What is Behind Yinshun’s Re-statement of the Nature of the M?lamadhyamakak?rik?? Debates on the Creation of a New Mah?y?na in Twentieth-century China

2013 ◽  
Vol 29 (2) ◽  
Author(s):  
Stefania Travagnin
Keyword(s):  
Twentieth Century ◽  
Chinese Buddhism ◽  
Textual Scholarship ◽  
Textual Study ◽  
Modern Chinese ◽  
History Of ◽  
The Creation ◽  
Chinese Buddhists ◽  
Contemporary Chinese

Yinshun (1906–2005) is regarded as one of the most eminent monks in twentieth-century Chinese Buddhism. Previous research has argued that Yinshun especially undertook the mission of writing new commentaries on Madhyamaka texts. His efforts provoked a revival of interest towards the Madhyamaka school among contemporary Chinese Buddhists, and a re-assessment of the position of the writings of N?g?rjuna within the history of Chinese Buddhism. This article focuses on Yinshun’s restatement of the nature of the M?lamadhyamakak?rik?, a text that has always been regarded as fundamental in the Madhyamaka/San-lun tradition in China. The first part analyzes Yinshun’s textual study of the M?lamadhyamakak?rik?, examining his approach to the text, and how he came to terms with previous Chinese traditional textual scholarship and canonical scriptures. The second part discusses Yinshun’s interpretation of the text by moving away from the micro-context of Chinese San-lun scholarship, and addressing the macro-context of the modern Chinese understanding of the Mah?y?na.

Chinese Muslims in Transregional Spaces of Mainland China, Taiwan, and Beyond in the Twentieth Century

2018 ◽  
Vol 5 (2) ◽  
pp. 135-155
Author(s):  
Wlodzimierz Cieciura
Keyword(s):  
Twentieth Century ◽  
Social History ◽  
Mainland China ◽  
Religious Activities ◽  
Republic Of China ◽  
Chinese Nation ◽  
Modern Chinese ◽  
Nation States ◽  
Chinese Muslims ◽  
History Of

This article examines the modern social history of Chinese Hui Muslims in the context of transregional connections within and beyond the borders of the two modern Chinese nation-states, the People’s Republic of China and the Republic of China on Taiwan. The article applies Engseng Ho’s concepts for the study of Inter-Asia to the biographical study of several prominent Hui religious professionals and intellectuals. The experiences and personal contributions to the development of modern Chinese Muslim culture of people like Imam Ma Songting are scrutinized, along with political and ideological conflicts over different visions of Chineseness and “Huiness” during the turbulent twentieth century. It is argued that when studying the social history of Chinese Muslims, researchers should not limit themselves to the religious activities of Hui elites that occurred within the confines of the two Chinese nation-states, but should also take into consideration the expansion of those elites’ religious activities abroad and the intensive circulation of knowledge across Inter-Asian spaces in which they participated.

scholarly journals An Electronic Сatalogue of Slobozhanshchina Icons of the Late 18th – Early 20th Centuries: Prerequisites for Creation, Purposes, Functions

2021 ◽  
pp. 109-117
Author(s):  
И.В. Краснова
Keyword(s):  
Twentieth Century ◽  
Cultural Heritage ◽  
Significant Part ◽  
History Museum ◽  
Documentary Sources ◽  
Great Patriotic War ◽  
History Of ◽  
The Creation ◽  
Private Collections ◽  
The Way

В статье обосновывается необходимость создания виртуального каталога слобожанских икон и ставится цель разработки основных характеристик проектируемой электронной коллекции. Проведен анализ документальных источников, использованы результаты исследований российских и украинских ученых. Исследована история музеев Слободской Украины, собиравших произведения иконописи, изучено влияние событий ХХ в. на иконописное наследие Слобожанщины, которое вследствие атеистической кампании 1930-х гг. и действий оккупантов в период Великой Отечественной войны утратило единство и оказалось раздробленным между многочисленными музейными и частными коллекциями. Данный фактор, а также несомненная уникальность региональной иконописной традиции стали предпосылками к разработке концепции электронного каталога, который призван объединить все сохранившиеся на сегодняшний день произведения слобожанской иконописи. The article substantiates the need to create a virtual catalogue of Slobozhanshchina (Sloboda Ukraine) icons and sets the aim of developing the main characteristics of the projected electronic collection. Based on the use of systemic-historical and historical-genetic methods, documentary sources were analysed, the results of research of Russian and Ukrainian historians and culture scientists were studied. The history of museums in Sloboda Ukraine, which collected works of icon painting, is considered; special attention is paid to the Historical and Church Museum. Until the revolutionary events of 1917, this museum’s collections were constantly replenished with new exhibits. The history of the creation of the Museum of Ukrainian Art and the Central Art and History Museum named after Gregory Skovoroda (Museum of Sloboda Ukraine) is analysed. The influence of the events of the twentieth century on the icon-painting heritage of Sloboda Ukraine is considered. This heritage, as a result of the atheistic campaign of the 1930s and the actions of the occupiers during the Great Patriotic War, lost unity and was fragmented between numerous museum and private collections. The consequences of the German fascist invaders’ plunder of the museums of Sloboda Ukraine were especially grave: hundreds of thousands of exhibits were destroyed or taken out of the country. The fact of huge and often irreparable losses in the cultural heritage of Sloboda Ukraine by the middle of the twentieth century is stated. At present, the museums of Sloboda Ukraine have already collected a significant part of icon-painting works (about 500), but this number is not comparable with the richest heritage of Sloboda Ukraine of the beginning of the twentieth century. The author emphasises that a certain number of Slobozhanshchina icons continue to remain in churches and private collections in both Ukraine and Russia. Information about icons received from individuals is insufficient for attribution and museum documentation compilation, so many of the icons have not yet been fully introduced into museum circulation. The way out of this situation, according to the author, is to create an electronic catalogue of Slobozhanshchina icons, which will be a database of icon-painting works from museum and private collections with texts and images. The concept of the electronic catalogue has been developed. The catalogue is designed to unite all the works of Slobozhanshchina icon painting that have survived to date.

scholarly journals BORIS TISHCHENKO. THE TWELVE. CREATION HISTORY AND BASIC COMPOSING PRINCIPLES

Globus ◽  
2021 ◽  
Vol 7 (2(59)) ◽  
pp. 15-18
Author(s):  
Yuri Serov
Keyword(s):  
Twentieth Century ◽  
Soviet Union ◽  
Avant Garde ◽  
Music Score ◽  
The Soviet Union ◽  
History Of ◽  
Clean Air ◽  
The Creation ◽  
Symphonic Music

The article is devoted to the history of the creation and music score of the ballet Twelve based on the poem by A. Blok by the outstanding Russian composer of the second half of the twentieth century Boris Ivanovich Tishchenko. The ballet was staged by the famous Soviet choreographer Leonid Jacobson back in 1964 and became, in fact, the first avant-garde ballet in the Soviet Union. Critics noted Tishchenko’s bright modern symphonic music and Jacobson’s free plastics, which “became a breath of clean air in the rarefied atmosphere of classical epigonism”.

Contemporary Chinese Buddhist Traditions

2016 ◽  
Author(s):  
Mario Poceski
Keyword(s):  
Twentieth Century ◽  
Chinese Buddhism ◽  
Chinese History ◽  
Female Participation ◽  
Republican Era ◽  
Historical Developments ◽  
Contemporary Chinese ◽  
Governmental Control ◽  
Mao Era

The chapter presents an overview of contemporary Chinese Buddhism, broadly conceived, along with a survey of the major historical developments and defining responses to modernity articulated in the course of the turbulent twentieth century. After situating the growth and adaptation of Buddhism within the broad sweep of Chinese history, it highlights the ways in which the Buddhist community tried to revive and to reform its tradition during the Republican era. The central part of the chapter describes the institutional revival and renewed interest in Buddhism during the post-Mao era, along with a discussion of the mechanisms of governmental control over Buddhism. Also covered are the remarkable Buddhist resurgence that over the last several decades has been taking place in Taiwan, the scope of female participation in the development of contemporary Buddhism, and the ongoing globalization of Buddhist organizations and practices.

‘The Axile Tree’

2021 ◽  
pp. 209-259
Author(s):  
Francesca Brooks
Keyword(s):  
Twentieth Century ◽  
Old English ◽  
Catholic Church ◽  
Early Medieval ◽  
Dream Of The Rood ◽  
History Of ◽  
The Creation ◽  
The Cross ◽  
Poetic Sequences ◽  
The Catholic Church

Chapter 5 asks how Jones’s vision of an early medieval culture in which Welsh and English tradition are equally dominant resonates throughout the poem’s eight poetic sequences in the image of the cross. The chapter traces a history of Jones’s encounters with The Dream of the Rood, the Ruthwell monument, and the history of early medieval Northumbria during the 1930s, and explores how this experience of the landscape and history of Northumberland informed his reading of the Old English Dream of the Rood tradition. Jones’s visual and verbal engagement with the Ruthwell monument at the climax of The Anathemata in ‘Sherthursdaye and Venus Day’ allows for the creation of a new sign of the cross for the twentieth century, a sign which draws together the English and Welsh traditions that have informed the institution of the Catholic Church in England and Wales, as well as the poet’s own Catholicism.

Introduction

2018 ◽  
Author(s):  
Kirsten Leng
Keyword(s):  
Twentieth Century ◽  
Scientific Knowledge ◽  
Women's Movement ◽  
Sociology Of Science ◽  
Scientific Work ◽  
Diverse Range ◽  
Early Twentieth Century ◽  
History Of ◽  
The Creation

The Introduction makes a case for gendering the history of sexology; specifically it argues that focusing on women’s ideas facilitates a more complex understanding of sexology as a form of knowledge and power. It begins by introducing the key figures and exploring the kinds of political promise they saw in scientific knowledge. It then challenges the limits of Foucault’s highly influential analysis of sexology by contextualizing sexology’s emergence within the rise of the women’s movement in the later nineteenth and early twentieth century. Moreover, the Introduction draws on the sociology of science to reframe sexology as a field, and thus to argue that sexology was built and animated by a diverse range of actors with disparate investments in the creation of this knowledge. Finally, it discusses the limitations of women’s sexual scientific work and the ambivalent legacy it bequeathed.

Murat Kamaletdinov and the struggle for acceptance of the thrust-nappe theory

2017 ◽  
Vol 36 (1) ◽  
pp. 101-115
Author(s):  
Iskhak M. Farkhutdinov ◽  
Rustem A. Ismagilov ◽  
Anvar M. Farkhutdinov ◽  
Leyla M. Farkhutdinova
Keyword(s):  
Twentieth Century ◽  
Mineral Deposits ◽  
The Urals ◽  
Geological Processes ◽  
History Of ◽  
The Creation ◽  
Oil Gas ◽  
Geologic Processes

This article describes the confrontation between fixist and mobilistic ideas in the USSR in the twentieth century. The history of discovery of the Urals thrust-nappe structure and the creation of the thrust-nappe theory are outlined. The fundamentals of the thrust-nappe theory are considered. These fundamentals allow for the explanation of geological processes and phenomena from the standpoint of mobilism. The geologic processes of interest include orogenesis, folding, magmatism, metamorphism and the formation of mineral deposits such as oil, gas, metal ores, coal and others.

The Simultaneity of Compliance and Resistance (既顺从又抗爭：佛教、虛雲與五十年代的中共政权)

2017 ◽  
Vol 4 (2) ◽  
pp. 215-246
Author(s):  
Hung-yok Ip
Keyword(s):  
Political Context ◽  
The State ◽  
Spiritual Practice ◽  
Modern China ◽  
Communist Regime ◽  
Chinese Buddhism ◽  
Republic Of China ◽  
History Of ◽  
The 1950S ◽  
Chinese Buddhists

To examine the history of Chinese Buddhism in the early Communist regime, I propose to study Xuyun (虛雲, 1840–1958), one of the pre-eminent monks in modern China. I will delineate the ways in which Xuyun brought his religion in line with Marxist politics. To help Buddhism secure a place in the early People’s Republic of China, he took part in the construction of a new Buddhism compatible with socialist ideology. However, I would venture to conceptualize as resistance some of Xuyun’s efforts to preserve Buddhism. This article examines his resistance at two levels. First, while working hard to prove the value of Buddhism to the state, Xuyun mounted what can be regarded as rightful resistance. When possible, he confronted policies and authorities that hurt the sangha, but did so without challenging the legitimacy of theccp. Second, in the 1950s, Xuyun strove to instruct Chinese Buddhists in self-cultivation. As he shared his experience and knowledge about spiritual practice with fellow Buddhists, he showed them, especially monastics, how to uphold Buddhist ideals in a political context marked by hostility towards religions.為了探究五十年代中共政權下的佛教歷史，本文探討現代中國最傑出的法師之一，虛雲法師 (1840–1958) 如何調整自己的宗教来適應馬克思主義政權。為了使佛教能夠在新中國成立之初生存，虛雲法師參與了構建與社會主義意識形態相適應的新佛教。但是，本文進一步嘗試把虛雲法師保存佛教的一些努力定義為抗爭，細究他在如下兩個方面的反抗：首先，在向國家證明佛教價值的同時，虛雲始終在正當性的名義下進行抗爭。在不挑戰中共政權合法性的前提下，他試圖抵抗對僧團不利的政策和政治權威。其次，虛雲法師在50年代堅持延續佛教、特别是禪宗的修行傳統。他希望佛門弟子，尤其是僧人，能在反宗教的政治氣候下繼續延續佛教的理念—这，對虛雲而言，是更重要的抗爭。

scholarly journals Paramārtha’s Ultimate Truth and the Development of Chinese Buddhism’s Ultimate Truth

Religions ◽  
2021 ◽  
Vol 13 (1) ◽  
pp. 17
Author(s):  
Sijia Wang ◽  
Huanhuan He
Keyword(s):  
Chinese Buddhism ◽  
Core Concept ◽  
Ultimate Truth ◽  
Chinese Buddhists ◽  
Southern And Northern Dynasties ◽  
The Relationship ◽  
Contemporary Chinese ◽  
Partial Translation ◽  
Conventional Truth ◽  
Southern Dynasties

This paper discusses the development of ideas of the ultimate in the thought of Chinese Buddhism in the Northern and Southern Dynasties. The concept of ultimate truth is, along with that of conventional truth, a core concept in Mahāyāna Buddhism. During the Sui Dynasty, Chinese Buddhism developed the unique perspective of the Three Truths, the foundation for which was formed during the Southern and Northern Dynasties. This begins with Jie jie Jing 解節經 (in full, Foshuo Jiejie Jing 佛說解節經) by Paramārtha (499–569), which is a partial translation of Saṃdhinirmocanasūtra and presents the theory of ultimate truth (paramārtha) to Chinese Buddhists. Through a comparison of Jiejie Jing with other Chinese and Tibetan translations of Saṃdhinirmocana-sūtra, we establish Paramārtha’s thoughts on the ultimate. The relationship between Paramārtha’s thought on the ultimate and the development of the Three Truths is evaluated in a comparison of Paramārtha’s thoughts on ultimate truth with the thinking of nearly contemporary Chinese monks.

scholarly journals The bus transport development in Malta

2019 ◽  
Vol 20 (1-2) ◽  
pp. 35-40
Author(s):  
Agata Pomykała
Keyword(s):  
Twentieth Century ◽  
Public Services ◽  
Quality Of Services ◽  
Quality Requirements ◽  
History Of ◽  
The Creation ◽  
Bus Transport ◽  
Minimum Quality

The aim of the article is the presentation the history of the creation and development of bus transport in Malta, including the beginning of bus transport in the first years of the twentieth century. It also presents the reforms from the 1970s and changes that have occurred in recent years. Bus transport was covered the system of contracted public services with specification of minimum quality requirements, which led to the optimization and modernization of the bus park, improvement of the quality of services and increase in the number of passengers.

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