scholarly journals A Comparative Reading of Oriental and Western Romantic Poetry - Focusing on the Chinese Poet LiBai and the English Poet William Wordsworth

2018 ◽  
Vol null (43) ◽  
pp. 297-320
Author(s):  
손현 ◽  
김지영
Keyword(s):  
William Wordsworth ◽  
English Poet ◽  
Romantic Poetry

Madness Writing Poetry/ Poetry Writing Madness

2017 ◽  
Author(s):  
James Whitehead
Keyword(s):  
William Wordsworth ◽  
Samuel Taylor Coleridge ◽  
English Literature ◽  
Percy Bysshe Shelley ◽  
John Keats ◽  
William Blake ◽  
Lord Byron ◽  
The Public ◽  
John Clare ◽  
Romantic Poetry

The final chapter returns to the scene of Romantic poetry, looking at poetry by William Blake, William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley, and John Clare. It reads these Romantic texts as poised articulations of the idea of poetic madness, and discusses generally how these writers contributed to, or interwove with their own lives and works, new and rediscovered mythologies of madness, sometimes anticipating or resisting the public images created by journalism, criticism, or biography, previously described. Finally, the Romantic mad poet is considered in relation to criticism and the canonical role of Romanticism in English literature.

scholarly journals THE POEMS OF WILLIAM WORDSWORTH: AN ECOCRITICAL OVERVIEW

2017 ◽  
Vol 4 (1) ◽  
pp. 55-58
Author(s):  
Vasuki A
Keyword(s):  
William Wordsworth ◽  
English Literature ◽  
Human Being ◽  
Critical Approach ◽  
General Belief ◽  
Critical Studies ◽  
Romantic Poetry ◽  
Romantic Poet ◽  
Man And Nature ◽  
The Relationship

Eco-criticism emerged in the 1990’s and the critics changed their angles of vision and examined the works of art by focusing on the relationship between man and Nature. William Words worth, in particular, became the key icons of eco-critical studies. Wordsworth was a major English Romantic poet who has beenconsidered as a forerunner of English Romanticism. His views towards Nature and man’s treatment of Nature have supported his position as an important icon of eco-critical studies. His fame lies in the general belief that he has been viewed as a Nature poet who viewed Nature superior to humans. In other words, his views about Nature and his poems seek to heal the long-forgotten wounds of Nature in the hope of reaching unification between man and Nature. With the emergence of Eco-criticism as a new critical approach in the 1990’s, Romantic poetry, in general, and William Wordsworth, in particular, became the icons of eco-critical studies. He was the foremost Romantic poet who cared for the creation of symbiosis between man and Nature. William Wordsworth was a major English Romantic poet who is considered as a forerunner of English Romanticism. His contributions to the repository of English literature are undoubtedly a token of hisgreatness among his contemporaries. His views towards Nature and man’s treatment of Nature have supported his position as an important icon of eco-critical studies. His fame lies in the general belief that he has been viewed as England’s greatest Nature poet who viewed Nature superior to human being whosesurvival is dependent upon Nature. Wordsworth intends to show the value of survival of human being in Nature. Though literary critics talked about the eco-critical concepts in the past, the present paper highlights a recent literary approach to Eco-criticism studies, “the relationship between literature and physicalenvironment” in the poems of William Wordsworth.

Romantic Italy and Restoration Politics: Romantic Poetry, Lady Morgan’s Italy and Mary Shelley’s Valperga

2019 ◽  
pp. 29-61
Author(s):  
Patricia Cove
Keyword(s):  
William Wordsworth ◽  
Historical Novel ◽  
Lord Byron ◽  
Status Quo ◽  
Cultural Appropriation ◽  
Felicia Hemans ◽  
Territorial Expansion ◽  
Romantic Poetry ◽  
Romantic Era

Chapter 1 analyses Romantic-era responses to the Congress of Vienna and 1820-1 Italian uprisings, with attention to Lady Morgan’s travelogue Italy (1821) and Mary Shelley’s historical novel Valperga (1823). Although the tropes of decay and rebirth that pervade British Romantic poetry about Italy by William Wordsworth, Felicia Hemans, Lord Byron and P. B. Shelley tend to elide contemporary Italy in favour of a distant, idealised past and imminent but imagined future, Morgan and Shelley historicise Italy to demonstrate that outside influence and occupation shaped the peninsula, while Italy mediated the major European powers’ views of themselves and each other. Morgan and Shelley place Italy, a cluster of minor states, within a broad, European context of cultural appropriation, imperialist territorial expansion and failed diplomacy, to interrogate the discourse of Italian decay and offer, instead, Italy as a potential site of concrete resistance to the post-Napoleonic status quo.

Slow Time

PMLA ◽  
2019 ◽  
Vol 134 (2) ◽  
pp. 315-331 ◽  
Author(s):  
Jonathan Sachs
Keyword(s):  
William Wordsworth ◽  
John Keats ◽  
Conscious Awareness ◽  
Charlotte Smith ◽  
Slow Time ◽  
Apparent Lack ◽  
Rates Of Change ◽  
Rapid Social Change ◽  
Romantic Poetry ◽  
Fine Detail

This essay identifies a tension between speed and slowness that emerged circa 1800, when a self-conscious awareness of seemingly rapid social change intersected with the enhanced understanding of slowness developing in geological theory. Focusing on Charles Lyell, William Wordsworth, John Keats, and Charlotte Smith, the essay shows how Romantic poetry and geology think together about slow time and incongruous temporality. Slow time raises formal problems about how to represent temporal processes that operate below the level of the visual and the tangible. he slow time of geology ultimately offered Romantic poetry a new sense of how an apparent lack of eventfulness can be understood as eventful when placed on a longer timeline. Romantic poetry, in turn, drew in fine detail on geology's expanded scales of temporality to offer an imaginative understanding of the infinitesimal rates of change and the gradual processes central to slow time.

Lyric Population and the Prospects of Police

2021 ◽  
pp. 116-160
Author(s):  
Sal Nicolazzo
Keyword(s):  
Eighteenth Century ◽  
William Wordsworth ◽  
Historical Narrative ◽  
East India Company ◽  
Police Reform ◽  
Mary Robinson ◽  
Romantic Poetry ◽  
Legal Subjectivity ◽  
Global War

This chapter offers a new reading of vagrancy in early Romantic poetry. By reading the poetry of Mary Robinson against the backdrop of police reform and vagrancy law at the end of the eighteenth century, it proposes a turn away from lyric or legal subjectivity in order to see other crucial poetic valences of what can be termed “Romantic vagrancy.” Robinson not only pushes one to reconsider a literary-historical narrative that has long been dominated by William Wordsworth, but also offers an engagement with vagrancy that theorizes law and lyric as intersecting precisely where legal persons and lyric subjects disappear. Tracing how Robinson's collection brings rural English poverty into the same frame as global war, the scandal of destitute Asian sailors stranded in London by the East India Company, the Sierra Leone colonization project, and the role of police reformers in reshaping dockside labor in London, the chapter argues that poetic vagrancy allows one to understand its most iconic recurring image — the dispossession of the rural English poor — as an optic for invoking vast scales and distant populations. Vagrancy's relation to police, especially as a mode of governmentality that spanned scales from local to global, is in fact crucial to its poetic redeployment.

Wordsworth and the Druids

2009 ◽  
Author(s):  
MATTHEW CAMPBELL
Keyword(s):  
William Wordsworth ◽  
Seasonal Cycle ◽  
English Poetry ◽  
English Poet ◽  
The Wanderer

This lecture presents the text of the speech about English poet William Wordsworth and the druids delivered by the author at the 2008 Warton Lecture on English Poetry held at the British Academy. It provides an analysis of the beginning of Book III of The Excursion and explains the concepts of the Poet, the Wanderer, and the Solitary. The lecture suggests that Wordsworth's characters inhabit a common land until modernity takes it away from them, and that this dissolves the natural regenerative seasonal cycle in which humans now find it so difficult to live and work.

The Connected Condition

2019 ◽  
Author(s):  
Yohei Igarashi
Keyword(s):  
William Wordsworth ◽  
Samuel Taylor Coleridge ◽  
John Keats ◽  
Literary Reading ◽  
Mediated Communication ◽  
Modern Culture ◽  
Romantic Poetry ◽  
The World ◽  
Artistic Medium ◽  
Great Attraction

How can Romantic poetry, motivated by the poet’s intense yearning to impart his thoughts and feelings, be so often difficult and the cause of readerly misunderstanding? How did it come to be that a poet can compose a verbal artwork, carefully and lovingly put together, and send it out into the world at the same time that he is adopting a stance against communication? This book addresses these questions by showing that the period’s writers were responding to the beginnings of our networked world of rampant mediated communication. The Connected Condition reveals that major Romantic poets shared a great attraction and skepticism toward the dream of perfectible, efficient connectivity that has driven the modern culture of communication. Samuel Taylor Coleridge, William Wordsworth, Percy Shelley, and John Keats all experimented with their artistic medium of poetry to pursue such ideals of speedy, transparent communication at the same time that they tried out contrarian literary strategies: writing excessively ornate verse, prolonging literary reading with tedious writing, being obscure, and questioning the allure of quickly delivered information. This book shows that the Romantic poets have much to teach us about living in—and living with—the connected condition, as well as the fortunes of literature in it.

scholarly journals Romantic Elements in Laxmiprasad Devkota’s Muna-Madan

2020 ◽  
Vol 35 (2) ◽  
pp. 103-115
Author(s):  
Dharma Bahadur Thapa
Keyword(s):  
William Wordsworth ◽  
Bertrand Russell ◽  
Folk Culture ◽  
Romantic Poetry ◽  
Lyrical Ballads ◽  
The Common ◽  
Poetic Work

This article is an attempt to study Laxmiprasad Deckota’s poetic work Muna-Madan to see how much it concords the romantic philosophical parameters. It analyses the textual properties of the work on the basis of romantic principles and philosophy propounded by William Wordsworth in his famous essay “Preface to Lyrical Ballads.” It also invokes C. W. F. Von Schlegel’s poetic theory and the philosophically grounded definitions of romanticism given by authors like Bertrand Russell, Justin and Gaarder. Finally the paper comes to the conclusion that Devkota’s Muna-Madan contains all the major characteristics like strong subjectivism, foregrounding of folk culture, privileging the common over the sophisticated and spiritualization of nature that a romantic poetry should possess.

scholarly journals Nature as a Motif in Arabic Andalusian Poetry and English Romanticism

2020 ◽  
Vol 1 (2) ◽  
pp. 52-61
Author(s):  
Ghassan Aburqayeq
Keyword(s):  
William Wordsworth ◽  
World Literature ◽  
Distant Reading ◽  
Literary Traditions ◽  
Romantic Poetry ◽  
Cultural Dialogue ◽  
Arabic And English ◽  
Scholarly Collaboration ◽  
Literary Devices ◽  
Recurrent Theme

This paper examines some tenets in the Andalusian and Romantic poetry and shows how poets such as Ibrahim Ibn Khafāja (1058-1138) and William Wordsworth (1770 –1850) used nature as a motif in their poetry. Relying on a historical approach, this paper links smaller features such as themes and literary devices in the Andalusian and Romantic poetry with larger features, including genre, traditions, and cultural system. I argue that the emphasis on both the larger and smaller features of poetry creates what Franco Moretti calls “distant reading.” Comparing and contrasting Ibn Khafāja’s “the Mountain” and Wordsworth’s “the Daffodils,” for instance, introduces nature as a recurrent theme in both Andalusian and Romantic literary traditions, reinforcing Johann Wolfgang Goethe’s description of poetry as a common possession of humanity” (Goethe 229). In addition to that, comparing the images and themes in both the Andalusian and Romantic poetry not only shows internally linked meanings, but it creates what Cesar Domínguez, et al, call “a space for polyglottism, multidisciplinarity, scholarly collaboration” (75). Reading these works and movements closely and distantly serves as a cross-cultural dialogue between the Arabic and English poetic conventions. While Ibn Khafāja and Wordsworth lived in different places and times, wrote in different languages, and did not have the same socio-political circumstances, their poems show the richness and multiplicity of the historical experience of world literature.

Sign in / Sign up

Export Citation Format

Share Document