scholarly journals “THE FAUNA OF STONEFLIES (INSECTA: PLECOPTERA) IN UZBEKISTAN “

2021 ◽  
Vol 58 (1) ◽  
pp. 4878-4882
Author(s):  
Lebedeva N.I. Et al.

The article highlights information on the study of the fauna of stoneflies existing in the watercourses of Uzbekistan. Substantiating original collections and data from literary sources, a revision of the fauna of stoneflies in Uzbekistan, which includes 48 species from 19 genera and 7 families, was conducted. The endemic species have been identified for Central Asia and Uzbekistan for the first time.

2021 ◽  
Vol 258 ◽  
pp. 08030
Author(s):  
Natalya Lebedeva ◽  
Zukhra Akhmedova ◽  
Bakhtiyor Kholmatov ◽  
Rasul Jumaev

This article presents data on the study of the fauna of Plecoptera watercourses in Uzbekistan. On the basis of original collections of larvae/nymphs and adults of stoneflies and data from literary sources, a revision of the fauna of stoneflies of Uzbekistan was carried out, which currently numbers 48 species belonging to 19 genera and 7 families. Among them, endemic species were identified, first identified for Central Asia and for Uzbekistan.


2020 ◽  
Vol 13 (1) ◽  
pp. 29-36
Author(s):  
D. A. Dirin ◽  
Paul Fryer

The paper is devoted to ethno-cultural landscapes of the Republic of Tuva. Ethnocultural landscapes (ECLs) are specific socio-environmental systems that developed as a result of the interaction of ethnic groups with their natural and social environments and are in a constant process of transformation. An attempt is made to identify the mechanisms of the formation, functioning and dynamics of ethnocultural landscapes in the specific conditions of the intracontinental cross-border mountain region, as well as to establish the main factors-catalysts of their modern changes. For the first time an attempt is made to delimit and map the ethnocultural landscapes of Tuva. For this, literary sources, statistical data and thematic maps of different times are analyzed using geoinformation methods. The results of 2014-2018 field studies are also used, during which interviews with representatives of different ethno-territorial, gender, age and social groups were taken. It is revealed that the key factors of Tuva’s ethnocultural landscape genesis are the natural isolation of its territory; the features of its landscape structure; the role of government; population migrations from other regions and the cultural diffusion provoked by them. 13 ethnocultural landscapes are identified at the regional level. Their modern transformation is determined by the shift of climatic cycles, aridisation, globalisation of sociocultural processes, changes in economic specialisation and ethnopsychological stereotypes.


2018 ◽  
Vol 52 (2) ◽  
pp. 407-416
Author(s):  
T. V. Makryi

Sedelnikovaea baicalensis, the Siberian-Central Asian lichen species, is recorded for the first time for Europe. Based on all the known localities, including those first-time reported from Baikal Siberia, the peculiarities of the ecology and distribution of this species are discussed, the map of its distribution is provided. It is concluded that the species was erroneously considered earlier as a Central Asian endemic. The center of the present range of this lichen is the steppes of Southern Siberia and Mongolia. Assumptions are made that S. baicalensis is relatively young (Paleogene-Neogene) species otherwise it would have a vast range extending beyond Asia, and also that the Yakut locations of this species indicate that in the Pleistocene its range was wider and covered a significant part of the Northeastern Siberia but later underwent regression. Based on the fact that in the mountains of Central Asia the species is found only in the upper mountain belts, it is proposed to characterize it as «cryo-arid xerophyte» in contrast to «arid xerophytes». A conclusion is made that the presence of extensive disjunctions of S. baicalensis range between the Southern Pre-Urals and the Altai-Sayan Mountains or the Mountains of Central Asia is unlikely; the lichen is most likely to occur in the Urals and most of Kazakhstan.


2019 ◽  
Vol 28 (2) ◽  
pp. 201-227
Author(s):  
I.A. Gavrilov-Zimin ◽  
A.S. Kurochkin

Great medieval scientist-polymath Abu Rayhan Al-Beruni (973–1050) wrote in his book “Pharmacognosy” about some kind of “worms” inhabiting willows in Azerbaijan and Southern Iran and used by native people for producing of a red dye. It was unclear during one thousand years which organisms Al-Beruni noted as those dye-producing “worms”. Some modern authors even suggested that the relevant medieval text was partly erroneous. To the contrary, in the present paper we, for the first time, consider some species of the felt scale insects (Coccinea: Eriococcidae) as the organisms, which have probably been used for the production of the red dye in the medieval countries of Western and Central Asia. These insects are several species from two closely related genera Acanthococcus Signoret, 1875 and Gossyparia Signo­ret, 1875. The review of biological characters, identification key, new figures and colour photographs are provided for the species of Acanthococcus and Gossyparia associated with Salix spp. in the Asiatic Region. Acanthococcus turanicus Matesova, 1967, syn. nov. is placed in synonymy with A. salicis (Borchsenius, 1938), and A. altaicus Matesova, 1967, syn. nov. is placed in synonymy with A. spiraeae Borchsenius, 1949. Earlier discovered synonymy of A. melnikensis (Hodgson et Trencheva, 2008) with A. aceris Signoret, 1875 is discussed. Some other dye-producing scale insects and their pigments are also briefly considered.


Zootaxa ◽  
2021 ◽  
Vol 4927 (2) ◽  
pp. 197-208
Author(s):  
FRANCESCO BALLARIN ◽  
TAKESHI YAMASAKI ◽  
YONG-CHAO SU

Representatives of some poorly known spider species collected in the rainforest litter of the Orchid Island (Taiwan) are illustrated and discussed here. A new species, Brignoliella tao sp. nov. (Fam. Tetrablemmidae), endemic to Orchid Island, is described based on both sexes. The previously unknown female of Theridiosoma triumphale Zhao & Li, 2012 (Fam. Theridiosomatidae), is described for the first time. Zoma taiwanica (Zhang, Zhu & Tso 2006) comb. nov., from the same family, is illustrated and its transfer from the genus Theridiosoma O. Pickard-Cambridge, 1879 to Zoma Saaristo, 1996 is proposed on the basis of morphological characters. Habitus and genitalia of the endemic species Gongylidioides angustus Tu & Li, 2006 (Fam. Linyphiidae) are also illustrated. 


Zootaxa ◽  
2018 ◽  
Vol 4504 (2) ◽  
pp. 296
Author(s):  
IOANNIS KARAOUZAS ◽  
YIANNIS KAPAKOS

The larva of Hydropsyche perseus Malicky 2001, endemic species of Kerkyra Island (Corfu), Greece, is described for the first time. The diagnostic features of the species are described and illustrated, and some information regarding its ecology is included. In addition, a tabular key for larvae of the known Hydropsyche species of the Greek Islands is provided. 


2020 ◽  
Vol 94 ◽  
Author(s):  
O.M. Amin ◽  
M. Sharifdini ◽  
R.A. Heckmann ◽  
M. Zarean

We describe morphological features not previously reported for this old acanthocephalan Nephridiacanthus major (Bremser, 1811 in Westrumb, 1821) Golvan, 1962 first described over 200 years ago. Our specimens were collected from long-eared hedgehog Hemiechinus auritus (Gmelin, 1770) (Erinaceidae) in Iran. We compare the morphometrics of our material with others previously reported from the same host in Iran, Russia, central Asia and Europe. Our specimens had markedly smaller proboscides, proboscis hooks and lemnisci than those reported from Russia and central Asia, but comparable measurements of other structures with specimens previously described from other collections. We document our new observations with scanning electron microscopy features not previously demonstrable by other observers and provide a chemical analysis of proboscis hooks using energy-dispersive X-ray analysis for the first time. The molecular profile of this acanthocephalan, based on 18S rDNA and cox1 genes, was generated for the first time. The phylogenetic analysis showed that N. major is placed in a clade of the family Oligacanthorhynchidae, well separated from the families Moniliformidae and Gigantorhynchidae.


2010 ◽  
Author(s):  
Alberto Alberti

The long reign of Ivan Aleksandăr (1331-1371), the penultimate emperor of Bulgaria prior to the Turkish conquest, was marked by a series of successful military campaigns against Serbia and Byzantium and above all by an intensive cultural production, largely fostered and funded by the sovereign himself. The central decades of the fourteenth century were of crucial importance for the later cultural evolution of Bulgaria and the whole of Orthodox Slovenia, despite which to date ample and exhaustive studies on the figure of Ivan Aleksandăr are lacking. There is, in effect, a considerable amount of information at disposal, although it is scattered over the literary sources, the colophons of the manuscripts, the epigraphic documentation and also, obviously, the official deeds promulgated by the Emperor. Through the analysis of this varied documentation, this book attempts to reconstruct the figure of the sovereign, the context in which he lived and worked, his greatness and his mistakes and his parallel activities as a strategist and an illuminated patron of the arts. For the first time, the Italian reader can find collected and translated all the manuscript sources relating to the Bulgarian sovereign. The book is completed by an appendix with the original texts of the Slavonic-ecclesiastical tradition.


Author(s):  
Ludmila S. Dampilova ◽  
◽  
Erzhena B. Ayusheeva

Introduction. The article aims to analyze Buryat versions of the epic Geser to identify their local features. It includes a detailed review not only of published texts, but also of manuscripts stored in the archives of Buryatia. For the first time, the regional versions of Geser are systematically examined as a necessary stage for further comparative studies of the genesis and transformation of epic traditions in Central Asia. Methods. The work uses comparative-historical and comparative methods of analysis. Of these, the latter was of key importance in comparing the versions of the epic that differ in terms of the place of their origin and temporal parameters. Results and discussion. The analysis began with a detailed discussion of published authentic texts of Geser represented by the Ekhirit-Bulagat and Ungin versions. Then, the features of archival versions of the epic are systematized and defined. The previous work on the plot composition and characters of each individual text is thoroughly compared to finally identify the features of the Buryat versions of the epic. Conclusion. The authors argue that the Ungin versions are quite close to the Mongolian ones, while the Ekhirit-Bulagat version, in their opinion, stands apart both in terms of their composition and themes. The introductory part of the uliger, a mythological prologue with a shamanic pantheon of deities, is characteristic only of the Buryat versions of Geser. Also, as far as the Western Buryat version is concerned, it may be pointed out that the influence of Buddhist teachings, which were not widespread in the heyday of the epic, was minimum. Of relevance are also the contaminations of the common Mongolian storytelling traditions with the characteristic motifs of the Central Asian epic. The identification of specific features of the local versions of Geser may expand our understanding of the specifics of the national epic as one of the main manifestations of traditional culture.


2018 ◽  
Vol 15 (5) ◽  
pp. 584-591 ◽  
Author(s):  
Anna E. Zavyalova

The article introduces into scientific discourse, and examines a number of M.V. Dobuzhinsky’s works: it traces the process of working on them, identifies their sources (literary and visual), analyzes the stylistic features and the specifics of the graphic techniques. These tasks are performed within the context of interaction between literature and fine arts. This topic is relevant because M.V. Dobuzhinsky’s illustrations to the stories “Stationmaster” and “Squire’s Daughter”, the play “Covetous Knight”, and the poem “Magnificent City, Poor City...” by A.S. Pushkin are studied as works of fine art for the first time.The scientific novelty of the article lies in the fact that it introduces an experience of defining the stylistic affiliation of the said works, and reveals a number of their visual sources. The author uses the method of complex analysis, combining the source analysis of M. Dobuzhinsky’s memoirs and his letters, the works of the artist’s contemporaries devoted to the Russian art of the beginning of the 20th century, and the traditional formal analysis of his works in comparison with those of Rembrandt, A. Benois, A. Dürer, F. Tolstoy, Japanese engravings of the 18th — beginning of the 19th century. This allows a significant expansion of existing ideas about visual and literary sources of the artist’s works.The article reveals that Rembrandt’s etching “View of Amsterdam from the Northwest” influenced the artistic solution of the illustration “In the Carriage” for the story “Stationmaster”; Hiroshige’s sheets influenced the illustration “Vyrin at the Entrance of Minsky’s House” for the same story. A. Dürer’s woodcuts influenced the solution of the illustration “Scene 1” for the play “Covetous Knight”; F. Tolstoy’s silhouettes influenced the vignettes and the artistic solution of the illustrations and decorations for the story “Squire’s Daughter”. The article also finds that H.Ch. Andersen’s tales “The Old House” and “The Old Street Lamp” had predetermined M. Dobuzhinsky’s appeal to the story “Stationmaster”, and the graphic solution of St. Petersburg in the picture “View of the St. Petersburg House”. The author concludes that M. Dobuzhinsky’s illustrating of Pushkin’s works was in line with his intense creative experiments: searching for a new solution to the image of St. Petersburg in book graphics, rethinking and “quoting” the masters of the past.


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