Von Fakiren, Bajaderen und Maharadschas. Der koloniale Blick in der frühen Porträtfotografie Indiens
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This seminar paper analyzes 19th century portrait photographs in British-India, which were mainly made by and addressed at British citizens. Regarding the wide range of genres, it can be shown that these photographs hardly give a realistic image of India, but instead reflect the contemporaneous British view on the colony and its native inhabitants. Photography was therefore an essential instrument of colonial policy. By creating a culturally inferior “other”, it helped legitimating the British rule over India.
2019 ◽
Vol 9
(4)
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pp. 193-198
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2006 ◽
Vol 55
(2)
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pp. 154-160
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1966 ◽
Vol 112
(486)
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pp. 471-484
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2004 ◽
Vol 31
(2-3)
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pp. 367-388
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1989 ◽
Vol 26
(1)
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pp. 123-124