scholarly journals A History of Emerging Modes?

2016 ◽  
Vol 2 (1) ◽  
pp. 87-103
Author(s):  
Michael Schmitz
Keyword(s):  
Joint Attention ◽  
The Other ◽  
Philosophical Tradition ◽  
Collective Intentionality ◽  
Open Questions ◽  
Action And Perception ◽  
The World ◽  
History Of ◽  
The One

AbstractIn this paper I first introduce Tomasello’s notion of thought and his account of its emergence and development through differentiation, arguing that it calls into question the theory bias of the philosophical tradition on thought as well as its frequent atomism. I then raise some worries that he may be overextending the concept of thought, arguing that we should recognize an area of intentionality intermediate between action and perception on the one hand and thought on the other. After that I argue that the co-operative nature of humans is reflected in the very structure of their intentionality and thought: in co-operative modes such as the mode of joint attention and action and the we-mode, they experience and represent others as co-subjects of joint relations to situations in the world rather than as mere objects. In conclusion, I briefly comment on what Tomasello refers to as one of two big open questions in the theory of collective intentionality, namely that of the irreducibility of jointness.

Camus's Absurd and the World of Melville's Confidence-Man

PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer
Keyword(s):  
Careful Analysis ◽  
The Other ◽  
The Novel ◽  
The Past ◽  
The World ◽  
Critical Attention ◽  
Confidence Man ◽  
Ugly Duckling ◽  
History Of ◽  
The One

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”

scholarly journals CULTURAL REPRESENTATION OF POWER AND THE COURT DURING THE PERSONAL REIGN OF CHARLES I STUART

2020 ◽  
Vol 30 (1) ◽  
pp. 104-110
Author(s):  
L. I. Ivonina
Keyword(s):  
Social Context ◽  
General Trend ◽  
Daily Life ◽  
Cultural Representation ◽  
The Other ◽  
Charles I ◽  
The World ◽  
King Charles I ◽  
History Of ◽  
The One

The article analyzes the main features of the Caroline era in the history of Britain, which were reflected in the cultural representation of the power of King Charles I Stuart and the court’s daily life in the 1630s. The author shows that, on the one hand, the cult of peace and the greatness of the monarch were the cultural product of the Caroline court against the background of the Thirty Years' War in continental Europe. On the other hand, there was a spread of various forms of escapism, the departure into the world of illusions. On the whole, the representation of the power of Charles Stuart and the court’s daily life were in line with the general trend of the time. At the same time, the court of Charles I reflected his personality. Thinly sensing and even determining the artistic tastes of his era, the English king abstracted from its political and social context.

Leibniz on Human Equality and Human Domination

2015 ◽  
Author(s):  
Justin E. H. Smith
Keyword(s):  
Gottfried Wilhelm Leibniz ◽  
The Other ◽  
Concrete Application ◽  
The World ◽  
Human Equality ◽  
Temporal Succession ◽  
History Of ◽  
The One

This chapter undertakes an extensive treatment of the place of Gottfried Wilhelm Leibniz in the history of the concept of race. In particular, the chapter draws out the significant points of difference between Leibniz's view, on the one hand, and Bernier's biogeographical view, on the other. It shows, in fact, that Leibniz remains thoroughly committed to a conception of race that is rooted in earlier ideas about the temporal succession of members of a family or lineage. Moreover, the chapter reveals in what way his analysis of race may be seen as a concrete application of his very deepest philosophical commitment, according to which the order of the world amounts to a multiplicity that is underlain by unity.

scholarly journals A Woman to Rule the World: Rome Personified in the Roman Republic

2021 ◽  
Author(s):  
◽  
Campbell Orchard
Keyword(s):  
Twentieth Century ◽  
Roman Empire ◽  
Roman Republic ◽  
The Other ◽  
Female Figure ◽  
Imperial Cult ◽  
National Representation ◽  
The World ◽  
History Of ◽  
The One

<p>Revitalised by Mussolini in the early twentieth century as a symbol of the ‘New Roman Empire’, Roma has endured a long history of national representation. Traditionally the figure of Roma is on the one side associated by historians with the Roman imperial cult and Augustus, and on the other by Numismatists as the helmeted female figure on the coinage of the Roman Republic. However, these figures are not presently considered one and the same. When describing this figure, Roma is considered a Greek innovation travelling west, which naturally discounts well over two centuries of Roman issued coinage. Roma inaugurated by Hadrian and previously manipulated by Augustus was not simply a Greek import, but a complex Roman idea, which, true to Roman form, incorporated native and foreign elements in shaping an outward looking signifier of Roman identity.</p>

scholarly journals Presentation of the Dossier

Caminhando ◽  
2019 ◽  
Vol 24 (2) ◽  
pp. 19
Author(s):  
Matthias Grenzer - Translation of João Batista Ribeiro Santos
Keyword(s):  
Cultural Heritage ◽  
Theological Reflection ◽  
The Other ◽  
Ancient Israel ◽  
The World ◽  
History Of ◽  
First Millennium ◽  
The One ◽  
And Behavior ◽  
History Of Literature

The Pentateuch is a cultural heritage of Humanity. The world narrated in it belongs to the second millennium B.C., and the narratives, poems, and sets of laws contained therein were composed during the first six centuries of the first millennium B.C. On the one hand, by bringing together epic, lyrical, and legal poetry, the one hundred and eighty-seven chapters constitute, in the form of five books, a masterpiece in the history of literature. On the other hand, it is literature that proposes to cultivate memory, either in relation to the narrated world, or in view of the period of its composer, sometimes narrating, sometimes legislating, sometimes singing. Moreover, as literature aimed at history, the texts of the Pentateuch promote enormous theological reflection. The main goal seems to be to think God. Thus the first five books of the Jewish Bible and the Christian Bible, with their narrated models of faith and behavior, turned into poems and defined by legal formulations, became the foundational reference for the religion of ancient Israel, of which Judaism was born and, from the latter, Christianity. Also Jesus of Nazareth, in the four New Testament Gospels, is presented in relation to Abraham and Moses, and stands out as a unique teacher with regard to the laws contained in the Pentateuch.

III. Ancient Arabian Poetry as a Source of Historical Information

1914 ◽  
Vol 46 (1) ◽  
pp. 61-73
Author(s):  
C. J. Lyall
Keyword(s):  
Seventh Century ◽  
The Other ◽  
Byzantine Empire ◽  
Military Experience ◽  
Historical Information ◽  
Material Resources ◽  
The World ◽  
History Of ◽  
The One

The conquest of the Persian and half of the Byzantine Empire by the Arabs, under the banner of Islam in the seventh century, was one of the most extraordinary events in the history of the world. On the one side were ranged the forces of two highly-organized military powers, Imperial New Rome and Imperial Persia, which for over three centuries had been engaged in constant conflict with each other. Although this necessarily tended to exhaust the material resources of the combatants, it would naturally be supposed that it must have given them military experience, and their leaders a training in generalship, adequate to enable them to face with confidence of victory enemies hitherto regarded with contempt as mere barbarians. On the other side we see hosts of men, reared in a country where the conditions of life have always been of the hardest and most precarious, divided by tribal feuds and secular hatreds, poorly armed, with no practice in warfare against disciplined foes, and with no allies to swell their legions. Yet from the beginning the progress of the Arabs was one of almost uninterrupted success.

Irigaray, Luce (1930–)

2018 ◽  
Author(s):  
Tina Chanter
Keyword(s):  
Sexual Difference ◽  
The Other ◽  
Philosophical Tradition ◽  
Luce Irigaray ◽  
International Recognition ◽  
The World ◽  
History Of ◽  
Other Woman ◽  
Partial View

Luce Irigaray holds doctorates in both linguistics and philosophy, and has practised as a psychoanalyst for many years. Author of over twenty books, she has established a reputation as a pre-eminent theorist of sexual difference – a term she would prefer to ‘feminist’. The latter carries with it the history of feminism as a struggle for equality, whereas Irigaray sees herself more as a feminist of difference, emphasizing the need to differentiate women from men over and above the need to establish parity between the sexes. Speculum de l’autre femme (1974) (Speculum of the Other Woman) (1985), the book that earned her international recognition, fuses philosophy with psychoanalysis, and employs a lyrical ‘mimesis’, or mimicry, that parodies and undercuts philosophical pretensions to universality. While adopting the standpoint of universality, objectivity and uniformity, the philosophical tradition in fact reflects a partial view of the world, one which is informed by those largely responsible for writing it: men. Without the material, maternal and nurturing succour provided by women as mothers and homemakers, men would not have had the freedom to reflect, the peace to think, or the time to write the philosophy that has shaped our culture. As such, women are suppressed and unacknowledged; femininity is the unthought ground of philosophy – philosophy’s other.

Dressed Up and On the Go: Women Cyclists in Modern Japan

China Report ◽  
2020 ◽  
Vol 56 (2) ◽  
pp. 259-281
Author(s):  
Nidhi Maini
Keyword(s):  
The Other ◽  
Japanese Economy ◽  
Economic Empowerment ◽  
Cultural Impact ◽  
Essential Ingredient ◽  
Bicycle Industry ◽  
Other Hand ◽  
The World ◽  
History Of ◽  
The One

Ranking alongside the top bicycling nations of the world, Japan today boasts of a deeply engrained cycling culture. While the technological prowess of Japan’s bicycle industry is well known, there exists no scholarly study investigating the socio-cultural impact of cycling in Japan, specifically its role in emancipation of women. How the modern women of Japan scaled barriers to mobility riding their way to modernity in an oppressive male-dominated society is not yet known. The objective of this paper is to examine women cyclists in Japan in the context of modernisation. On the one hand, viewing bicycles helps examine the Japanese economy from the perspective of ordinary women as active consumers (as against their passive image) whose demand for bicycles was certainly an essential ingredient for the growth of bicycle industry. On the other hand, it serves to question the predominant view of consumption stagnation in interwar Japan. Most importantly, as countries around the world continue to make laudable efforts to encourage women cyclists, a leaf can be drawn by policymakers from the history of forgotten cycling heroines of Japan to accelerate women’s socio-economic empowerment.

scholarly journals Culture forming characteristics of the Middle ages: Britain vs Russia

2021 ◽  
Vol 59 ◽  
pp. 96-108
Author(s):  
Ekaterina V. Sklizkova
Keyword(s):  
Middle Ages ◽  
The Other ◽  
New Wave ◽  
Anglo Saxon ◽  
The World ◽  
History Of ◽  
Forming Characteristics ◽  
Sociocultural Characteristics ◽  
The One ◽  
The Middle Ages

Any historico-cultural type creates its own model of the world which is formed by universal for the society ideas and thoughts. The Middle ages are one of the most complicated, very many-sided and contradictory epochs. It was built by several large and active strata. Such subdivision was manifested in mosaicism of cultural heritage, where different phenomena can be viewed as a pattern of separate culture, though coherent in sociocultural characteristics. The dualism of the epoch reflects on the one hand in cultural globalism for whole Europe, one the other hand in variations within. Aesthetic views were mostly manifested at court, accumulated and shown as a signs. Aristocracy partly artificially synthesized its culture, shaping in the most attractive form. It was structuralized in common European context, having absorbed local cultures, primary so called Anglo-Saxon. Though any 3–5 centuries the territory of the British Isles was being marched through by a new wave of invaders, changed the culture. So it is possible to examine the unique cultures of these peoples and their impact to British one. Although the history of Russia exists in another context, it is the history of not consequent main cultures but the history of one nation. Certainly, as the multiethnic state Russia includes many cultures of many peoples but the central and cementing one, made the country as it stands, is Russian.

scholarly journals Was Constantine the Great Aware of the Constantinian Shift?

2019 ◽  
Vol 9 ◽  
pp. 157-169
Author(s):  
Sławomir Bralewski
Keyword(s):  
Turning Point ◽  
Kingdom Of God ◽  
The Other ◽  
Fundamental Change ◽  
The World ◽  
History Of ◽  
Entire World ◽  
The One ◽  
The Revolution

In this article, I try to answer the following question: was Constantine himself aware of the revolution that he was carrying out? Did he realise that his actions were going to change the course of the history of the Empire? An analysis of sources seems to indicate that emperor Constantine the Great saw in his reign a fundamental change not only in the history of the Imperium Romanum, but also of the entire world. He believed that this change had an eschatological dimension. Constantine’s reign, at least in its propagandist framing, was to be the turning point in the fight against evil. It appears that the ruler was fully aware that by putting an end to the persecutions of Christians he was restoring universal peace. Thus, the shift with which he is associated amounted, on the one hand, to restoring the pax Christiana and the beginning of the Kingdom of God on earth, and on the other to eliminating evil from the world. Therefore, Constantine, in believing that he had become God’s tool for fighting evil, must have also been convinced that he played an incredibly important role in God’s plan of salvation; especially since the Kingdom of God, apparently realised on earth through Constantine’s military victories, was to only finally prevail when evil and death had been defeated forever.

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