scholarly journals Analysis of Female Masculinity During Wartime in The Night Watch From the Perspective of Gender Performativity

2021 ◽  
Vol 11 (5) ◽  
pp. 528-532
Author(s):  
Lin Wu ◽  
Chenyu Bai
Keyword(s):  
World War Ii ◽  
Gender Identity ◽  
Gender Equality ◽  
The Novel ◽  
Binary Opposition ◽  
World War ◽  
Gender Performativity ◽  
Female Masculinity ◽  
Compulsory Heterosexuality ◽  
Before And After

The novel The Night Watch（2006）by Sarah Waters, a contemporary British novelist, tells the story of four women whose fortunes were intertwined before and after World War II. By Judith Butler’s theory of gender performativity, this paper analyzes the wartime female images in the novel. Women’ s wartime drag subverts the binary opposition of people’s presupposed notion about sex and women’ s occupation of men’ job that breaks the fictitious perception of gender opposition; the lesbian love affairs challenge the compulsory heterosexuality. Through the interpretations of the feminist thoughts conveyed by Waters in The Night Watch and Butler’s theory of gender performativity, it can be discovered that the nature of gender identity is actually fictional and can be constructed, reflecting the appeal for gender equality.

scholarly journals The Struggle of a Geisha in Maintaining Her Pride as Seen in Arthur Golden’s Memoirs of a Geisha

2019 ◽  
Vol 2 (2) ◽  
pp. 7-13
Author(s):  
Ramiyati Handriyani ◽  
Amelia Yuli Astuti
Keyword(s):  
World War Ii ◽  
Structural Theory ◽  
Second World War ◽  
Female Character ◽  
The Novel ◽  
World War ◽  
Before And After ◽  
The Subject ◽  
Basic Ideas ◽  
Second World

This thesis is entitled "The Struggle of Geisha in Maintaining Her Pride as seen in Arthur Golden's Memoirs of a Geisha" seen from the perspective of structuralism. This research is limited on basic ideas that relate to the observation into three questions as follow: (1) how is geisha’s life before World War II (2) how was the geisha struggle after World War II, and (3) how is geisha maintaining her  pride before and after second world war. The objectives of this research were (1) to analyze Sayuri’s life before World War II (2) to explain Sayuri's life after World War II, and (3) to study and explain the types of struggles in maintaining her pride by Sayuri as the main female character , to oppose and think of Sayuri's struggle to fight exploitation and significant meaning, and to find out and explain the depiction of Sayuri's struggle. The theory used is from Gough and Gautam about the structural analysis used to answer the purpose of this research. For the method of data analysis, the author uses systematic procedures with novel understanding and structural theory. Data collection techniques use documentation techniques in finding data that is relevant to the subject of analysis. The object of this research is a novel entitled Memoirs of a Geisha written by Arthur Golden in 1997 and the data are sentences related to the struggle of a woman found in the novel. Sayuri as the main female character in the novel represents women in general who can gain their independence and have a smart and brave attitude to take the important decisions in their life.

scholarly journals Normative Women and Patriarchal Hegemony in Ariyoshi Sawako’s Hanaoka Seishu no Tsuma (1966)

IZUMI ◽  
2021 ◽  
Vol 10 (1) ◽  
pp. 143-155
Author(s):  
Nina Alia Ariefa ◽  
Andhika Pratiwi
Keyword(s):  
World War Ii ◽  
Women Characters ◽  
Feminist Criticism ◽  
The Novel ◽  
Female Characters ◽  
World War ◽  
Gender Performativity ◽  
Edo Period ◽  
Japanese Female ◽  
Female Figures

This research examines the depiction of normative women in the Edo period (1603-1868) in the novel entitled Hanaoka Seishu no Tsuma (1966) by Ariyoshi Sawako, a Japanese female writer in the post World War II Showa era. Reflecting on the novel’s normative female characters, it analyzes the silenced voices of women. It will contribute to the discussion on how the normative female figures criticizing the patriarchal hegemony that has not been revealed in the literary canon of the Edo period. This research shows how normative women characters are presented in the text as a feminine strategy to criticize this hegemony. The researchers use feminist criticism theory from Butler’s gender performativity (1990). The study concludes that although normative women characters are commonly represented as men dominating women, those can also be used to criticize the patriarchal hegemony.

The Fascist Turn in the Dance of Serge Lifar

2020 ◽  
Author(s):  
Mark Franko
Keyword(s):  
Nineteenth Century ◽  
World War Ii ◽  
World War I ◽  
Critical Reception ◽  
World War ◽  
Close Attention ◽  
Before And After ◽  
Gradual Development ◽  
Critical Discourses

This book is an examination of neoclassical ballet initially in the French context before and after World War I (circa 1905–1944) with close attention to dancer and choreographer Serge Lifar. Since the critical discourses analyzed indulged in flights of poetic fancy a distinction is made between the Lifar-image (the dancer on stage and object of discussion by critics), the Lifar-discourse (the writings on Lifar as well as his own discourse), and the Lifar-person (the historical actor). This topic is further developed in the final chapter into a discussion of the so-called baroque dance both as a historical object and as a motif of contemporary experimentation as it emerged in the aftermath of World War II (circa 1947–1991) in France. Using Lifar as a through-line, the book explores the development of critical ideas of neoclassicism in relation to his work and his drift toward a fascist position that can be traced to the influence of Nietzsche on his critical reception. Lifar’s collaborationism during the Occupation confirms this analysis. The discussion of neoclassicism begins in the final years of the nineteenth-century and carries us through the Occupation; then track the baroque in its gradual development from the early 1950s through the end of the 1980s and early 1990s.

scholarly journals Jesse Shera, The Wars and The Pietá

2017 ◽  
Vol 11 (2) ◽  
Author(s):  
Rodrigo Porto Bozzetti ◽  
Gustavo Saldanha
Keyword(s):  
World War Ii ◽  
Social Epistemology ◽  
Information Science ◽  
World War ◽  
Social Approach ◽  
Theoretical Formulation ◽  
Social Nature ◽  
The Future ◽  
Before And After ◽  
The Subject

The purpose of this paper, considering the relevance of Shera thoughts and its repercussions, is to reposition, in epistemological-historical terms, Jesse Shera’s approaches and their impacts according to a relation between life and work of the epistemologist. Without the intention of an exhaustive discussion, the purpose is to understand some unequivocal relations between the Shera critique for the context of its theoretical formulation and the consequences of this approach contrary to some tendencies originating from the technical and bureaucratic roots of the field (before and after World War II). It is deduced that Shera, rather than observing the sociopolitical reality and technical partner in which the texture of alibrary-based thought (but visualized by him as documentaryinformational), establishes, in his own praxis, social epistemology as a sort of "critique of the future," that is, as a praxis of the reflexive activity of the subject inserted in this episteme. In our discussion, the epistemological-social approach represents a vanguard for the context of its affirmation, a reassessment for the immediate decades to its presentation(years 1960 and 1970) and a critique for the future of what was consolidated under the notion of information Science, anticipating affirmations of "social nature" of the 1980s and 1990s in the field of information.

scholarly journals TRANSITION TO THE SECOND GREEN REVOLUTION IN THE CONDITIONS OF ACCOUNT TO DIGITAL ECONOMY

2018 ◽  
Keyword(s):  
World War Ii ◽  
Information And Communication Technologies ◽  
Green Revolution ◽  
Animal Husbandry ◽  
Digital Economy ◽  
Digital Information ◽  
World War ◽  
Before And After ◽  
Information And Communication ◽  
The Moment

the problems of the transition to the second green revolution in the context of tak-ing into account the digital economy were considered from the state of the moment of Russian agri-culture in 1913, taking into account both the yield, harvesting and export of cereals and the number of horses and cattle before and after the First World War, after the Civil War, on the eve and after World War II. The situation of mechanization of agriculture and the transition to intensive produc-tion and supply by defense consumers with the transition to the first green revolution and the inten-sive development of animal husbandry with the Italian technology of megacomplexes of pig and poultry farming with the import of corn to feed them are considered. The balance of feed is practically not achieved due to the intensive export of cereals, mainly wheat, corn and soybeans abroad. The increase in the production of various grain crops is currently possible only due to the transition to intensification of their production, the introduction of biomineral fertilizers in the framework of the second green revolution and the consideration of the prospects of digital information and communication technologies in the development of the digital economy.

scholarly journals Moving Lightly over the Earth

2021 ◽  
Author(s):  
Giovanni Spissu
Keyword(s):  
World War Ii ◽  
Lived Experiences ◽  
The Novel ◽  
World War ◽  
Unemployed People ◽  
The Earth ◽  
Ethnographic Observation ◽  
The Future ◽  
Specific Meaning ◽  
The Town

In the novel The Rings of Saturn (1995), the German writer W. G. Sebald recounts his solitary journey to the town of Suffolk (UK) at the end of his years, while he also reflects on some of the dramatic events that shaped World War II and his personal memories. In this work, he takes on a particular narrative tactic defined by the interaction between the text and images that creates a special type of montage in which he seems to draw from cinematic language. I argue that, drawing on Sebald’s work, we can imagine a form of ethnographic observation that involves the creation of a cinematic map through which to explore the memories and imagination of individuals in relation to places where they live. I explore the day-to-day lived experiences of unemployed people of Sulcis Iglesiente, through their everyday engagement with, and situated perceptions of, their territory. I describe the process that led me to build Moving Lightly over the Earth, a cinematic map of Sulcis Iglesiente through which I explored how women and men in the area who lost their jobs as a result of the process of its deindustrialization give specific meaning to the territory, relating it to memories of their past and hopes and desires for the future.

scholarly journals Ciało, trup, śmierć w utworze Götz i Meyer Davida Albahariego

2019 ◽  
Vol 168 ◽  
pp. 553-564
Author(s):  
Sabina Giergiel
Keyword(s):  
World War Ii ◽  
The Body ◽  
The Novel ◽  
World War ◽  
City Center ◽  
Independent State ◽  
The City

Body, corpse and death in David Albahari’s Gotz and MeyerThe article investigates the broadly understood record of Jewish death that emerges from the text of the Serbian prose writer David Albahari. Emphasizing the dominance of economy in the Nazi system, the author indicates those procedures described in Albahari’s book which justify such an assessment e.g. human reification, the body as debris, technical syntax used by German officials. Additionally, these considerations on death representation are supplemented with an endeavor to establish the Belgrade dwellers’ attitude towards the fortunes of the Jews. According to the author, the novel explicitly marks the spatial opposition enclosure vs. opening, the camp vs. the city center that is reinforced by the river, which during World War II divided the capital into Zemun belonging to the Independent State of Croatia, also the place where the camp was situated and Belgrade’s Serbian center. This demarcation intensifies the victims’ feelings of separation and loneliness, at the same time enabling the capital’s dwellers to occupy a comfortable position of bystanders.  Telo, mrtvac, smrt u romanu Gec i Majer Davida AlbaharijaRad se bavi vidovima smrti u romanu Gec i Majer Davida Albaharija. Pokazuje mehanizme koje potvrđuju opštepoznatu činjenicu da je u nacističkom sistemu dominirala ekonomija. U te mehanizme se ubrajaju, između ostalih: reifikacija čoveka, tretiranje tela kao otpada i tehnička leksika koju upotrebljavaju nemački funkcioneri. Analiza uključuje i pokušaj odgovora na pitanje kakav je bio odnos stanovnika Beograda prema sudbini Jevreja. Istraživanje pokazuje prostornu opoziciju zatvoren i otvoren prostor, logor i centar grada. Nju naglašava reka koja je za vreme Drugog svetskog rata delila srpsku prestonicu na Zemun, gde je bio smešten logor, a koji je pripadao NDH, i srpski centar Beograda. Ova granica je vezana za osećaj separacije i usamljenost žrtava, s jedne starne, i udobnost i bajstander-efekat stanovnika prestonice, s druge strane

scholarly journals The Serbs in Croatia before and after the break-up of Yugoslavia

2006 ◽  
pp. 253-270
Author(s):  
Jovan Ilic
Keyword(s):  
World War Ii ◽  
Armed Forces ◽  
Balkan Peninsula ◽  
World War ◽  
Independent State ◽  
North West ◽  
West Part ◽  
Before And After ◽  
The Republic ◽  
Ethnic War

The Serbs are first mentioned in the west part of the Balkan peninsula in 822. They populated the regions east of the river Cetina, mountain Pljesevica and the area between the rivers Una and Kupa. It means that the significant part of the present Republic of Croatia had been populated by the Serbs since the settlement of the Slavs. The main regions mostly populated by the Serbs were north-west Dalmatia, the larger part of Lika and Kordun, Banija, west Slavonia and smaller sections in east Slavonia, west Srem and Baranya. Social-political circumstances for the life of the Serbs in Croatia were mostly very unfavorable. Extremely unfavourable circumstances were during World War II in The Independent State of Croatia, when the Croatian ustasha fighters carried out an extensive, systematic, comprehensive and bestial genocide, that is ethnocide over the Serbs. The second genocide, that is ethnocide over the Serbs in Croatia was carried out in the civil ethnic-religious war 1991-1995, specially in 1995. In these years, the nationalist- chauvinist, antiserbian movement and war suddenly flared up in Croatia. The Serbs living there were forced to defend, so on December 19 1991 they proclaimed The Republic of Srpska Krajina. However, the Croatian armed forces were military stronger. The Serbs were defeated and punished by the total destruction of their property and mass expulsion. In that cruel civil-ethnic war, about 276.000 Serbs were expelled from Croatia, several thousand of them were killed. About 40.000 Serbian houses were destroyed and 380 Serbian villages were burnt. Hundreds of Serbian-Orthodox religious edifices were burnt or destroyed. The value of the destroyed or plundered Serbian property in Croatia was estimated at about 30 billion euros. According to the official Croatian data, in the last several years about 60.000 Serbs-refugees returned from Serbia to their native land, mostly older persons or those who returned to sell their property and leave Croatia again. About 40.000 of them went to live abroad. However, the Serbs-returnees still live in very difficult conditions, discriminated in all segments of life primarily when it comes to employment.

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