American Naturalism and Asiatic Racial Form: Frank Norris's The Octopus and Moran of the ““Lady Letty””
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ABSTRACT American literary naturalism is well known for its formal engagement with determination and abstraction and its thematic preoccupation with Anglo-Saxon degeneration. Yet the central importance of the U.S.-Asian border to the literature's elaboration of the imperial contradictions of monopoly finance capitalism has been largely overlooked. Taking up the question of U.S. anti-Asian anticapitalism, a political movement with which American naturalism was historically coincident, this essay explores the powerful early twentieth-century consensus that permitted the conflation of trust-busting and coolie-fighting.
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1988 ◽
Vol 32
(3)
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pp. 387-405
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2016 ◽
Vol 76
(3)
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pp. 874-908
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