scholarly journals The mode of co-relation of yeohang(閭巷) intellectuals made in the early 20th century in the late 19th century−Influence relationship with ‘yuggyo(六橋)’ poet society−

2017 ◽  
Vol null (71) ◽  
pp. 153-178
Author(s):  
Choi-Sik
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Early 20Th Century ◽  
Late 19Th Century ◽  
Made In

scholarly journals Points of convergence between logical empiricism and inductive metaphysics: Hans Reichenbach and Erich Becher in comparison

Synthese ◽  
2021 ◽  
Author(s):  
Ansgar Seide
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Vienna Circle ◽  
External World ◽  
Logical Empiricism ◽  
Natural Sciences ◽  
Early 20Th Century ◽  
Late 19Th Century ◽  
Hans Reichenbach

AbstractIn this paper, I take a closer look at Hans Reichenbach’s relation to metaphysics and work out some interesting parallels between his account and that of the proponents of inductive metaphysics, a tradition that emerged in the mid- and late 19th century and the early 20th century in Germany. It is in particular Hans Reichenbach’s conception of the relation between the natural sciences and metaphysics, as displayed in his treatment of the question of the existence of the external world, that shows some very interesting similarities with inductive metaphysics. By a comparison with the position of the inductive metaphysician Erich Becher and his handling of the problem of realism, I work out the parallels between Reichenbach’s program and inductive metaphysics. I come to the conclusion that while there are certainly some respects in which Reichenbach’s logical empiricism is closer to the positions of the representatives of the Vienna Circle, it turns out that with regard to his views on metaphysics there is a greater affinity with the program of inductive metaphysics.

scholarly journals JOAQUÍN COSTA I REGENERACJA HISZPANII

2018 ◽  
pp. 359-373
Author(s):  
Dominika Gołaszewska-Rusinowska
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Political System ◽  
The Political ◽  
Early 20Th Century ◽  
Political Movement ◽  
Late 19Th Century

This case study focuses on the life and work of Joaquín Costa. He was a Spanish intellectual who in late 19th century and early 20th century started the intellectual and political movement called Regenerationism. This movement emerged in response against the political system of Spanish Restoration.  

scholarly journals The Birth and Death of the Russian House in the Priargun’ie Three Rivers Region, People’s Republic of China (1)

Folklorica ◽  
2015 ◽  
Vol 18 ◽  
Author(s):  
Vladimir Klyaus
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Early 20Th Century ◽  
Traditional Practices ◽  
Soviet Rule ◽  
Late 19Th Century ◽  
Republic Of China ◽  
Three Rivers Region ◽  
Three Rivers ◽  
Over Time

This article considers the remnants of Russian ritual practices surrounding houses in the Priangun’ie region of China. This region was populated by Russians from the late 19th century on. A large group of immigrants (Russian, Tungus and Buriat) immigrated there from the Transbaikal region of Russia after the establishment of Soviet rule in the early 20th century. The paper examines what remains of Russian traditional practices, how they have been blended with native Chinese traditions, and adapted over time to reflect intermarriage between people of Chinese or Tungus and Russian descent.

Diagramming Practice and Performance

10.1068/d51j ◽  
2005 ◽  
Vol 23 (1) ◽  
pp. 119-147 ◽  
Author(s):  
Derek P McCormack
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Rhythmic Movement ◽  
Cultural Transformation ◽  
The Body ◽  
Early 20Th Century ◽  
Architectural Theory ◽  
Late 19Th Century ◽  
Geographical Research ◽  
And Performance

In this paper I seek to apprehend some of the powers of nonrepresentational practice and performance through an encounter with the rhythmic movement of the body. I concentrate on eurhythmics, a practice that emerged in Geneva in the late 19th century and early 20th century as an effort to improve musical appreciation through rhythmic movement. Drawing on work in cultural and architectural theory, I argue that the historical and cultural geographies of eurhythmics can best be apprehended diagrammatically. Specifically, I situate eurhythmics in diagrammatic relation to the corporeal kinaesthetics of rhythmic movement, to practices of social and cultural transformation, and to architectures of performative potential. By apprehending the geographies of eurhythmics in this way, I not only work to demonstrate that nonrepresentational styles of thinking and working multiply rather than undermine the field of power in which geographers move, but also present a sense of how these powers can become implicated in the very practice and performance of geographical research.

Oceanography, but not As A Profession: Its Status in Greece During the Late 19th and the Early 20th Centuries

1998 ◽  
Vol 17 (1) ◽  
pp. 32-40 ◽  
Author(s):  
George Vlahakis
Keyword(s):  
World War Ii ◽  
20Th Century ◽  
19Th Century ◽  
Scientific Practice ◽  
International Standards ◽  
Early 20Th Century ◽  
World War ◽  
Late 19Th Century ◽  
Systematic Character

Although oceanography in Greece reached international standards only recently, it has its origins as an independent scientific practice in the late 19th century due to the work of Andreas Miaoulis, a brilliant officer of the Hellenic Navy who cooperated with the English admiral Arthur Mansel for the solution of the Euripus problem. During the early 20th century oceanographic studies took a more systematic character under the supervision of the Hellenic Thalassographic Committee and several reports and books were published before World War II, which interrupted the evolution of oceanography in Greece.

scholarly journals TRANSLATED LITERATURE IN COCHINCHINA IN THE LATE 19th CENTURY AND IN THE EARLY 20th CENTURY

2010 ◽  
Vol 13 (1) ◽  
pp. 5-12
Author(s):  
Nhon Van Vo
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Chinese Literature ◽  
Early 20Th Century ◽  
Cultural Backgrounds ◽  
Late 19Th Century ◽  
Literary Genres ◽  
Western Literature ◽  
The North ◽  
Translated Literature

Being colonized by France, Cocochina (the South of Vietnam) was the region where Western literature was introduced into earlier than the North. Truong Minh Ky was considered the first translator of Western literature in Vietnam. His earliest works of translation appeared in 1884. By the early 20th century, introduced to Vietnamese readers were Western literary works not only of French origin but also of British, American and Russian origins; not only poetry, prose but also drama. In the late 19th century, many writers such as Truong Vinh Ky, Huynh Tinh Cua were interested in Chinese literature. In the first decade of the 20th century, a wide variety of Chinese novels were translated into Vietnamese, forming a strong movement of translating "truyen Tau” (Chinese fictions). The remarkable characteristics of the translation of Western literature in Cochinchina were as follows - The newspapers and magazines in “Quoc Ngu” (Vietnamese language written in Latin characters) where the first works of translation were published played very important role. - The translators were greatly diverse, coming from different social and cultural backgrounds. - More translation was made on prose. Novels of martial arts, historical stories, novels of heroic deeds attracted the attention of the translators and the publishers. Therefore, they were translated much more than romance novels were, because of their compatibility with popular audience. - By translating the works of Western literature, the writers tried to express new concepts of humanism, such as women rights, or gender issues. Translated literature in Cocochina in the late 19th and early 20th centuries reflects a paradox: Western influences started to leave their marks but the Chinese influence was still strongly engraved. However, this was a remarkable step in the journey of modernization of national literature. Through these early translated works, new literary genres were introduced and Vietnamese readers gradually became familiar with them. Translation experiences were the first steps for Cocochina writers to achieve thorough understanding, to learn Western writing techniques and styles, which helped them become the pioneers of new literature in Vietnam.

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