Psychiatrie Sociale De L'Enfant

PEDIATRICS ◽  
1952 ◽  
Vol 10 (3) ◽  
pp. 378-378

This interesting book, written in French, consists of 535 pages of which 46 are devoted to the description of the many tests now in use in psychologic work, and 33 deal with an extensive "international" bibliography on the subject of child social-psychiatry. The most important part of the book is devoted to the broad subject of child psychiatry itself which is approached through many different angles and by authors of various countries including France, Great Britain, Sweden, Belgium, Spain and Switzerland.

2013 ◽  
pp. 147-160
Author(s):  
Patrizia Audenino

The paper is a review of some recent books concerning Italian exiles at the time of "Risorgimento". The approach to the subject used by these studies is discussed in first place: in Isabella's research the focus is mainly in the intellectual consequences of the exile, while Bistarelli's work has the declared aim to provide a social history of the Risorgimento exiles, adopting a collective biographical approach, and Verdecchia is interested in the London's Nineteenth century's refugees mixed community. In second place, geography and itineraries of the Italian exiles are discussed as reconstructed by these studies. Both Isabella and Bistarelli point out that Spain was chosen as the main destination for the first wave of Italian exiles. The Trienio Liberal 1830-1823 provided some durable teachings: the faith in the promises of the revolution, the link between Spanish struggle and the freedom of all Europe, the new strategy of the guerrilla. Other destinations investigated by Isabella's book, Greece, Latin America and Great Britain are analysed in order to identify the origin of the most important guidelines of Risorgimento's project. Isabella and Verdecchia discuss the role of London as the most important destination of European exiles, and as unsurpassed example of the benefits of freedom, adopting different questions and different methodological approaches. Finally the paper points out as the many important results of these studies lead to more questions about social history of Risorgimento's exiles, while showing the persistently poor connection between the findings and the questions of the migration studies and those of political history.


2014 ◽  
Vol 11 (01) ◽  
pp. 35-42
Author(s):  
M. Hermans

SummaryThe author presents his personal opinion inviting to discussion on the possible future role of psychiatrists. His view is based upon the many contacts with psychiatrists all over Europe, academicians and everyday professionals, as well as the familiarity with the literature. The list of papers referred to is based upon (1) the general interest concerning the subject when representing ideas also worded elsewhere, (2) the accessibility to psychiatrists and mental health professionals in Germany, (3) being costless downloadable for non-subscribers and (4) for some geographic aspects (e.g. Belgium, Spain, Sweden) and the latest scientific issues, addressing some authors directly.


Author(s):  
Pierre Iselin

Pierre Iselin broaches the subject of early modern music and aims at contextualising Twelfth Night, one of Shakespeare’s most musical comedies, within the polyphony of discourses—medical, political, poetic, religious and otherwise—on appetite, music and melancholy, which circulated in early modern England. Iselin examines how these discourses interact with what the play says on music in the many commentaries contained in the dramatic text, and what music itself says in terms of the play’s poetics. Its abundant music is considered not only as ‘incidental,’ but as a sort of meta-commentary on the drama and the limits of comedy. Pinned against contemporary contexts, Twelfth Night is therefore regarded as experimenting with an aural perspective and as a play in which the genre and mode of the song, the identity and status of the addressee, and the more or less ironical distance that separates them, constantly interfere. Eventually, the author sees in this dark comedy framed by an initial and a final musical event a dramatic piece punctuated, orchestrated and eroticized by music, whose complex effects work both on the onstage and the offstage audiences. This reflection on listening and reception seems to herald an acoustic aesthetics close to that of The Tempest.


2021 ◽  
Author(s):  
Andi Asrifan ◽  
Abd Ghofur

Anyone who wants to get ahead in academic or professional life today knows that it’s a question of publish or perish. This applies to colleges, universities, and even hospital Trusts. Yet writing for publication is one of the many skills which isn’t formally taught. Once beyond undergraduate level, it’s normally assumed that you will pick up the necessary skills as you go along.Writing for Academic Journalsseeks to rectify this omission. Rowena Murray is an experienced writer on the subject (author of How to Write a Thesis and How to Survive Your Viva) and she is well aware of the time pressures people are under in their professional lives. What she has to say should be encouraging for those people in ‘new’ universities, people working in disciplines which have only recently been considered academic, and those in professions such as the health service which are under pressure to become more academic.


2020 ◽  
Vol 384 (2) ◽  
pp. 222-232
Author(s):  
P. V. Menshikov ◽  
G. K. Kassymova ◽  
R. R. Gasanova ◽  
Y. V. Zaichikov ◽  
V. A. Berezovskaya ◽  
...  

A special role in the development of a pianist as a musician, composer and performer, as shown by the examples of the well-known, included in the history of art, and the most ordinary pianists, their listeners and admirers, lovers of piano music and music in general, are played by moments associated with psychotherapeutic abilities and music features. The purpose of the study is to comprehend the psychotherapeutic aspects of performing activities (using pianists as an example). The research method is a theoretical analysis of the psychotherapeutic aspects of performing activities: the study of the possibilities and functions of musical psychotherapy in the life of a musician as a “(self) psychotherapist” and “patient”. For almost any person, music acts as a way of self-understanding and understanding of the world, a way of self-realization, rethinking and overcoming life's difficulties - internal and external "blockages" of development, a way of saturating life with universal meanings, including a person in the richness of his native culture and universal culture as a whole. Art and, above all, its metaphorical nature help to bring out and realize internal experiences, provide an opportunity to look at one’s own experiences, problems and injuries from another perspective, to see a different meaning in them. In essence, we are talking about art therapy, including the art of writing and performing music - musical psychotherapy. However, for a musician, music has a special meaning, special significance. Musician - produces music, and, therefore, is not only an “object”, but also the subject of musical psychotherapy. The musician’s training includes preparing him as an individual and as a professional to perform functions that can be called psychotherapeutic: in the works of the most famous performers, as well as in the work of ordinary teachers, psychotherapeutic moments sometimes become key. Piano music and performance practice sets a certain “viewing angle” of life, and, in the case of traumatic experiences, a new way of understanding a difficult, traumatic and continuing to excite a person event, changing his attitude towards him. It helps to see something that was hidden in the hustle and bustle of everyday life or in the patterns of relationships familiar to a given culture. At the same time, while playing music or learning to play music, a person teaches to see the hidden and understand the many secrets of the human soul, the relationships of people.


Author(s):  
Townshend M. Hall

As the rare descent of Meteorites or Aërolites affords us the only real tangible evidence we possess respecting the mineral constituents which exist beyond the limits of our own globe, a great degree of interest must always be attached to these stray visitors ; and although much has been written on the subject at different times, it has hitherto taken the form either of a bare catalogue of the date and place of occurrence ; or of scattered notices dealing only with individual cases. My desire is to collect these various records as far as they relate to each meteoric stone which has been known, or has been said to have fallen in Great Britain, and to endeavour to give as complete an account as possible of every instance; including not only the historical facts, but also notices Of mineralogical observations and references to authorities.


1873 ◽  
Vol 10 (111) ◽  
pp. 385-395 ◽  
Author(s):  
T. Sterry Hunt

It is proposed in the following pages to give a concise account of the progress of investigation of the lower Palæozoic rocks during the last forty years. The subject may naturally be divided into three parts: 1. The history of Silurian and Upper Cambrian in Great Britain from 1831 to 1854; 2. That of the still more ancient Palæozoic rocks in Scandinavia, Bohemia, and Great Britain up to the present time, including the recognition by Barrande of the so-called primordial Palæozoic; fauna; 3. The history of the lower Palæozoic rocks of North America.


2021 ◽  
pp. 46-58
Author(s):  
Tatiana Krasavshenko ◽  

The subject of the article is I.S. Turgenev’s reputation in Great Britain. He gained international fame in 1860s-1870s, was the first to present the great Russian novel in Britain, where for some time he was perceived as a «strong energetic writer», but later, as Tolstoy and Dostoevsky appeared on the literary scene as «sages» and «prophets», he was relegated to the status of esthete, «pure artist». Victorians had the «Hall of fame» for the «first row» writers and a chapel for lesser deities - «pure artists», where paradoxically they gave a place to a «large, strong hunter» Turgenev.


PEDIATRICS ◽  
1948 ◽  
Vol 2 (2) ◽  
pp. 237-237
Author(s):  
C. ANDERSON ALDRICH
Keyword(s):  
The Many ◽  

This book adds another volume to the many already published on the subject of child care. Its preface and foreword are written by Donovan J. McCune, M.D., and Norvelle C. LaMar, M.D., respectively, who endorse the author's statements. There is little in the way of advice to which I would not subscribe. In fact it is remarkable that So many pages can be filled with so much advice which is highly acceptable. Miss Turner has done a masterful job of summarizing the liberal ideas of our times. However, one begins to doubt the efficacy of any book so full of instructions without an adequate discussion of the "whys" of liberal ideas.


PEDIATRICS ◽  
1963 ◽  
Vol 32 (4) ◽  
pp. 737-741
Author(s):  
D. B. Dill

THE STUDY of work performance as related to age began in this country when Sid Robinson joined the group at the Fatigue Laboratory of the Harvard School of Business Administration. In the winter of 1936-7, he persuaded five champion milers who were in Boston for indoor meets to run on the Laboratory's treadmill on week-ends. Simultaneously, he was chiefly engaged in studying treadmill performance as related to age. This was the subject of his doctorate thesis published later under the title: "Experimental Studies of Physical Fitness as Related to Age". The 91 subjects ranged in age from boys 6 years of age to one man of 91. There were eight 6-year-olds, 10 between 8 and 13 and 20 between 48 and 76. Robinson's background as an Olympic middle-distance runner and as an assistant track coach at Indiana University gave him skill in dealing with the many diverse problems that confronted him. Often he was faced with sociological-psychological problems more difficult to solve than the physiological problems. Indicative of his success is the fact that the subjects were volunteers—no money was offered as an inducement to come to the laboratory. Also worthy of note is that there was no untoward incident throughout the study. Robinson's plan included respiratory, circulatory and metabolic observations in the basal state and in two grades of exercise. He describes the work experiments as follows: (pp. 251-3, reference 2) "After the above observations were completed, the subject performed two grades of work on a motor-driven treadmill, set at an angle of 8.6% in all experiments. Each subject below 73 years of age first walked at 5.6 km per hour for 15 minutes; this raises the oxygen consumption 7 or 8 times the basal level. After resting 10 minutes, he ran or in some cases, walked, at a rate which exhausted him in 2 to 5 minutes.


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