scholarly journals Moda masculina y distinción social. El ejemplo de Asturias desde la Restauración hasta la Segunda RepúblicaMale fashion and social distinction. The example of Asturias from the Restoration to the Second Republic

2017 ◽  
pp. 153
Author(s):  
Luis Benito García Álvarez
Keyword(s):  
Reference Points ◽  
Second Republic ◽  
Social Distinction ◽  
Good Account ◽  
Widespread Belief

Pese a lo extendido de la creencia de que a lo largo de buena parte del período contemporáneo la moda masculina se había caracterizado por la monotonía y la uniformidad, lo cierto es que esta dimensión no dejaría de desempeñar un destacado papel entre las estrategias de distinción social. En la Asturias de la Restauración, sometida a un acelerado proceso de industrialización y urbanización, tales realidades se tornarían bien visibles, generalizándose un cambio profundo en el atuendo tradicional y actuando Londres y más adelante también los modelos cinematográficoscomo referentes inexcusables del estilo masculino. De todo ello, dan buena cuenta fuentes como los anuncios publicitarios de sastres y bazares o materiales de tanta valía como las topografías médicas y los testimonios literarios.PALABRAS CLAVE: Asturias, Restauración, moda masculina, distinción, sastrería.ABSTRACTDespite the widespread belief throughout much of the contemporary period that male fashion was characterized by monotony and uniformity, the fact is that it always played a prominent role in the strategies of social distinction. In the Asturias of the Restoration, during an accelerated process of industrialization and urbanization, such realities became highly visible and a deep change in traditional attire became general, with London and later also the cinematographic models being key reference points for male style. Research sources such as the advertisements of tailors and clothes retailers and valuable materials such as medical topographies and literary testimonies provide a good account of all this.KEY WORDS: Asturias, Restoration, men’s fashion, distinction, tailoring.

scholarly journals Rationales and Functions of Disliked Music: An In-Depth Interview Study

2021 ◽  
Author(s):  
Taren-Ida Ackermann ◽  
Julia Merrill
Keyword(s):  
Age Groups ◽  
Emotional Reaction ◽  
Social Needs ◽  
Reference Points ◽  
Structured Interviews ◽  
Social Distinction ◽  
Self Image ◽  
Depth Interview ◽  
Musical Taste ◽  
Attitudes Toward Music

Music serves to satisfy emotional and social needs. In its individual quality as liked or disliked music, it can also be used to create and affirm one’s own identity. While studies on musical preferences are abundant, dislikes have rarely been considered in musical taste research. The current study is centered on the rationales and functions of musical dislikes using semi-structured interviews with participants from different age groups (N = 21). The observed rationales for disliked music followed three main themes of (1) object-related reasons such as the composition, the lyrics, and aesthetic dichotomies, (2) subject-related reasons such as emotions evoked – or not evoked – in the listener, physical reactions, self-related and normative reasons such as a mismatch with the self-image, and (3) social reasons which reflect a rejection of the values presented by the music and its fans and therefore underlining the importance of social distinction as a function of musical dislikes. Other functions include identity expression, the avoidance of negative emotional and physical states, and the implicitly expressed demonstration of musical competence. The explanations for disliked music are based on both an excess or lack of certain qualities of the music or emotional reaction to the music, pointing to the idea of a missing ideal mean of music. Quantitatively, the rationales found relate to a combination of reference points which is mainly the music, but often in combination with the lyrics, the performance, the artist, and the fans. Further, the degree of dislike ranged from a slight dislike to strong hatred. To conclude, musical dislikes are a complex, multidimensional component of musical taste. Taking musical dislikes into account, the diversity and complexity of an everyday aesthetics of music can be captured, extending our understanding of attitudes toward music and the functions of music.

Reference Coordinate System Requirements for Geophysics

1975 ◽  
Vol 26 ◽  
pp. 87-92
Author(s):  
P. L. Bender
Keyword(s):  
Coordinate System ◽  
Polar Motion ◽  
Main Part ◽  
Measurement Techniques ◽  
Reference Points ◽  
Angular Motion ◽  
Coordinate Systems ◽  
Axis Of Rotation ◽  
The Earth ◽  
Fixed System

AbstractFive important geodynamical quantities which are closely linked are: 1) motions of points on the Earth’s surface; 2)polar motion; 3) changes in UT1-UTC; 4) nutation; and 5) motion of the geocenter. For each of these we expect to achieve measurements in the near future which have an accuracy of 1 to 3 cm or 0.3 to 1 milliarcsec.From a metrological point of view, one can say simply: “Measure each quantity against whichever coordinate system you can make the most accurate measurements with respect to”. I believe that this statement should serve as a guiding principle for the recommendations of the colloquium. However, it also is important that the coordinate systems help to provide a clear separation between the different phenomena of interest, and correspond closely to the conceptual definitions in terms of which geophysicists think about the phenomena.In any discussion of angular motion in space, both a “body-fixed” system and a “space-fixed” system are used. Some relevant types of coordinate systems, reference directions, or reference points which have been considered are: 1) celestial systems based on optical star catalogs, distant galaxies, radio source catalogs, or the Moon and inner planets; 2) the Earth’s axis of rotation, which defines a line through the Earth as well as a celestial reference direction; 3) the geocenter; and 4) “quasi-Earth-fixed” coordinate systems.When a geophysicists discusses UT1 and polar motion, he usually is thinking of the angular motion of the main part of the mantle with respect to an inertial frame and to the direction of the spin axis. Since the velocities of relative motion in most of the mantle are expectd to be extremely small, even if “substantial” deep convection is occurring, the conceptual “quasi-Earth-fixed” reference frame seems well defined. Methods for realizing a close approximation to this frame fortunately exist. Hopefully, this colloquium will recommend procedures for establishing and maintaining such a system for use in geodynamics. Motion of points on the Earth’s surface and of the geocenter can be measured against such a system with the full accuracy of the new techniques.The situation with respect to celestial reference frames is different. The various measurement techniques give changes in the orientation of the Earth, relative to different systems, so that we would like to know the relative motions of the systems in order to compare the results. However, there does not appear to be a need for defining any new system. Subjective figures of merit for the various system dependon both the accuracy with which measurements can be made against them and the degree to which they can be related to inertial systems.The main coordinate system requirement related to the 5 geodynamic quantities discussed in this talk is thus for the establishment and maintenance of a “quasi-Earth-fixed” coordinate system which closely approximates the motion of the main part of the mantle. Changes in the orientation of this system with respect to the various celestial systems can be determined by both the new and the conventional techniques, provided that some knowledge of changes in the local vertical is available. Changes in the axis of rotation and in the geocenter with respect to this system also can be obtained, as well as measurements of nutation.

Cognitive Reflection Effects on Time Discounting

2018 ◽  
Vol 39 (2) ◽  
pp. 99-106 ◽  
Author(s):  
Michał Białek ◽  
Przemysław Sawicki
Keyword(s):  
Individual Differences ◽  
Individual Difference ◽  
Delay Discounting ◽  
Reference Point ◽  
Reference Points ◽  
Cognitive Reflection Test ◽  
Process Information ◽  
Time Discounting ◽  
Cognitive Reflection ◽  
The Way

Abstract. In this work, we investigated individual differences in cognitive reflection effects on delay discounting – a preference for smaller sooner over larger later payoff. People are claimed to prefer more these alternatives they considered first – so-called reference point – over the alternatives they considered later. Cognitive reflection affects the way individuals process information, with less reflective individuals relying predominantly on the first information they consider, thus, being more susceptible to reference points as compared to more reflective individuals. In Experiment 1, we confirmed that individuals who scored high on the Cognitive Reflection Test discount less strongly than less reflective individuals, but we also show that such individuals are less susceptible to imposed reference points. Experiment 2 replicated these findings additionally providing evidence that cognitive reflection predicts discounting strength and (in)dependency to reference points over and above individual difference in numeracy.

Impact of Context Information on Metaphor Elaboration

2018 ◽  
Vol 65 (6) ◽  
pp. 370-384 ◽  
Author(s):  
Veronika Lerche ◽  
Ursula Christmann ◽  
Andreas Voss
Keyword(s):  
Diffusion Model ◽  
Processing Speed ◽  
A Priori ◽  
Model Fit ◽  
Verbal Task ◽  
Context Information ◽  
Speed Of Processing ◽  
Good Account ◽  
Dependent Variables ◽  
Decision Settings

Abstract. In experiments by Gibbs, Kushner, and Mills (1991) , sentences were supposedly either authored by poets or by a computer. Gibbs et al. (1991) concluded from their results that the assumed source of the text influences speed of processing, with a higher speed for metaphorical sentences in the Poet condition. However, the dependent variables used (e.g., mean RTs) do not allow clear conclusions regarding processing speed. It is also possible that participants had prior biases before the presentation of the stimuli. We conducted a conceptual replication and applied the diffusion model ( Ratcliff, 1978 ) to disentangle a possible effect on processing speed from a prior bias. Our results are in accordance with the interpretation by Gibbs et al. (1991) : The context information affected processing speed, not a priori decision settings. Additionally, analyses of model fit revealed that the diffusion model provided a good account of the data of this complex verbal task.

Aspiration: Mechanics of Social Distinction

2010 ◽  
Author(s):  
Tania Ahmad ◽  
Zhanara Mauruzbayeva ◽  
Rachael Joo ◽  
Csilla Kalocsai ◽  
Thet Win ◽  
...  
Keyword(s):  
Social Distinction

Multiple reference points in pay satisfaction assessments

1997 ◽  
Author(s):  
Lisa Ordonez ◽  
Terry Connolly ◽  
Richard Coughlan
Keyword(s):  
Reference Points ◽  
Pay Satisfaction ◽  
Multiple Reference

Byron and Romantic Concepts of Inspiration

Romanticism ◽  
2019 ◽  
Vol 25 (2) ◽  
pp. 180-189
Author(s):  
Rolf Lessenich
Keyword(s):  
Romantic Period ◽  
Romantic Irony ◽  
Social Distinction ◽  
Ideal World ◽  
The Creation ◽  
The Ideal

Though treated marginally in histories of philosophy and criticism, Byron was deeply involved in Romantic-Period controversies. In that post-Enlightenment, science-orientated age, the Platonic-Romantic concept of inspiration as divine afflatus linking the prophet-priest-poet with the ideal world beyond was no longer tenable without an admixture of doubt that turned religion into myth. As a seriously-minded Romantic sceptic in the Pyrrhonian tradition and commuter between the genres of sensibility and satire, Byron often refers to the prophet-poet concept, acting it out in pre-Decadent poses of inspiration, yet undercutting it with his typical Romantic Irony. In contrast to Goethe, who insisted on an inspired poet's sanity, he saw inspiration both as a social distinction and as a pathological norm deviation. The more imaginative and poetical the creation, the more insane is the poet's mind; the more realistic and prosaic, the more compos it is, though an active poet is never quite sane in the sense of Coleridge's ‘depression’, meaning his non-visitation by his ‘shaping spirit of imagination’.

‘[T]his world is now thy pilgrimage’: William Michael Rossetti's Cognitive Maps of France and Italy

2018 ◽  
Vol 8 (1) ◽  
pp. 84-99
Author(s):  
Eleonora Sasso
Keyword(s):  
Cognitive Linguistics ◽  
Venice Lagoon ◽  
Cognitive Map ◽  
Reference Points ◽  
Late Nineteenth Century ◽  
Mental Picture ◽  
Historical Figures ◽  
Starting Point ◽  
Cognitive Semantic ◽  
St Helena

This paper takes as its starting point the conceptual metaphor ‘life is a journey’ as defined by Lakoff and Johnson (1980) in order to advance a new reading of William Michael Rossetti's Democratic Sonnets (1907). These political verses may be defined as cognitive-semantic poems, which attest to the centrality of travel in the creation of literary and artistic meaning. Rossetti's Democratic Sonnets is not only a political manifesto against tyranny and oppression, promoting the struggle for liberalism and democracy as embodied by historical figures such as Napoleon, Mazzini, Cavour, and Garibaldi; but it also reproduces Rossetti's real and imagined journeys throughout Europe in the late nineteenth century. This essay examines these references in light of the issues they raise, especially the poet as a traveller and the journey metaphor in poetry. But its central purpose is to re-read Democratic Sonnets as a cognitive map of Rossetti's mental picture of France and Italy. A cognitive map, first theorised by Edward Tolman in the 1940s, is a very personal representation of the environment that we all experience, serving to navigate unfamiliar territory, give direction, and recall information. In terms of cognitive linguistics, Rossetti is a figure whose path is determined by French and Italian landmarks (Paris, the island of St. Helena, the Alps, the Venice Lagoon, Mount Vesuvius, and so forth), which function as reference points for orientation and are tied to the historical events of the Italian Risorgimento. Through his sonnets, Rossetti attempts to build into his work the kind of poetic revolution and sense of history which may only be achieved through encounters with other cultures.

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