scholarly journals The Early Neolithic tell of Vrbjanska Čuka in Pelagonia

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Goce Naumov ◽  
Aleksandar Mitkoski ◽  
Hristijan Talevski ◽  
Jana Anvari ◽  
Marcin Przybyła ◽  
...  

Abstract Vrbjanska Čuka is a tell site in the region of Pelagonia (Macedonia) established 8000 years ago by the Neolithic communities. Later it was used as an agricultural unit during the Roman era and the Middle Ages when it was also employed as a burial area. The excavations performed in the 1980s and during the last five years indicate a Neolithic farming society that constructed large buildings made of daub in a settlement enclosed by a circular ditch. The buildings had many clay structures, such as ovens, granaries, bins and grinding areas for processing cereals and bread production. The Neolithic communities used sophisticated fine pottery and modeled figurines and altars, while the stone tools were mainly used for cutting trees, harvesting and grinding. Apart from the cereal-based food (einkorn wheat, emmer wheat or barley), the inhabitants of Vrbjanska Čuka consumed lentils, peas and a variety of gathered wild fruits, while cattle, caprovine, mussels, fish and wild game meat was also part of a diet, as well as the dairy products. This paper will be a summary of a variety of data provided from the current international and multidisciplinary research of the site that involves excavation, prospection, geomagnetic survey, study of material culture, examination of architecture, radiocarbon dating, geoarchaeological, archaeobotanical, archaeozoological, lipid and use-wear analyses, as well as the topographic and 3D modeling. The recent knowledge on Vrbjanska Čuka provides novel understanding of the Early Neolithic in Pelagonia and contributes to the more extensive research of first farming societies in the Balkans.

Author(s):  
Francesca Brooks

The early Middle Ages provided twentieth-century poets with the material to reimagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895–1974), and represents the first extended study of the influence of early medieval culture and history from England on Jones and his novel-length late modernist poem The Anathemata (1952). The Anathemata, the second major poetic project after In Parenthesis (1937), fuses Jones’s visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones’s Library, Poet of the Medieval Modern reads with Jones in order to trouble the distinction we make between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in modernist and medieval studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages—including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography—to re-envision British Catholic identity in the twentieth-century long poem. In The Anathemata Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponized in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore up and challenge English hegemonies across modern British culture.


2021 ◽  
Vol 33 (2) ◽  
pp. 185-210
Author(s):  
Bartłomiej Lis ◽  
Trevor Van Damme

While handwashing is attested in the Bronze Age cultures of the eastern Mediterranean and appears in both Linear B records and Homeric epics, the custom has not been discussed with regard to the material culture of Mycenaean Greece. On analogy with Egyptian handwashing equipment, we explore the possibility that a conical bowl made of bronze and copied in clay was introduced in Greece early in the Late Bronze Age for this specific use. We integrate epigraphic, iconographic and formal analyses to support this claim, but in order to interrogate the quotidian function of ceramic lekanes, we present the results of use-wear analysis performed on 130 examples. As use-wear develops from repeated use over a long time, it is a good indicator of normative behaviour, particularly when large datasets are amassed and contrasted with other shapes. While not conclusive, our results allow us to rule out a function as tableware for food consumption, and in combination with all other analyses support the interpretation of lekanes as handwashing basins. We then trace the development of this custom from its initial adoption by elite groups to its spread among new social classes and venues after the collapse of the palace system: at home, as part of communal feasting and sacrifice or as an element of funerary rites. The widespread distribution of handwashing equipment after 1200 bc closely mirrors the situation in our earliest surviving Greek Iron Age texts and joins a growing body of evidence pointing to strong continuity in social practices between the Postpalatial period and the early Iron Age in Greece.


Though the existence of Jewish regional cultures is widely known, the origins of the most prominent groups, Ashkenaz and Sepharad, are poorly understood, and the rich variety of other regional Jewish identities is often overlooked. Yet all these subcultures emerged in the Middle Ages. Scholars contributing to the present study were invited to consider how such regional identities were fashioned, propagated, reinforced, contested, and reshaped — and to reflect on the developments, events, or encounters that made these identities manifest. They were asked to identify how subcultural identities proved to be useful, and the circumstances in which they were deployed. The resulting volume spans the ninth to sixteenth centuries, and explores Jewish cultural developments in western Europe, the Balkans, North Africa, and Asia Minor. In its own way, each chapter considers factors — demographic, geographical, historical, economic, political, institutional, legal, intellectual, theological, cultural, and even biological — that led medieval Jews to conceive of themselves, or to be perceived by others, as bearers of a discrete Jewish regional identity. Notwithstanding the singularity of each chapter, they collectively attest to the inherent dynamism of Jewish regional identities.


2019 ◽  
Vol 8 (2) ◽  
pp. 200-208
Author(s):  
Vadim Sergeevich Mosin ◽  
Ekaterina Sergeevna Yakovleva

This paper is devoted to the critical issues of historiography and source study in the early Neolithic of the Trans-Urals. The authors consider basic dated monuments in the context of radiocarbon chronology; analyze the established criteria for identifying archaeological cultures and ceramic traditions and types of this period. Based on statistical processing of the ceramics of the forest-steppe Tobol region settlements: Tashkovo 1, Dolgovskoe 3, Kochegarovo 1, Ust-Suerka 4, the authors distinguish some stadial features in the evolving of the material culture of the early Neolithic in the first and second halves of 6 thousand BC. Attention is paid, firstly, to the co-existence of Koshkino and Kozlovo ancientries within the settlements, and, secondly, to the coincidence of a number of characteristics of Koshkino and Kozlovo material culture regarding the morphology of potteries, ornamentation techniques and basic decorative motifs. Within the framework of a sociocultural approach, it is proposed to consider the bodies of evidence as complexes of two coexisting and interacting traditions within one sociocultural space, understood in the source sense as an archaeological culture, instead of dividing them into two independent lines of development. Besides it is emphasized that the problem of the Neolithization of Trans-Urals, on the basis of the available data, at this time cannot be solved plausible.


Kavkaz-forum ◽  
2021 ◽  
pp. 101-119
Author(s):  
Г.Н . Вольная (Керцева)

Материальная культура позднего средневековья Дигорского ущелья Северной Осетии недостаточно хорошо изучена по сравнению с другими периодами. В статье впервые представлен комплекс археологических памятников, расположенных на Поляне Мацута Дигорского ущелья: памятники, их расположение, история изучения. Цель исследования – рассмотреть Поляну Мацута как погребальный и культовый комплекс, где находятся позднесредневековые полуподземные склепы, каменные ящики, менгиры, цырты, «нартовский» ныхас, поселения кобанского и аланского периодов. Это памятники являются почитаемыми у местного населения, упоминаются в нартовском эпосе. В статье использовались полевые методы исследования, метод анализа и аналогий. В статье представлен авторский материал спасательных раскопок 2020 г. «Грунтового могильника Мацута I, средневековье» XVI-XVIII вв. в зоне реализации проекта «Строительство фельдшерско-акушерского пункта в с. Мацута». Могильник представляет собой погребения в каменных ящиках. Всего было раскопано 75 ящиков, в которых покойные лежали вытянуто на спине головой на запад с широтными отклонениями. Некоторые ранние погребения сопровождаются обрядом кремации. Погребальный обряд находит аналогии в горной Балкарии. Для погребального обряда характерно отсутствие керамической посуды в погребениях. Над ранними погребениями могильника была устроена тризна с кремацией и большим количеством фрагментированной керамики, скорее всего местного производства. Погребальный инвентарь достаточно беден и характерен для горнокавказской культуры позднего средневековья. Во взрослых погребениях найдены одежда, обувь, пояса, головные уборы, пояса; в женских – украшения; в мужских – ножи, оселки. В детских погребениях (в большинстве случаев) слева от головы обнаружены только куриные яйца, либо погребальный инвентарь совсем отсутствует. Отмечается высокая детская смертность. Детские погребения составляют почти 50% от всего числа раскопанных погребений. The material culture of the late middle ages of the Digor gorge in North Ossetia is not well studied in comparison with other periods. The article presents for the first time a complex of archaeological monuments located in The Matsuta Glade of the Digor gorge: monuments, their location, and history of study. The purpose of the study is to consider the Matsuta Glade as a funerary and cult complex, where there are late medieval semi-underground crypts, stone boxes, menhirs, tsyrts, "nartovsky" Nykhas, settlements of the Koban and Alan periods. These monuments are revered by the local population, mentioned in the Nart epic. The article uses field research methods, the method of analysis and analogies. The article presents the author's material of rescue excavations in 2020 of the "Ground burial ground of Matsuta I, middle ages" of the XVI-XVIII centuries in the area of the project "Construction of a paramedic and midwifery station in the village of Matsuta". The burial ground is a burial in stone boxes. In total, 75 boxes were excavated, in which the deceased lay stretched out on their backs with their heads facing West with latitude deviations. Some early burials are accompanied by a cremation ceremony. The funeral rite finds analogies in the mountainous Balkaria. The funeral rite is characterized by the absence of ceramic dishes in the burials. A funeral feast with cremation and a large amount of fragmented pottery, most likely of local production, was built over the early burials of the burial ground. The grave goods are rather poor and typical for mountain Caucasian culture of the late middle ages. In adult burials found clothes, shoes, belts, headwear, belts; women's jewelry; the men's knives, whetstones. In most children's burials, only chicken eggs are found to the left of the head, or there is no burial equipment at all. Children's funerals account for almost 50% of the total number of excavated graves.


2019 ◽  
Vol 8 (2) ◽  
pp. 149-159
Author(s):  
Ekaterina Nikolaevna Dubovtseva ◽  
Lubov Lvovna Kosinskaya ◽  
Henny Piezonka

The ancient fortified settlement of Amnya I is a unique Early Neolithic site in the northern taiga zone of Western Siberia (Khanty-Mansi Autonomous Okrug, the Amnya river). It is located on a promontory and has three lines of defense and ten dwelling depressions. The structures of the excavated dwellings are very similar, though the artifact assemblage appears rather heterogeneous. We carried out a technical and technological analysis of ceramics, which showed no correlation between the texture, on the one hand, and the morphology and ornamentation of pots on the other one. Planiographic analysis of ceramics showed that vessels with comb and incising patterns are found in different dwellings, although there are objects in which both groups lie together. Various categories of stone implements (bladelets and polished arrowheads) also appear on different parts of the settlement. Most likely, the observed differences in the artefact complexes of objects are associated with the stages of the functioning of the settlement. The absolute chronology does not yet clarify the sequence of erection and existence of objects. New AMS date is probably vulnerable to a significant reservoir effect. The abundance of unsolved issues of absolute and relative chronology makes the resumption of research on this unique site urgent.


Author(s):  
Károly Mesterházy

The author collected the material of ca. 250 find places by types. He examined the material, manufacturing technique, and chronology of the bracelets, as well as their distribution by social layers and gender, and their direct analogies in Russia and the Balkans. The ancient Hungarians of the Conquest period appeared in the Carpathian Basin with a new archaeological culture in the turn of the 9th and the 10th centuries. Band bracelets were characteristic pieces of this material culture. Today they are represented by three main types: 1. band with rounded terminals, 2. band with coiled terminals, 3. hinged band. The first type has many variants. The terminal of the bracelet can be disc-like rounded, but mostly it just ends in a semicircular form. The band can be undecorated, decorated with punched palmette-tendril ornaments, or sometimes with geometric (zigzag) motifs, and applied decoration can also appear at the end of the band. In the beginning of the 11th century only bronze bands occurred, with various punched dotted circle decorations. A punched hole can often be observed at both ends of the bands. This might have served for sewing the band on, however, others believe that a string threaded through the holes pulled the band together. The most frequent decorations of bracelets with coiled terminals are punched zigzag motifs, and sometimes palmette-tendrils also occurs. While the former type is frequent by both men and women, bracelets with twisted terminals rarely occur by men. Hinged bracelets either copied Byzantine antecedents, or they arrived as imports. The ends of the sleeves of the funerary dress, the cuffs were decorated by thin silver or gold ribbons that were sewed on the hem of the dress.


2000 ◽  
Vol 28 (1) ◽  
pp. 93-128 ◽  
Author(s):  
David M. Crowe

The Roma entered the Balkans from India during the Middle Ages. They reached Persia sometime in the ninth century and by the eleventh century had moved into the Byzantine Empire. According to the eleventh-century Georgian Life of Saint George the Athonite, the Emperor Constantine Monomachus asked the Adsincani to get rid of wild animals preying on the animals in his royal hunting preserve. Adsincani is the Georgian form of the Greek word Atsínganoi or Atzínganoi, from which the non-English terms for Roma (cigán, cigány, tsiganes, zigeuner) are derived. Adsincani means “ner-do-well fortune tellers” or “ventriloquists and wizards who are inspired satanically and pretend to predict the unknown.” “Gypsy” comes from “Egyptian,” a term often used by early modern chroniclers in the Balkans to refer to the Roma. Because of the stereotypes and prejudice that surround the word “Gypsy,” the Roma prefer a name of their own choosing from their language, Romani. Today, it is preferable to refer to the Gypsies as Rom or “Roma,” a Romani word meaning “man” or “husband.” Byzantine references to “Egyptians” crop up during this period as Byzantine political and territorial fortunes gave way to the region's new power, the Ottomans. There were areas with large Roma populations in Cyprus and Greece which local rulers dubbed “Little Egypt” in the late fourteenth century.


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