scholarly journals Jesse Shera, The Wars and The Pietá

2017 ◽  
Vol 11 (2) ◽  
Author(s):  
Rodrigo Porto Bozzetti ◽  
Gustavo Saldanha
Keyword(s):  
World War Ii ◽  
Social Epistemology ◽  
Information Science ◽  
World War ◽  
Social Approach ◽  
Theoretical Formulation ◽  
Social Nature ◽  
The Future ◽  
Before And After ◽  
The Subject

The purpose of this paper, considering the relevance of Shera thoughts and its repercussions, is to reposition, in epistemological-historical terms, Jesse Shera’s approaches and their impacts according to a relation between life and work of the epistemologist. Without the intention of an exhaustive discussion, the purpose is to understand some unequivocal relations between the Shera critique for the context of its theoretical formulation and the consequences of this approach contrary to some tendencies originating from the technical and bureaucratic roots of the field (before and after World War II). It is deduced that Shera, rather than observing the sociopolitical reality and technical partner in which the texture of alibrary-based thought (but visualized by him as documentaryinformational), establishes, in his own praxis, social epistemology as a sort of "critique of the future," that is, as a praxis of the reflexive activity of the subject inserted in this episteme. In our discussion, the epistemological-social approach represents a vanguard for the context of its affirmation, a reassessment for the immediate decades to its presentation(years 1960 and 1970) and a critique for the future of what was consolidated under the notion of information Science, anticipating affirmations of "social nature" of the 1980s and 1990s in the field of information.

scholarly journals The Struggle of a Geisha in Maintaining Her Pride as Seen in Arthur Golden’s Memoirs of a Geisha

2019 ◽  
Vol 2 (2) ◽  
pp. 7-13
Author(s):  
Ramiyati Handriyani ◽  
Amelia Yuli Astuti
Keyword(s):  
World War Ii ◽  
Structural Theory ◽  
Second World War ◽  
Female Character ◽  
The Novel ◽  
World War ◽  
Before And After ◽  
The Subject ◽  
Basic Ideas ◽  
Second World

This thesis is entitled "The Struggle of Geisha in Maintaining Her Pride as seen in Arthur Golden's Memoirs of a Geisha" seen from the perspective of structuralism. This research is limited on basic ideas that relate to the observation into three questions as follow: (1) how is geisha’s life before World War II (2) how was the geisha struggle after World War II, and (3) how is geisha maintaining her  pride before and after second world war. The objectives of this research were (1) to analyze Sayuri’s life before World War II (2) to explain Sayuri's life after World War II, and (3) to study and explain the types of struggles in maintaining her pride by Sayuri as the main female character , to oppose and think of Sayuri's struggle to fight exploitation and significant meaning, and to find out and explain the depiction of Sayuri's struggle. The theory used is from Gough and Gautam about the structural analysis used to answer the purpose of this research. For the method of data analysis, the author uses systematic procedures with novel understanding and structural theory. Data collection techniques use documentation techniques in finding data that is relevant to the subject of analysis. The object of this research is a novel entitled Memoirs of a Geisha written by Arthur Golden in 1997 and the data are sentences related to the struggle of a woman found in the novel. Sayuri as the main female character in the novel represents women in general who can gain their independence and have a smart and brave attitude to take the important decisions in their life.

Furukawa, Roppa (1903–1961)

2018 ◽  
Author(s):  
Yoshiko Fukushima
Keyword(s):  
World War Ii ◽  
Silent Film ◽  
World War ◽  
The West ◽  
The Future ◽  
Before And After ◽  
Treasure Island ◽  
Variety Show ◽  
Opera Singers ◽  
Film Critic

Furukawa Roppa was a Japanese comedian, film actor, and essayist, who was known for his round face with Lloyd’s glasses. He was active before and after World War II, and successfully transferred his stage performances into a film career. Furukawa Roppa, born the sixth son of Baron Katō Terumaro, was adopted by the Furukawa family, following his family custom. While attending Waseda University he became a film critic and editor and published his own magazine The Age of Film (1926–1931). In 1926 Furukawa participated in the variety show group Troubled Society established by former benshi (performers providing live narration for silent film). Roppa’s speciality was voice impersonation. Recommended by Kikuchi Kan, the novelist, and Kobayashi Ichizō, the founder of Hankyū Railway and Takarazuka Girls Opera, Furukawa became a professional comedian and made his stage debut at Tokyo Takarazuka Theater in 1932. In 1933 Shōchiku’s Tokiwa Productions contracted Furukawa to form the comedy troupe Kingdom of Laughter with the former members of Troubled Society, comedians popular in Asakusa, Asakusa Opera singers, and Nichigeki Theater’s dancers. Each production consisted of several short plays, accompanied by variety shows, which were immediatlly successful. Their repertoire included comedies such as The Bumpy Broadcasting Station (1933) and adaptations and dramatizations of famous plays and masterpieces from Japan and the West such as Chūshingura (1933), Carmen (1933), and Treasure Island (1935). The future director of Tōhō Kikuta Kazuo was one of the main playwrights for the troupe.

The Royal Barrows at Jelling Excavations made in 1941, 1942 and 1947, and finds and findings resulting therefrom

Antiquity ◽  
1948 ◽  
Vol 22 (88) ◽  
pp. 190-197
Author(s):  
Ejnar Dyggve
Keyword(s):  
World War Ii ◽  
The State ◽  
National Museum ◽  
World War ◽  
The Future ◽  
State Employment ◽  
Solid Foundation ◽  
The Subject ◽  
Bear Witness ◽  
Made In

In line with other endeavours expressive of the spirit of self-assertion aroused in the Danish people at the occupation of Denmark by foreign troops during World War II, the Danish National Museum, subsidized by the State Employment Department and the Carlsberg Foundation, undertook a series of thorough and methodical excavations of the two famous Royal Barrows at Jelling in East Jutland (FIG. I), dating from the middle of the 10th century A.D.Earlier excavations here, in 1821 and 1861 (1), had been inconclusive. Ample room still remained for hypotheses and suggestions, and divergent views gradually produced quite a literature on the subject (2). Through the recent examination, the most extensive excavations of their kind in Scandinavia, of the southern barrow, the so-called King Gorm Mound, excavated in 1941, and the northern barrow, the so-called Queen Tyre Mound, in 1942 (3), it became possible to eliminate several doubtful points which had confronted people interested in history for more than a hundred years. At the same time, a solid foundation was laid for the future understanding of the Jelling monuments—the barrows and the runestones—the most significant in Danish history, because they bear witness to the kings who united the smaller Danish Kingdoms into one realm (4).

“The heart above the ruins”: Miriam Waddington’s Poetry, the Spanish Civil War, and Jewish Canadian Literature

1969 ◽  
Vol 26 ◽  
Author(s):  
Emily Robins Sharpe
Keyword(s):  
Human Rights ◽  
World War Ii ◽  
Civil War ◽  
Spanish Civil War ◽  
World War ◽  
Canadian Literature ◽  
The Earth ◽  
The Holocaust ◽  
The Subject ◽  
War Consequences

The Jewish Canadian writer Miriam Waddington returned repeatedly to the subject of the Spanish Civil War, searching for hope amid the ruins of Spanish democracy. The conflict, a prelude to World War II, inspired an outpouring of literature and volunteerism. My paper argues for Waddington’s unique poetic perspective, in which she represents the Holocaust as the Spanish Civil War’s outgrowth while highlighting the deeply personal repercussions of the war – consequences for women, for the earth, and for community. Waddington’s poetry connects women’s rights to human rights, Canadian peace to European war, and Jewish persecution to Spanish carnage.

The Future of Global Great Power Competition after the Coronavirus

2020 ◽  
pp. 79-92
Author(s):  
Burhanettin Duran
Keyword(s):  
World War Ii ◽  
International System ◽  
Radical Change ◽  
Economic Effects ◽  
World War ◽  
Health Security ◽  
Self Sufficiency ◽  
The Future ◽  
Policy Agendas ◽  
The U.S

Due to the COVID-19 pandemic, the domestic and foreign policy agendas of all countries have been turned upside down. The pandemic has brought new problems and competition areas to states and to the international system. While the pandemic politically calls to mind the post-World War II era, it can also be compared with the 2008 crisis due to its economic effects such as unemployment and the disruption of global supply chains. A debate immediately began for a new international system; however, it seems that the current international system will be affected, but will not experience a radical change. That is, a new international order is not expected, while disorder is most likely in the post-pandemic period. In an atmosphere of global instability where debates on the U.S.-led international system have been worn for a while, in the post-pandemic period states will invest in self-sufficiency and redefine their strategic areas, especially in health security. The decline of U.S. leadership, the challenging policies of China, the effects of Chinese policies on the U.S.-China relations and the EU’s deepening crisis are going to be the main discussion topics that will determine the future of the international system.

The Fascist Turn in the Dance of Serge Lifar

2020 ◽  
Author(s):  
Mark Franko
Keyword(s):  
Nineteenth Century ◽  
World War Ii ◽  
World War I ◽  
Critical Reception ◽  
World War ◽  
Close Attention ◽  
Before And After ◽  
Gradual Development ◽  
Critical Discourses

This book is an examination of neoclassical ballet initially in the French context before and after World War I (circa 1905–1944) with close attention to dancer and choreographer Serge Lifar. Since the critical discourses analyzed indulged in flights of poetic fancy a distinction is made between the Lifar-image (the dancer on stage and object of discussion by critics), the Lifar-discourse (the writings on Lifar as well as his own discourse), and the Lifar-person (the historical actor). This topic is further developed in the final chapter into a discussion of the so-called baroque dance both as a historical object and as a motif of contemporary experimentation as it emerged in the aftermath of World War II (circa 1947–1991) in France. Using Lifar as a through-line, the book explores the development of critical ideas of neoclassicism in relation to his work and his drift toward a fascist position that can be traced to the influence of Nietzsche on his critical reception. Lifar’s collaborationism during the Occupation confirms this analysis. The discussion of neoclassicism begins in the final years of the nineteenth-century and carries us through the Occupation; then track the baroque in its gradual development from the early 1950s through the end of the 1980s and early 1990s.

The German Problem: 1945–1950

1968 ◽  
Vol 20 (2) ◽  
pp. 279-300 ◽  
Author(s):  
Klaus Epstein
Keyword(s):  
United States ◽  
World War Ii ◽  
Prior Knowledge ◽  
Good Deal ◽  
The United States ◽  
Political Orientation ◽  
World War ◽  
Narrative History ◽  
German Question ◽  
The Future

Schwarz's study Vom Reich zur Bundesrepublik is, in the opinion of this reviewer, the single most important book on the occupation studyperiod in Germany after World War II that has yet appeared. It is not an ordinary narrative history—indeed, it presupposes a good deal of prior knowledge—but is rather a topical analysis of the following problems: the various possible solutions to the German question in the years after 1945; the policies toward Germany of the four victorious powers—Russia, France, Britain, and the United States; the development of German attitudes on the future political orientation of one or two Germanies; and finally, the factors that led to the voluntary acceptance of Western integration by most West Germans even though this integration meant the partition of Germany.

scholarly journals Preface: The Historical Geography of the Hungarian Nation

1996 ◽  
Vol 24 (3) ◽  
pp. 371-376
Author(s):  
Andrew Ludanyi
Keyword(s):  
World War Ii ◽  
World War I ◽  
Status Quo ◽  
World War ◽  
East Central Europe ◽  
East Central ◽  
East European ◽  
The Past ◽  
French And English ◽  
The Subject

The fate of Hungarian minorities in East Central Europe has been one of the most neglected subjects in the Western scholarly world. For the past fifty years the subject—at least prior to the late 1980s—was taboo in the successor states (except Yugoslavia), while in Hungary itself relatively few scholars dared to publish anything about this issue till the early 1980s. In the West, it was just not faddish, since most East European and Russian Area studies centers at American, French and English universities tended to think of the territorial status quo as “politically correct.” The Hungarian minorities, on the other hand, were a frustrating reminder that indeed the Entente after World War I, and the Allies after World War II, made major mistakes and significantly contributed to the pain and anguish of the peoples living in this region of the “shatter zone.”

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