scholarly journals La actual narrativa francesa (y II)

Author(s):  
Mario Tomé

<p>Presentación y breve comentario de la obra más significativa de los actuales novelistas franceses. Grandes figuras actuales: Michel Tournier, J.M.G. Le Clézio, Patrick Modiano. Premios literarios y éxitos editoriales: Romain Gary, Yves Navarre, Angelo Rinaldi, Dominique Fernández, Frédérick Tris-tan, Héctor Bianciotti, Marguerite Duras, Yann Queffelec.</p><p>A short introduction of the most outstanding works of some recent French novelists. Top novelists: Michel Tournier, J.M.G. Le Clézio and Patrick Modiano. Literary Prizes and best-sellers: Emile Ajar, Yves Navarre, Angelo Rinaldi, Dominique Fernández, Frédérick Tristan, Héctor Bianciotti, Marguerite Duras, Yann Queffélec.</p>

Author(s):  
Ana Cecilia Carvalho
Keyword(s):  

 Resumo: Este artigo aborda a pseudonímia e a heteronímia na obra do escritor Romain Gary (1914-1980), a fim de considerar a função psíquica desses fenômenos. Nascido em Vilna, na Lituânia, de origem judaica, Gary imigrou para a França na adolescência. Por duas vezes foi agraciado com o Prêmio Goncourt, uma delas por um livro publicado com o pseudônimo Émile Ajar, o que gerou um grande polêmica porque, tradicionalmente, o Goncourt só pode ser concedido uma única vez a um autor. Uma breve incursão na teoria literária será feita para considerar a noção de autoria e, em seguida, tendo em vista o suicídio do escritor, serão utilizadas algumas noções freudianas a fim de verificar a hipótese de que o autoextermínio de Gary coincidiu com os aspectos disfuncionais de um processo por meio do qual o escritor buscava simultaneamente a invenção de si mesmo, o reconhecimento e a anonimidade.


2005 ◽  
Vol 10 (1) ◽  
pp. 113-124
Author(s):  
Denis St-Jacques ◽  
Marie-José des Rivières ◽  
Chantal Savoie

Cet article est consacré aux best-sellers féminins, d'origine tant québécoise que française et américaine, de 1960 à 1978. Durant cette période, des auteures féministes comme Simone de Beauvoir, Germaine Gréer et Louky Bersianik connaissent un large succès à côté d'écrivaines surtout littéraires comme Anne Hébert, Antonine Maillet, Marguerite Duras ou Françoise Sagan. Dans les oeuvres des ces dernières, la critique du mariage et des contraintes familiales accompagne une insistante revendication d'autonomie personnelle valorisant le travail hors du foyer sans que toutefois n'y soit sacrifié un tout aussi fort désir de réalisation sentimentale. Ainsi se redéfinit alors l'imaginaire féminin dans des productions jouissant de la plus large audience.


Author(s):  
O. Bondar

<p><em>In this study, I have collected and summarized the functional aspects of a literary prize, contest, and rating, which indicate their affiliation with the marketing complex of the publishing house for the first time. For this purpose, I have analyzed and summarized the common concepts of the functioning of literary prizes and contests as advertising tools for publishing activity. Because the previous studies are only focused on the fact of the impact of the prize on the promotion of editions but do not explain it, these aspects have been considered and introduced by me from the book production’s point of view. I investigated that the prizes and the contests in the literary field are effective marketing tools, which meet many publisher’s needs at the same time and can be considered a non-profit form of capital. I have reviewed the works of other authors, who accept that the economic success of the book is rising if the author is a winner of the literary prize or contest. I have found out that the book prize activates the demand for the book, and the literary contest is a tool to track the reader’s reaction to a future publication. In this way, literary prizes and contests can be considered as a way of conducting a marketing dialogue with the target audience. I have focused on the information support of literary national and international prizes and contests by the media, which attracts attention to the book and forms the reader’s interest. The literary prizes and contests are also considered as a way of exploring trends and their changes, familiarization the popular genres among the target audience and fixation the current choice of modern readers. Literary prizes and contests motivate the authors to improve their literary excellence, are the source of new authors and works, and assist in increasing sales of books. However, further research is recommended.</em></p><strong><em>Key words:</em></strong><em> book prize, book rating, literary contest, literary prize, functions of the literary prizes.</em>


2007 ◽  
pp. 42-63
Author(s):  
Sara Bender

The author discusses the history of the Jews of Chmielnik, a town situated 30 kilometres away from Kielce: from a short introduction covering the inter-war period, through the German invasion, ghetto formation, everyday life n the ghetto, deportations and the fate of the survivors. The author extensively describes social organisations and their activity in Chmielnik  (Judenrat, Ha Szomer ha-Cair), as well as the contacts between the Jews and the Poles.


2016 ◽  
Vol 9 (2) ◽  
pp. 295-296
Author(s):  
Jeremy Black
Keyword(s):  

2018 ◽  
Vol 12 (2) ◽  
pp. 252-267
Author(s):  
Kuniichi Uno

For Gilles Deleuze's two essays ‘Causes and Reasons of Desert Islands’ and ‘Michel Tournier and the World Without Others’, the crucial question is what the perception is, what its fundamental conditions are. A desert island can be a place to experiment on this question. The types of perception are described in many critical works about the history of art and aesthetical reflections by artists. So I will try to retrace some types of perception especially linked to the ‘haptic’, the importance of which was rediscovered by Deleuze. The ‘haptic’ proposes a type of perception not linked to space, but to time in its aspects of genesis. And something incorporeal has to intervene in a very original stage of perception and of perception of time. Thus we will be able to capture some links between the fundamental aspects of perception and time in its ‘out of joint’ aspects (Aion).


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