Chapter 4 The Nuremberg Miscellany as a Cultural-Historical Document

2021 ◽  
pp. 64-67
Keyword(s):  
Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 500-505
Author(s):  
Anindita Naha ◽  
Dr. Mirza Maqsood Baig

The legend of King Arthur and his knights of the Round Table is immemorial. The heroic knights and their king’s tales contribute western society a great literature that is still well- known today. King Arthur along with the theme of chivalry greatly impacted not only western civilization, but all of society throughout the centuries. King Arthur and his Knights of the Round Table have been around for thousands of years but are only legends. The first reference to King Arthur was in the Historia Brittonum written by Nennius a Welsh monk around 830A.D. The fascinating legends however did not come until 1133 A.D in the work Historia Regum Britaniae written by a Welsh cleric, Geoffrey of Monmouth. His work was actually meant to be a historical document, but over time many other writers added on fictional tales. The Round Table was added in 1155 A.D by a French poet Maistre Wace. Both the English and French cycles of Arthurian Legend are controlled by three inter-related themes:


2017 ◽  
Vol 1 (XXII) ◽  
pp. 153-166
Author(s):  
Kinga Perużyńska

The aim of the article is to present The Warsaw Diary by Zinaida Gippius, published in 1969 and translated into Polish by Henryk Chłystowski (2010). Based on the analysis of Russian and Polish versions of the book, it can be concluded that Chłystowski retains in his translation four dimensions of the diary as a historical document: facts, opinions, author’s personal feelings and her subjective mentality.


2020 ◽  
Vol 26 (39) ◽  
pp. 55-65
Author(s):  
Angélica Adverse

O artigo aborda o agenciamento das roupas no trabalho do artista Christian Boltanski. Partindo da dimensão do poder dos corpos têxteis, analisaremos como as roupas investem-se das palavras emudecidas dos corpos ausentes, constituindo-se como alegoria do testemunho e do documento histórico. A ideia central é pensar como as roupas explicitam a aniquilação humana provocada pelos regimes políticos totalitários. Analisaremos como as instalações Prendre la Parole (2005) e Personnes(2010) desvelam a presença-ausência da vida-morte na experiência política do discurso têxtil.  Palavras-chave: Roupas; Corpos; Agenciamento; Política; Memória.AbstractThe article addresses the agency of clothes in the work of the artist Christian Boltanski. Starting from the dimension of the power of the textile bodies, we will analyze how the clothes invest themselves with the muted words of the absent bodies, constituting themselves as an allegory of the testimony and of the historical document. The central idea is to think about how clothes make explicit human annihilation brought about by totalitarian political regimes. We will analyze how the installations Prendre la Parole (2005) and Personnes (2010) reveal the presence-absence of life-death in the political experience of textile discourse.Keywords: Clothes; Bodies; Agency; Politics; Memory. 


Author(s):  
Simon Hornblower

This book is an original, accessibly written, contribution to Roman and Hellenistic history. Its subject is a long (1474-line) ancient Greek poem, Lykophron’s Alexandra, probably written about 190 BC. The Trojan Kassandra foretells the conflicts between Europe and Asia from the Trojan Wars to the establishment of Roman ascendancy over the Greek world in the poet’s own time, including the founding of new cities by returning Greeks through the Mediterranean zone, and of Rome by the Trojan refugee Aineias, Kassandra’s kinsman. Simon Hornblower now follows his detailed commentary (OUP 2015, paperback 2017) with a monograph asserting the Alexandra’s importance as a historical document of interest to political, cultural, and religious historians and students of myths of identity. Part One explores Lykophron’s geopolitical world, especially south Italy (perhaps the poet’s area of origin), Sicily, and Rhodes, and argues that the recent (in the 190s) hostile presence of Hannibal in south Italy is a frequent if indirectly expressed concern of the poem. Part Two investigates the poem’s relation to Sibylline and other anti-Roman writings, and argues for its cultural and religious topicality. The Conclusion shows that the 190s BC were a turning-point in Roman history, and that Lykophron was aware of this.


Author(s):  
Donald Davidson

Donald Davidson’s 1970 Locke Lectures appear in print for the first time in this volume, accompanied by an introduction highlighting their significance as a snapshot of his evolving views in the philosophy of language and describing their relationship to the work he published during his lifetime. The lectures comprise an invaluable historical document that illuminates how Davidson was thinking about the theory of meaning, the role of a truth theory therein, the ontological commitments of a truth theory, the notion of logical form, and so on, at a pivotal moment in the development of his thought. Unlike Davidson’s previously published work, they are written so as to be presented to an audience as a fully organized and coherent exposition of his program in the philosophy of language. Had these lectures been widely available in the years following 1970, the reception of Davidson’s work, especially in the philosophy of language, might have been very different. Given the systematic nature of the presentation of Davidson’s semantic program in these lectures, it is hoped that they will be of use to those encountering his thought for the first time.


Religions ◽  
2021 ◽  
Vol 12 (5) ◽  
pp. 366
Author(s):  
Andrey Toporkov

In publications of Russian folklore, along with authentic texts there are a number of literary stylizations based on folklore. The article traces the history of one such pseudo-folkloric text—a carol which was first published by Ivan Petrovich Sakharov (1807 to 1863) in 1837. It has been established that this carol is a montage of two texts: the first is a carol, printed in 1817 by I.E. Sreznevsky in the Ukrainian Bulletin, and the second is a song included in the Tale of Brother Ivanushka and his Sister Alyonushka (SUS 450). Such contamination is unique and is found only in this one text, which was later reprinted many times. Taking into account Sakharov’s reputation as a falsifier of folklore, there is no reason to doubt that it was he who composed this carol; such contamination of works belonging to different folkloric genres is also characteristic of other of Sakharov’s publications. The carol that Sakharov published attracted the particular interest of researchers of Slavic mythology due to the fact that it described how an old man was going to sacrifice a goat. Several generations of historians saw in this pseudo-folkloric text a description of a ritual that pagan Slavs performed in ancient times. Considering the carol as an historical document, researchers of mythology built their interpretations based on the supposed time of its appearance, the nature of its genre, plot, and individual details. Thus, Sakharov’s pseudo-folkloric creation found an eager audience among scholars, and it stimulated their imagination in picturing the life of pagan Rus’.


2020 ◽  
Author(s):  
Ladislav Lenc ◽  
Jiří Martínek ◽  
Pavel Král ◽  
Anguelos Nicolao ◽  
Vincent Christlein

2017 ◽  
Vol 32 (suppl_1) ◽  
pp. i134-i149 ◽  
Author(s):  
Hao Wei ◽  
Mathias Seuret ◽  
Marcus Liwicki ◽  
Rolf Ingold

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