Telluride and After

2021 ◽  
Vol 75 (2) ◽  
pp. 102-108
Author(s):  
B. Ruby Rich
Keyword(s):  
New York ◽  
Film Festival ◽  
Center Stage ◽  
Kenneth Branagh ◽  
Todd Haynes ◽  
Telluride Film ◽  
Velvet Underground ◽  
The Many ◽  
First Time

FQ editor-in-chief B. Ruby Rich reports from the 48th edition of the Telluride Film Festival. Unlike most of its peer festivals, Telluride opted not to hold a virtual edition in 2020, a decision entirely in keeping with its emphasis on the tactile and experiential aspects of cinema, and which made its return in 2021 all the more giddy for first-time attendees and long-term devotees alike. Rich reviews the many festival highlights, from Jane Campion’s reinvention of the Western in The Power of the Dog to Todd Haynes’ archival documentary The Velvet Underground. Childhood takes center stage in new films from Céline Sciamma and Kenneth Branagh while misunderstood masculinity emerges as a theme in Michael Pearce’s Encounter, Asghar Farhadi’s A Hero, and Mike Mills’s C’mon C’mon. Including a coda on the New York Film Festival, Rich concludes that the masterful riches of the two festivals augur well for the fall 2021 season.

scholarly journals The Cinema of Manie van Rensburg (Part 1)

1997 ◽  
Author(s):  
Martin P. Botha
Keyword(s):  
United States ◽  
South Africa ◽  
New York ◽  
South African ◽  
United States Of America ◽  
The United States ◽  
Film Festival ◽  
African Film ◽  
First Time

INTRODUCTIONThe name, Manie van Rensburg, is virtually unknown in Europe and the United States of America. Recently, some of his work was screened at a South African film festival in Amsterdam at the Kriterion cinema and I had the honour to present a lecture there on 7 October 1995 regarding Van Rensburg and his presence in the cinema. His film work was also highlighted in a small retrospective during October 1996 at the Vrije Universiteit Brussel. IT WAS NOT THE FIRST TIME a Van Rensburg film was screened outside the borders of South Africa. During the 1980s Van Rensburg received an International Film Festival of New York award for his historical TV drama series, Heroes, and a Merit Award from the London Film Festival was given to him for his filmed play, The Native who Caused all the Trouble. His mammoth production, The Fourth...

The Cauldron

2018 ◽  
Author(s):  
Rob Weighill ◽  
Florence Gaub
Keyword(s):  
United States ◽  
New York ◽  
United Nations ◽  
African Country ◽  
The United States ◽  
Joint Force ◽  
Post Conflict ◽  
The United Nations ◽  
The Many ◽  
First Time

NATO’s Libya Operation was a first in several ways: the first time the alliance operated in an Arab and African country, the first time Arab partners participated in kinetic missions, the first time it executed a UN mandate designed to protect civilians and the first time the United States were not in the lead. This book is the first one to tell the operation’s story from all sides concerned: spanning the hallways of the United Nations in New York, NATO Headquarters in Brussels and, crucially, the two operational epicenters: the Libyan battlefield, and Joint Force Command Naples, which was in charge of the mission. Weighill and Gaub offer a comprehensive exploration of both the war's progression and the many challenges NATO faced, from its extremely rapid planning and limited understanding of Libya and its forces, to training shortfalls and the absence of post-conflict planning.

scholarly journals Channel 4: Broadcasters Support Filmmakers

1996 ◽  
Author(s):  
Gerald Pratley
Keyword(s):  
New York ◽  
Film Industry ◽  
Career Change ◽  
New York Times ◽  
The Sun ◽  
Film Festival ◽  
The New York Times ◽  
Daily Telegraph ◽  
The Many

A DISCUSSION at the Vancouver Film Festival 1995 Among the many discussions taking place during the Trade Forum at Vancouver's International Film Festival was a rapt and lively presentation of how Broadcasters Support Filmmakers. The principal speaker was David Aukin of Channel Four who was introduced by Wayne Skeene, President of Skeene Communications in Vancouver. WS: David Aukin is a Commissioning Editor and Head of Drama for Channel 4, that "idiosyncratic little company" as Variety puts it, "that defies all the rules of Hollywood." The New York Times calls David "arguably the most influential figure in the British film industry." The Daily Telegraph calls him "The Sun King of the Silver Screen" and there's more: "The mastermind behind the largest filmmaking budget in Britain." David studied law at Oxford, worked for a period as a solicitor, made a career change to theatre in 1970 when he...

Charles Marowitz in London: Twenty-Five Years Hard: Marowitz in the Sixties

2014 ◽  
Vol 30 (3) ◽  
pp. 203-206
Author(s):  
Simon Trussler
Keyword(s):  
Parkinson’S Disease ◽  
New York ◽  
Los Angeles ◽  
Open Space ◽  
Later Life ◽  
Early Years ◽  
British Drama ◽  
The Sixties ◽  
The Many

Charles Marowitz, who died on 2 May this year, arrived in England from his native New York in 1956, on a scholarship earned for service in Korea. He immediately found in Unity Theatre a venue for his first London production, and in the following year opened his own theatre – an attic in the headquarters of the British Drama League known as In-Stage. In 1981, after the closure of his last and longest London base, the Open Space Theatre in Tottenham Court Road, he left, disillusioned with his adopted country, to settle in California, creating companies in Los Angeles and in his new home of Malibu. But during the momentous decade of the sixties it was British theatre that Marowitz helped to reshape – not least in developing London's still flourishing ‘fringe’. In this feature, NTQ co-editor Simon Trussler celebrates not only Marowitz's directing career, on which many obituarists have written, but also – through personal recollections of the man in those early years – the many other ‘hats’ he wore: as theatre critic, editor, playwright, and cultural entrepreneur. Marowitz's long-term professional partner, Thelma Holt, shares her own memories of the twelve years when together they formed and ran the Open Space. Marowitz contributed to the old TQ and to New Theatre Quarterly, but here we include some of the articles he wrote in later life for the online Swans Commentary, to which we are most grateful for permission to reprint. All are from 2012, when Parkinson's disease was tightening its hold, and so are among the very last pieces he wrote.

Somatic Embryogenesis and In vitro Plant Regeneration in Vigna trilobata (L.) Verd. - A Potential Pasture Legume

1970 ◽  
Vol 19 (1) ◽  
pp. 89-99
Author(s):  
K. Choudhary ◽  
M. Singh ◽  
M. S. Rathore ◽  
N. S. Shekhawat
Keyword(s):  
Somatic Embryogenesis ◽  
Growth Regulators ◽  
Somatic Embryos ◽  
Basal Medium ◽  
Long Term Study ◽  
Continuous Application ◽  
First Time ◽  
Pasture Legume

This long term study demonstrates for the first time that it is possible to propagate embryogenic Vigna trilobata and to subsequently initiate the differentiation of embryos into complete plantlets. Initiation of callus was possible on 2,4-D. Somatic embryos differentiated on modified MS basal nutrient medium with 1.0 mg/l  of 2,4-D and 0.5 mg/l  of Kn. Sustained cell division resulted in globular and heart shape stages of somatic embryos. Transfer of embryos on to a fresh modified MS basal medium with 0.5 mg/l of Kn and 0.5 mg/l of GA3 helped them to attain maturation and germination. However, the propagation of cells, as well as the differentiation of embryos, were inhibited by a continuous application of these growth regulators. For this reason, a long period on medium lacking these growth regulators was necessary before the differentiation of embryos occurred again. The consequences for improving the propagation of embryogenic cultures in Vigna species are discussed. Key words: Pasture  legume, Vigna trilobata, Globular, Heart shape, somatic embryogenesis D.O.I. 10.3329/ptcb.v19i1.4990 Plant Tissue Cult. & Biotech. 19(1): 89-99, 2009 (June)

An Evaluation of Provincial Macroeconomic Performance in Vietnam

2017 ◽  
pp. 34-47
Author(s):  
Hoi Le Quoc ◽  
Nam Pham Xuan ◽  
Tuan Nguyen Anh
Keyword(s):  
Development Strategy ◽  
Institutional Transformation ◽  
Economic Indicators ◽  
Macroeconomic Performance ◽  
Economic Development Strategy ◽  
Socio Economic Development ◽  
The Cost ◽  
Development Objectives ◽  
First Time

The study was targeted at developing a methodology for constructing a macroeconomic performance index at a provincial level for the first time in Vietnam based on 4 groups of measurements: (i) Economic indicators; (ii) oriented economic indicators; (iii) socio-economic indicators; and (iv) economic - social – institutional indicators. Applying the methodology to the 2011 - 2015 empirical data of all provinces in Vietnam, the research shows that the socio-economic development strategy implemented by those provinces did not provide balanced outcomes between growth and social objectives, sustainability and inclusiveness. Many provinces focused on economic growth at the cost of structural change, equality and institutional transformation. In contrast, many provinces were successful in improving equality but not growth. Those facts threaten the long-term development objectives of the provinces.

Google Hangout with Annie Baker, Playwright 1/25/16, 2:33 PM

2016 ◽  
Vol 69 (4) ◽  
pp. 57-64
Author(s):  
Genevieve Yue
Keyword(s):  
New York ◽  
New England ◽  
Selection Process ◽  
Pulitzer Prize ◽  
Film Festival ◽  
The Past

Genevieve Yue interviews playwright Annie Baker, whose Pulitzer Prize–winning play The Flick focuses on the young employees of a single-screen New England movie house. Baker is one of the most critically lauded playwrights to emerge on the New York theater scene in the past ten years, in part due to her uncompromising commitment to experimentation and disruption. Baker intrinsically understands that arriving at something meaningful means taking a new way. Accordingly, Baker did not want to conduct a traditional interview for Film Quarterly. After running into each other at a New York Film Festival screening of Chantal Akerman's No Home Movie (2015)—both overwhelmed by the film—Yue and Baker agreed to begin their conversation by choosing a film neither of them had seen before and watching it together. The selection process itself led to a long discussion, which led to another, and then finally, to the Gmail hangout that forms the basis of the interview.

Applying the Devil's Works in a Holy Cause: Working-Class Popular Culture and the Salvation Army in the United States, 1879-1900

1997 ◽  
Vol 7 (2) ◽  
pp. 195-223
Author(s):  
Lillian Taiz
Keyword(s):  
United States ◽  
New York ◽  
New York City ◽  
Popular Culture ◽  
York City ◽  
The United States ◽  
Salvation Army ◽  
Public Meeting ◽  
The Many ◽  
Sunday Evening

Forty-eight hours after they landed in New York City in 1880, a small contingent of the Salvation Army held their first public meeting at the infamous Harry Hill's Variety Theater. The enterprising Hill, alerted to the group's arrival from Britain by newspaper reports, contacted their leader, Commissioner George Scott Railton, and offered to pay the group to “do a turn” for “an hour or two on … Sunday evening.” In nineteenth-century New York City, Harry Hill's was one of the best known concert saloons, and reformers considered him “among the disreputable classes” of that city. His saloon, they said, was “nothing more than one of the many gates to hell.”

Mafias on the Move

2011 ◽  
Author(s):  
Federico Varese
Keyword(s):  
United States ◽  
New York ◽  
Organized Crime ◽  
The United States ◽  
The West ◽  
Market Expansion ◽  
The North ◽  
Economic Transformations ◽  
At Will

Organized crime is spreading like a global virus as mobs take advantage of open borders to establish local franchises at will. That at least is the fear, inspired by stories of Russian mobsters in New York, Chinese triads in London, and Italian mafias throughout the West. As this book explains, the truth is more complicated. The author has spent years researching mafia groups in Italy, Russia, the United States, and China, and argues that mafiosi often find themselves abroad against their will, rather than through a strategic plan to colonize new territories. Once there, they do not always succeed in establishing themselves. The book spells out the conditions that lead to their long-term success, namely sudden market expansion that is neither exploited by local rivals nor blocked by authorities. Ultimately the inability of the state to govern economic transformations gives mafias their opportunity. In a series of matched comparisons, the book charts the attempts of the Calabrese 'Ndrangheta to move to the north of Italy, and shows how the Sicilian mafia expanded to early twentieth-century New York, but failed around the same time to find a niche in Argentina. The book explains why the Russian mafia failed to penetrate Rome but succeeded in Hungary. A pioneering chapter on China examines the challenges that triads from Taiwan and Hong Kong find in branching out to the mainland. This book is both a compelling read and a sober assessment of the risks posed by globalization and immigration for the spread of mafias.

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