Handling Sin in Seventeenth-Century Ukraine: the Sacrament of Confession between Community and Individuals

2018 ◽  
Vol 63 (3) ◽  
pp. 455-488
Author(s):  
Maria Grazia Bartolini

SummaryMy paper has two aims: first to examine the place of early modern Ruthenian sacramental confession within the disciplining of attitudes enforced by the modern state and church upon the conduct of daily life. Second, to explore its contribution to the creation of a new relationship between the private sphere of conscience and the public sphere of politics and laws. In this study, I turn to homilies, sacramental treatises, and confessional manuals to reconstruct a “genealogy of confession” that takes into account both its disciplinary function as a means of preventing transgression and its role in stimulating the birth of an independent normative sphere for conscience.

2014 ◽  
Vol 2014 (1) ◽  
pp. 285-300
Author(s):  
Rudi Visker

The present article plays off two conceptions of the public sphere against one another. The first one sees in it a sign of what is already present in the private sphere, whereas the second regards it as a symbol that has to inscribe its own symbolic force into the private realm. That this is by no means a mere academic question becomes obvious by way of several examples analyzed at great length: the institution of mourning and the discussion about the presence of religious symbols in the public sphere. An argument for considering the Muslim veil as a protection against the divine is put forward in an attempt to clarify the presuppositions of our current predisposal against it. Ultimately, pluralism should perhaps not just be taken to refer only to the presence of others outside of us who we are able to numerically count, but might be the more difficult plight of having to cope with an otherness within each of us. Should the latter be the case, then we are in need of a public sphere where we can leave behind and thus honor what is not only differentiating us from others but also from ourselves.


Author(s):  
Valentina Arena

Corruption was seen as a major factor in the collapse of Republican Rome, as Valentina Arena’s subsequent essay “Fighting Corruption: Political Thought and Practice in the Late Roman Republic” argues. It was in reaction to this perception of the Republic’s political fortunes that an array of legislative and institutional measures were established and continually reformed to become more effective. What this chapter shows is that, as in Greece, the public sphere was distinct from the private sphere and, importantly, it was within this distinction that the foundations of anticorruption measures lay. Moreover, it is difficult to defend the existence of a major disjuncture between moralistic discourses and legal-political institutions designed to patrol the public/private divide: both were part of the same discourse and strategy to curb corruption and improve government.


Author(s):  
Sabyasachi Bhattacharya

The archives are generally sites where historians conduct research into our past. Seldom are they objects of research. Sabyasachi Bhattacharya traces the path that led to the creation of a central archive in India, from the setting up of the Imperial Record Department, the precursor of the National Archives of India, and the Indian Historical Records Commission, to the framing of archival policies and the change in those policies over the years. In the last two decades of colonial rule in India, there were anticipations of freedom in many areas of the public sphere. These were felt in the domain of archiving as well, chiefly in the form of reversal of earlier policies. From this perspective, Bhattacharya explores the relation between knowledge and power and discusses how the World Wars and the decline of Britain, among other factors, effected a transition from a Eurocentric and disparaging approach to India towards a more liberal and less ethnocentric one.


Experiment ◽  
2013 ◽  
Vol 19 (1) ◽  
pp. 149-181
Author(s):  
Azade-Ayse Rorlich

Abstract The Great Reform era in Russia, as well as the modernist movements in the Ottoman Empire and other Muslim lands represent the background against which the Muslims of the Russian Empire engaged in the scrutiny of the reasons behind the backwardness of their societies and began advocating the compatibility of Islam with modernity. After 1906, the Muslim press became the most important instrument in the creation of the public sphere where issues of tradition and modernity were debated. This essay focuses on the Tatar satirical journal Yalt-Yolt to explore its contribution to the critique of the old Muslim mentalité, as well as its role as an instrument of modernity.


Author(s):  
Lene Rimestad

Columns generally take up a lot of space in the media. But what can an employed journalist write in his column? How is this particular freedom managed and shaped? In this article the columns written by journalists working for Berlingske Tidende are analyzed. The analysis covers two months before and after substantial changes in the paper in 2003. Two parameters are used in the analysis: Political: Is the column pro-government, anti-government, apolitical or mixed. And what sphere does the column cover: Does the column take place in the private sphere or the public sphere? Finally the changes in the period are discussed. But initially the column as a genre is defined.


2019 ◽  
Vol 5 (1) ◽  
pp. 109-127
Author(s):  
Luke Matthews

Heiner Goebbels’s works are examples of “postdramatic” theatre works that engage with the political by seeking to challenge socially ingrained habits of perception rather than by presenting traditional, literary-based theatre of political didacticism or agitation. Goebbels claims to work toward a “non-hierarchical” theatre in the contexts of his arrangement of the various theatrical elements, in fostering collaborative working processes between the artists involved, and in the creation of audience-artist relationships. In offering a reading of Goebbels’s “no-man show” Stifters Dinge, this paper seeks to situate Goebbels’s practice within a theoretical tradition that also encompasses Hannah Arendt’s deployment of the theatre as a metaphor for the public sphere. Within this analysis, I suggest, theatre can be seen to offer the possibility of a participatory democracy through its attention to disappearance and absence.


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