scholarly journals Controlled Multilingual Thesauri for Kazakh Industry-Specific Terms

2021 ◽  
Vol 9 (1) ◽  
pp. 35-44 ◽  
Author(s):  
Ainur Bayekeyeva ◽  
Saule Tazhibayeva ◽  
Zhainagul Beisenova ◽  
Aigul Shaheen ◽  
Aisaule Bayekeyeva
Keyword(s):  
Computational Linguistics ◽  
Theory And Practice ◽  
Translation Theory ◽  
Alphabetical Order ◽  
Individual Subject ◽  
Interdisciplinary Field ◽  
Relevant Term ◽  
Automated Information System ◽  
Subject Areas ◽  
Translation Service

This article discusses the practical issues of compiling controlled multilingual thesauri for the purposes of industry-specific translation (IST). In the multilingual, transnational and globally connected Kazakhstan, IST is a much-needed translation service. IST is an interdisciplinary field between terminology, computational linguistics, translation theory and practice. Most of the professional guides, dictionaries and glossaries are systemized in alphabetical order and contain multiple variants for the terms searched. Therefore, there is an urgent need to create a systemized controlled multilingual thesaurus of industry-specific Kazakh, English and Russian terms in order to provide multilingual users with an interoperable and relevant term base. Controlled multilingual thesauri for industry-specific terms are the most effective tools for describing individual subject areas. They are designed to promote communication and interaction among professionals, translators and all Automated Information System users of specific fields irrespective of their location and health conditions. Unlike traditional dictionaries, controlled thesauri allow users to identify the meaning with the help of definitions and translations, relations of terms with other concepts, and broader and narrower terms. The purpose of this research is to unify and systematize industry-specific terms in Kazakh, to provide Russian and English equivalents, and to classify the terms into essential rubrics and subjects. Based on the Zthes data scheme to create a controlled multilingual thesaurus of industryspecific terms, the major rubrics have been formulated, and about 10,000 Kazakh mining and metal terms approved by the Terminological Committee of Kazakhstan have been structured.

Semiotics East and West: an aesthetic-semiotic approach to translating the iconicity of classical Chinese poetry

Semiotica ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Guangxu Zhao
Keyword(s):  
Twentieth Century ◽  
Translation Studies ◽  
Theory And Practice ◽  
Translation Theory ◽  
Chinese Poetry ◽  
Semiotic Approach ◽  
Classical Chinese ◽  
Classical Chinese Poetry ◽  
Set Up ◽  
The Sacrifice

Abstract For some Western translators before the twentieth century, domestication was their strategy to translate the classical Chinese poetry into English. But the consequence of this strategy was the sacrifice of the ideogrammic nature of these poems. The translators in the twentieth century, especially the Imagist poets and translators in the 1930s, overcame the problems of their predecessors and their translation theory and practice was close to that of the contemporary semiotic translators. But both Imagist translators and contemporary semiotic translators have the problem of indifference to the feeling of the original in their translations. For the problem of translating the classical Chinese poetry by the Westerners before the twentieth century and the Imagist poets and translators of the twentieth century, see Zhao and Flotow 2018. This paper attempts to set up an aesthetic-semiotic approach to the translation of the iconicity of classical Chinese poetry on the basis of the examination of both Eastern and Western translation studies.

On polarization

2022 ◽  
Author(s):  
Brian James Baer
Keyword(s):  
Cold War ◽  
Theory And Practice ◽  
Translation Theory ◽  
Iron Curtain ◽  
Master Narratives ◽  
Distinct State ◽  
The Cold War

Abstract The ideological incommensurability of the worldviews or master narratives represented by the two opposing superpowers during the Cold War and embodied in the image of an impenetrable iron curtain gave particular salience to translation theory while also questioning the very possibility of translation. At the same time, the neoimperialist projects of the two superpowers produced startlingly similar approaches to the instrumentalization of translation as a vehicle for propaganda and diplomacy. Presenting polarization as a distinct state of semiosis, the effects of which are highly unpredictable, this article explores the various ways in which the radical polarization of the Cold War shaped the theory and practice of translation both within and across the ideological divide. Plotting the entanglements of the light and dark sides of translation during this time challenges traditional histories of the field that construe the period as one of progress and liberation.

USE OF INTERDISCIPLINARITY AS AN INNOVATIVE APPROACH IN THE EDUCATIONAL PROCESS OF ART INSTITUTIONS OF HIGHER EDUCATION

2021 ◽  
Vol 1 (195) ◽  
pp. 18-22
Author(s):  
Hanna Karas ◽  
Keyword(s):  
Higher Education ◽  
Professional Development ◽  
Professional Growth ◽  
Interdisciplinary Approach ◽  
Educational Process ◽  
Theory And Practice ◽  
Innovative Approach ◽  
Institutions Of Higher Education ◽  
Interdisciplinary Field ◽  
Artistic Styles

The article is devoted to the use of interdisciplinarity as an innovative approach in the educational process of art institutions of higher education on the example of studying the discipline «Evolution of artistic styles in art» included in educational master's programs. This discipline is based on the theory and practice of professional development of a teacher-musician, who provides the Master of Arts education process, shapes their professional development necessary for their future musical and pedagogical creativity, skills, and pedagogical culture. The content of the discipline consists of the introduction of artistic styles’ scientific and theoretical fundamentals to the future specialists. The objectives of the course are 1) the theoretical generalization of the historical experience of the evolution of artistic styles, 2) acquaintance with the best examples of artistic culture, representing different styles and directions, 3) mastering complex problems of stylistic analysis. The aim of the course is the establishment of a strategy for a professional growth as part of the vocational training of masters in the following educational areas «Secondary education. Musical Art» and «Musical Art»; mastering the scientific and theoretical foundations of the artistic styles’ analysis as a formative student course of the music and pedagogical education in higher education. The interdisciplinary approach can be implemented in two main formats. A. Kolot believes that with the help of the first format he builds bridges between different sciences, brings them together on an informal basis without violating their individuality and uniqueness. In this format, the discipline «Evolution of artistic styles in art» «builds bridges» with such disciplines as: philosophy, history, foreign languages, general psychology, culturology, sociology, art culture, aesthetics. In the second format, interdisciplinarity is presented as a real tool for unifying sciences, and the emergence of integrative products. In this format the course «Evolution of Artistic Styles in Art» involves an organic combination of such disciplines as history and theory of music, theater, ballet, art history, philosophy, art culture and literature, analysis of musical form, choral class, music psychology, and others. Therefore, we propose to define the student course «Evolution of artistic styles in art» as a complex, interdisciplinary field of knowledge and consider the application of an interdisciplinary approach in the practice of a teacher of artistic institutions.

The translator’s immobility

Target ◽  
2009 ◽  
Vol 21 (2) ◽  
pp. 333-357 ◽  
Author(s):  
Paola Venturi
Keyword(s):  
Theory And Practice ◽  
The Other ◽  
Target Language ◽  
Translation Theory ◽  
The One

Translations are facts of target cultures, but the perceived status of source texts has a bearing on how these are reflected or refracted in the target language. This proposition is particularly evident in the case of classics: when translators have to work on literary creations occupying a pivotal position in the source/target cultures, they adopt strategies of literalness and ennoblement which betray a quasi-religious awe—on the one hand, a desire to ruffle the surface of the revered original as little as possible; and on the other, a determination to reproduce the supposed ‘classical qualities’ of the classic even when they are not present in the source. In the following article, I examine how the ‘idea of classic’ influences translation theory and practice, substantiating my theoretical observations by looking at Italian translations of English classics. A marked—and historically determined—disparity between source and target readerships, and the translators’ reverence for their prestigious originals, conspire to produce Italian versions which are much more ‘wooden’ and ‘elegant’ than their English counterparts.

An Introduction to Modernist Non-Translation

2019 ◽  
pp. 1-18
Author(s):  
Jason Harding ◽  
John Nash
Keyword(s):  
Intellectual History ◽  
Literary Theory ◽  
Theory And Practice ◽  
Translation Theory ◽  
Linguistic Turn ◽  
Global Language ◽  
Sociopolitical Issues

This first essay in the volume constitutes a substantial and wide-ranging introduction to this neglected topic, establishing the importance of untranslated fragments in modernist writing. The chapter expounds the complexities of the term ‘non-translation’, differentiating the practice from multilingualism, reading it alongside modern translation theory and practice. It situates modernist non-translation among a number of crucial contexts in intellectual history and literary theory: the ‘linguistic turn’ explored by contemporary philosophers, linguists, literary theorists, and critics; and examines broader sociopolitical issues relating to nationalism and language, the rise of English as an (imperial) global language, and the standardization of English. This introduction foregrounds key hermeneutical difficulties surrounding untranslatability and concerning reading or interpreting modernist non-translation, thus preparing the ground for the following chapters.

Organizing Strategies for Advancing Women in International Studies

2010 ◽  
Author(s):  
Mary K. Meyer McAleese ◽  
Susan S. Northcutt
Keyword(s):  
Professional Development ◽  
The United States ◽  
Theory And Practice ◽  
International Studies ◽  
Formal Organization ◽  
Interdisciplinary Field ◽  
Benign Neglect ◽  
Difficult Time ◽  
The Status ◽  
Male Dominated

The interdisciplinary field of international studies has traditionally been a male-dominated field. Indeed, the field of international relations, both theory and practice, has been argued to be gendered in highly masculinist ways. Whether as practitioners or as scholars, women have had a difficult time entering and advancing in such male-dominated fields, both in the United States and around the world. Their admittance and full acceptance in the profession has been hindered by laws and regulations, institutional practices and inertia, gendered stereotypes and customary expectations, overt discrimination and subtle biases, or benign neglect. As such, women have adopted a number of different strategies to make their ways into such male-dominated fields. These include working to expand the field to encompass questions of interest to women, developing new networks with other women for mentorship and resource development, and organizing themselves into distinct groups to promote women’s professional interests and advancement. One of these women’s organizations is Women’s Caucus for International Studies (WCIS), a formal section within the International Studies Association (ISA). Since its formal organization in 1996, the Women’s Caucus has worked hard to fulfill its mission of upgrading the status of women in the profession. Specifically, it seeks to promote equal opportunities for women in their professional lives, as well as women’s professional development. The Caucus fulfills its mission in numerous ways, including sponsoring scores of panels and roundtables focused on women’s professional development, and organizing mentoring networks, both inside the Caucus and beyond.

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