scholarly journals THEODORE DREISER’S AUTOGEOGRAPHY: THREE TRAVELOGUES ABOUT FOUR WORLDS

Author(s):  
Daria D. Kuzina ◽  

The article provides a comparative analysis of the three travel books by Theodore Dreiser: A Traveler at Forty (1913), A Hoosier Holiday (1916), and Dreiser Looks at Russia (1928). The last one is also correlated with the publication of Theodore Dreiser’s Russian Diary by the University of Pennsylvania in 1996. The history of writing the book about the USSR and publishing it in Russia has been studied and commented on in sufficient detail by modern researchers. This article is the first attempt in literary criticism to compare the three books. The study presents not only a comparative but also a textual analysis of these travelogues, discovers patterns linking the books both chronologically and stylistically and turning them into a kind of autobiographical trilogy. For Dreiser, the study of three worlds (European, American and Soviet) is inseparable from the study of the fourth world – the world of his own consciousness. The analysis of the three travel books is provided in a biographical context, which allows a deeper and more thorough analysis of their factual and emotional content. The focus of the study is the problem of Theodore Dreiser’s self-identification as a writer and as American, which formed being influenced by travel impressions received during trips to European countries, including Germany – Dreiser’s historical homeland, America, including his native state Indiana, and across Soviet Russia on the eve of the so-called ‘great turning point’. Based on the study conducted, there are expressed some theoretical considerations regarding the interaction between the concepts of stereotype and reality in the space of literary text, and also the correlation between documentary and artistic principles in a travelogue. The article presents excerpts from A Traveler at Forty and A Hoosier Holiday translated into Russian. These travelogues have never been translated and published in Russia.

1942 ◽  
Vol 13 (4) ◽  
pp. 438
Author(s):  
Robert E. Spiller ◽  
Edward Potts Cheyney ◽  
Cornell M. Dowlin ◽  
Agnes Addison

1992 ◽  
Vol 1 (1) ◽  
pp. 19-24 ◽  
Author(s):  
JE Lynaugh ◽  
J Fairman

This article previews selected findings of the American Association of Critical-Care Nurses History Project that is being conducted under the auspices of the Center for the Study of the History of Nursing at the University of Pennsylvania. Using methods of social history research, we reviewed pertinent literature, studied documents of institutions and organizations, and interviewed a broad array of participants. Analysis of this evidence resulted in a history of the evolution of nursing and hospital care for patients with life-threatening illnesses during the 40-year period since 1950. We explored the effects of changing public and professional ideas about the nature of critical illness, the effects of technology, and the historical dimensions of critical care nursing. Special attention was given to the events and circumstances that led to the development of AACN and the reciprocal relationships between AACN and the care of critically ill people.


1963 ◽  
Vol 16 (1) ◽  
pp. 11-14
Author(s):  
Rudolf Hirsch

This summary description of 143 recently acquired Italian Renaissance manuscripts is not a detailed list nor an evaluation of the collection. An evaluation would require considerably greater familiarity with the business history of Florence than this reporter possesses.According to the limited information available, the entire group of these business records originally formed part of the Gondi archives, described by Roberto Ridolfi in Gli archivi delle famiglie fiorentine. More specifically it belonged to that part of the Gondi archives which was left by the sisters Caterina (b. 1694) and Elisabetta (b. 1693), descendants of Giuliano il Vecchio, to the Ritiro della Quiete in Florence. Ridolfi refers rather briefly to the commercial papers then in the Ritiro, but fails to explain how they came to include so few Gondi and so many Medici and Amadori volumes.


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