scholarly journals El ensayo lírico como experiencia estética-hermenéutica (The Lyric Essay as an Aesthetic-Hermeneutical Experience)

LETRAS ◽  
2017 ◽  
Vol 1 (61) ◽  
pp. 13
Author(s):  
Luis Javier Hernández Carmona

Se plantea la teorización sobre el ensayo lírico y la generación de la experiencia estética-hermenéutica, a partir de la aplicación de la ontosemiótica como perspectiva metodológica. Con ello, se analizan las prácticas discursivo-literarias que contienen la metarreflexión que desde la extratextualidad da respuesta a los planteos metaforizados, dado que la autonomía del texto y los desdoblamientos del sujeto enunciador implican estrategias de análisis centradas en el cuadrante referencial autor-texto-lector-contexto. Se analizan teorías sobre el ensayo según Montaigne, Lukács, Adorno y Nicol, hasta proponer el ensayo como balance entre lo objetivo y lo subjetivo trascendente. Abstract A theorization is proposed for the lyric essay and the generation of the aesthetic-hermeneutic experience from the application of ontosemiotics as a methodological perspective. A discussion is presented of discursive-literary practices containing meta-reflection which, from extratextuality, responds to metaphorized approaches that for the autonomy of the text and the splits of the enunciating subject require analytical strategies focusing on the referential quadrant author-text-reader-context. Theories on the essay are reviewed, including those of Montaigne, Lukács, Adorno and Nicol, to propose the essay as a balance between the objective and transcendental subjectivity. 

Tempo ◽  
1992 ◽  
pp. 7-17 ◽  
Author(s):  
Luminita Aluas

The purpose of this article is to demonstrate, by examining György Ligeti's cycle of three pieces for double choir, what I call his compromise between temporal forms that possess their own microcosmic history and latent drama, and architectural patterns of his music that are endowed with a purely spatial coherence. I hope to demonstrate that an analysis of the aesthetic concepts at work in Ligeti's pieces might lead to a somewhat non-traditional approach in elaborating analytical strategies of modern music.


2021 ◽  
Vol 2 (2) ◽  
pp. 25-49
Author(s):  
Alisa Kronberger ◽  
Lisa Krall

This article invites readers to follow our diffractive dialogue, which reflects on our interdisciplinary collaboration in thinking and writing with Karen Barad. Working with Barad’s diffractive methodology, we bring her agential realism, insights from quantum physics and feminist theories to contemporary feminist art. The aesthetic practices of three art works are discussed, and we argue that these call for an understanding of eco-, capitalist-, colonialist- and feminist critique as interrelated phenomena in the sense of agential realism. This is because it is not only the art works themselves that create encounter-moments of being-entangled with the bodies and discourses that surround them. From a methodological perspective, we are also interested in marking diffractive moments of encounter with the art works and between us, given our different disciplinary backgrounds. So, we intend to open up a space of encounters between Barad’s work, the work of the three artists and the work of ourselves as writers.


2016 ◽  
Vol 224 (2) ◽  
pp. 62-70 ◽  
Author(s):  
Thomas Straube

Abstract. Psychotherapy is an effective treatment for most mental disorders, including anxiety disorders. Successful psychotherapy implies new learning experiences and therefore neural alterations. With the increasing availability of functional neuroimaging methods, it has become possible to investigate psychotherapeutically induced neuronal plasticity across the whole brain in controlled studies. However, the detectable effects strongly depend on neuroscientific methods, experimental paradigms, analytical strategies, and sample characteristics. This article summarizes the state of the art, discusses current theoretical and methodological issues, and suggests future directions of the research on the neurobiology of psychotherapy in anxiety disorders.


2014 ◽  
Author(s):  
Takahashi Tomoyo ◽  
Shinji Kitagami
Keyword(s):  

2020 ◽  
Vol 23 (2) ◽  
pp. 28-33
Author(s):  
Indira Apriantika ◽  
Agung Krismariono

A healthy and beautiful smile can affect appearance and confidence. One of the aesthetic problems in dentistry that is often complained of by patients is excessive gingival display (gummy smile). The excessive gingival display can be caused by several factors, one of which is altered passive eruption (APE). One of the treatments to correct gummy smile related to APE is crown lengthening. Crown lengthening can be with bone reduction (gingivectomy with bone reduction) or without bone reduction (gingivectomy). Crown Lengthening with bone reduction is a surgical procedure that aims to maintain the dentogingival complex and to improve smile aesthetics. The purpose of this case report is to determine the crown lengthening with bone reduction (gingivectomy with bone reduction) procedure as a gummy smile treatment related to APE .A23-year-old female patient, came to Dental Hospital of Universitas Airlangga with complaints of her upper gum which not in the same length and the teeth looked short, she considered her smile was less aesthetic. After conducting analyses relating to aesthetics and periodontal tissue, crown lengthening with bone reduction was chosen for this patient treatment. The treatment results are quite good, visible gingival margins that matched the gingival zenith and improved patient's smile profile. APE as the etiology of patient's gummy smile can be corrected. There are no post-surgical complications such as excessive pain and infection. A proper diagnosis, treatment plan, and good techniques can produce a harmonious smile on the patient.


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