scholarly journals RELIGIOUS MOVEMENTS AND CONGREGATIONS IN WEST ESTONIA FROM THE MID-18th TO THE BEGINNING OF THE 20th CENTURY: THEIR INFLUENCE ON THE ESTONIAN AND ESTONIAN-SWEDISH POPULAR CULTURE

2001 ◽  
Vol 46 (1-2) ◽  
pp. 161-174
Author(s):  
J. Plaat
Keyword(s):  
Popular Culture ◽  
20Th Century ◽  
Religious Movements

scholarly journals Looking for Black Religions in 20th Century Comics, 1931–1993

Religions ◽  
2019 ◽  
Vol 10 (6) ◽  
pp. 400
Author(s):  
Yvonne Chireau
Keyword(s):  
African American ◽  
Popular Culture ◽  
20Th Century ◽  
African Diaspora ◽  
Black Religion ◽  
American Christianity ◽  
Academic Literature ◽  
Folk Traditions ◽  
History Of ◽  
Race And Religion

Relationships between religion and comics are generally unexplored in the academic literature. This article provides a brief history of Black religions in comic books, cartoons, animation, and newspaper strips, looking at African American Christianity, Islam, Africana (African diaspora) religions, and folk traditions such as Hoodoo and Conjure in the 20th century. Even though the treatment of Black religions in the comics was informed by stereotypical depictions of race and religion in United States (US) popular culture, African American comics creators contested these by offering alternatives in their treatment of Black religion themes.

scholarly journals Nietzsche’s shadow: On the origin and development of the term nihilism

2020 ◽  
pp. 019145372097545
Author(s):  
Juan Luis Toribio Vazquez
Keyword(s):  
Popular Culture ◽  
Friedrich Nietzsche ◽  
20Th Century ◽  
Cultural Products ◽  
The Past ◽  
Specific Meaning ◽  
Academic Discourses

While the term ‘nihilism’ has become increasingly widespread throughout the past two centuries, not only in academic discourses but in popular culture more widely, there is a surprising lack of consensus regarding its specific meaning. This is perhaps owing to the myriad contexts in which the word has appeared since its inception, which range from specialized works of philosophy to an array of mass-cultural products. This article overviews the emergence and development of the term ‘nihilism’, in order to clarify some of the principal reasons for its prevalence and ambiguity. Having discussed the word’s origin, the article scrutinizes its significance in the early work of Friedrich Nietzsche, who was largely responsible for its popularization, and overviews some of its major appearances throughout the 20th century, in order to show that while Nietzsche stands as the iconic founder of discursivity on nihilism, posthumous uses of the word deviate sharply from his own determinations.

De openbaringen van Jozef Rulof in eschatologisch perspectief

2011 ◽  
Vol 65 (4) ◽  
pp. 307-320
Author(s):  
Klaran Visscher
Keyword(s):  
The Netherlands ◽  
20Th Century ◽  
Kingdom Of God ◽  
The Other ◽  
Religious Movements ◽  
Evolutionary Development ◽  
New Religious Movements ◽  
Early 20Th Century

This article addresses the case of Jozef Rulof, one of the representatives of new religious movements in the early 20th century in the Netherlands. Self-proclaimed prophet and medium in the service of the ‘Cosmic Masters from the Other Side’, he urged his contemporaries to welcome a new cosmic age that would give the initial impetus to the Kingdom of God on Earth - to be realised by humankind itself. In his thinking, strongly based upon the concepts of reincarnation and karma, the end of times refers to the ‘fading’ of the planet as a logical step in the evolutionary development of both humanity and universe.

Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music

2017 ◽  
Vol 4 (1) ◽  
pp. 37-60
Author(s):  
János Fejes
Keyword(s):  
Popular Culture ◽  
Old Testament ◽  
Religious Movements ◽  
Reception Theory ◽  
New Religious Movements ◽  
Metal Music ◽  
History Of ◽  
Extreme Metal ◽  
Northrop Frye ◽  
Wolfgang Iser

AbstractExtreme metal music is held to be a destructive genre of popular culture, treated as a pariah for many. Being a seriously misunderstood genre, I would like to highlight that metal music is a result of conscious work process that cannot only be noticed on the level of the music but on the level of verbal and pictorial expressions too. In my paper, I would like to show the working mechanisms of the so-called “(neo)pagan/mythological metal” movement, focusing on the rhetoric side of its mentioned expressions, searching for the ways these bands rewrite ancient myths and legends.For my research, I will use three main threads: 1) history of religion (looking for the connections of the reception of ancient topics in contemporary society, e.g. New Age Cults and New Religious Movements); 2) reception theory, as the thoughts of Northrop Frye, Wolfgang Iser (1972), and John Fiske (2011) all should help to understand the general processes behind reading and producing texts; 3) subculture studies – e.g. the works of Richard Schusterman and Deena Weinstein (2002) to have a deeper insight to the genres standing on the edge of mass and high culture.After a general introduction, I would like to demonstrate the above mentioned through some case studies. The chosen mythological cultures are going to be the world of the ancient Middle East (Mesopotamia, Egypt, and the Old Testament), the classical Roman world, and the Viking Era, also showing some Hungarian and Romanian examples in the last section. In each section, the following issues should be examined: band and stage names connected to the topic, album titles, lyrics, and album covers. All these together will show us many clear patterns from romantic nostalgia to allegoric concepts, all revolving around the essence of metal music: being a Stranger in a familiar society.

scholarly journals Gesundheit und Heil: Eine ideengeschichtliche Spurensuche zur Einordnung der Mazdaznan-Bewegung in ihren Entstehungskontext

Gesnerus ◽  
2012 ◽  
Vol 69 (2) ◽  
pp. 272-296
Author(s):  
Bernadett Bigalke
Keyword(s):  
20Th Century ◽  
Max Weber ◽  
Religious History ◽  
Religious Movements ◽  
New Religious Movements ◽  
Religious Groups ◽  
Specific Context ◽  
Breathing Exercises ◽  
The Usa ◽  
Life Reform

There are diverse religious groups which have developed special forms of “methodical lifestyle” (Max Weber). Projects of life reform and new religious movements around 1900 brought up specific ways of living and influenced one another in respect to ideas and practices. Using the example of the Mazdaznan-Movement some forms of interdependencies will be demonstrated. Since the group formed in the USA at the turn of the 20th century I will try to contextualize its central practices such as vegetarianism, intestinal care and breathing exercises within the specific context of American cultural and religious history.

scholarly journals CULTURAL AND HISTORICAL CONTEXT OF THE MYTHMAKING OF H.P. LOVECRAFT

2019 ◽  
pp. 137-142
Author(s):  
Denis D. Pyzikov ◽  
Keyword(s):  
Popular Culture ◽  
Science Fiction ◽  
New England ◽  
Cultural Landscape ◽  
Historical Context ◽  
Religious Movements ◽  
New Religious Movements ◽  
Religious Traditions ◽  
Horror Genre ◽  
Western Esotericism

H.P. Lovecraft created an original mythology that has not only become science fiction and fantasy classics, but also determined horror genre development in general. In his literary works, Lovecraft used images derived from both ancient religious traditions and contemporary western esotericism, filling his imaginary worlds with mysterious cosmic creatures. The writer’s cultural and historic environment played a very important role as the cultural landscape of New England and theosophical concepts widespread at that time had a great impact on the author’s work and writing. The original “mythology” invented by Lovecraft later played a key role in development of some new religious movements. Besides, Lovecraft’s mythology and images are reflected in the modern popular culture. The paper analyzes Lovecraft’s works and religious motives that are used or reflected in them, cultural factors that influenced the writer and Lovecraft’s heritage place in occult concepts, practices and subcultures of today.

scholarly journals Six Thinkers in Search of the Author

2020 ◽  
Vol 5 (3) ◽  
pp. 44-67
Author(s):  
Ekaterina B. Kriukova ◽  
Oxana A. Koval
Keyword(s):  
Popular Culture ◽  
20Th Century ◽  
Point Of View ◽  
The Other ◽  
Philosophy And Literature ◽  
Privileged Position ◽  
Literature And Philosophy ◽  
Other Hand ◽  
The One ◽  
Modern Era

The article presents a survey of the 20th century intellectual quests related to the problem of the author and her status. The question of authorship becomes a key issue in the modern era for both philosophy and literature. On the one hand, both fields reflect upon the authorship as their own intrinsic principle, on the other hand, both literature and philosophy question the privileged position of the author as the sole meaning-maker. The undertaken comparison of the original interpretations of the prominent 20th century thinkers allows us: (1) to demonstrate how the ideological content of the concept itself has changed, the author being labeled as a co-participant, producer, collective subject, function within discourse, non-reader, and witness; (2) to introduce different strategies of understanding the author’s figure, depending on the chosen point of view; (3) to trace the logic of the transition from the modern to the postmodern through the explication of relations between the author and the character (M. Bakhtin), the author and his work (W. Benjamin), the author and popular culture (T. Adorno), the author and the discourse (M. Foucault), the author and the letter (M. Blanchot), and the author and the Other (G. Agamben).

scholarly journals Formation and Development of the Iconography of the Mesmeric Seance in the Second Half of the 18th — Late 19th Centuries

2021 ◽  
Vol 11 (2) ◽  
pp. 224-242
Author(s):  
Daria O. Martynova ◽  
◽  
Keyword(s):  
Popular Culture ◽  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
Comic Book ◽  
Wonder Woman ◽  
Patriarchal Society ◽  
The Face ◽  
The 19Th Century ◽  
Second Wave

Analyzing the evolution of the iconography of such a phenomenon as mesmerism in the second half of the 18th — mid-19th centuries, the author shows that the scenario of modern hypnotic representation and its gestures were established by mesmerists in the second half of the 18th century, followers of the parascientific theory that caused discussions and intrigued doctors and artists for centuries. Analyzing the development of the iconography of mesmeric seance, the author identifies two waves of popularity of this subject: the first wave in the 70–80s of the 18th century and the second wave during the first decade of the 19th century and beginning of the 20th century. Such a duration is due to the fascination with the supernatural and inexplicable, reflected in various styles and trends. In this article, the author tries to show how the development of the iconography of the mesmeric seance provoked the appearance of the hypnotist or magician trickster, who became integrated into popular culture that later began to mark the majority of hypnotic actions, spiritualistic sessions or miracle shows. The author also illustrates how the image of a “controller” in the face of a man formed and confirmed the paradigm of a powerless, mysterious and controlled woman. As a result, it is concluded that hypnosis and mesmerism became common theatrical spectacles in the 20th century, cultivating the power of men (patriarchal society) over an exhausted woman, which is reflected in the works of Georges Méliès, Alfred Hitchcock, and even in the comic book Wonder woman.

Alien Sightings and OVNI Culture in Argentina

2018 ◽  
Author(s):  
David M. K. Sheinin
Keyword(s):  
Popular Culture ◽  
Cold War ◽  
20Th Century ◽  
Nuclear Weapons ◽  
Historical Change ◽  
Cultural Consumption ◽  
Late 20Th Century ◽  
Mainstream Media ◽  
Late Night ◽  
The Cold War

During the Cold War, there were thousands of Unidentified Flying Object (UFO) sightings in Argentina (in Spanish, Objeto volador no identificado or OVNI). The mainstream media reported on many of them. In a field termed ufología, some events were explained scientifically or somewhat scientifically; most were not. These sightings and their stories lived on in a culture of thousands of OVNI aficionados and their literatures, frequently spilling into larger popular cultures. OVNI culture disrupts chronologies. It offers a picture of Cold War Argentina that breaks with longstanding popular and academic chronologies that stress a dictatorship-versus-democracy binary. That binary is real. However, OVNI culture superimposes an often-neglected Cold War chronology on the mid- to late 20th century. OVNI stories and their cultural consumption evolve and vary not with reference to violent Argentine political and historical change, but in the context of a larger transnational Cold War culture in an Argentine context. Hallmarks of OVNI culture in Argentina include the enormous influence of U.S. popular culture, as well as references to apocalyptic nuclear weapons, and unscientific notions of psychoses in explaining late-night sightings of spacecraft and extraterrestrials.

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