Muhammadiyah, Indonesia, </strong><strong>t</strong><strong>eacher </strong><strong>o</strong><strong>rdinance</strong><strong></strong>

scholarly journals Onze man in Nagasaki

2020 ◽  
pp. 49-82
Author(s):  
Gábor Pusztai
Keyword(s):  
19Th Century ◽  
Potential Role ◽  
East Indies ◽  
History Of ◽  
Dutch East Indies

The history of András Jelky was published in German in 1779 in Vienna and in Prague. Jelky was employed by the VOC and had sailed to the Dutch East Indies, had had adventures there and built a career. According to the book from 1779, he also worked as an emissary in Japan. In this article I will discuss the topic of the Dutch-Japanese relations in the 16th to 19th century and the potential role of Jelky.

scholarly journals UGAMO MALIM DALAM DISKURSUS KEAGAMAAN DI HUTATINGGI KABUPATEN TOBA SAMOSIR

2020 ◽  
Vol 14 (1) ◽  
pp. 103
Author(s):  
Arafat Iskandar Lamahu
Keyword(s):  
The Other ◽  
Religious Practices ◽  
Historical Events ◽  
East Indies ◽  
Religious Dimension ◽  
Religious Dimensions ◽  
History Of ◽  
Dutch East Indies ◽  
Official Status

Although not an official status, adherents of the Malim teachings or Parmalim remained faithful in carrying out teachings originating from Debata Mulajadi Nabolon. Ugamo Malim is a growing religion in Batak land. In the development of Uugamo Malim, he passed various historical events which also influenced the formation of ugamo Malim's institution. This study aims to understand the side of the ugamo Malim religious dimension, and look at the discourse of ugamo Malim's development, and then look at the institutionalized process of Ugamo Malim. Ugamo Malim as a religion has its own way of expressing their religious practices that appear in Ugamo Malim's religious dimensions. The history of ugamo Malim's development shows the other side of the movement of the Paderi (Islam) forces and the Gospel preaching movement by the Rheinische Mission-Gesellschaft (RMG) (Christian) in the land of Batak. The application of the theory of involvement by the RMG and the Dutch East Indies Government in Batak land also had a major impact on the institutionalization of Ugamo Malim. Seeing developments in the Batak lands at that time, Raja Sisingamangaraja XII instructed Raja Mulia Naipospos to build Bale Pasogit in Hutatinggi, to replace the Batak religious building in extinct Bakkara which was burned down by the Dutch.

scholarly journals Sejarah dan Akulturasi dalam Pedang Cikeruh

PANALUNGTIK ◽  
2020 ◽  
Vol 3 (1) ◽  
pp. 15-29
Author(s):  
Tendi Tendi
Keyword(s):  
Mixed Models ◽  
Colonial Period ◽  
East Indies ◽  
Historical Method ◽  
Indigenous Groups ◽  
History Of ◽  
Dutch East Indies ◽  
The Village

Cikeruh is a village located in Jatinangor, Sumedang Regency. In the colonial period, the village was famous as the production center of various kinds of weapons in the Priangan region. Consumers of the Cikeruh bladesmith varied, ranging from indigenous groups to Europeans groups in the Dutch East Indies. This article aims to reveal the history of Cikeruh’s bladesmith and explain the acculturation which is seen on the Cikeruh sword. The method used in this study is a historical method consisting of heuristics, criticism, interpretation, and historiography. Based on the study, it can be seen that the existence of Cikeruh bladesmith cannot be separated from the history of the Sumedang Larang Kingdom because the pioneer of Cikeruh bladesmith came from the royal descent of the kingdom. In addition, cultural acculturation can be witnessed from the Cikeruh blades that shows mixed models between Priangan and European styles.

Theodor W. Adorno

2018 ◽  
Author(s):  
Colby Dickinson
Keyword(s):  
The Other ◽  
History Of Thought ◽  
History Of ◽  
The One

In his somewhat controversial book Remnants of Auschwitz, Agamben makes brief reference to Theodor Adorno’s apparently contradictory remarks on perceptions of death post-Auschwitz, positions that Adorno had taken concerning Nazi genocidal actions that had seemed also to reflect something horribly errant in the history of thought itself. There was within such murderous acts, he had claimed, a particular degradation of death itself, a perpetration of our humanity bound in some way to affect our perception of reason itself. The contradictions regarding Auschwitz that Agamben senses to be latent within Adorno’s remarks involve the intuition ‘on the one hand, of having realized the unconditional triumph of death against life; on the other, of having degraded and debased death. Neither of these charges – perhaps like every charge, which is always a genuinely legal gesture – succeed in exhausting Auschwitz’s offense, in defining its case in point’ (RA 81). And this is the stance that Agamben wishes to hammer home quite emphatically vis-à-vis Adorno’s limitations, ones that, I would only add, seem to linger within Agamben’s own formulations in ways that he has still not come to reckon with entirely: ‘This oscillation’, he affirms, ‘betrays reason’s incapacity to identify the specific crime of Auschwitz with certainty’ (RA 81).

Setting the Stage

2017 ◽  
Author(s):  
Fred L. Borch
Keyword(s):  
World War Ii ◽  
Japanese Occupation ◽  
East Indies ◽  
Indonesian Archipelago ◽  
Ethical Policy ◽  
Netherlands East Indies ◽  
History Of ◽  
Colonial Economy ◽  
The Impact

Explores the role of the Dutch in the Indies from 1595, when sailors from Amsterdam first arrived in the islands, to 1942, when the Japanese invaded the colony and inflicted a devastating defeat upon the Dutch. The history of the Dutch in the Indonesian archipelago is critical to understanding the impact of the Japanese occupation after 1942, and the nature of the war crimes committed by the Japanese. This is because the ultimate goal of the Japanese occupiers was to erase all aspects of Dutch culture and influence the islands. The chapter begins with an examination of the early Dutch settlement of the islands, and the development of the colonial economy. It then discusses the so-called “Ethical Policy,” which sought to unify the islands under Dutch rule and implement European ideas about civilization, culture, and prosperity. The chapter looks at the colony’s social structure prior to World War II and closes with a discussion of the colony’s preparations for war with the Japanese in 1942. A short postscript explains what occurred between August 1945, when the Japanese surrendered, and December 1949, when the Netherlands East Indies ceased to exist.

Tunes That Bind: Paul J. Seelig, Eva Gauthier, Charles T. Griffes, and the Javanese Other

2009 ◽  
Vol 3 (2) ◽  
pp. 129-154
Author(s):  
HENRY SPILLER
Keyword(s):  
Identity Formation ◽  
North American ◽  
Raw Materials ◽  
Sense Of Self ◽  
The Other ◽  
Edward Said ◽  
Complex Relationship ◽  
East Indies ◽  
Dutch East Indies

AbstractThe powerful concept of orientalism has undergone considerable refinement since Edward Said popularized the term with his eponymous book in 1978. Orientalism typically is presented as a totalizing process that creates polar oppositions between a dominating West and a subordinate East. U.S. orientalisms, however, reflect uniquely North American approaches to identity formation that include assimilating characteristics usually associated with the Other. This article explores the complex relationship among three individuals—U.S. composer Charles T. Griffes, Canadian singer Eva Gauthier, and German-trained Dutch East Indies composer Paul J. Seelig—and how they exploited the same Javanese songs to lend legitimacy to their individual artistic projects. A comparison of Griffes's and Seelig's settings of a West Javanese tune (“Kinanti”) provides an especially clear example of how contrasting approaches manifest different orientalisms. Whereas Griffes accompanied the melody with stock orientalist gestures to express his own fascination with the exotic, Seelig used chromatic harmonies and a chorale-like texture to ground the melody in the familiar, translating rather than representing its Otherness. The tunes that bind Griffes, Gauthier, and Seelig are only the raw materials from which they created their own unique orientalisms, each with its own sense of self and its own Javanese others.

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