“Get Happy, All You Sinners”
This chapter discusses Cab Calloway’s articulation and portrait of irreverence as a distinctive mode of religious skepticism in African American religious history through his music and his 1976 autobiography, Of Minnie the Moocher and Me. His adolescent tensions with his respectable middle-class African American roots and religious upbringing shaped his early career, shedding light on the impactful presence of black men and women’s comedy that poked fun at African American religious life based on intimate familiarity with it. Comedic religious subjects generated a “knowing” laughter among African Americans with intimate knowledge of these irreverent caricatures because of their own experiences with religious life. Producing this laughter encouraged African Americans to embrace a kind of religious affiliation or participation that appreciated humor about matters that they had been instructed to treat with reverence. Through humor, irreverence oriented African Americans toward religious affiliation in ways that differed from radical humanist critiques of African American Protestant Christian theology and practice. In Cab Calloway’s early career, he made a concerted effort to produce humorous irreverence by replicating the sights, sounds, and behaviors of black Protestant church settings, characters, events, and experiences.