Das Bild eines „europäischen Goethe“ in Nietzsches Götzen-Dämmerung. Einige Bemerkungen

2021 ◽  
Vol 50 (1) ◽  
pp. 102-120
Author(s):  
Aldo Venturelli
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Careful Consideration ◽  
Close Connection ◽  
Final Version ◽  
Intellectual Heritage ◽  
European Culture ◽  
The Way

Abstract This article analyses the origin of TI 49-51 on the basis of several posthumous fragments from the autumn of 1887, which had been reworked in 1888. This analysis highlights significant connections that got lost along the way to the final version of these aphorisms, such as Nietzsche’s comparison between Goethe and Spinoza which, in 1887, was the beginning of his updated reflections on Goethe. The origin and context of these aphorisms allow for a better understanding of the long-established image of Goethe expressed in the aphorisms of Twilight of the Idols and their close connection to the new reflections on Goethe as they had already come to the fore in Human, All Too Human when Nietzsche distanced himself from Wagner’s ideas. This also presents the opportunity for a more careful consideration of Nietzsche’s conception of European culture and its intellectual heritage and his relation to Napoleon as well as his characterization of the eighteenth-century and the need for self-overcoming during the nineteenth-century. Nietzsche considered this self-overcoming to be an important aspect of his thinking, and Goethe was an important precursor for Nietzsche’s conception of self-overcoming.

Das Bild eines „europäischen Goethe“ in Nietzsches Götzen-Dämmerung. Einige Bemerkungen

2021 ◽  
Vol 50 (1) ◽  
pp. 102-120
Author(s):  
Aldo Venturelli
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Careful Consideration ◽  
Close Connection ◽  
Final Version ◽  
Intellectual Heritage ◽  
European Culture ◽  
The Way

Abstract This article analyses the origin of TI 49–51 on the basis of several posthumous fragments from the autumn of 1887, which had been reworked in 1888. This analysis highlights significant connections that got lost along the way to the final version of these aphorisms, such as Nietzsche’s comparison between Goethe and Spinoza which, in 1887, was the beginning of his updated reflections on Goethe. The origin and context of these aphorisms allow for a better understanding of the long-established image of Goethe expressed in the aphorisms of Twilight of the Idols and their close connection to the new reflections on Goethe as they had already come to the fore in Human, All Too Human when Nietzsche distanced himself from Wagner’s ideas. This also presents the opportunity for a more careful consideration of Nietzsche’s conception of European culture and its intellectual heritage and his relation to Napoleon as well as his characterization of the eighteenth-century and the need for self-overcoming during the nineteenth-century. Nietzsche considered this self-overcoming to be an important aspect of his thinking, and Goethe was an important precursor for Nietzsche’s conception of self-overcoming.

Scottish Gothic Drama

2017 ◽  
pp. 59-74
Author(s):  
Barbara A. E. Bell
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Good Deal ◽  
Late Nineteenth Century ◽  
Visual Effects ◽  
Gothic Revival ◽  
Performance Culture ◽  
Late Nineteenth ◽  
Music Hall ◽  
The Way

Scottish theatre, from the mid-eighteenth century onwards, has been characterised by a distinctive performance culture that values anti-illusionist techniques, breaking the fourth wall, music and song, strongly physical acting styles and striking visual effects. These were accepted traits of the Georgian theatre as a whole; however, they endured in Scotland through the music hall and pantomime traditions, when late nineteenth-century Western theatre was focused on realism/naturalism. Their importance to the search for a distinctive Scottish Gothic Drama lies in the way that the conditions of the Scottish theatre during the Gothic Revival valued these skills and effects. That theatre was heavily constricted in what it could play by censorship from London and writers were cautious in their approach to ‘national’ topics. At the same time a good deal of work portraying Scotland as an inherently Gothic setting was imported onto Scottish stages.

Introduction

2005 ◽  
Author(s):  
T. C. Smout
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
The Political ◽  
The People ◽  
Short Run ◽  
Political Scene ◽  
The Way

This book presents an overview of the first six decades of the Union of the Crowns. It also provides a picture of the uses to which judicial torture was put after 1660 and a summary of the straits in which Scotland found itself in the opening years of the eighteenth century. It then explores the problems which union posed to maritime lawyers of both nations, the dark reception that the Scots received in eighteenth-century England, and the way Enlightenment Scotland viewed the British unions. It examines the ambitions of Scottish élites in India, the frame for radical cooperation in the age of the Friends of the People and later, and the background for the sojourn of Thomas and Jane Carlyle in London. It finally outlined the Anglo-Scottish relations on the political scene in the nineteenth century. The parliamentary union did little in the short run for Anglo-Scottish relations. It is shown that Scots are indeed worried and worry a lot about Anglo-Scottish relations, but the English worried and worry about them hardly at all, except in times of exceptional crisis, as in 1638–54, 1703–7, 1745–7 and perhaps much later in the 1970s after oil had been discovered.

The Ballad Revival and the Rise of Literary History

2020 ◽  
pp. 83-97
Author(s):  
David Matthews
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Middle Ages ◽  
Literary History ◽  
Early Nineteenth Century ◽  
Nineteenth Century Literature ◽  
Century Literature ◽  
The Middle Ages ◽  
The Way

This chapter describes the rediscovery and reinvention of the ballad in the 1760s and 1770s, tracing the later impact of the resultant conception of the Middle Ages on nineteenth-century literature and scholarship. The chapter traces the way in which a notion of the ‘Gothic’ was differentiated, in the early nineteenth century, from the ‘medieval’ (a word newly coined around 1817) and goes on to look at the way in which the early beginnings of English literary history resulted from the antiquarian researches of the eighteenth century. It concludes with reflections on the extent to which it can be said there was truly a revival of the ballad, and posits that there was instead a revaluation something already there, with a new conferral of prestige.

Of Goose in Gascony: The Making of Confit in Centuries Past

2002 ◽  
Vol 2 (3) ◽  
pp. 49-58
Author(s):  
Edward Schneider
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
First Century ◽  
Twenty First Century ◽  
The Way

From this translation of a French treatise on the Gascon way to preserve geese, ducks, other poultry and their fat, we learn how to house, fatten and butcher these birds, how to render their fat, how to prepare confit, how to store it and how to use it. To anyone familiar with the way confit is made today, few of the instructions will seem surprising; setting aside the technology to which it refers, this text provides a perfectly valid guide to confit-making in the twenty-first century. What is surprising, though, is that (in the view of the curator of the museum that owns the manuscript) this is a nineteenth-century copy of an eighteenth-century text, reflecting an if-it-ain't-broke attitude that may be instructive in these fix-it-anyway times.

Land and Politics in England in the Nineteenth Century

1965 ◽  
Vol 15 ◽  
pp. 23-44 ◽  
Author(s):  
F. M. L. Thompson
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Social Change ◽  
Conservative Measure ◽  
Previous Generation ◽  
Late Eighteenth Century ◽  
The People ◽  
Late Eighteenth ◽  
The Will ◽  
The Way

In every generation since the pace of economic and social change began to accelerate in the late-eighteenth century the wildest hopes, aspirations and fears of the previous generation have been realized. The revolutionary prospect of heeding the will of the people in the 1790's became the conservative measure of 1832. The terrifying demands of the Chartists were well on the way to enactment by 1885, and with the payment of M.P.s in 1911 were substantially achieved, apart from the silliest of all the demands, that for annual parliaments.

“The Wonders of Derbyshire: A Spectacular Eighteenth-Century Travelogue”

1961 ◽  
Vol 2 ◽  
pp. 54-66 ◽  
Author(s):  
Ralph G. Allen
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
The Other ◽  
Considerable Importance ◽  
History Of ◽  
The Way

The career of Philip James de Loutherbourg, the Alsatian scene designer, assumes considerable importance in a history of the English theatre. More than anyone else, De Loutherbourg was responsible for freeing stage spectacle from the rigidities of the conventional wing and border system, thus preparing the way for Capon, Planché, Stanfield and the other great romantic designers of the nineteenth century.

Introduction

2010 ◽  
pp. 1-6
Author(s):  
Yaron Harel
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Ottoman Empire ◽  
Jewish Community ◽  
Balance Of Power ◽  
External Balance ◽  
Western Influences ◽  
Transitional Phase

This chapter talks about how the Syrian Jewish community as one sector of the variegated Ottoman mosaic experienced the changes sweeping the empire. It looks at the eighteenth-century exposure of Aleppine Jews to western influences. It also notes how the eighteenth century in the Ottoman Empire can be identified as a transitional phase containing traditional and new elements, which eventually gave way to more thoroughgoing westernization and modernization in the nineteenth century. The chapter discusses how Albert Hourani's characterization of the eighteenth-century Ottoman Empire that transitions in both the internal and external balance of power. It analyses the European–Ottoman relationship that had been grounded in military and diplomatic equality.

Ritual Observance: Colonial Representations of Afro-Caribbean Spiritual Practices in the Eighteenth and Nineteenth Century French Caribbean

2017 ◽  
Vol 4 (1) ◽  
pp. 127-141
Author(s):  
Ray Leonard
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Spiritual Practices ◽  
French Caribbean ◽  
French Colonialism ◽  
Saint Domingue ◽  
Historical Moment ◽  
Historical Periods ◽  
The Way ◽  
Colonial Representations

AbstractOver the eighteenth century and into the nineteenth century, colonial observers repeatedly recorded Afro-Caribbean spiritual practices in the French Caribbean. “Ritual Observances” charts four such records; the 1698 journal of Jean Baptiste Labat, trial records from 1784, Moreau de-Saint Merie’s 1794 Description Topographique, and Drouin De Bercy’s De Saint Domingue. Although these records span distinct historical periods and textual mediums, they all employ a set of recognizable forms to express the convergence of disgust and desire that have historically attended colonial observations of Afro-Caribbean agency. I argue, however, that the significance of this ambivalence is constitutive of the historical moment in which it appears and that these observations are connected by more than a “shared” ambivalence. Instead, we might categorize these records as themselves ritualistic. The term ritual observance gestures to the act of observing a ritual, but also the way in which the observation is itself ritualistic. The repeated and sequential forms, or “actions” as I term them, of the ritual observance work to inscribe a legible history over the turbulence of eighteenth- and nineteenth-century French colonialism.

scholarly journals José Celestino Mutis’ appropriation of Newton’s experimental physics in New Granada (1761–1808)

2019 ◽  
Vol 57 (3) ◽  
pp. 291-323
Author(s):  
Sergio H. Orozco-Echeverri ◽  
Sebastián Molina-Betancur
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
The Other ◽  
Experimental Physics ◽  
New Granada ◽  
Wide Range ◽  
The One ◽  
Printed Sources

This paper characterizes José Celestino Mutis’ (1732–1808) appropriation of Newton in the Viceroyalty of New Granada. First, we examine critically traditional accounts of Mutis’ works highlighting, on the one hand, their inadequacy for directing their claims toward the nineteenth-century independence from Spain and, on the other, for not differentiating between Newtonianism and Enlightenment. Next, we portray Mutis’ complex Newtonianism from his own statements and from printed sources, including a variety of works and translations from British, Dutch, and French authors, in addition to a wide range of Newton’s writings, unusual for an eighteenth-century reader in the Americas. Finally, we analyze a salient claim of Mutis’ Newtonianism in order to depict his appropriation and transformation of Newton’s ideas: the characterization of Newtonian experimental physics as a useful science. In so doing, Mutis further developed metaphysical and methodological positions not present in Newton’s works.

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