scholarly journals Aesthetics and functions of craft art in public art space

2017 ◽  
Vol 17 (1) ◽  
pp. 41
Author(s):  
Alvi Lufiani ◽  
Setiawan Sabana ◽  
Achmad Haldani

<p>The problem in this research is about how to assess the aesthetics and functions of craft art in Indonesian city public space compare to other cities in other countries. It is also about how these craft arts can be used to improve the aesthetics and strength a city’s identity. Approaches used in this research are aesthetic theory and sociology of art. Aesthetic theory is used to assess the craft art textually or intra aesthetics. Sociology of art theory is used to see how craft art role can fulfil its function as a medium for craftsperson to participate in creating an art work that is useful to the society, so the existence of craft art in public space can give positive impacts towards the urban society. Results of this research is a positive impact of the craft art existence in some Indonesian public places where craft art becomes a city icon or identity with a special symbol attached to it; as a sign of historical or contemporary works. It also creates the aesthetics of a city design to be more humanist and healthy for all citizens.</p>

2013 ◽  
Vol 18 (1) ◽  
pp. 14-21 ◽  
Author(s):  
Peter Batchelor

Public art invariably involves the drawing of individuals into the roles of audience and participant by virtue of it being in the public domain – in public places where those individuals are getting on with their everyday lives. As such, a large proportion of the ‘audience’ is an unwitting one, subjected to the art rather than subscribing to it. This is equally true of public sound art, where response to an intervention may vary from engagement to non-engagement to indifference to unawareness, along with a variety of transitional states between. This essay seeks to investigate this ambiguous territory in public sound art, proposing it both as an area rich in possibility for creative exploration and as a means by which artists may reveal and encourage sensitivity to the existing characteristics of a site (thus accommodating the pursuit of agendas relating to acoustic ecology). In particular it investigates and presents a case for the use of lowercase strategies in sound art as ways in which the public might be invited into a dialogue with works (invitation rather than imposition) and thus empowered as partakers of public sound art.


Author(s):  
Georgia Lindsay

After over a decade of reports, designs, and public outreach, the United Nations Plaza in San Francisco was dedicated in 1976. Using historical documents such as government reports, design guidelines, letters, meeting minutes, and newspaper articles from archives, I argue that while the construction of the UN Plaza has failed to completely transform the social and economic life of the area, it succeeds in creating a genuinely public space. The history of the UN Plaza can serve both as a cautionary tale for those interested in changing property values purely through changing design, and as a standard of success in making a space used by a true cross-section of urban society.


2019 ◽  
Vol 17 (1) ◽  
pp. 43-49
Author(s):  
Nurhijrah Nurhijrah ◽  

The presence of subcultures in urban society is as a result of the heterogeneity of culture. One of subculture that presence in Bandung city is a motorcycle club which can be found in almost every corner of the Bandung city, especially in public spaces. This study was conducted to identify the phenomenon of the process of motorcycle club subculture occupy space in public open space under flyover in Bandung city. Data was collected by observation and interview members of the subculture as a subject of the research. The result showed that the main motive for using public open space under flyover is the desire for self-existence that cannot be accommodated in public space that already exists. Utilization of the space under flyover by the motorcycle club gives new meaning to the space that originally did not have a function in urban spatial. However they also do legitimacy of power over space by said that “the space is theirs”. Therefore architects and planners should consider subculture as a part of the society that have the same right to access public open space and do their activities in Bandung City.


2020 ◽  
pp. 1-4

Placemaking is an inclusive approach to the planning, design, and management of public places by which people create and/or recreate places. In the context of the Arab cities, placemaking projects are often envisaged to transform communities’ spaces into lively and attractive places; to enhance quality of life and opportunity for existing residents. It also aims to (re)create a distinct sense of place or place branding at large. Exploring how contemporary Arab cities have framed placemaking processes within the contemporary urban conditions, and sometimes the threats to the quality of the city, are helping in creating healthier, equitable, and humane public places. Such challenges and opportunities of these processes is a core component of this special edition of The Journal of Public Space, which discusses various aspects of placemaking in Arab Cities, ranges from creating, enhancing, adapting and developing attractive and efficient public places in Arab Cities. In this context, academic papers and viewpoints have manifested a variety of perspectives, theories and practices of placemaking concepts, methods, recent challenges and possible solutions. They portrayed several tools on establishing and revitalizing public places starting from governmental toolkits, reaching unplanned activities fostering community engagement in placemaking.


2018 ◽  
Vol 13 ◽  
pp. 18-27
Author(s):  
Aurelija Daugelaite ◽  
Indre Gražulevičiūte-Vileniške ◽  
Mantas Landauskas

The concept of urban acupuncture, which has been gaining ground in recent decades, is based on the activation and revitalization of urban environments using small architectural or landscape architectural interventions in precise carefully selected locations of urban fabric. However, the rapid and unexpected design solutions of urban acupuncture, based on ecological design, nature dynamics, street art, material re-use, can cause different social and psychological reactions of urban population and these reactions may vary depending on cultural contexts. Consequently, in order to implement successful urban acupuncture projects in Lithuanian cities, it is very important to find out public opinion and priorities in the fields of public space management, aesthetics, and public art. The aim of the research was to analyze the opinion of Kaunas city residents regarding these issues. For this purpose, a sociological questionnaire survey was used. The questionnaire containing 20 questions was designed, with the aim to find out the trends of use of public spaces in the city, the attitudes of residents towards street art and other small-scale initiatives in public spaces implemented in the recent years, possibilities of creating landscape architecture based on ecological ideas in urban environment, the attitude of inhabitants towards community spaces and community space design in the city, etc. 100 residents of Kaunas participated in this online administered survey. The survey has demonstrated general positive attitude towards contemporary design trends of public spaces and public art; however, the surveyed population expressed preferences towards fully equipped public spaces offering possibilities for a wide range of activities.


2021 ◽  
Vol 2089 (1) ◽  
pp. 012051
Author(s):  
O Facho ◽  
T Cama ◽  
D Esenarro ◽  
J Livia ◽  
C Cuetoand ◽  
...  

Abstract The present research aims to propose a model for the recovery of residual public spaces to improve the quality of life of the district of San Borja’s inhabitants. San Borja is in the process of densification and requires a more significant number of public spaces that offer, in addition to vegetation, public places for active and passive recreation, such as spaces for sports and games, walking pets, and relaxation. These needs have increased due to the confinement caused by the COVID-19 pandemic. Also, it was noted that the median strip, or central reservation of the avenue, can be recovered for people to use. Therefore, a four-phase study was carried out that included reviewing the literature and observing two cases. In conclusion, a model was proposed to recover the public space of the median strips of San Borja Norte Avenue and San Borja Sur Avenue to improve the quality of life of the inhabitants of San Borja, which can be replicated in other avenues with residual spaces with similar characteristics.


Author(s):  
Annapurna Devi Pandey

Silicon Valley, known as the technology hub of the USA, has emerged as a medley of places of religious worship. It has become a home to wealthy Indian Americas and to many gods and goddesses who have come to reside there as well. Indian Americans have contributed significantly to the mushrooming of temples in this region. This chapter attempts to answer the following questions: How does diaspora provide a space to reconstruct the identity of the women practitioners? How does religion enable them to negotiate their roles in the public space? In this chapter, the author argues that Hindu women in the diaspora play a very significant role in selectively performing religious rituals in public places of worship as brought from their homeland. In performing these rituals, women are creating a distinct space in mainstream public culture to reconstruct their identity and agency beyond their roles as homemakers and professionals. In this specific case study, Odia women living in Northern California are not only reshaping their traditions but are engaged in interreligious dialogue in Silicon Valley corporate culture.


Author(s):  
Vincenzo Paolo Bagnato

In the last decades, the concept of cultural landscape, in its physical and social dimension, has been stoked by the contribution of a new interpretation of “technology,” understood as an innovative approach in the definition of new relationships between information, sustainability, and public space. It is a perspective that follows the changing cultural references of urban society, wondering which is the relationship between embodiment and location, between technological innovation and urban structure and how the digital and information revolution could influence and define the characteristics of urban aesthetics in the contemporary city. This chapter offers a key for reading these topics, starting from the analysis of the grid city's ontological space, its image between morphology and technology, between streets/buildings and infrastructure/landscapes, and finally, defining new ethical and dialogical interpretative approaches on sustainability and urban development, trying to find out the potentialities of the grid cities as complex public space systems.


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