scholarly journals Youth and New Media in the New Millennium

2006 ◽  
Vol 27 (2) ◽  
pp. 105-118 ◽  
Author(s):  
Thorbjörn Broddason

Abstract There is general agreement among media and communication scholars that a monumental shift is occurring in the media and communication habits of young people. In the present paper, this shift is discussed within the framework of a long-term study of six samples of Icelandic youths, covering a period of 35 years. A persistent decline in use of the “old” media, such as books, newspapers and radio is demonstrated, while the social role of television is shown to be undergoing a transformation comparable to what happened to book reading centuries earlier. All this is discussed in the light of the onslaught of new technologies and new media of communication.

2018 ◽  
Vol 1 (2) ◽  
pp. 101
Author(s):  
Vesna Srnic ◽  
Emina Berbic Kolar ◽  
Igor Ilic

<p><em>In addition to the well-known classification of long-term and short-term memory, we are also interested in distinguishing episodic, semantic and procedural memory in the areas of linguistic narrative and multimedial semantic deconstruction in postmodernism. We compare the liveliness of memorization in literary tradition and literature art with postmodernist divisions and reverberations of traditional memorizations through human multitasking and performative multimedia art, as well as formulate the existence of creative, intuitive and superhuman paradigms.</em></p><em>Since the memory can be physical, psychological or spiritual, according to neurobiologist Dr. J. Bauer (Das Gedächtnis des Körpers, 2004), the greatest importance for memorizing has the social role of collaboration, and consequently the personal transformation and remodelling of genomic architecture, yet the media theorist Mark Hansen thinks technology brings different solutions of framing function (Hansen, 2000). We believe that postmodern deconstruction does not necessarily damage memory, especially in the field of human multitasking that utilizes multimedia performative art by means of anthropologization of technology, thereby enhancing artistic and affective pre&amp;post-linguistic experience while unifying technology and humans through intuitive empathy in society.</em>


Glimpse ◽  
2021 ◽  
Vol 22 (1) ◽  
pp. 87-94
Author(s):  
Dragan Prole ◽  

This article discusses fundamental contradictions regarding the social role of the new media. Avantgarde identifies the emergence of the new media with the possibilities of liberating the man and achieving true individuality, while dystopia qualifies it as the suffocation of individuality, as ballast that levels out and averages a man, as a threat to human freedom. The media technology is for the avant-garde the embodiment of the enriched self and expanded capacities of selfhood, while for dystopia, the media technology is directed against selfhood, since its effects start and end with the creation of alienation, with the distortion of selfhood directed against the fundamental attributes of humanity. On the contrary, for the avant-garde, the breach of media background awareness of the artistic expression has marked the definite parting with the age of alienated artistic practice. According to their most profound beliefs, staggering in the chains of figurative and narrative expressions, art has always served a different purpose, religion, pedagogy, politics, and ideology. Hence, the turn towards the demands and logic of the self-serving media marked the rise from the state of alienation to the state of true achievement, to the emancipation of artists and the art.


Author(s):  
Nóra Nyirő ◽  
Mihály Gálik

This special issue of Budapest Management Review is guest-edited in collaboration with the Working Group on “Audience interactivity and participation” of the COST A ction I S0906 “Transforming Audiences, Transforming Societies”. COST is an intergovernmental framework for European Cooperation in Science and Technology, allowing the coordination of nationally-funded research at the European level. The Action “Transforming Audiences, Transforming Societies” (2010–2014) is coordinating research efforts into the key transformations of European audiences within a changing media and communication environment, identifying their complex interrelationships with the social, cultural and political areas of E uropean societies. A range of interconnected but distinct topics concerning audiences are being developed by four Working Groups: (1) New media genres, media literacy and trust in the media; (2) Audience interactivity and participation; (3) The role of media and ICT use for evolving social relationships; and (4) Audience transformations and social integration.


2002 ◽  
Vol 1 (4) ◽  
pp. 407-429
Author(s):  
THEMBISA MJWACU

ABSTRACT The author of this essay argues that the success or failure of development depends on the availability of technology. The invention and development of new technologies are instrumental in changing the way people live, the way people communicate and the way people respond to their environment. However, despite the advantages of new technologies, the problem of access remains an enduring one. In South Africa, access to new communications and information technologies is limited to a few people owing to the high costs of these technologies. Therefore, the mere acquisition of new technology may not help that much to end the underdevelopment of many parts of the world, including South Africa. Mjwacu claims that the imbalance or gap that the use of new technology and the failure to development the social infrastructure needed to use this technology can lead directly to an infringement of people's right of access to the media. She argues that the emphasis needs to be placed on establishing community-based communication systems in countries such as South Africa to advance both their technological and social development.


Author(s):  
Priscila Jesus

This article aims to raise, questions about the musealization of intangible heritage and the use of new technologies in the exhibition process. Through an approach that seeks to bring the history of museums, this article makes an inquiry about the social role of museums in bringing visitors issues that permeate the reality of the social group in which it is inserted. Keywords: musealization, Intangible Heritage, Orality, New Technologies.


Author(s):  
Oloo Ong’ong’a

The rise of fake news into the new media platform has raised significant concern in Africa and Kenya in recent years. The new media has embedded itself with fake news, which sometimes has led to the misunderstanding and misinformation of particular events that might be of the public interest. The general public, policymakers, and scholars, as well as the media, have found this as a very challenging issue. The upsurge of the new technologies, mainly social media, has posed challenges as youth immerse themselves in utilizing these social media for their own benefits. This is coupled with the creation and spreading of fake news, which sometimes when it goes viral; they lead to stress, panic and uncertainty to the individuals that come across them. The ability of users’ exceptional capacity to produce, reproduce, and distribute their information to a broad audience makes social media, an essential tool in the information age. The article critically reviews the literature on fake news and recommends for media literacy, strengthening the legal structures and use of sophisticated technologies as a strategy to fight fake news in the social media in Kenya.


2018 ◽  
Vol 8 (1) ◽  
pp. 409-419
Author(s):  
S. G. Maksimova ◽  
M. M. Akulich ◽  
V. V. Pit ◽  
O. E. Noyanzina ◽  
D. A. Omelchenko

<p>The use of nuclear technology increases the ecological risk for the society and people’s moods, inevitably. The article presents results of monitoring, realized in 2013–2015 in nine subjects of the Russian Federation – territories of disposition of the Concern RosEnergoAtom branches – the Voronezhskaya oblast, the Kurskaya oblast, the Leningrad oblast, the Saratovskaya oblast, the Sverdlovskaya oblast, the Murmanskaya oblast, the Rostovskaya oblast, the Tverskaya oblast, and the Smolenskaya oblast. Authors considered social moods of population in regions of location of nuclear power plants, people’s trust to the nuclear industry, opinions about its reliability and safety, and perspectives for the further development. The article contains the results of comparative analysis of integral indexes, characterizing social admissibility of nuclear industry and evaluation of social role of the nuclear power plants in regional economic development. We suggested, that indexes of general and ecological security of the nuclear power plant, revealing the estimations of reliability, stability, general and ecological security, implication of new technologies of protection, implementation of new technologies of environment protection, realized by administrative bodies of the nuclear power plants could could vary in different regions. We proved, that the social admissibility of the risk in regions of nuclear power plants location is a necessary condition for the development of the nuclear industry, elimination of social tension, and formation of positive social moods in regions and cities of location of nuclear power plants.</p>


2020 ◽  
pp. 55-75
Author(s):  
Natalia B. Gramatchikova ◽  
Lidia V. Enina

The article is the result of a long-term study of autobiographies and memoirs from the Fund of the First Builders of Uralmash, collected in 1967-1984 and dedicated to the construction of the plant (1926-1934). The question of the role of spatial and temporal markers in the construction of the collective identity of factory workers is considered. Particular attention is paid to the relationship between strong discursive practices and the “weak positions” of the official discourse, which allow authors to independently write their personal history into the history of the plant. The novelty of the research lies in the fact that the Foundation's documents are viewed not as a factual source, but as a way of creating collective and personal identity of factory workers in the process of forming the concept of the FIRST BUILDER and as a body of texts, which reflects the practice of constructing the “Soviet”. It is emphasized that a special perception of space (the plant and the social city of Uralmash) and the placement of oneself in a certain historical era (with the opposition “then-now”) unite most of the Foundation's texts, among the authors of which are workers of the plant of different specialties and social status. It is proved that the texts have a common chronotope associated with the axiological picture of the world and with the practice of social communication through the text.


1995 ◽  
Vol 20 (1) ◽  
Author(s):  
Oleg Manaev

Abstract: This article examines the process of rethinking the social role of mass media in a transitional society through analysis of its understanding by the main actors of mass communication in post-communist Belarus--Power, Media, and Public. Based on the results of various recent surveys and within the framework of conceptions of media as a "fourth estate'' and as a guarantor of "participatory democracy,'' its author argues that free enterprise is the most efficient mechanism of this process. Résumé: Cet article examine le processus de repenser le rôle des médias dans une société en transition; il analyse comment ce rôle est compris par les principaux acteurs en communications de masse dans la Biélorussie post-communiste, en mettant l'accent sur pouvoir, médias et public. Se fondant sur les résultats de diverses études récentes et sur les conceptions des médias comme "quatrième pouvoir'' et comme assureurs d'une démocratie participative, l'auteur affirme que la libre entreprise est le mécanisme le plus efficace pour démocratiser les médias.


Sign in / Sign up

Export Citation Format

Share Document