scholarly journals ANALISA SPASIAL LOKASI KORIDOR KOMERSIAL DISTRO DAN BUTIK DI KOTA PONTIANAK

2018 ◽  
Vol 20 (4) ◽  
pp. 440
Author(s):  
Nunik Hasriyanti ◽  
Andi Zulestari ◽  
Julius Judhi
Keyword(s):  
Social Economy ◽  
The Other ◽  
Shopping Center ◽  
Economic Activities ◽  
Analytic Hierarchy ◽  
Large Numbers ◽  
Money Flow ◽  
To Come ◽  
The One ◽  
The City

Pontianak city is a service city that is now beginning to grow more rapidly. The growth of the trading sector in Pontianak City that became the center of economic activity that attracts people outside the city of Pontianak to come and conduct economic activities in the city. And of course for most citizens to do the business of trading centers like distro and boutique outlet. But the location of this shopping center is not in accordance with Pontianak City Spatial Plans because of its located at the settlements location, offices and services. The proliferation of this shopping center on the one hand raises a positive aspect for the regional income (PAD) Pontianak City, will be replaced on the other side of the negative side of the problem of congestion, lack of parking space, the number of billboards that disturb the visual of the city and change the image of an area. In this study will be evaluated the location of shopping centers distro and boutiques by using Analytic Hierarchy Process (AHP), so get the best alternative location in the selection of commercial locations for distro and boutique in the city of Pontianak. From this research, it can be concluded that the result of data calculation on various aspects that become criteria are Physical, Social, Economy and accessibility aspects where the highest hierarchy is economic aspect with the highest sub aspect is investment attraction which is the benchmark of criteria is the flow of money flow) in large numbers, crowded by Questions, resolved over the weekend, rising land prices, free of illegal levies that could be entitled to entrepreneurs / investors. Of the 10 sub-aspects of criteria for the assessment of the three corridors of the middle roads of the distro and boutiques, the results of the corridor of Jalan Gusti hamzah were superior with 9 sub-aspects with a value of 0.5253 compared with the other two corridors namely M. Yamin Street with value 0, 2555 and Jalan Danau Sentarum with value 0,2154.

scholarly journals Proveedores informales a la industria maquiladora

2016 ◽  
Vol 12 (20) ◽  
Author(s):  
Hilda García ◽  
Francisco Lara
Keyword(s):  
The Other ◽  
Economic Activities ◽  
Formal Economy ◽  
Industrial Parks ◽  
Border Towns ◽  
Central Argument ◽  
Rapid Industrialization ◽  
The One ◽  
Prepared Food ◽  
The City

Resumen:Este artículo examina un componente de la economía urbana fronteriza que muestra las contradicciones del des arrollo regional basado en la maquiladora. Dicho elemento lo conforman 39 micronegocios que se dedican a la venta de alimentos preparados para los trabajadores de las empresas maquiladoras localizados en dos parques industriales de la ciudad de Nogales, Sonora. Por un lado, estos micronegocios están funcionalmente integrados al sector más moderno y dinámico de la economía fronteriza y, por otro, conservan los rasgos premodernos de las actividades económicas de subsistencia. El argumento central es que la industrialización acelerada en contextos socio urbanísticos como los que dominan en la frontera norte de México no sólo es compatible con las actividades que se analizan en este artículo, sino que requiere de su existencia. Como resultado, surge alrededor de la maquila un conjunto de proveedores informales de servicios que coadyuvan a que la industria disponga de una fuerza de trabajo estable y continua . En este artículo se analizan los resultados de una encuesta realizada a los propietarios de los micro negocios para mostrar su organización y funcionamiento, y se presenta una serie de recomendaciones orientadas a mejorar la relación entre empresas maquiladoras, trabajadores industriales y micro negocios.Palabras clave: Maquiladoras, Frontera México-Estados Unidos, Alimentos preparados, Economía informal, Proveedores de servicios.Abstract:This article examines a component of the urban border economy which reflects the contradictions of a model of regional development based predominantly on the maquila industry. This component consist of 39 micro - businesses selling prepared food to workers of maquila companies located in two industrial parks in the city of Nogales, Sonora. On the one hand, these micro ? businesses are completely integrated to the most modern and dynamic sector of the border economy yet, on the other hand, p resent the traditional characteristics of subsistence economic activities. The central argument is that in sociourbanistic contexts as the prevailing in Mexican border towns, rapid industrialization is not only compatible with the activities analyzed in this article, but needs of them to subsist. As a result, a round the maquila industry emerge a group of informal services providers that contribute to a realiable and steady supply of labor force for the industry. In this article, the authors analyze the results of a survey to the owners of the aforementioned micro - businesses to observe its organization and operation. A number of recommendations to improve the relation among maquila companies, maquila workers and micro-businesses is also presented.Key words: Export oriented industry, USA-Mexico borderline, Prepared food, Non formal economy, Services’ Supply.

The Other Entrepreneurs - Migrant Economies as Spaces for Social Innovation?

2019 ◽  
Vol 16 (2) ◽  
pp. 265-271
Author(s):  
Claudia Lintner
Keyword(s):  
Social Innovation ◽  
Close Relation ◽  
The Other ◽  
Structural Level ◽  
Structured Interviews ◽  
Economic Activities ◽  
Migrant Entrepreneurship ◽  
False Dichotomy ◽  
Migrant Entrepreneurs ◽  
The One

This article analyses the relationship between migrant entrepreneurship, marginalisation and social innovation. It does so, by looking how their ‘otherness’ is used on the one hand to reproduce their marginalised situation in society and on the other to develop new living and working arrangements promoting social innovation in society. The paper is based on a qualitative study, which was carried out from March 2014- 2016. In this period, twenty semi-structured interviews were conducted with migrant entrepreneurs and experts. As the results show, migrant entrepreneurs are characterised by a false dichotomy of “native weakness” in economic self-organisation against the “classical strength” of majority entrepreneurs. It is shown that new possibilities of acting in the context of migrant entrepreneurship are mostly organised in close relation to the lifeworlds and specific needs deriving from this sphere. Social innovation processes initiated by migrant entrepreneurs through their economic activities thus develop on a micro level and are hence less apparent. Supportive networks are missing on a structural level, so it becomes difficult for single innovative initiatives to be long-lasting.

Over de betekenis van het werk van Jan van Scorel omstreeks 1530 voor oudere en jongere tijdgenoten (4)

1984 ◽  
Vol 98 (2) ◽  
pp. 98-109 ◽  
Author(s):  
J. Bruyn
Keyword(s):  
New York ◽  
18Th Century ◽  
The Other ◽  
Parish Church ◽  
Stylistic Development ◽  
To Come ◽  
The One ◽  
The Town ◽  
Coats Of Arms ◽  
Early Training

AbstractFrom 1911 to 1961 Félix Chrétien, secretary to François de Dinteville II, Bishop of Auxerre in Burgundy, and from 1542 onwards a canon in that town, was thought to be the author of three remarkable paintings. Two of these were mentioned by an 18th-century local historian as passing for his work: a tripych dated 1535 on the central panel with scenes from the legend of St. Eugenia, which is now in the parish church at Varzy (Figs. 1-3, cf. Note 10), and a panel dated 1550 with the Martyrdom of St. Stephen in the ambulatory of Auxerre Cathedral. To these was added a third work, a panel dated 1537 with Moses and Aaron before Pharaoh, which is now in New York (Figs. 4-5, cf. Notes I and 3). All three works contain a portrait of François de Dinteville, who is accompanied in the Varzy triptych and the New York panel (where he figures as Aaron) by other portrait figures. In the last-named picture these include his brothers) one of whom , Jean de Dinteville, is well-known as the man who commissioned Holbein's Ambassadors in 1533. Both the Holbein and Moses and Aaron remained in the family's possession until 1787. In order to account for the striking affinity between the style of this artist and that of Netherlandish Renaissance painters, Jan van Scorel in particular, Anthony Blunt posited a common debt to Italy, assuming that the painter accompanied François de Dinteville on a mission to Rome in 1531-3 (Note 4). Charles Sterling) on the other hand, thought of Netherlandish influence on him (Note 5). In 1961 Jacques Thuillier not only stressed the Northern features in the artist's style, especially in his portraits and landscape, but also deciphered Dutch words in the text on a tablet depicted in the Varzy triptych (Fig. I) . He concluded that the artist was a Northerner himself and could not possibly have been identical with Félix Chrétien (Note 7). Thuillier's conclusion is borne out by the occurrence of two coats of arms on the church depicted in the Varzy triptych (Fig. 2), one of which is that of a Guild of St. Luke, the other that of the town of Haarlem. The artist obviously wanted it to be known that he was a master in the Haarlem guild. Unfortunately, the Haarlem guild archives provide no definite clue as to his identity. He may conceivably have been Bartholomeus Pons, a painter from Haarlem, who appears to have visited Rome and departed again before 22 June 15 18, when the Cardinal of S. Maria in Aracoeli addressed a letter of indulgence to him (without calling him a master) care of a master at 'Tornis'-possibly Tournus in Burgundy (Note 11). The name of Bartholomeus Pons is further to be found in a list of masters in the Haarlem guild (which starts in 1502, but gives no further dates, Note 12), while one Bartholomeus received a commission for painting two altarpiece wings and a predella for Egmond Abbey in 1523 - 4 (Note 13). An identification of the so-called Félix Chrétien with Batholomeus Pons must remain hypothetical, though there are a number of correspondences between the reconstructed career of the one and the fragmentary biography of the other. The painter's work seems to betray an early training in a somewhat old-fashioned Haarlem workshop, presumably around 1510. He appears to have known Raphael's work in its classical phase of about 1515 - 6 and to have been influenced mainly by the style of the cartoons for the Sistine tapestries (although later he obviously also knew the Master of the Die's engravings of the story of Psyche of about 1532, cf .Note 8). His stylistic development would seem to parallel that of Jan van Scorel, who was mainly influenced by the slightly later Raphael of the Loggie. This may explain the absence of any direct borrowings from Scorel' work. It would also mean that a more or less Renaissance style of painting was already being practised in Haarlem before Scorel's arrival there in 1527. Thuillier added to the artist's oeuvre a panel dated 1537 in Frankfurt- with the intriguing scene of wine barrels being lowered into a cellar - which seems almost too sophisticated to be attributed to the same hand as the works in Varzy and New York, although it does appear to come from the same workshop (Fig. 6, Note 21). A portrait of a man, now in the Louvre, was identified in 197 1 as a fragment of a work by the so-called Félix Chrétien himself (Fig. 8, Note 22). The Martyrdom of St. Stephen of 1550 was rejected by Thuillier because of its barren composition and coarse execution. Yet it seems to have too much in common with the other works to be totally separated, from them and may be taken as evidence that the workshop was still active at Auxerre in 1550.

Lxxix: Conrad's Revision of “the Lighthouse” in Nostromo

PMLA ◽  
1937 ◽  
Vol 52 (4) ◽  
pp. 1183-1190
Author(s):  
George W. Whiting
Keyword(s):  
Dead Wood ◽  
The Other ◽  
Final Version ◽  
Fresh Material ◽  
The Dead ◽  
To Come ◽  
The One ◽  
Consummate Skill

To the student of writing and literature few inquiries are more interesting and valuable than that into an author's practices in revising his own work. To observe the various stages in the evolution of the final version, to note carefully an artist at his work of pruning the dead wood, adding fresh material, smoothing away harsh phrases, selecting just words, and letting light into obscure places—to do this is to come somewhat nearer to an understanding of what in spite of all analysis will remain essentially a mystery. Especially fascinating and instructive is the study of Conrad's revision, for here one sees a supreme artist at work. In his vigorous hewing and rebuilding there is conclusive proof of the artist's untiring industry and consummate skill. Conrad's revision of Nostromo is of particular interest, for this novel occupies a critical place in the evolution of Conrad's prose. Mr. Richard Curie has justly characterized the change that came over Conrad's prose—a change perceptible in the “Amy Foster” of Typhoon and fully marked in from Under Western Eyes onward. This evolution has smoothed away the cadence, has concentrated the manner, has toned down the style of Conrad's former exuberance. At first glance the later and the earlier Conrad appear two totally different men. The unruly splendor of the one has given way to the subtle and elastic suavity of the other … His earlier prose is sometimes uncertain, sometimes exaggerated, but his later prose has the uniform temper of absolute mastery.

Trading and Translating: English Literature in Rouen, 1730–56

2017 ◽  
Vol 26 (3) ◽  
pp. 273-294
Author(s):  
Ina Schabert
Keyword(s):  
English Literature ◽  
The Other ◽  
Alexander Pope ◽  
French Translation ◽  
Commercial Activity ◽  
The One ◽  
The City

In this period the city of Rouen is known for commercial activity and for certain literary connections, but its status as a centre of sorts for English-French translation has gone unrecognized. This paper explores the writers involved (some well known, some less familiar), the rationales for their translations (particularly from the poetry of Alexander Pope), and their relation on the one hand to the commercial life of Rouen, on the other to its Académie Royale, founded in 1744.

Let the Witness Speak: From Archi-writing to the Community to come

Derrida Today ◽  
2009 ◽  
Vol 2 (2) ◽  
pp. 260-270
Author(s):  
Francesco Vitale
Keyword(s):  
The Self ◽  
The Other ◽  
Political Tradition ◽  
Metaphysics Of Presence ◽  
The Absolute ◽  
To Come ◽  
The One ◽  
The Sacrifice

The paper aims to present a reading of the question of Testimony rising in Derrida's later works (from Faith and Knowledge to Poetics and Politics of Witnessing): the experience of Testimony as the irreducible condition of the relation to the Other, of every possible link among living human singularities and, thus, of the thinking of a community to come. This thinking is able to divert the community from the economy grounding and structuring it within our political tradition governed by the metaphysics of presence, which demands the sacrifice of the Other in its multiple theoretical and practical forms. We intend to read this proposal and to point out its rich perspectives by bringing it into the articulation of an ethical-political archi-writing. So we suggest going back to Derrida's early analyses of phenomenology and to De la grammatologie in order to present a reading of archi-writing as the irreducible condition of the relation to otherness and, thus, of the experience through which a living human singularity constitutes itself, a singularity different from the one our tradition compels us to think of within the pattern of the absolute presence to the self, free from the relation to the other.

scholarly journals Editorial

2019 ◽  
Vol 9 (1) ◽  
pp. 13-17 ◽  
Author(s):  
Kata Csizér ◽  
Csaba Kálmán
Keyword(s):  
Possible Selves ◽  
Learning Experience ◽  
The Other ◽  
L2 Motivation ◽  
L2 Motivational Self System ◽  
L2 Learning ◽  
Relative Neglect ◽  
To Come ◽  
The One ◽  
Possible Selves Theory

Due to the emergence of the self in foreign/second language (L2) motivation theory and research following the introduction of the L2 Motivational Self System (L2MSS) (Dörnyei, 2005, 2009), the past decade has witnessed a surge of attention devoted to the two self dimensions: the Ideal L2 Self, and the Ought-to L2 self of the model (Boo, Dörnyei, & Ryan, 2015). The third core component, however, the L2 Learning Experience has become undeservedly marginalized. We think that such relative neglect has been brought about by two phenomena. On the one hand, the L2 Learning Experience, has so far been underconceptualized, and, as such, its intangible, amorphous nature has undermined its applicability in research on a similar scale that a more elaborate theorization of the other two future self-guides has enabled. On the other hand, by incorporating Markus and Nurius’ (1986) possible selves theory into L2 motivation research, Dörnyei was able to import adaptable and novel concepts to the field, which set the course of the research agenda for years to come.

scholarly journals Redescubrimiento de los pleitos judiciales de una temprana sociedad colonial. Corrientes, Río de la Plata (1588-1680).

2020 ◽  
Author(s):  
Fátima Valenzuela ◽  
Fernando Pozzaglio
Keyword(s):  
The Other ◽  
San Juan ◽  
Rio De La Plata ◽  
Río De La Plata ◽  
La Plata ◽  
Other Hand ◽  
The One ◽  
The City

En este artículo nos proponemos explorar el fondo judicial del Archivo General de la Provincia de Corrientes. Por un lado, desarrollaremos un catálogo de las causas judicializadas entre 1612 y 1680, es decir, un instrumento descriptivo que puede ser utilizado por historiadores y/usuarios del archivo. Por otro lado, caracterizaremos los pleitos que corresponden a los albores de la configuración de la ciudad de San Juan de Vera. En ese contexto, presentaremos  una primera lectura en torno al funcionamiento de la justicia ordinaria y el accionar de otros funcionarios reales en el espacio colonial. De ese modo, lograremos una aproximación a los discursos y experiencias por medio de las causas judiciales. In this article we propose to explore the judicial fund of the General Archive of the Province of Corrientes. On the one hand, we will develop a catalog of judicial cases between 1612 and 1680, that is, a descriptive instrument that can be used by other historians and users of the archive. On the other hand, we characterize the lawsuits that took place at the dawn of the configuration of the city of San Juan de Vera. In this context, we will develop a first reading about the operation of ordinary justice and the action of other royal officials in the colonial space. In this way, we get an approximation to discourses and experiences through judicial cases.

scholarly journals Heritage Building Stones from Évora, Portugal

2020 ◽  
Author(s):  
Luis Lopes
Keyword(s):  
Analytical Techniques ◽  
The Other ◽  
World Heritage Site ◽  
Raw Material ◽  
Other Hand ◽  
Heritage Site ◽  
Ancient Rock ◽  
Materials Used ◽  
The One ◽  
The City

<p>The city of Évora, a World Heritage Site recognized by UNESCO in 1986, also owes this recognition to the stones that built its monuments and preserve them until today.</p><p>This work brings together the contributions that we have gathered over the past three decades and allow us to have a very complete idea, not only about the materials used in the hundreds of monuments and historic buildings but also about their provenance. If some materials are so emblematic that they allow an immediate identification with the naked eye, others needed more sophisticated and precise techniques so that there was no doubt about their origin.</p><p>The igneous rocks and gneisses of granite composition are part of the “Massif of Évora” on which the city is built. Thus, and quite naturally they are by far the most represented group in monuments from all historical periods. Its function is essentially structural, but there are also functional, ornamental and decorative objects. For example, the oldest megalithic structures found in the vicinity of the city are made up of large granite blocks that often had to be transported to their locations.</p><p>On the other hand, many gargoyles and statues that decorate the churches are also made up of these granite rocks. On these, the natural erosion of centuries of exposure to the environment has led to a state of alteration, sometimes very accentuated, which would justify its replacement by replicas sculpted in similar rocks. Provenance studies have made it possible to identify old quarries in the vicinity of the city where, on the one hand, the ancient rock extraction techniques can be observed and on the other hand, they allow the obtaining of the raw material necessary for these restoration and conservation works. In any case, they are places that need to be inventoried and protected, with the municipality already aware of their existence.</p><p>As well as the monuments of the Roman Period, also the structures of the Medieval Period, such as the city walls, the Cathedral (started to be built in 1186 AD) and all the great churches, were also built with these granitoids.</p><p>In addition to these rocks, many others of multiple varieties and origins are present. The marbles, especially the Estremoz Marbles (Global Heritage Stone Resource), are ubiquitous in the city, but there are also emblematic marbles from other places, some easily identifiable (ie Viana do Alentejo, Escoural, Trigaches, Serpa and Vila Verde de Ficalho, for presenting mineralogy, textures, colors and patterns which, together with more recent analytical techniques, have confirmed its provenance.</p><p>Sedimentary rocks, with emphasis on Portuguese Mesozoic limestones, ie Lioz - GHSR and Brecha da Arrábida - GHSR candidate, among others more rare and with very specific use in ornamental details, are also present and contribute to enrich a heritage in stone that makes this city so special and very popular with tourists of all nationalities.</p><p>Acknowledgments: the authors thank to FCT for funding the ICT (UID/GEO/04683/2019), as well as COMPETE POCI-01-0145-FEDER-007690.</p>

scholarly journals Experiencia urbana e imágenes colectivas de la Ciudad de México / Urban Experience and Collective Images in Mexico City

2006 ◽  
Vol 21 (3) ◽  
pp. 663
Author(s):  
Martha De Alba
Keyword(s):  
Mexico City ◽  
Functional Space ◽  
Cognitive Maps ◽  
Federal District ◽  
The Other ◽  
Urban Experience ◽  
Distrito Federal ◽  
Urban Imagination ◽  
The One ◽  
The City

En el presente artículo se estudia el imaginario urbano de la Ciudad de México valiéndose de la comparación de la perspectiva de una muestra de residentes del Distrito Federal con otra muestra de funcionarios encargados de la gestión de la metrópoli. Se parte del supuesto de que las imágenes que esta gran ciudad suscita corresponden a dos registros distintos: por un lado la experiencia urbana captada a través del discurso sobre la ciudad y por el otro las imágenes cartográficas que se materializan en mapas cognitivos del espacio. Se presentan aquí los resultados de estas dos perspectivas complementarias de análisis de las representaciones de la ciudad y se propone una metodología para su estudio. Asimismo se analiza si la vivencia y la representación de la ciudad corresponden a las propuestas teóricas que plantean que la metrópoli contemporánea ya no es más un lugar de convivencia, sociabilidad e identidad, sino que se ha convertido en un espacio únicamente funcional. AbstractThis article studies the urban imagination in Mexico City, using the comparison of the perspective of a sample of residents from the Federal District with another sample of functionaries in charge of managing the metropolis. It begins with the assumption that the images this great city evokes correspond to two different registers: on the one hand, the urban experience recorded through the discourse on the city and on the other, the cartographic images materialized in cognitive maps of space. This article presents the results of these two complementary methods of analyzing the representations of the city and proposes a methodology for studying them. It also analyzes whether the experience and the representation of the city correspond to the theoretical proposals suggesting that the contemporary metropolis is no longer a place of coexistence, sociability and identity but has become a purely functional space.

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