scholarly journals PENGALAMAN WISATAWAN DALAM LINGKUNGAN BINAAN: STRATEGI DISAIN LINGKUNGAN FISIK DAN INTEGRASINYA

2013 ◽  
Vol 15 (1) ◽  
pp. 53
Author(s):  
Syaiful Muazir

Recent day, tourism has become one of the important (experience) industries, which has ability to promoted financial sector growth, steering physical development, and self-promotion event. In sum, tourism has many perspective fields of studies, and some of them are city-regional studies, built environment and architecture. The aim of this paper is to provide a perspective on the“design structure” and also the integration in multi-disciplinary level in a perspective of physical environmental design (built environment). The construction of ideas was done through deepening and searching of related literatures and then complemented by practices side reviewed. In the realm of physical environmental design, theoretically, there are some multi-disciplinary considerations; emotional-personal to the adaptation of physical design process. And, some of the approaches may be formed by “frame” of: architectural design, zoning and division, routes and circulation, natural condition, as well as technology utilization.

2021 ◽  
Author(s):  
◽  
Thomas Le Comte

<p>Architects use computers predominantly to digitise a design process that has been in use prior to the advent of the computer. Traditional analogue concepts are transferred into and sculpted through the digital world but the overall process has remained mostly unchanged for decades. Merely digitising a known process does not utilise the full power of the computer and its near limitless ability to compute.  For an architect, design of the built environment is highly important especially if they are to optimise the physical, phenomenological and psychological aspects of the space. The process of designing an architectural space is riddled with possibilities or variables that architects have used historically to aid in the design of the built environment, including but not limited to: object relationships, climate, site conditions, history, habitibility and the clients input - all project requirements that must somehow be quantified into a built object. This information is key for an architect as it will inform and form the architecture which is to be designed for the project at hand.  This information, however useful, is not easy to integrate into every aspect of the design without intensive planning, problem solving and an exploration of almost an infinite number of possibilities. This is where parametric design can be used to aid in the design. More of the fundamental aspects of the information gathered in a project can be programmed into a computer as parameters or relationships. Once this information has been quantified, the designer can run through iterations of a design which are defined by these parameters. This is not a random process. It is controlled by the designer and the outcome is a product of how the architect designs the parameters, or relationships between components of the design.  Parametric design offers a shift from merely digitising design ideas to using programmed constraints derived through the design process to influence and augment the design envisioned by the architect. Parametric design allows the system to be changed holistically and updated through the alteration of individual components that will then impact the form of the design as a whole – creating a non-linear process that is connected throughout all design phases.  This thesis seeks to explore parametric design through its implementation within a group design project to decipher how a parametric process grounded in an understanding of contemporary digital fabrication can inform architectural space. To explore parametric design, this thesis will practice this re-envisioned design process through three design phases. The first phase is the foundational knowledge stage where the applications of digital workflow, computer models, tools and material explorations are examined. Second is the production of a prototype to investigate lessons learnt from phase one and apply these lessons to an actual parametric system used to design a prototype. The final stage will be a developed design process that will further explore a parametric system and its architectural applications. These phases will be developed through a series of prototypes in the form of material explorations and scale artefacts which will explore how it would be used to address many of the designs facets from sensual to corporeal.</p>


Author(s):  
Domenick Billera ◽  
Richard D. Parsons ◽  
Sharon A. Hetrick

Noise barriers have become a prominent feature on today’s landscape. Unfortunately, they have also become a feature associated with insensitivity toward the built environment. Designers could avoid the negative visual impact that noise barriers frequently create by increasing their awareness of aesthetics in the design process. In an effort to improve the quality of noise barrier design, the New Jersey Department of Transportation’s, Bureau of Environmental Analysis (BEA) altered the design process for its I-76/I-295 Type II noise abatement study. The first objective of the study was to acoustically engineer a barrier that would abate the noise for residents along the affected roadway corridor. The second was to develop an architectural design that would be aesthetically pleasing to the corridor resident and the roadway users. Typically, architects were brought into the design process at the end to review the aesthetic impact of the wall and add architectural features. On the I-76/I-295 project, BEA initiated a parallel process with the architectural design running concurrent with the engineering. The architectural design process and the interfacing of this process with the engineering are described. Community involvement was essential to the architectural objective of designing an aesthetically pleasing barrier. Ideas reflecting community concerns and comments were refined into final recommendations for construction of a noise barrier with gateways and a unifying corridor theme. The noise barrier should then become a representation of the community and stand as an icon in the built environment. Noise barriers can have a positive impact on the built environment if a commitment is made to aesthetics throughout the design process.


Energies ◽  
2021 ◽  
Vol 14 (20) ◽  
pp. 6731
Author(s):  
Baraa J. Alkhatatbeh ◽  
Somayeh Asadi

Daylight variability throughout the day makes it an ideal light source for the stimulation of humans’ circadian systems. However, the key criteria, including proper quantity, quality, and hours of access to daylight, are not always present inside the built environment. Therefore, artificial light is necessary to complement the human’s visual and non-visual needs for light. Architectural design parameters, such as window area, orientation, glazing material, and surface reflectance alter the characteristics of both daylight and artificial light inside buildings. These parameters and their impact on lighting design should be considered from the early design stages to attain a circadian-effective design. In response to this need, a design approach called Human-Centric Lighting (HCL) was introduced. HCL places humans, and their visual and non-visual needs, in the center of the design process. It manipulates the light-related factors, such as spectrum and intensity, within the built environment for circadian benefits. The effect of HCL on lighting energy efficiency is still not clear. This paper reviews essential architectural design parameters and their impacts on circadian lighting design, considers the HCL design process and explores the most widely used circadian lighting metrics and standards.


2021 ◽  
Vol 6 (1) ◽  
pp. 48-58
Author(s):  
Nima Norouzi ◽  
◽  
Zahra Nasiri ◽  

Achieving sustainable and environmentally friendly architecture is one of the main goals people have made to better life as the final model for their professional activities. Thus, moving towards greener architecture is considered the primary goal of the architecture of our time. The purpose of this study is to analyze architectural projects that have already been implemented in Middle Eastern countries in terms of their compatibility with the objective concepts of sustainability and the green standards they require. Therefore, for review and study, the purpose of this article is to discover the level of sustainability classification system such as LEED (Leadership in Energy and Environmental Design) that can be effective in classifying current architectural projects. Studies show three concepts for analyzing contemporary architecture: 1. green, 2. false green, and 3. energy-seller. Besides, these studies have shown that some projects, although attempting to convey sustainable architecture concepts in appearance, are not sustainable. In recent stages, this paper intends to evaluate the effectiveness of the LEED classification system. In evaluating the LEED classification system, the results show that the system’s purpose is more for planning purposes than objective design goals and practical tools for analyzing the architectural design process. The analysis based on this study shows that it is necessary to use design-based patterns to move false green architecture to green architecture.


2021 ◽  
Author(s):  
◽  
Thomas Le Comte

<p>Architects use computers predominantly to digitise a design process that has been in use prior to the advent of the computer. Traditional analogue concepts are transferred into and sculpted through the digital world but the overall process has remained mostly unchanged for decades. Merely digitising a known process does not utilise the full power of the computer and its near limitless ability to compute.  For an architect, design of the built environment is highly important especially if they are to optimise the physical, phenomenological and psychological aspects of the space. The process of designing an architectural space is riddled with possibilities or variables that architects have used historically to aid in the design of the built environment, including but not limited to: object relationships, climate, site conditions, history, habitibility and the clients input - all project requirements that must somehow be quantified into a built object. This information is key for an architect as it will inform and form the architecture which is to be designed for the project at hand.  This information, however useful, is not easy to integrate into every aspect of the design without intensive planning, problem solving and an exploration of almost an infinite number of possibilities. This is where parametric design can be used to aid in the design. More of the fundamental aspects of the information gathered in a project can be programmed into a computer as parameters or relationships. Once this information has been quantified, the designer can run through iterations of a design which are defined by these parameters. This is not a random process. It is controlled by the designer and the outcome is a product of how the architect designs the parameters, or relationships between components of the design.  Parametric design offers a shift from merely digitising design ideas to using programmed constraints derived through the design process to influence and augment the design envisioned by the architect. Parametric design allows the system to be changed holistically and updated through the alteration of individual components that will then impact the form of the design as a whole – creating a non-linear process that is connected throughout all design phases.  This thesis seeks to explore parametric design through its implementation within a group design project to decipher how a parametric process grounded in an understanding of contemporary digital fabrication can inform architectural space. To explore parametric design, this thesis will practice this re-envisioned design process through three design phases. The first phase is the foundational knowledge stage where the applications of digital workflow, computer models, tools and material explorations are examined. Second is the production of a prototype to investigate lessons learnt from phase one and apply these lessons to an actual parametric system used to design a prototype. The final stage will be a developed design process that will further explore a parametric system and its architectural applications. These phases will be developed through a series of prototypes in the form of material explorations and scale artefacts which will explore how it would be used to address many of the designs facets from sensual to corporeal.</p>


2013 ◽  
Vol 11 (1) ◽  
pp. 47-59 ◽  
Author(s):  
Djordje Stojanovic

This paper investigates the role of performative models within the context of architectural design. Understanding the performances of the built environment can be postulated in rather different manners. It is commonly expected that the built environment complies with the diverse and changing requirements of its users. It is equally required that buildings are economically constructed, easily maintained, energy efficient, safe and aesthetically pleasing. Yet, such expectations are complex and consist of a great number of intertwined effects that are not easy to synchronize during architectural design process. Although they can be precisely evaluated and quantitatively expressed, the values specifying the performances, such as temperature, humidity and intensity of light or sound, in traditionally established course of architectural design are usually only considered throughout the post-rationalization or correction of the architectural design. The research presented in this paper explores design mechanisms, for direct and formative incorporation of feedback information into the very conception of architectural form.


2018 ◽  
Vol 41 ◽  
pp. 03002
Author(s):  
Wiryono Raharjo

The current landscape of architectural education has been predominantly based on studio teaching the mode of teaching that can be traced back in the age of French L’Ecole des Beaux Arts. It was during the Beaux Arts era that studio teaching and jury system first deve-loped, and it continues today. The approach is characterized by the use of atelier (studio) for coaching, where juniors learn from seniors and competition among students are the norm. The approach also presumes that architects are the provider of design services who think that they are more competent than their clients in solving the design problem; which is a paradox to the fact that most parts of the built environment anywhere in the world are the creation of ordinary people. In other words, ordinary people can contribute significantly to the decision making within the architectural design process. They can actually be treated as a partner of architects in designing their building, which is what Co-Design all about. This paper aims to describe the introduction of Co-Design approach in architectural design studio teaching at Universitas Islam Indonesia. The research questions this paper intends to respond: to what extent could Co-Design be adopted in architectural design teaching? What lessons have the students learned from their experience in involving people in the urban design process? The case study methods employed in this research, through which author looks at the Co- Design teaching delivery in the Architectural Design Studio 7 in the past three years. While overall result of the study shows that time limitation has constrained the students’ community engagement, most cases examined reveal that introduction of Co-Design approach has paved the way for students to understand how ordinary people contribute to the shaping of the urban built environment.


2013 ◽  
Vol 2 (4) ◽  
pp. 85
Author(s):  
M. M. Naguib,M ◽  
A. M Hanafi

It has been commonly noted that the main perception of nature influenced forms isbasically aesthetic while little concern is given to the importance of inspiring from naturein the construction and structural performance of buildings as well as in the naturalecological architectural solutions, thus, this paper will focus on bio-inspired architectureapproach which embraces the eco-friendly practices of sustainable construction, the useof natural materials and the energy conservation by mimicking the natural life.A number of bio-inspired architectural designs will be illustrated presenting acomprehensive analysis of bio-inspired role to be played in developing the concept ofecological sustainable design and construction in contemporary architecture.Building must teach the society with new ecological moral, thus, a better understanding ofbiological morphogenesis can usefully inspire architectural design to resolve challengesthat have already been resolved by nature that will not only help in creating a healthyenvironment but will also produce positive environmental impacts.Bio-Eco Architecture harnesses and replicates the principles found in nature in order tocreate built environment which benefit people and other living creatures as well as safe-guarding the biodiversity; thus, Biomimetics in architecture will help develop a culture ofactive environmental design.


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